Cchandler portfolio feb_09_16

CHARLES CHANDLER
DIGITAL PORTFOLIO
charlespatonchandler@gmail.com

ADVERTISING DESIGN
CGI MOTION PICTURE
2015
This poster and Facebook Cover Art
Champaign for an upcoming Original
animated project, was created using
various programs such as Poser Pro
2014, Adobe Photoshop, InDesign and
purchased GCI characters. This project is
an attempt to expand my knowledge and
skill in all areas of design and animation.
Below is a link to a ‘Sneak-Peek’ of one
scene and our Facebook Fan Page.
YOUTUBELINK
FACEBOOK FAN PAGE
CHARLES CHANDLER
DIGITAL PORTFOLIO
2

CORPORATE DESIGN
BRAND IDENTITY
2013
This vector combination mark was
conceived in an attempt to emphasize
the purpose of the Academy visually;
the teaching of beauty and makeup
skills without showcasing the typical
tools used in that field.
CHARLES CHANDLER
DIGITAL PORTFOLIO
3

CORPORATE DESIGN
BRAND IDENTITY
2010
The combination mark of a restaurant based on the
Arts and Crafts Movement. The name “Avalon” is the
legendary land where King Arthur was taken after
he died.
CHARLES CHANDLER
DIGITAL PORTFOLIO
4

EXHIBITION DESIGN
LOGO & COLOR CONCEPT
MUSEUM EXHIBIT
2011
Originally conceived for a school project, this is 1
of 3 logo and color design concepts for a potential
ROM museum exhibit that utilizes 3-D holographic
technology and state of the art audio technology
to engage and immerse the public on various
types of pre-historic sea life.
I chose the following examples of my Exhibit
Design skills as I have always had a love of the
ocean and the idea that there were once creatures
in our oceans that could swallow a small boat
whole both fascinating and terrifying. Hopefully
the public would feel the same based on my
design concepts.
CHARLES CHANDLER
DIGITAL PORTFOLIO
5
DEEPA 3 - D e x h i b i t o f p r e - h i s t o r i c s e a l i f e
creatures
of the
creaturesof the
a n 3 - D e x h i b i t o f p r e - h i s t o r i c s e a l i f e
PRIMARY COLOR:
DISPLAY TYPEFACE:
(VARIANT)
EXHIBIT ROUGH DESIGN 1
BODY TYPEFACE:
CYMK:
C = 85
M = 50
Y = 0
K = 0
RBG:
R = 28
B = 117
G = 188
SECONDARY COLOURS
CYMK:
C = 70
M = 15
Y = 0
K = 0
RBG:
R = 39
B = 170
G = 255
CYMK:
C = 15
M = 100
Y = 90
K = 10
RBG:
R = 190
B = 30
G = 45
CYMK:
C = 99
M = 0
Y = 0
K = 71
RBG:
R = 0
B = 75
G = 107
CYMK:
C = 5
M = 0
Y = 0
K = 0
RBG:
R = 239
B = 249
G = 254
Couture bold — 12pts
If you thought that the dinosaurs on land
were fearsome, wait until you see what is in the
deep blue sea.
If you thought the dinosaurs on land
were fearsome wait until you see what is
In the deep blue sea.
If you thought the dinosaurs on land
Were fearsome, wait until you see what is
In the deep blue sea.
Futura Condensed Medium—9/12pts
deep blue sea.
deep blue sea.
deep blue sea.

EXHIBITION DESIGN
EXTERIOR WAY FINDING
MUSEUM EXHIBIT BANNERS & SIGNAGE
2011
CHARLES CHANDLER
DIGITAL PORTFOLIO
6

EXHIBITION DESIGN
INTERIOR WAY FINDING
MUSEUM EXHIBIT BANNERS & SIGNAGE
(AFTER ENTERING EXHIBIT)
2011
To the left is a hand drawn render of a typical
kiosks that would be accessible to the visitor to
visually (through 3-D technology) allow them
to see some of the pre-historic sea creatures in
their natural habitats, interacting with other sea
animals immersing them in an 360
degree environment. This concept is also
represented by the map on the right
CHARLES CHANDLER
DIGITAL PORTFOLIO
7

