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MODERN ART:
Introduction and History
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5
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4
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3
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2
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1
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PICTURE
START
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How does
Modern Art differ
from Classical
Art?
>> 0 >> 1 >> 2 >> 3 >> 4 >>
What is
Classicism?
>> 0 >> 1 >> 2 >> 3 >> 4 >>
A traditional style of art, literature, music,
architecture, etc., that is usually graceful
and simple with parts that are organized in a
pleasing way.
http://www.merriam-webster.com/dictionary/classicism
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Adherence to the aesthetic values
embodied in ancient Greek and Roman art
and literature.
A style based on the study of Greek and
Roman models, characterized by emotional
restraint and regularity of form.
http://www.thefreedictionary.com/classicism
>> 0 >> 1 >> 2 >> 3 >> 4 >>
What is
Modern Art?
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Any creative group active in the innovation
and application of new concepts and
techniques in a given field (especially in the
arts).
wordnetweb.princeton.edu/perl/webwn
Traditions of the past have been thrown aside
because of the spirit of experimentation.
>> 0 >> 1 >> 2 >> 3 >> 4 >>
* Modern art includes artistic works
produced during the period extending
roughly from the 1860s to the 1970s.
* Modern art can be traced back to the
INDUSTRIAL REVOLUTION, a period that
lasted from the 18th to the 19th century
* Characteristic of the 20th and 21st
centuries and of the later part of the 19th
century.
>> 0 >> 1 >> 2 >> 3 >> 4 >>
- Invention of photography.
- Many artists started to make art about
people, places, or ideas that interested them, and
of which they had direct experience.
DURING THE MODERN ART:
- Sigmund Freud’s publication triggered
many artists.
- Artists challenged the notion that art
must realistically depict the world.
>> 0 >> 1 >> 2 >> 3 >> 4 >>
• Artists living in the rapidly modernizing
world of late 19th-century Europe wished
not only to depict modern (for them,
contemporary) everyday life, but also to
reveal the emotional and psychological
effects of living in a world in rapid flux.
>> 0 >> 1 >> 2 >> 3 >> 4 >>
LANDSCAPE AT COLLIOURE
Color
speaks for
itself with a
directness
previously
unknown in
Western
painting
>> 0 >> 1 >> 2 >> 3 >> 4 >>
THE BATHER
capture a sense of
ambiguity or uncertainty
that is typical of
the modern experience.
>> 0 >> 1 >> 2 >> 3 >> 4 >>
STILL LIFE WITH APPLES
“Painting from
nature is not
copying the
object,” he
wrote, “it is
realizing
one’s
sensations.”
>> 0 >> 1 >> 2 >> 3 >> 4 >>
help make this new mode of transportation
appealing to Parisians.
Entrance
Gate to
Paris
Subway
(Métropolitai
n) Station,
Paris,
France
>> 0 >> 1 >> 2 >> 3 >> 4 >>
THE
TOWER
Eiffel Tower
was for
Delaunay
a symbol of
both modern
ityand
masculinity
>> 0 >> 1 >> 2 >> 3 >> 4 >>
PORT-EN-BESSIN, ENTRANCE TO THE HARBOR
- Seurat’s technique is known as pointillism
>> 0 >> 1 >> 2 >> 3 >> 4 >>
- more about imagination than reality
THE STARRY NIGHT
>> 0 >> 1 >> 2 >> 3 >> 4 >>
MELANCHOLY III(MELANKOLI III)
working in an expressive mode and capturing emotion was
more important than making realistic images of the world.
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Rather than
just seeking to
capture the
sitter’s
physical
appearance,
artists like
Édouard
Vuillard and
Vincent van
Gogh sought
to represent
his or her
character,
disposition,
and even inner
psyche.Portrait of Joseph Roulin
>> 0 >> 1 >> 2 >> 3 >> 4 >>
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Artists,
Movements and
Styles in Modern
Art (1870-1930)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Impressionism
(c.1870-1890)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Post Impressionism
(c.1885-1905)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Fauvism
(1905-1910)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
German Expressionism
(1905-1925)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Abstract Art
(c.1907 onwards)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Cubism
(1907-1915)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Futurism
(1909-1914)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Suprematism
(c.1915-1925)
>> 0 >> 1 >> 2 >> 3 >> 4 >>
Constructivism
(c.1913-1930)
>> 0 >> 1 >> 2 >> 3 >> 4 >>

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Introduction to modern art

  • 1. >> 0 >> 1 >> 2 >> 3 >> 4 >> MODERN ART: Introduction and History
  • 2. >> 0 >> 1 >> 2 >> 3 >> 4 >> 5
  • 3. >> 0 >> 1 >> 2 >> 3 >> 4 >> 4
  • 4. >> 0 >> 1 >> 2 >> 3 >> 4 >> 3
  • 5. >> 0 >> 1 >> 2 >> 3 >> 4 >> 2
  • 6. >> 0 >> 1 >> 2 >> 3 >> 4 >> 1
  • 7. >> 0 >> 1 >> 2 >> 3 >> 4 >> PICTURE START
  • 8. >> 0 >> 1 >> 2 >> 3 >> 4 >> How does Modern Art differ from Classical Art?
