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Integrated Data Capture Technologies and Methodologies for Rapid
Archaeological Field Deployment and the Creation of Point Cloud Based Data
Scaffolds for Cultural Heritage Dissemination: Case Studies from Cyprus, Italy,
Jordan, and San Diego
For The Cotsen Institute of Archaeology, UCLA
7 June 2013
Ashley M. Richter
Ashley M. Richter
Cultural Heritage Diagnostics Engineering Researcher
PhD Student, Anthropological Archaeology
National Science Foundation’s (NSF)
Integrative Graduate Education and Research Traineeship (IGERT) project for
Training, Research and Education in Engineering for Cultural Heritage Diagnostics (TEECH)
at the Center of Interdisciplinary Science for Art, Architecture, and Archaeology (CISA3)
at the California Institute of Telecommunication and Information Technology (Calit2)
at the University of California, San Diego (UCSD)
TABLE OF CONTENTS
•Intro
•The Center of Interdisciplinary Science for Art, Architecture, &
Archaeology at the University of California, San Diego
•Layered Reality Systems
•Laser Scanning for CyberArchaeology & Digital Scaffolds
•Structure from Motion for CyberArchaeology
•Structured Light for CyberArchaeology
•Project Expansions
•The Ethics & Future Issues of Digitization & Layered Realities
University College, University of Durham, United Kingdom
BA Joint Honours in Archaeology & Ancient History
University of Leicester
MA Archaeology & Heritage
Center of Interdisciplinary Science for
Art, Architecture, and Archaeology =
Engineering
Computer
Science
Cognitive
Science
Anthropology
Ancient
History
Museum
Studies
ArchaeologyPublic
Archaeology
Chemistry
Physics
Political
Science
Mathematics
Architecture
Visual Arts
Interdisciplinary & Collaborative
Material
Science
Art
History
LAYERED REALITIES
Satellite Imagery
Aerial Photography
(Visible, Multispectral)
Point Clouds- Raw &
Modeled Layers
High Resolution
Photography
Artifact Layers
Multispectral Imaging
Community Input
Textual Annotation Layers
Cartography
GIS
Layered Realities!!
3D Immersive Cave Systems
Collaborative Visualization Walls
Augmented Reality: ARtifact
Capable Point Rendering Software
But what does it mean?
LIGHT DETECTION & RANGING (LIDAR)
Initial Work in Cyprus
Cyprus Archaeometallurgical Project (CAMP)
Terrestrial LiDAR
= The best way to get a dense data scaffold in the field-
if it could be adapted for rapid deployment in uncertain
environments…
TEST CASE 2011 Khirbat Faynan, Jordan
*testing the engineering
*creating metadata standards & workflow
*building a digital scaffold
Rescue LiDAR at Umm al-Amad
SANDCASTLES FOR SCIENCE
NSF-IGERT Mini- Grant Project: Sediment Interval & Site Deformation Processes:
Exploring Time Lapse Laser Scanning Capabilities & Methodologies for Archaeology
Structure from Motion
Jordan 2012:
Back at Faynan looking at integrating more
technologies into the data capture process…
Invited to collect data at Petra….
The Temple of the Winged Lions with the
American Center of Oriental Research’s
Conservation Project
Byzantine Petra Mosaic Church
Structured Light
Upcoming: The Digital Documentation of Balboa
Park & its Museum Collections for their centennial
Fall Field Work in Italy
Palazzo Vecchio, Florence
Digitally Documenting Egnazio Danti’s Terrestrial Globe
in the Map Room at the Palazzo Vecchio
•Full visible & multispectral documentation
in 2D and 3D
•Data Sets Layered Together
•What does the globe show?
