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COPYRIGHT AND
ONLINE LEARNING
AT A TIME OF CRISIS
CHRIS MORRISON, UNIVERSITY OF KENT
DR JANE SECKER, CITY, UNIVERSITY OF LONDON
BOBCATSSS 2021
21ST JANUARY 2021
Dr Jane Secker, Senior Lecturer
Educational Development,
City, University of London
Chris Morison
Copyright, Licensing & Policy Manager
University of Kent
COPYRIGHTLITERACY.OR
G
PLAYFUL APPROACHES TO
COPYRIGHT
https://copyrightliteracy.org/resou
rces/copyright-the-card-game/
https://copyrightliteracy.org/res
ources/the-publishing-trap/
https://copyrightliteracy.org/upcoming-events/icepops-international-copyright-literacy-event-with-
playful-opportunities-for-practitioners-and-scholars/
EDUCATION AND THE
PANDEMIC
Photo by Mohammad Shahhosseini on Unsplash
23 MARCH 2020: UK
LOCKDOWN
WONKHE BLOG POST
https://wonkhe.com/blogs/will-the-pandemic-force-universities-to-address-the-challenges-of-copyright-2/?
COPYRIGHT LITERACY
Todorova, T. et al. Information Professionals and Copyright Literacy: A Multinational
Study. Library Management Journal, 2017, 38 (6/7).
Jane with Joumana, Tania and Serap at ECIL 2017
COPYRIGHT LITERACY
“acquiring and demonstrating the
appropriate knowledge, skills and
behaviours to enable the ethical creation
and use of copyright material.”
Secker and Morrison, 2016, p.211
IFLA COPYRIGHT LITERACY
STATEMENT
AUGUST 2018
“Many librarians’ work involves regularly dealing
with copyright. From public libraries, to
specialized and research libraries, questions
arise around lending, the legal deposit,
accessibility, preservation and many more
activities. Furthermore, librarians are
increasingly becoming a reference point for
library users, faculty members and many others
seeking for clarification on copyright-related
matters.”
https://www.ifla.org/node/67012
SO, WHAT’S THE
PROBLEM WITH
COPYRIGHT?
Photo by Emily Morter on Unsplash
THE COPYRIGHT WARS
Taken from t shirt design by Gnome Enterprises:
https://www.gnomeenterprises.com/product/dinosaur-vs-robot-tee
COPYRIGHT AND THE ROMANTIC
AUTHOR
Georg Wilhelm Friedrich Hegel
by Jakob Schlesinger
https://commons.wikimedia.org/w/index.php?curid=60343060
Immanuel Kant
by Johann Gottlieb Becker
https://commons.wikimedia.org/w/index.php?curid=32860677
COPYRIGHT AND DIGITAL
COLLABORATION
Photo by Szabo Viktor on Unsplash Photo by National Cancer Institute on Unsplash
From Deazley, R (2006) Rethinking Copyright, p.123
THE INTELLECTUAL
COMMONS
LITERACIES…
Information
literacy
Digital
literacy
Media literacy
Critical
literacy
Terminology The importance of critical
literacy
How copyright is
framed
Purpose:
functional/critical
“…empowers people in all walks of life to seek,
evaluate, use and create information effectively to
achieve their personal, social, occupational and
educational goals. It is a basic human right in a
digital world and promotes social inclusion in all
nations.”
UNESCO Alexandra Proclamation 2005
“Warm and Fuzzy”
“Worried, anxious”
“Like the receiver (and
thrower) of a hot
potato”
“Confused, cautious, faintly
nauseous!”
“Frustrated, confused. Can I
risk it? Can my organisation
risk it?”