CONCEPTUAL DESIGN
BOOK COVER
PUBLISHING
2015
A conceptual cover design for a murder/mystery
short-story of the same name. This image utilizes
several different programs including, Adobe
Illustrator, Photoshop and Poser Pro 2014
I created this art as an inspirational piece to use as
a visual motivator while writing the short story of
the same title.
CHARLES CHANDLER
DIGITAL PORTFOLIO
8

CONCEPTUAL DESIGN
BOOK COVER—DUST JACKET
PUBLISHING
2011
Originally conceived for a school project, this
cover was designed to visually intrigue the viewer
on a subject matter that some of the public might
find dull: religion and art.
CHARLES CHANDLER
DIGITAL PORTFOLIO
9
Inside Back Flap
• picture of author
• copy about the
method used in
coming up with
the concept for this
book cover.
Inside Front Flap
• Factual Desicription of
the method they have
chosen to feature for
this book cover.
Spine
• Title
• Author
• Imagery
Back Cover
• Explain why do you chose
this one method and why
you think it could be a good
fit for coming up with ideas.
Front Cover
• Title - based on one of the following;
6 Thinking Hats, Oracle, or Random
• Your name as the author
• Imagery
Oracles: Their place in Art, Life & Religion
Oracles:TheirplaceinArt,Life&Religion
T
he Pythia, the oracle
at Delphi, only gave
prophecies the seventh
day of each month, seven being
the number most associated
with Apollo, during the nine
warmer months of the year;
thus, Delphi was not the major
source of divination for the
ancient Greeks. Many wealthy
individuals bypassed the hordes of
people attempting a consultation
by making additional animal
sacrifices to please the oracle lest
their request go unanswered. As a
result, seers were the main source
of everyday divination.
In Greece the old oracles were
devoted to the Mother Goddess.
At the oracle of Dodona she will
be called Diōnē (the feminine
form of Diós, genitive of
Zeus, PIE *Dyaeus; or of dīos,
“godly”, literally “heavenly”),
who represents the earth-fertile
soil, probably the chief female
goddess of the PIE pantheon.
Python, daughter (or son) of
Gaia was the earth dragon of
Delphi represented as a serpent
and became the chthonian deity,
enemy of Apollo, who slew her
and possessed the oracle.
Source: Wikipedia.com
F
or this particular
assignment—from the point
of view of a design, I wanted
to keep the tone of the piece very
mystical because of the
subject matter.
I checked on-line to find an
appropriate image through istock
and various other locations
and found the cover art which
embodied the tone of the book.
The title itself is the name of the
Oracle at Delphi which is in the
typeface of ArchilogicalCaps
which a gradient was applied,
the sub-headers are Bank Gothic
Medium for legibility and
readability. The body copy is that
of Adobe Garamond Pro
I placed the authors name at the
The over all colour scheme is
black with blue overtones in an
attempt to give the sense of a void
from which information would
manifest itself from.
If this were to go to print it would
be on a semi-gloss or gloss stock.
I
chose the subject matter of Oracles for this
book cover assignment as I am not only an
ancient history and civilization buff, but also
because of the mystical side of the
subject matter.
Oracles were said to be able to predict the
future, see the past and have knowledge of the
present which I’ve always found interesting as
it was obtained during a non-lucid state, almost
being in between realities. This state is also
found in dreams, which I myself have had were
I’ve dreamed of something that came to pass.
The reason I believe that this subject matter
falls into the category of lateral thinking is
that the prophecies the Oracle would give
were usually not very specific and upto the
interrupter of the viewer who would draw their
own conclusions on what they have been told
and proceed with a course of action from there.
But sometimes, we can’t trust what we see hear
as in most cases nothing is truly seems.
Photo by Charles
Chandler