•Data, Analysis, & Historical Background
published via ARtifact
The CISA3 Undergraduate Research Interns:
Past & Present
•Rebecca Asch, International Studies, Data Collection Management
•Shelby Cohantz, Cognitive Science, Neurological User Interface Design
•James M. Darling, Cognitive Science, Phenomenological User Interface Design
•Ross Davison, Archaeology, Laser Scanning Use in Field Archaeology
(now graduated, works with CyArk)
•Jonathan Eliashiv, Geophysics, Underwater Site De-Formation
•Aliya Hoff, Anthropology- Underwater Archaeology
•Kat Huggins, Anthropology, Illustration Apps, Materiality & 3D Printing
•Annie Jessup-Snyder, Visualizing Lithic Typologies
•Jessica Linback, International Studies, Data Hierarcihes for Point Clouds
•Bridget McGovern, Linguistics, Education Outreach
•Adrian Phillips, ICAM, Social Implications of Augmented Reality Systems
•Savannah Shifrin, Anthropology, Coastal Site Deformation
•Leah Trujillo, Anthropology, Education Outreach
(graduated- now works for LACHMA)
•Lillian Wakefield, Environmental Chemistry, XRF & Multispectral Imaging for Cultural
Heritage Diagnostic Visualization
Taking our terrestrial data collection and visualization
methodologies and applying them towards underwater
cultural heritage surveys
Underwater Archaeology
Multi-Spectral Imaging
X-Ray Fluorescence (XRF)
Radiography
Cognitively Designed User Interfaces for our Software
Infrastructures & Visualization Systems
But what does it mean?
PHYSICAL
Evolving Data Capturing Technologies
Mean
INTANGIBLE
(Ceci n’est pas le site!)
The Site A Photograph of the Site
(2D)
Accurate 3D Point Cloud
Model of the Site
Digital Sites Create Questions of Authenticity
If you have a digital replica-
Do you need to preserve the
reality? Can there even be a
reality if it is based on
perception and propaganda?
Emergence of cultural heritage
heteroutopias-
Is the heteroutopia better than the
original as a more easily disseminatable
imagined conglomorate?
Can the experience of the false place be
more or less authentic if it’s the
idealized /archetypal version?
Can we ever collect a digital recreation which
accurately holds onto the phenomenological
experience of the reality?
•Would we then need to keep reality?
•What does it mean to be able to experience all
times and all places? Can we even calculate and
program that?
What will an Augmented Reality mean?
“Augmented Reality: It’s
like Real Life,
But Better!”
– Guardian Headline
If and when everyone can experience the past-
what does this mean to their sense of self in
time?
Globalism = awareness of space
Social Media/Internet= awareness of society
What happens when there is a global awareness of
time and one’s place in it?
If all information is available- how does one
navigate through it without becoming lost-
losing self/losing meaning?
Jose Luis Borges The Library of Babel
THE DATA AVALANCHE
BIG DATA
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
Information information information information information information information information
ACKNOWLEDGEMENTS
•The National Science Foundation (NSF) Education and Research Traineeship (IGERT)
project for Training, Research and Education in Engineering for Cultural Heritage
Diagnostics (TEECH)
• the Center of Interdisciplinary Science for Art, Architecture, and Archaeology (CISA3)
•
• the California Institute of Telecommunication and Information Technology (Calit2)
•
•the Anthropology Department at the University of California, San Diego (UCSD)
•My fellow CISA3 Asgardians: Vid Petrovic (gentleman thief), XXX XXXXX, David Vanoni
(white knight & tiger), and Andrew Huyhn (penguin conniseur)
•My CISA3 colleagues, esp: John Mangan, Joe DeBlasio, David Srour, Jason Kimball, and
Sam Stout
•My CURIs- especially James Darling and Aliya Hoff
•Professors Thomas E. Levy (Anthropology), Falko Kuester (Computer Science &
Engineering), Maurizio Seracini (EmerituS Engineering)
Interested in Visiting/Training/Collaborating?
Email contact: arichter@ucsd.edu
And Come Visit CISA3 at Qi/Calit2
Second floor of Atkinson Hall
University of California, San Diego
Questions?
Comments?
Philosophical Ruminations?

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Integrated Technology for Archaeological Imaging in the Field and in the Lab

  • 1. Integrated Data Capture Technologies and Methodologies for Rapid Archaeological Field Deployment and the Creation of Point Cloud Based Data Scaffolds for Cultural Heritage Dissemination: Case Studies from Cyprus, Italy, Jordan, and San Diego For The Cotsen Institute of Archaeology, UCLA 7 June 2013 Ashley M. Richter Ashley M. Richter Cultural Heritage Diagnostics Engineering Researcher PhD Student, Anthropological Archaeology National Science Foundation’s (NSF) Integrative Graduate Education and Research Traineeship (IGERT) project for Training, Research and Education in Engineering for Cultural Heritage Diagnostics (TEECH) at the Center of Interdisciplinary Science for Art, Architecture, and Archaeology (CISA3) at the California Institute of Telecommunication and Information Technology (Calit2) at the University of California, San Diego (UCSD)
  • 2. TABLE OF CONTENTS •Intro •The Center of Interdisciplinary Science for Art, Architecture, & Archaeology at the University of California, San Diego •Layered Reality Systems •Laser Scanning for CyberArchaeology & Digital Scaffolds •Structure from Motion for CyberArchaeology •Structured Light for CyberArchaeology •Project Expansions •The Ethics & Future Issues of Digitization & Layered Realities
  • 3. University College, University of Durham, United Kingdom BA Joint Honours in Archaeology & Ancient History University of Leicester MA Archaeology & Heritage
  • 4.