  • 9. >> 0 >> 1 >> 2 >> 3 >> 4 >> What is Classicism?
  • 10. >> 0 >> 1 >> 2 >> 3 >> 4 >> A traditional style of art, literature, music, architecture, etc., that is usually graceful and simple with parts that are organized in a pleasing way. http://www.merriam-webster.com/dictionary/classicism
  • 11. >> 0 >> 1 >> 2 >> 3 >> 4 >> Adherence to the aesthetic values embodied in ancient Greek and Roman art and literature. A style based on the study of Greek and Roman models, characterized by emotional restraint and regularity of form. http://www.thefreedictionary.com/classicism
  • 12. >> 0 >> 1 >> 2 >> 3 >> 4 >> What is Modern Art?
  • 13. >> 0 >> 1 >> 2 >> 3 >> 4 >> Any creative group active in the innovation and application of new concepts and techniques in a given field (especially in the arts). wordnetweb.princeton.edu/perl/webwn Traditions of the past have been thrown aside because of the spirit of experimentation.
  • 14. >> 0 >> 1 >> 2 >> 3 >> 4 >> * Modern art includes artistic works produced during the period extending roughly from the 1860s to the 1970s. * Modern art can be traced back to the INDUSTRIAL REVOLUTION, a period that lasted from the 18th to the 19th century * Characteristic of the 20th and 21st centuries and of the later part of the 19th century.
  • 15. >> 0 >> 1 >> 2 >> 3 >> 4 >> - Invention of photography. - Many artists started to make art about people, places, or ideas that interested them, and of which they had direct experience. DURING THE MODERN ART: - Sigmund Freud’s publication triggered many artists. - Artists challenged the notion that art must realistically depict the world.
  • 16. >> 0 >> 1 >> 2 >> 3 >> 4 >> • Artists living in the rapidly modernizing world of late 19th-century Europe wished not only to depict modern (for them, contemporary) everyday life, but also to reveal the emotional and psychological effects of living in a world in rapid flux.
  • 17. >> 0 >> 1 >> 2 >> 3 >> 4 >> LANDSCAPE AT COLLIOURE Color speaks for itself with a directness previously unknown in Western painting
  • 18. >> 0 >> 1 >> 2 >> 3 >> 4 >> THE BATHER capture a sense of ambiguity or uncertainty that is typical of the modern experience.
  • 19. >> 0 >> 1 >> 2 >> 3 >> 4 >> STILL LIFE WITH APPLES “Painting from nature is not copying the object,” he wrote, “it is realizing one’s sensations.”
  • 20. >> 0 >> 1 >> 2 >> 3 >> 4 >> help make this new mode of transportation appealing to Parisians. Entrance Gate to Paris Subway (Métropolitai n) Station, Paris, France
  • 21. >> 0 >> 1 >> 2 >> 3 >> 4 >> THE TOWER Eiffel Tower was for Delaunay a symbol of both modern ityand masculinity
  • 22. >> 0 >> 1 >> 2 >> 3 >> 4 >> PORT-EN-BESSIN, ENTRANCE TO THE HARBOR - Seurat’s technique is known as pointillism
  • 23. >> 0 >> 1 >> 2 >> 3 >> 4 >> - more about imagination than reality THE STARRY NIGHT
  • 24. >> 0 >> 1 >> 2 >> 3 >> 4 >> MELANCHOLY III(MELANKOLI III) working in an expressive mode and capturing emotion was more important than making realistic images of the world.
  • 25. >> 0 >> 1 >> 2 >> 3 >> 4 >> Rather than just seeking to capture the sitter’s physical appearance, artists like Édouard Vuillard and Vincent van Gogh sought to represent his or her character, disposition, and even inner psyche.Portrait of Joseph Roulin
  • 26. >> 0 >> 1 >> 2 >> 3 >> 4 >>
  • 27. >> 0 >> 1 >> 2 >> 3 >> 4 >> Artists, Movements and Styles in Modern Art (1870-1930)
  • 28. >> 0 >> 1 >> 2 >> 3 >> 4 >> Impressionism (c.1870-1890)
  • 29. >> 0 >> 1 >> 2 >> 3 >> 4 >> Post Impressionism (c.1885-1905)
  • 30. >> 0 >> 1 >> 2 >> 3 >> 4 >> Fauvism (1905-1910)
  • 31. >> 0 >> 1 >> 2 >> 3 >> 4 >> German Expressionism (1905-1925)
  • 32. >> 0 >> 1 >> 2 >> 3 >> 4 >> Abstract Art (c.1907 onwards)
  • 33. >> 0 >> 1 >> 2 >> 3 >> 4 >> Cubism (1907-1915)
  • 34. >> 0 >> 1 >> 2 >> 3 >> 4 >> Futurism (1909-1914)
  • 35. >> 0 >> 1 >> 2 >> 3 >> 4 >> Suprematism (c.1915-1925)
  • 36. >> 0 >> 1 >> 2 >> 3 >> 4 >> Constructivism (c.1913-1930)
  • 37. >> 0 >> 1 >> 2 >> 3 >> 4 >>