EDITORIAL DESIGN
MAGAZINE
COVER ART
2011–2016
Originally conceived in 2011 for a
school project, this cover art for
Xcite: The Magazine was revamped
(using both hand-drawn and CGI
imagery) to reflect my ever growing
interest in CGI animation, personal
projects I’m working on and to
continue to improve my skill as
a Editorial & Cover Art Designer.
CHARLES CHANDLER
DIGITAL PORTFOLIO
10
COVER ART SUMMER 2013—“SWASHBUCKLED“
the
New
MEMBERSof the
6478675309647867
A at
APEX Animations
up-coming projects
for Summer 2014!
SUMMER2013
We talk to the producers and
director of highly anticipated
series coming this Winter!
COVER ART WINTER/SPRING 2016—“STAR TREK: HEGEMONY“COVER ART FOR ORIGINAL PROJECT—2011

EDITORIAL DESIGN
MAGAZINE SPREADS
2011–2016
CHARLES CHANDLER
DIGITAL PORTFOLIO
11
iiXciteMagazine—April2011
iiiXciteMagazine—April2011
VOL. 1—NO. 1 APR 2011
Editor
Charles Chandler
Creative Director
Charles Chandler
Creative Consultant
Terry Thompson
Deputy Editors
Michael Jeremic
Terry Thompson
Managing and Copy Editor
Charles Chandler
Contributors
Charles Chandler, Michael Jeremic, Mary Miller,
Samantha De’Souza, Marco Rodrigues, Terry
Thompson, Douglas Embury, George Paton,
Rusa “Jerry” Jeremic, Paul Royes
Designer
Charles Chandler
Letters to the Editor
Animated welcomes your comments. Please
send your letters to Animated Magazine, 240
Wellesley Street East, Suite 610, Toronto, ON,
Canada, M4X-1G5, or email us at animated@
animatedmagazine.com. Staff can be reached at
firstname@animatedmagazine.com
The publisher cannot be held responsible for loss
of, or damage to, unsolicited material. All materials
for editorial consideration must include a self-
addressed, stamp envelope and return postage.
C O N T E N T S
T H E E D I T O R ’ S
D E S K
1
5
7
FIRST LOOK: LAST SON
An interview with the Director and Cast of the
upcoming animated web-series premiering on
Your Minds Eye T.V in April.
DID YOU KNOW?: The Batman
Series that never was:
Take a look at the concept
animation art for the unproduced
series “Gotham High”
PRESPECTIVES: It’s all in the Motion:
A discusion with George Brown
College’s New Media & Motion
Graphics Professor Paul Royes.
Welcome to the premiere issue of Xcite: The CGI
Magazine created by fans—for fans!
We at Animated know that in the every changing world of technology that animation,
both 2D and 3D are rapidly becoming more and more mainstream in motion pictures
and television, with new innovations being created almost on a weekly basis.
Knowing this, we will strive to make sure that you—the die-hard animation fan, are kept
in the know about those innovations and the pioneers who are creating them to, at the
end of the day, entertain you. Animated offers you some of the best information on the
subject.
In our issues we will showcase regular articles and columns such as “First Look” which
allows you a chance to take a look art and gain information about up coming animation
feature films and television projects before their released, Interviews with industry
professionals giving you insights on the profession and it’s future, featured articles about
local animation studios as well as those aboard, tips and tricks for those who are delving
into animation, a letters to the editor section and much more.
It’s a incredible world we live in and all you have to do is get ‘animated’ to make
wonderful things happen both in front of and behind the camera.
On behalf of the Editorial and Production Staff we hope you enjoy Animated as much as
we enjoyed creating it. Again Welcome!
Charles Chandler
Editor