  • 5. Center of Interdisciplinary Science for Art, Architecture, and Archaeology =
  • 6.
  • 8. LAYERED REALITIES Satellite Imagery Aerial Photography (Visible, Multispectral) Point Clouds- Raw & Modeled Layers High Resolution Photography Artifact Layers Multispectral Imaging Community Input Textual Annotation Layers Cartography GIS
  • 9. Layered Realities!! 3D Immersive Cave Systems Collaborative Visualization Walls Augmented Reality: ARtifact Capable Point Rendering Software
  • 10.
  • 11. But what does it mean?
  • 12. LIGHT DETECTION & RANGING (LIDAR)
  • 13. Initial Work in Cyprus Cyprus Archaeometallurgical Project (CAMP)
  • 14. Terrestrial LiDAR = The best way to get a dense data scaffold in the field- if it could be adapted for rapid deployment in uncertain environments…
  • 15. TEST CASE 2011 Khirbat Faynan, Jordan *testing the engineering *creating metadata standards & workflow *building a digital scaffold
  • 16. Rescue LiDAR at Umm al-Amad
  • 17. SANDCASTLES FOR SCIENCE NSF-IGERT Mini- Grant Project: Sediment Interval & Site Deformation Processes: Exploring Time Lapse Laser Scanning Capabilities & Methodologies for Archaeology
  • 19.
  • 20. Jordan 2012: Back at Faynan looking at integrating more technologies into the data capture process…
  • 21. Invited to collect data at Petra…. The Temple of the Winged Lions with the American Center of Oriental Research’s Conservation Project
  • 24. Upcoming: The Digital Documentation of Balboa Park & its Museum Collections for their centennial
  • 25. Fall Field Work in Italy Palazzo Vecchio, Florence
  • 26. Digitally Documenting Egnazio Danti’s Terrestrial Globe in the Map Room at the Palazzo Vecchio •Full visible & multispectral documentation in 2D and 3D •Data Sets Layered Together •What does the globe show? •Data, Analysis, & Historical Background published via ARtifact
  • 27.
  • 28. The CISA3 Undergraduate Research Interns: Past & Present •Rebecca Asch, International Studies, Data Collection Management •Shelby Cohantz, Cognitive Science, Neurological User Interface Design •James M. Darling, Cognitive Science, Phenomenological User Interface Design •Ross Davison, Archaeology, Laser Scanning Use in Field Archaeology (now graduated, works with CyArk) •Jonathan Eliashiv, Geophysics, Underwater Site De-Formation •Aliya Hoff, Anthropology- Underwater Archaeology •Kat Huggins, Anthropology, Illustration Apps, Materiality & 3D Printing •Annie Jessup-Snyder, Visualizing Lithic Typologies •Jessica Linback, International Studies, Data Hierarcihes for Point Clouds •Bridget McGovern, Linguistics, Education Outreach •Adrian Phillips, ICAM, Social Implications of Augmented Reality Systems •Savannah Shifrin, Anthropology, Coastal Site Deformation •Leah Trujillo, Anthropology, Education Outreach (graduated- now works for LACHMA) •Lillian Wakefield, Environmental Chemistry, XRF & Multispectral Imaging for Cultural Heritage Diagnostic Visualization
  • 29. Taking our terrestrial data collection and visualization methodologies and applying them towards underwater cultural heritage surveys Underwater Archaeology
  • 31. Cognitively Designed User Interfaces for our Software Infrastructures & Visualization Systems
  • 32. But what does it mean?
  • 33. PHYSICAL Evolving Data Capturing Technologies Mean INTANGIBLE (Ceci n’est pas le site!) The Site A Photograph of the Site (2D) Accurate 3D Point Cloud Model of the Site
  • 34. Digital Sites Create Questions of Authenticity If you have a digital replica- Do you need to preserve the reality? Can there even be a reality if it is based on perception and propaganda? Emergence of cultural heritage heteroutopias- Is the heteroutopia better than the original as a more easily disseminatable imagined conglomorate? Can the experience of the false place be more or less authentic if it’s the idealized /archetypal version?
