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Project book tutorial
- 2. Presentation • A good presentations supports but does not detract from the material being presented 1. Design or style 2. Paper 3. Font 4. Mounting your textiles 5. Lettering 6. Consistency 7. Size matters 8. High quality imagery 9. Neatness 10. Glue
- 4. Plain Weave: simplest and strongest of all weaves. Over under, over under, etc….
- 5. Twill has an obvious diagonal
- 6. Satin Weave A weave with long warp floats Surface is smooth and has sheen Has good drape Fabric has a lot of side to side movement Could confused with a taffeta which is flatter, stiffer and has less sheen For your project book use a plain satin not a satin stripe
- 7. Herringbone Variation of a twill The diagonal reverses to create zig zags
- 8. Silk Taffeta
- 9. Taffeta • A variation of a plain weave • Crisp hand • Dense fabric • Can be confused with a satin. Taffeta is flatter and crisper. Not as drape able as satin. Not as shiny as satin unless iridescent.
- 10. Damask
- 11. Damask Construction • Warp satin in the ground and weft satin in the figure • Positive/negative design front to the back. Designs elements that are warp satin on the face are weft satin on the back • Warp satin has sheen • Usually monochromatic • Simple, single layer fabric, flat • Drape able • Traditional designs are stylized poppy flowers • Can be any fiber
- 12. moire
- 13. Moire • A finish that creates a wood grain or water mark pattern • Usually has a rep weave • Fabric passes through hot rollers that have metal rods that depress rep weave • Moire does not have a repeat but the moire pattern should have a similar feeling and scale throughout.
- 14. Outdoor fabric
- 15. Outdoor fabrics • The most common fabric for outdoor use is solution dyed acrylic sold under a trade name Sunbrella. • Most larger showrooms in the D&D offer outdoor fabric and they might have their own section. Ask for help locating. • Woven fabrics are most common but there are also some printed outdoor fabrics. You can use either for your project book.
- 16. Embroidery
- 17. Embroidery • Topical embellishment • Unlike woven fabrics with yarns at right angles embroidery yarns follow the design and can go in any direction • CAD embroidery has carrier yarn on the back usually white
- 18. Velvet
- 19. Velvet • Supplementary yarn in the warp direction to create pile • Pile can be cut or loop • All loop is called grospoint • Can be confused with chenille which is a yarn or flocking which is a print
- 20. Linen or union print
- 21. Linen or union print • Linen or union refers to the ground cloth. Linen is 100% linen and union blends cotton/linen. • Printed on surface • Faint image on the back or no image at all • Ground is textural and has a rough hand
- 22. tapestry
- 23. Tapestry
- 24. Tapestry • A weave developed to look like tapestry rugs and wall hangings • Dense, multi (rainbow) colored warp • Light and dark weft • Heavy, stiff fabric • Typical designs are traditional flowers and leaves. • Can be confused with fabrics with similar design that have multi colored weft. Identify the warp to make sure that it is a tapestry construction.
- 25. Sheer
- 26. Sheer • Light weight fabrics used on windows or beds to filter light, create privacy and insulate against heat, cold and sound. • Casements incorporate heavy yarns and have more texture than sheers. • Can be any fiber
- 27. Chenille
- 28. Chenille • A fuzzy yarn when used in a fabrics has the look of pile or velvet. • In both of these examples the chenille is in the ground. • Can be confused for velvet or flocking. • If in doubt, pull the yarn from the fabric. It looks like a pipe cleaner.
- 29. Matlasse
- 30. Matlasse • Double cloth or mock double cloth • Heavy, thick fabric that appears to me padded • Developed to mimic hand-stitched quilts • Design looks puffy and you may is a stitched effect surrounding the motif
- 31. Nonwovens: Vinyl
- 32. Nonwoven:leather
- 33. Nonwoven:Felt
- 35. modern
- 36. traditional
- 37. Traditional
- 38. Transitional
- 39. transitional
- 40. Not a room setting
- 41. Not a room setting
- 42. Not a room setting
- 43. Catalogs and advertisements are not sophisticated enough
- 44. Scheme
- 46. Student Name: Project Name: Date: Janisha Wilson Room Scheme 3 April 21, 2014 New York School of Interior Design 119 Textiles for Interiors Professor Adrienne Concra WALL COVERING AREA RUG CHAIR FABRIC SOFA FABRIC PILLOW FABRIC DRAPPERY FABRIC PILLOW FABRIC