EDITORIAL DESIGN
MAGAZINE SPREADS
2011–2016
CHARLES CHANDLER
DIGITAL PORTFOLIO
12
An interview with the Director AnD cAst of the upcoming AnimAteD web-series
premiering on Your minDs eYe tv on April 15.
by a certain date for his final
and schedule appropriate
resources to it. The first step
was to create a visual style and
storyboard the ideas that the
Director had. This phase began
in early February 2011 and took
several weeks to complete.
Once that was done it
was on to one of the most
important parts of the
process—voice casting, which
with a script in toe, began. The
cast, which consisted of the
director’s family and friends,
began their voice recording in
late February in order for the
scenes they were in to be
animated and synced to their
recordings.
Rusa “Jerri” Jeremic, a
Professor at George Brown
College, played the voice of
Councilor E’Shara and had this
to say about the project. “I was
really excited by reading the
script and I haven’t been in an
animation project before,” she
explains “I really like the
concept of delving into
Krypton before the Superman
era. It’s pretty original and
creative.”
Although the majority
of the cast had been recorded
their were two roles that needed
to be filled and with the time
remaining, this first time
director had to take on the rolls
of General Zod and the
Kryptonian Computer System
Brainiac.
“These two roles have
What started off as a College project has morphed into an
upcoming web-series that has people talking.
In early 2010, Charles Chandler—a second year Graphic
Design student at George Brown College’s School of design, came
up with an idea to create a re-invention of a comic book superhero
that everyone knows and most people love—Superman.
“Over my break from my first year at GBC, I taught
myself how to do cell animation on the computer,” says Director/
Producer Charles Chandler, ”as it was an area that I was interested
in and perhaps someday get into as a career and since I took the
time to learn the software, I wanted to get my feet wet by creating
an animated short,
“My favorite comic book character since childhood was
Superman, so I thought that I would create something based on
the story of his origin and how he became to be known as ‘the
Man of Steel’, basically re-inventing the character to what I would
like to see as a fan,
“However, news broke that Warner Brothers was planning
to do a re-invention of it’s own, which goes into production
sometime in the fall of 2011, so I abandoned the idea. But I still
wanted to do something revolving around Superman as a test run
for my new skills. Eventually, to focus on my education I put the
whole idea on the back burner.”
It wasn’t until the winter of 2011 when Charles was in his
final semester of his second year at George Brown College, that an
assignment for his final in Motion Graphics to create an opening
title sequence came about, which started the ball rolling.
“It was because of that assignment and trying to come up
with an idea that started the ball rolling in the sense of a back-
story—which believe it or not had nothing to do with Superman, it
had more to do with his parents and what happened to them and
their planet before Superman’s conception, which to my knowledge
has never been done before.”
The basic premise of the series takes place on Krypton—
Superman’s home planet, one year before his birth and delves into
areas of the characters mythos that have never been explored before
as the Director explains.
“We all know that Jor’El and Laura El—the parents of
Superman died along with everyone else on Krypton shortly after
shooting off Superman as a baby to earth and, thanks to the input
of the Richard Donner Film from 1979, that a day before that
General Zod and his co-conspirators were tried and exiled to the
Phantom Zone for trying to take over the planet...My questions,
and which eventually became the core story-line why?
“There were a lot of unanswered questions about the
back-story that I thought would be great to explore such as why did
Jor’El choose earth and how did he know his son would be safe
there? What was their culture truly like? Did Superman’s
mother—a first time one and a young woman at that, panic (which
I myself have done) when she found out she was pregnant and how
did she deal with telling her parents and her husband? The list of
ideas and questions continued on and on and began to take shape
into Last Son.”
With a story line in place, the next challenge was to create
a pilot episode story around this world, which is actually the
opening title sequence that Charles created for his Motion
Graphics final. The screenplay written by Charles Chandler and
fellow cast member Michael Jeremic, opens with the destruction of
a cargo vessel that apparently was caused by unknown and evil
forces.
As with
any project of
this type, wither
it be animation
or live action,
logistics come
into play of how
long this would
take to do, since
the director had
a dead-line to
finish the project
the greatest amount of dialog in
the script, aside from Jor’El
who was brilliantly played by
my father Terry Thompson, and
since time was short and it
would require longer voice
recording sessions, I decided to
take on those roles myself
instead of searching out voice
talent who can take time out of
their schedules to do it.”
Animating the
estimated 3-minute scene was
no small task, especially to
create something visually
entertaining and engrossing.
According to the director, the
tools used in creating this
project were simple. “In the
end I used a good old fashioned
pen and paper to draw out the
scenes and then scan them into
the computer where I would
re-build and flesh them out in
Adobe Illustrator and add
effects in Photoshop. The
actual animated elements were
produced in a program called
Toon Boom, which was used to
create the Simpsons. When the
project was finished I added
additional effects and credits
using Adobe After Effects.”
One thing about the
project itself was still missing—
the sound. A musical score and
audio effects were the final
component in this project,. The
score itself was borrowed from
the scores of Superman Returns
and the original Superman
Movie composed by John
Ottman and the world
renowned composer John
Williams.
“As famous director
said ‘no ones watching the
movie, their listening to the
music’ and with that in mind I
needed a score that was rousing
and stirring and since the scores
existed for the character of
Superman, I decided to use
them. It was a no brainer. I
would prefer to have scored my
own music for the project, but
with the time allotted it just
wasn’t feasible, perhaps in the
future for other episodes I will
who knows.” Charles explained.
It was the future that
the director had in mind as
fellow cast members that
finalized a decision to go
forward. Mary Miller who
played the voice of Councilor
Linara had this to say during an
interview with herself and
fellow cast member/Screenplay
writer Michael Jeremic. “I
think that Charles should
consider doing a mini-series on
YouTube and following up what
happens to Krypton, you know
taking it a step further and keep
going with it.” Mary said.
“I agree,” explained
Michael Jeremic who played the
voice of Chancellor Corus. “I
think this is a very exciting
project I can see it being
developed into a longer film
and I think it lays out a very
interesting premise.”
So what are the plans
for “Last Son”?
“After speaking with
the cast and crew, who all
expressed a desire to reprise
their roles, I think that I will
continue a web-series on my
YouTube Account perhaps on a
monthly or bi-monthly basis
since I would ultimately want
to take the time to properly
animate scenes in the sense of a
more fluid motion of the
characters, which was achieved
to an extent with this pilot, but
again time was an issue. I also
would love to do other
animated web-isodes based on
other ideas that I have and
showcase them on Your Minds
Eye TV.”
In the end, this series,
promises to be an interesting
and exciting pilot and with the
cast, crew and director
interested in doing further
episodes, there is no doubt that
this will not be the last sun rise
for Last Son.
Castof“LastSon”(toplefttobottomright):CharlesChandler,
SamanthaDeSouza,DougEmbury,MichaelJeremic,JerriJeremic,
ColinMiller,MaryMiller,MarcoRodriguesandTerryThompson.
3XciteMagazine—April2011
4XciteMagazine—April2011
FIRST LOOK