LIBRARIANS’ EXPERIENCES OF
COPYRIGHT
PHENOMENOGRAPHY
Category 4:
Copyright is an
opportunity for
negotiation,
collaboration and
co-construction of
understanding
Category 1:
Copyright is a problem
Bridging the gap
Category 2:
Copyright is complicated and shifting
Category 3:
Copyright is a known entity
requiring coherent messages
COPYRIGHT AND ONLINE
LEARNING
OUR RESPONSE –
MARCH 2020
https://copyrightlitera
cy.org/2020/03/18/co
pyright-fair-dealing-
and-online-teaching-
at-a-time-of-crisis/
https://copyrightliteracy.org/upcoming-
events/webinars-copyright-and-online-learning/
COPYRIGHT CRISIS WEBINARS IN
NUMBERS
29 100
5412
628
941
Webinars since March
2020
Participants on average at
each webinar
Page views on
copyrighliteracy.org webinar
page
Number of posts on LIS-Copyseek from
March-December 2020
LIS-Copyseek membership (up from
592)
WEBINAR IN PICTURES
GUEST PRESENTATIONS
Brigitte Vezina
Creative Commons
Kyle K Courtney
Harvard University
Dr Emily Hudson
King’s College London
Dr Carys Craig,
Osgoode Hall Law School &
Bob Tarantino, Dentons LLP
EBOOK LICENSING
https://academicebookinvestigation.org/
OPEN EDUCATIONAL
PRACTICES
DEFINITION: OPEN EDUCATIONAL
PRACTICES
“teaching and research practices that espouse
openness including activities such as open
teaching, the production and dissemination of open
educational resources, publishing in open access
journals, keeping a professional blog, and sharing
of research data in online venues.”
Assumptions and Challenges of Open Scholarship
by George Veletsianos and Royce Kimmons (2012)
FILM AND AUDIOVISUAL
WORKS
Photo by Noom Peerapong on Unsplash
JOIN THE COOL GANG…
https://www.alt.ac.uk/groups/special-interest-groups/copyright-and-online-learning-sig
USA, UK, Portugal,
Czech Republic,
Poland, Germany
Kyrgyzstan,
Uruguay, Jamaica,
New Zealand
UNIVERSITY OF KENT COPYRIGHT
LITERACY STRATEGY
https://blogs.kent.ac.uk/copyrightliteracykent/launch-
of-the-university-of-kent-copyright-literacy-strategy/
COPYRIGHT LITERACY STRATEGY
VISION
COPYRIGHT LITERACY STRATEGY
VISION
By 2025 people working and studying at the University of
Kent will feel confident in making informed decisions about
using copyright material and will understand the role
copyright plays in innovation and creation of new
knowledge.
The University’s approach to copyright education will
support its strategic objectives by informing policy and
practice.
DIGITAL LITERACIES AND OPEN
PRACTICE AT CITY, UNIVERSITY OF
LONDON
https://blogs.city.ac.uk/dilop/
CRITICAL COPYRIGHT
LITERACY
1. History and
philosophy
2. Boundaries
and balance
3. Licensing
4.
Communication
and sharing
5.
Consequences
and risk
The pandemic has
highlighted the
problems with
copyright and
technology
OUR BIG MESSAGE #2
Copyright literacy is
about addressing these
problems using
information and critical
literacy practices
OUR BIG MESSAGE #3
We need to reimagine
copyright education and
the role of the librarian to
address changes in digital
practices
THANK YOU!
jane.secker@city.ac.uk
@jsecker
c.morrison@kent.ac.uk
@cbowiemorrison
@UKCopyrightLit
REFERENCES
Craig, C. and Tarantino, B. (2020) “An Hundred Stories in Ten Days”: COVID-19 Lessons for Culture, Learning
and Copyright Law https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3691294
Deazley, R (2006) Rethinking Copyright: history, theory, language. Edward Elgar: London
Gadd, E.; Morrison, C.; Secker, J. (2019). The Impact of Open Access on Teaching—How Far Have We Come?
Publications, 7, 56. https://doi.org/10.3390/publications7030056
Hudson, E and Wragg, P. (2020). Proposals for Copyright Law and Education During the COVID-19 Pandemic
https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3617720
IFLA (2018) Statement on Copyright Education and Copyright Literacy. https://www.ifla.org/node/67012
Morrison, C (2018) Illustration for Instruction and the UK Higher Education Sector: Perceptions of risk and
sources of authority. Masters dissertation, King’s College London. https://kar.kent.ac.uk/73310/
Morrison, C & Secker, J. (2017b). Understanding librarians’ experiences of copyright: findings from a
phenomenographic study of UK information professionals. Library Management, 38 (6/7)
Morrison, C & Secker, J. (2020) Will the pandemic force universities to address the challenges of copyright?
https://wonkhe.com/blogs/will-the-pandemic-force-universities-to-address-the-challenges-of-copyright-2/
Secker, J. & Morrison, C. (2016) Copyright and E-Learning: A guide for practitioners. Facet Publishing: London,
2nd Edition http://www.facetpublishing.co.uk/title.php?id=300600#.XuofAWhKjDc
Todorova, T. et al. Information Professionals and Copyright Literacy: A Multinational Study. Library
Management Journal, 2017, 38 (6/7).