  • 35. Can we ever collect a digital recreation which accurately holds onto the phenomenological experience of the reality? •Would we then need to keep reality? •What does it mean to be able to experience all times and all places? Can we even calculate and program that?
  • 36. What will an Augmented Reality mean? “Augmented Reality: It’s like Real Life, But Better!” – Guardian Headline
  • 37. If and when everyone can experience the past- what does this mean to their sense of self in time? Globalism = awareness of space Social Media/Internet= awareness of society What happens when there is a global awareness of time and one’s place in it?
  • 38. If all information is available- how does one navigate through it without becoming lost- losing self/losing meaning? Jose Luis Borges The Library of Babel THE DATA AVALANCHE BIG DATA Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information Information information information information information information information information
  • 39. ACKNOWLEDGEMENTS •The National Science Foundation (NSF) Education and Research Traineeship (IGERT) project for Training, Research and Education in Engineering for Cultural Heritage Diagnostics (TEECH) • the Center of Interdisciplinary Science for Art, Architecture, and Archaeology (CISA3) • • the California Institute of Telecommunication and Information Technology (Calit2) • •the Anthropology Department at the University of California, San Diego (UCSD) •My fellow CISA3 Asgardians: Vid Petrovic (gentleman thief), XXX XXXXX, David Vanoni (white knight & tiger), and Andrew Huyhn (penguin conniseur) •My CISA3 colleagues, esp: John Mangan, Joe DeBlasio, David Srour, Jason Kimball, and Sam Stout •My CURIs- especially James Darling and Aliya Hoff •Professors Thomas E. Levy (Anthropology), Falko Kuester (Computer Science & Engineering), Maurizio Seracini (EmerituS Engineering)
  • 40. Interested in Visiting/Training/Collaborating? Email contact: arichter@ucsd.edu And Come Visit CISA3 at Qi/Calit2 Second floor of Atkinson Hall University of California, San Diego

Editor's Notes

  1. But we’d assume that in today’s modern world, we’d assume that all of that wonderful tech gets applied to archaeology and pop culture sources speak to this having happened and to science fiction potential for high speed data capture and visualization Bones CSI Prometheus LiDAR balls BUT ITS NOT YET SO- visual data manipulation limited, 3D modelling mostly- one offs- not a systems for entering, storing, and accessing information
  2. As an archaeologist- approached the initial data collection problems- how can we use laser scanning tech (LiDAR) for quick data collection in excavation and surveying environments Solved certain archaeology specific field issues- Resulted in Enhanced speed
  3. My trial system at Khirbat Faynan in southern Jordan worked so well that we applied it to a nearby endangered site
  4. The Birth of Rescue LiDAR: Umm al-Amad
  5. Both look great- but we can do better with integrated tech….Sandcastles for Science photogrammetry vs. cloud- both need to be enhanced for higher resolution detail and how to handle temporal data
  6. So this past year when we went back to Jordan- we took several other technologies with us to start building a more intense ‘data scaffold’ Structure from Motion & ARtifact--- TEMPORAL SCANNING Ways to use multiple data capture techs simultaneously Building new systems, methodologies, and workflows- Faynan & Petra Adding in Structure from motion (point clouds made from photographs)- point out comparative photograph at the bottom….
  7. INVITED to try it out at Petra
  8. Emphasis on the ARtifact deployment
  9. Building a massive system- needs everyone- not just in house at UCSD grads, faculty, and undergrads- but outside collaboration from start to finish…
  10. But as we’re building an integrated system of technologies and digital infrastructures to contain and connect these data, we also have to consider the philosophical implications of what we are doing in digitizing the past and this information For archaeology this means the material sites and artifacts no longer need to be physical… Physical to Digital- New questions of materiality… Studying Spatial relations withouth being at site or looking at point clouds of objects- = non-intrusive potential for archaeology as well as a possible scaffold for all other data to live on
  11. What are the shifts in perception between the real artifact and the virtual artifact? Right now= palpable difference- but its possible that can shift and the virtual becomes the better version because of its augmentable experience?
  12. Would we then need to keep reality? What does it mean to be able to experience all times and all places? Can we even calculate and program that?
  13. Sense of smallness, of useless isolation or strengthen sense of connection…
  14. What new cults of information will be created?
  15. Acknowledgements
  16. The Essence of Cannibalism: Come visit us, we enjoy people