EDITORIAL DESIGN
MAGAZINE SPREADS
2011–2016
NOTE: Originally I was approached by
some associates in 2015 to help with
Visuals and Special F/X for a
not-for-profit fan film.
Although, the project never went
forward, I thought I would showcase
some visuals from the project from
back in it’s concept stage in the
form of this spread. I have no doubt
it would have been a fun project to
work on had it moved forward.
CHARLES CHANDLER
DIGITAL PORTFOLIO
13
7
6XciteMagazine
XciteMagazine
EXCULSIVE
FAN FICTION...
THE FINAL
FRONTIER...
Onsus terum pecris. Pat, quere nos pul venius, consumuli
publinpri scre nos, consit vitanum, virmaio, manum
publium sentessid adeo C. Abuntem in volut it, qui pesigna
tudenatiem inem int nonstrum nos ses cus vernicesena,
omne tum liniusp iciamquit, eto ad dessestra, corensum
iam num medet; Catus, vendeatia cae peratu sulto con
se talare cremquam vastra tuitra elis audam teropublii
in te it, nondum horum ublicasterum isquem adhum ex
nihil videsentium senatil ternum halemum enducturi int?
Nihi, us, confex neque comne morum iptis essin dum P.
Perei ses fac vo, veriam im morte diis. Romne coenario
ubliquas cae iae ips, ve, publis nihilist et inat L. Opiortem
orussid sed non tero Caestra nosuliu se et; inem cre
dienam apere, intiena, nosum nem permius, quid ad
ponum re ad rei sciistremo vit Catuam de noculic orunt?
Ciem tatrunumuniu etropos sendamer quis tus hosteatod
inte, quam diononvo, virisu es et? Omplis; Cas et; nita,
aut nonsum dit, oponsum sere que ta diusuam o vigna,
Ti. Lutemum hum nimo Catiae incum intri serorare
tem int? Ula L. Te, ori
ia tro viviritri et L. M.
Am publinatia? involtus
consu vem res, quit, se
quam et L. Iciem con ius
hocchili poris omnorum
derobsendum pulossedi
probses, terbit.
Hos con sa tam publin
ad cris. Ad rem, consupi
cavolum eori tem
nonsunteatin actorum
ulerei poeniris, effrei
porum, nost? O teme nos
pultorei tu vastra nox
niriorturo, ut inum actum
intem et ia crunununcur,
pl. Sciissim ini intem tam
concepecrum renatrid
me den dum ocae nons
hocum, vero ex sena,
conerfecure firmaximis? Ca quam tu vis, nime publinu
ltodius, que idemnos tritemum potiusMarissidii clem.
Cupplia condum pulvis contisq uodiem ius sil hocul con
no. menduco nequit, nessa init; nihi, converf irmius bone
ina, cae nestrit; inata aus, in in tessentilius medet in vivissis
sentili cavescr edesitum patilica retortertem octam quem
ore in senerei firitui deessen rei pubi sent. At Catrum
sularis spertumus puliam hachuit.
Onsus terum pecris. Pat, quere nos pul venius, consumuli
publinpri scre nos, consit vitanum, virmaio, manum
publium sentessid adeo C. Abuntem in volut it, qui
pesigna tudenatiem inem int nonstrum nos ses
cus vernicesena, omne tum liniusp iciamquit,
eto ad dessestra, corensum iam num medet;
Catus, vendeatia cae peratu sulto con se talare
cremquam vastra tuitra elis audam teropublii in
te it, nondum horum ublicasterum isquem adhum
ex nihil videsentium senatil ternum halemum
enducturi int? Nihi, us, confex neque comne
morum iptis essin dum P. Perei ses fac vo, veriam
im morte diis. Romne coenario ubliquas cae
iae ips, ve, publis nihilist et inat L. Opiortem
orussid sed non tero aperum isse fex sid
sciemquonsul condum consit.
Caestra nosuliu se et; inem cre dienam apere,
intiena, nosum nem permius, quid ad ponum re
ad rei sciistremo vit Catuam de noculic orunt?
Ciem tatrunumuniu etropos sendamer quis tus
hosteatod inte, quam diononvo, virisu es et?
Omplis; Cas et; nita, aut nonsum dit, oponsum
sere que ta diusuam o vigna, Ti. Lutemum hum
nimo Catiae incum intri serorare tem int?
Ula L. Te, ori ia tro viviritri et L. M. Am
publinatia? involtus consu vem res, quit,
se quam et L. Iciem con ius hocchili
poris omnorum derobsendum
pulossedi probses, terbit.
Hos con sa tam publin ad cris.
Ad rem, consupi cavolum eori
tem nonsunteatin actorum ulerei
poeniris, effrei porum, nost? O
teme nos pultorei tu vastra nox
niriorturo, ut inum actum
intem et ia crunununcur,
pl. Sciissim ini intem tam
concepecrum
renatrid me
den dum
ocae nons
hocum, vero ex sena, conerfecure firmaximis? Ca quam
tu vis, nime publinu ltodius, que idemnos tritemum
potiusOcupionc ulemus, stri iae nonverr ictamensum
imorum ure ad sendachicae, factum, que cotia?
At eoris bonem atorterum apesiliam quam
sentisul hae quium inat, quodi, nostrib
uncerraedem adduc factum postrae
libem, C. Casdacte te etris, nius
mihilles facerox imissin visquodicam
actorat quertic ocum diem
publicaet vidit; C. Viviven
aturnicit, se quod me iu
quonero et
MORE
ON THE GORN
CGI RE-DESIGN
IN NEXT
MONTHS
ISSUE!