University of Kent (2020) Copyright Literacy Strategy 2020. Available at:
https://media.www.kent.ac.uk/se/13046/kent-copyright-literacy-strategy-2020.pdf
Veletsianos, G., & Kimmons, R. (2012). Assumptions and challenges of open scholarship. The International
Review of Research in Open and Distributed Learning, 13(4), 166-189. https://doi.org/10.19173/irrodl.v13i4.1313
copyrightliteracy.org

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Copyright and Online Learning at a Time of Crisis: Chris Morrison and Jane Secker, invited talk BOBCATSSS2021

  • 1. COPYRIGHT AND ONLINE LEARNING AT A TIME OF CRISIS CHRIS MORRISON, UNIVERSITY OF KENT DR JANE SECKER, CITY, UNIVERSITY OF LONDON BOBCATSSS 2021 21ST JANUARY 2021
  • 2. Dr Jane Secker, Senior Lecturer Educational Development, City, University of London Chris Morison Copyright, Licensing & Policy Manager University of Kent
  • 5. EDUCATION AND THE PANDEMIC Photo by Mohammad Shahhosseini on Unsplash
  • 6. 23 MARCH 2020: UK LOCKDOWN
  • 8. COPYRIGHT LITERACY Todorova, T. et al. Information Professionals and Copyright Literacy: A Multinational Study. Library Management Journal, 2017, 38 (6/7). Jane with Joumana, Tania and Serap at ECIL 2017
  • 9. COPYRIGHT LITERACY “acquiring and demonstrating the appropriate knowledge, skills and behaviours to enable the ethical creation and use of copyright material.” Secker and Morrison, 2016, p.211
  • 10. IFLA COPYRIGHT LITERACY STATEMENT AUGUST 2018 “Many librarians’ work involves regularly dealing with copyright. From public libraries, to specialized and research libraries, questions arise around lending, the legal deposit, accessibility, preservation and many more activities. Furthermore, librarians are increasingly becoming a reference point for library users, faculty members and many others seeking for clarification on copyright-related matters.” https://www.ifla.org/node/67012
  • 11. SO, WHAT’S THE PROBLEM WITH COPYRIGHT? Photo by Emily Morter on Unsplash
  • 12. THE COPYRIGHT WARS Taken from t shirt design by Gnome Enterprises: https://www.gnomeenterprises.com/product/dinosaur-vs-robot-tee
  • 13. COPYRIGHT AND THE ROMANTIC AUTHOR Georg Wilhelm Friedrich Hegel by Jakob Schlesinger https://commons.wikimedia.org/w/index.php?curid=60343060 Immanuel Kant by Johann Gottlieb Becker https://commons.wikimedia.org/w/index.php?curid=32860677
  • 14. COPYRIGHT AND DIGITAL COLLABORATION Photo by Szabo Viktor on Unsplash Photo by National Cancer Institute on Unsplash
  • 15. From Deazley, R (2006) Rethinking Copyright, p.123 THE INTELLECTUAL COMMONS
  • 16. LITERACIES… Information literacy Digital literacy Media literacy Critical literacy Terminology The importance of critical literacy How copyright is framed Purpose: functional/critical
  • 17. “…empowers people in all walks of life to seek, evaluate, use and create information effectively to achieve their personal, social, occupational and educational goals. It is a basic human right in a digital world and promotes social inclusion in all nations.” UNESCO Alexandra Proclamation 2005
  • 18. “Warm and Fuzzy” “Worried, anxious” “Like the receiver (and thrower) of a hot potato” “Confused, cautious, faintly nauseous!” “Frustrated, confused. Can I risk it? Can my organisation risk it?” LIBRARIANS’ EXPERIENCES OF COPYRIGHT
  • 19. PHENOMENOGRAPHY Category 4: Copyright is an opportunity for negotiation, collaboration and co-construction of understanding Category 1: Copyright is a problem Bridging the gap Category 2: Copyright is complicated and shifting Category 3: Copyright is a known entity requiring coherent messages
  • 21. OUR RESPONSE – MARCH 2020 https://copyrightlitera cy.org/2020/03/18/co pyright-fair-dealing- and-online-teaching- at-a-time-of-crisis/ https://copyrightliteracy.org/upcoming- events/webinars-copyright-and-online-learning/
  • 22. COPYRIGHT CRISIS WEBINARS IN NUMBERS 29 100 5412 628 941 Webinars since March 2020 Participants on average at each webinar Page views on copyrighliteracy.org webinar page Number of posts on LIS-Copyseek from March-December 2020 LIS-Copyseek membership (up from 592)
