HOW TO DEVELOP CONCEPT

1. Design Concepts
- Basics Points to be considered

2. How to Start
Concept

3. Concept
An Idea Or Scratch From Where Human
Mind Take Its First Step Toward
Creating Anything Artistic, Appealing &
Taking Account Human Interest Or
Benefit.

4. YOUR SOURCE OF INSPIRATION CAN BE ANYTHING.KEEP YOUR INSPIRATION RUNNING THROUGH
YOUR VEINS, FORMULATE YOUR INSPIRATION INTO YOUR DESIGN & YOU WILL LEAD TO SUCCESS
IN YOUR PROJECT.

5. C o n c e p t u a l S k e t c h e s
B a s i c I d e a s

6. C o n c e p t u a l S k e t c h e s
P l a c e m e n t o f B l o c k s

7. C o n c e p t u a l S k e t c h e s
M o v e m e n t

8. B u b b l e D i a g r a m

9. S k e t c h e s
They will add to the beauty and clarity of your drawing
Accentuate your drawings with the help of Sketches

10. Prelim inar y Subm ission
Concept
Design Brief
Drawings
Views

11. Concept
Take care of climatic conditions
Deal with site potentials & constraints
Give an idea of what you want to create
Also highlight any particular level you wish to achieve
Your first step towards your “Design Philosophy”
Preliminary Submission

12. CONCEPT

13. Design Brief
List out the given requirements
Add things which you feel are required
Calculate Areas per floor
Think on the lines of form or function
Make flowcharts to understand the interdependence of activities
Preliminary Submission

14. Drawings
Sequence of Drawings will be:
Concept
Site Plan
All Floor Plans
Elevations
Sections
Views
Preliminary Submission

15. F inal Submission
F i n a l C o n c e p t
D e s i g n B r i e f
R e n d e r e d D r a w i n g s
V i e w s / M o d e l

16. Sheet Compositi on

17. How to compose your sheet - St yle de presentation

18. How to compose your sheet - Style de presentation

19. How to compose your sheet - Style de presentation

20. Elevations & importance of lineweight

21. E l e v a t i o n s & i m p o r t a n c e o f l i n e w e i g h t
Elevation without lineweight & Sciography is just like
food without ingredients.
Try to add some spice to your elevation. plants,
vehicles, trees & human figures can be used for having
scale reference in proportion to building scale.

22. Presentati on Techniq ues
NORTH
LINE WEIGHT

23. P r e s e n t a t i o n T e c h n i q u e s
LETTERING

24. P r e s e n t a t i o n T e c h n i q u e s
LINKAGES DIRECTION FOLIAGE

25. P r e s e n t a t i o n T e c h n i q u e s
TREES/ SHRUBS IN PLAN

26. P r e s e n t a t i o n T e c h n i q u e s
LANDFORM
BRIGE
FLOORING
ROOF PROFILES

27. P r e s e n t a t i o n T e c h n i q u e s
TREE PROFILES IN ELEVATION

28. P r e s e n t a t i o n T e c h n i q u e s
PAVING AND WALLS

29. P r e s e n t a t i o n T e c h n i q u e s
ROOF PROFILES

30. Details
Standard symbols which
area used in architectural
drawing representation:
 Staircases
 Trees
 Doors
 Windows
 North symbol

31. P r e s e n t a t i o n T e c h n i q u e s
FINAL CONCEPT/SITE PLAN

32. P r e s e n t a t i o n T e c h n i q u e s
SITE SECTION

33. SITE PLAN &
LANDSCAPING
• REPRESENTING SITE AREA, BUILTUP OR PROPOSED BLOCK, HARD AREAS(PAVING, PEDESTRIAN &
ROAD etc) & SOFT AREAS(TREES, LAWN, WATER BODY etc) ON A TWO DIMENSIONAL PLANE.
HOUSE DONE BY AR FRANK LLOYD WRIGHT IN 51ST

34. JUST NOTICE
THE WAY TO
PRESENTATIO
N &
DIFFERENCE
IN
LINEWEIGHT
OF
CONCRETE
PATION &
ROOF BLOCK
SHRUBS,FLO
WER BEDS,
HEDGES &
SMALL
PLANTS CAN
BE
REPRESENTED
IN THIS WAY.
BIGGER
TREES &
THEIR
VARIETY CAN
ADD BEAUTY
TO
LANDSCAPE
DRIVE
WAY
CHILDREN
PLAY AREA
OR SAND PIT
THINK OF CREATING A SPACE
WHICH CAN ADD LIVELINESS
TO YOUR LIFE.

35. YOU MIGHT BE IMAGINATIVE & CREATIVE BUT MY DEAR FRIENDS EVERY ONE
DOESN’T POSSESS THIS GOD GIFT.
SO TRY TO ENTER INTO 3D THIRD DIMENSION SO THAT EVERY SINGLE PERSON
COULD HAVE A GLIMPSE OF YOUR THOUGHTS & IDEAS.
ENTERING THE THIRD DIMENSION

36. SKETCHING WILL
ALSO WORK.
TRY TO SKETCH
OR COLOR DOWN
SOME
IMPORTANT
FEATURES WHICH
YOU HAVE BEEN
THINKING OF
INCORPORATING
INTO YOUR
DESIGN.

37. FLOOR
PLANS
IT COMPRISES OF FRAMING
YOUR CONCEPT INTO REALITY.
 BRINGING IDEA LIVE.
 ORGANISING YOUR DATA
STUDY,CASE STUDY &
CONCEPT(DESIGN
PHILOSOPHY) ON 2D PLANE
WITH EXACT DIMENSIONS
IN REFERENCE TO HUMAN
SCALE OR PROPORTIONAL
REQUIREMENT OF
FURNITURE OR ANY
VEHICLE.
 PLAN IS ALWAYS CUTTED AT
CILL LVL OR LITTLE ABOVE
CILL LEVEL.
 LINEWEIGHT IMPORTANCE
CAN BE COUNTED OR
OBSERVED WHILE
DRAFTING.
 ANY SMALL ERROR MAY
LEAD TO FALSE
INTERPRETATION OF
DRAWING.
WALL WITHOUT
WINDOW
WALL WITH WINDOW

38. FLOOR
PLANS
WHAT DO YOU THINK ELSE THAN
VENTILATION WINDOW PROVIDES YOU.

39. FLOOR PLANS
INTO THE DETAILS:
FROM MACRO LEVEL OF
PLANNING TO MICRO LEVEL.
 START FROM WHOLE
BUILDING PLAN AND REACH
TILL A SINGLE UNIT OR
ROOM.
 TRY TO UNDERSTAND WHAT
OUR NEED IS.
 ANALYSE ROOM SPACE &
ITS 3 DIMENSIONAL AURA
TO BEAUTIFY IT.
 FLOW YOUR IDEAS WITH
YOUR MOVEMENT
PATTERNS.
 STUDY WIND & SUN
MOVEMWENT PATTERN.
 WIDEN UP YOUR
PERSPECTIVE.
 BE INTO THE DETAILS.

40. SPACE & ITS
UTILIZATION
Your first hurdle: understand the
concept behind living room
Observe
 Sitting
 Movement pattern
 ventilation
Observe the living room:
Its big in size but focus on furniture layout & movement pattern.
you will observe there is no harm in designing a big space unless &
until you come out with a solution regarding proper utilization of
space.

41. SPACE & ITS
UTILIZATION
In this plan analyse the space
division of elongated living
cum dining cum kitchen.
What we call in local term
open planning concept.

42. Interior views of living room will give you an idea about
spacial organisation inside living room.

43. STRUCTURAL GRIDS