INFORMATIONAL DESIGN
CHARTS & GRAPHS
2011
An example of using traditional graphs/charts as
well as typography and interesting graphics to
engage the public on deforestation that is facing
our world.
CHARLES CHANDLER
DIGITAL PORTFOLIO
14
Legend:
Remaining
Destroyed—1993
Destroyed—2010
6%
58%
36%
Mexico
5%
82%
13%
Central America
14%
67%
19%
Columbia
76%
17%
7%
Venezuela
80%
18%
2%
Guyana
19%
57%
24%
Ecuador
64%
26%
10%
Peru
33%
34%
33%
Bolivia
42%
24%
34%
Brazil
Deforestation
Tropıcal Raınforestsin the Americas:
of
Percentages for each nation indicating how much rainforest was destroyed by 1993
and how much will be destroyed (projecting logging levels) by 2010
Deforestation = Animal Extinction:
Breath in the Fresh Air—It may not be here for long!
The eﬀects of Deforestation on the Carbon Cycle
Deforestation is the removal of a forest or
stand of trees where the land is thereafter converted to a
nonforest use. Examples of deforestation include
conversion of forestland to agriculture or
urban use.
The term deforestation is often
misused to describe any activity where
all trees in an area are removed.
However in temperate mesic
climates, the removal of all trees
in an area—in conformance with
sustainable forestry practices—is
correctly described as regeneration
harvest. In temperate mesic
climates, natural regeneration of
forest stands often will not occur in the
absence of disturbance, whether natural
or anthropogenic. Furthermore, biodiversity
after regeneration harvest often mimics that found
after natural disturbance, including biodiversity loss
after naturally occurring rainforest destruction.
Deforestation occurs for many
reasons: trees or derived charcoal
are used as, or sold, for fuel or as
lumber, while cleared land is used as
pasture for livestock, plantations of
commodities, and settlements. The
removal of trees without sufficient
reforestation has resulted in damage
to habitat, biodiversity loss and
aridity. It has adverse impacts on
biosequestration of atmospheric carbon
dioxide. Deforested regions typically
incur significant adverse soil erosion and
frequently degrade into wasteland.
Decades or centuries after a habitat perturbation, extinction
related to the perturbation may still be taking place. This is
perhaps the least understood and most insidious aspect of
habitat destruction. We can clear-cut a forest and then point
out that the attendant extinctions are low, when in reality a
larger number of extinctions will take place in the future. We
might curtail our hunting practices when some given population
falls to very low numbers and think that we have succeeded
in “saving” the species in question, when in reality we have
produced an extinction debt that ultimately must be paid in full.
Extinction debts are bad debts, and when they are eventually
paid, the world is a poorer place.
Biology plays an important role in the
movement of carbon between land, ocean, and
atmosphere through the processes ofphotosynthesis
an respiration. Virtually all multicellular life on Earth
depends on the production of sugars from sunlight
and carbon dioxide and the metabolic breakdown
(respiration) of those sugars to produce the energy
needed for movement, growth, and reproduction.