  • 24. GUEST PRESENTATIONS Brigitte Vezina Creative Commons Kyle K Courtney Harvard University Dr Emily Hudson King’s College London Dr Carys Craig, Osgoode Hall Law School & Bob Tarantino, Dentons LLP
  • 27. DEFINITION: OPEN EDUCATIONAL PRACTICES “teaching and research practices that espouse openness including activities such as open teaching, the production and dissemination of open educational resources, publishing in open access journals, keeping a professional blog, and sharing of research data in online venues.” Assumptions and Challenges of Open Scholarship by George Veletsianos and Royce Kimmons (2012)
  • 28. FILM AND AUDIOVISUAL WORKS Photo by Noom Peerapong on Unsplash
  • 29. JOIN THE COOL GANG… https://www.alt.ac.uk/groups/special-interest-groups/copyright-and-online-learning-sig
  • 30. USA, UK, Portugal, Czech Republic, Poland, Germany Kyrgyzstan, Uruguay, Jamaica, New Zealand
  • 31. UNIVERSITY OF KENT COPYRIGHT LITERACY STRATEGY https://blogs.kent.ac.uk/copyrightliteracykent/launch- of-the-university-of-kent-copyright-literacy-strategy/
  • 33. COPYRIGHT LITERACY STRATEGY VISION By 2025 people working and studying at the University of Kent will feel confident in making informed decisions about using copyright material and will understand the role copyright plays in innovation and creation of new knowledge. The University’s approach to copyright education will support its strategic objectives by informing policy and practice.
  • 34. DIGITAL LITERACIES AND OPEN PRACTICE AT CITY, UNIVERSITY OF LONDON https://blogs.city.ac.uk/dilop/
  • 35. CRITICAL COPYRIGHT LITERACY 1. History and philosophy 2. Boundaries and balance 3. Licensing 4. Communication and sharing 5. Consequences and risk
  • 36.
  • 37. The pandemic has highlighted the problems with copyright and technology
  • 38. OUR BIG MESSAGE #2 Copyright literacy is about addressing these problems using information and critical literacy practices
  • 39. OUR BIG MESSAGE #3 We need to reimagine copyright education and the role of the librarian to address changes in digital practices
  • 41. REFERENCES Craig, C. and Tarantino, B. (2020) “An Hundred Stories in Ten Days”: COVID-19 Lessons for Culture, Learning and Copyright Law https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3691294 Deazley, R (2006) Rethinking Copyright: history, theory, language. Edward Elgar: London Gadd, E.; Morrison, C.; Secker, J. (2019). The Impact of Open Access on Teaching—How Far Have We Come? Publications, 7, 56. https://doi.org/10.3390/publications7030056 Hudson, E and Wragg, P. (2020). Proposals for Copyright Law and Education During the COVID-19 Pandemic https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3617720 IFLA (2018) Statement on Copyright Education and Copyright Literacy. https://www.ifla.org/node/67012 Morrison, C (2018) Illustration for Instruction and the UK Higher Education Sector: Perceptions of risk and sources of authority. Masters dissertation, King’s College London. https://kar.kent.ac.uk/73310/ Morrison, C & Secker, J. (2017b). Understanding librarians’ experiences of copyright: findings from a phenomenographic study of UK information professionals. Library Management, 38 (6/7) Morrison, C & Secker, J. (2020) Will the pandemic force universities to address the challenges of copyright? https://wonkhe.com/blogs/will-the-pandemic-force-universities-to-address-the-challenges-of-copyright-2/ Secker, J. & Morrison, C. (2016) Copyright and E-Learning: A guide for practitioners. Facet Publishing: London, 2nd Edition http://www.facetpublishing.co.uk/title.php?id=300600#.XuofAWhKjDc Todorova, T. et al. Information Professionals and Copyright Literacy: A Multinational Study. Library Management Journal, 2017, 38 (6/7). University of Kent (2020) Copyright Literacy Strategy 2020. Available at: https://media.www.kent.ac.uk/se/13046/kent-copyright-literacy-strategy-2020.pdf Veletsianos, G., & Kimmons, R. (2012). Assumptions and challenges of open scholarship. The International Review of Research in Open and Distributed Learning, 13(4), 166-189. https://doi.org/10.19173/irrodl.v13i4.1313 copyrightliteracy.org

Editor's Notes

  1. Jane