POSTER ART
DIGITAL SKETCH
ENHANCED WITH
PHOTOSHOP EFFECTS/COLORING
WINTER 2015
Rendering CGI animation is very time
consuming, so while on downtime
I began to create posters based
on some of my favorite heroines/
villainesses in the comic world...
Just for fun.
Utilizing a 3-D model for position
reference, the image was then
enhanced in Photoshop with regards
to color and effect. An example of the
creative process can be seen
on the left.
CHARLES CHANDLER
DIGITAL PORTFOLIO
15
1) Original pencil
positioning rough
2) Digital Render
3) Final image

DRAWING
“SUPERGIRL”
PENCIL SKETCH W/INK
2008
A pencil sketch created in the likeness of
Actress Elisha Cuthbert after news broke
that she was being considered the title role
in the re-boot of the DC Comics character
“Supergirl” movie franchise. I’ve always
had a fondness for superheroes and
enjoy drawing freehand.
CHARLES CHANDLER
DIGITAL PORTFOLIO
16

CGI IMAGES
“THE MUSE”
VECTOR DRAWING
2010
Based on a dream I had about a person I
knew, this image is a completely rendered
vector drawing created in Adobe
Illustrator.
CHARLES CHANDLER
DIGITAL PORTFOLIO
17

THANK YOU FOR YOUR TIMEcharlespatonchandler@gmail.com

Cchandler portfolio feb_09_16

Recommended

Recommended

More Related Content

Viewers also liked

Viewers also liked (15)

Similar to Cchandler portfolio feb_09_16

Similar to Cchandler portfolio feb_09_16 (20)

Recently uploaded

Recently uploaded (20)

Cchandler portfolio feb_09_16