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Towards New Cultural Commons
with DIVE+
Lora Aroyo and Oana Inel
3rd National eScience Symposium 2015
massive amount of digital content to explore …
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
but at some point it all looks the same …
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
audiences feel disconnected & lost …
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
how to bring them back in the driving seat …
… especially Digital Humanities researchers
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
smart
open
connected
Johan Oomen, Lora Aroyo (2011). Crowdsourcing in Cultural Heritage Domain: Opportunities & Challenges.
“Enabling anything like seamless access to the cultural record will require
developing tools to navigate among vast catalogs of born-digital and
digitized materials […] The return on this investment will be a humanities
and social science cyberinfrastructure that will allow new questions to be
asked, new patterns and relations to be discerned, and deep structures in
language, society, and culture to be exposed and explored.”
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
we need a shift from:
Museums & Archives as Inventories of the World
André Malraux, The Imaginary Museum of World Sculpture, 1953
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
Museums & Archives as a Place to Engage
with the World
for this we need to be able to
support a multitude of perspectives
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
in the sea of information to
explore it in a pleasant and
informative way
dive.beeldengeluid.nl
in the sea of information to
explore it in a pleasant and
informative way
dive.beeldengeluid.nl
event-centric browser for digital humanities
in the sea of information to
explore it in a pleasant and
informative way
in the sea of information to
explore it in a pleasant and
informative way
dive.beeldengeluid.nl
event-centric browser for digital humanities
+
Dive+ NL eScience symposium 2015
Dive+ NL eScience symposium 2015
Dive+ NL eScience symposium 2015
OPENIMAGES.EU
• 3000 videos
• NL Institute for Sound & Vision
• mostly news broadcasts
DELPHER.NL
• 1.5 Million Scans of
• Radio bulletins
• (hand annotated)
• 1937 – 1984
Dive+ NL eScience symposium 2015
Simple Event Model (SEM)
OpenAnnotation (OA) & SKOS
DIVE:MEDIA
OBJECT
SEM:EVEN
T
SEM:PLACE
SEM:TIME
SEM:ACTOR
SKOS:CONCEPT
OA:ANNOTATI
ON
• LINKS TO EUROPEANA (MULTILINGUAL)
• LINKS TO DBPEDIA
Crowdsourcing for Video Analysis
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
CrowdTruth.org
Crowdsourcing for Text Analysis
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
CrowdTruth.org
engaging
users
through
event
narratives
diversity of opinions from the crowd
collected in a decentralized way
Independent machine-generated narratives
aggregated views over the collection
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
support for perspectives
Digital Submarine UI
Infinity of Exploration
Linking Objects through Events
Collecting Perspectives from
the Crowd
Linked (Open) Data
Lora
Aroyo
Oana
Inel
Victor
de Boer
Chiel
van den Akker
Susan
Legêne
Christiaan
Meijer
Huub
Wijfies
Johan
Oomen
Jaap
Blom
Werner
Helmich
Dennis
de Beurs
around the Web
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
http://dive.beeldengeluid.nl
http://agora.cs.vu.nl
http://crowdtruth.org
http://wm.cs.vu.nl
THANK YOU!
http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo

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Dive+ NL eScience symposium 2015

  • 1. Towards New Cultural Commons with DIVE+ Lora Aroyo and Oana Inel 3rd National eScience Symposium 2015
  • 2. massive amount of digital content to explore … http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
  • 3. but at some point it all looks the same … http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
  • 4. audiences feel disconnected & lost … http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
  • 5. http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo how to bring them back in the driving seat …
  • 6. … especially Digital Humanities researchers http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
  • 7. http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo smart open connected Johan Oomen, Lora Aroyo (2011). Crowdsourcing in Cultural Heritage Domain: Opportunities & Challenges.
  • 8. “Enabling anything like seamless access to the cultural record will require developing tools to navigate among vast catalogs of born-digital and digitized materials […] The return on this investment will be a humanities and social science cyberinfrastructure that will allow new questions to be asked, new patterns and relations to be discerned, and deep structures in language, society, and culture to be exposed and explored.” http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
  • 9. we need a shift from: Museums & Archives as Inventories of the World André Malraux, The Imaginary Museum of World Sculpture, 1953 http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
  • 10. Museums & Archives as a Place to Engage with the World
  • 11. for this we need to be able to support a multitude of perspectives http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo
  • 12. in the sea of information to explore it in a pleasant and informative way
  • 13. dive.beeldengeluid.nl in the sea of information to explore it in a pleasant and informative way
  • 14. dive.beeldengeluid.nl event-centric browser for digital humanities in the sea of information to explore it in a pleasant and informative way
  • 15. in the sea of information to explore it in a pleasant and informative way dive.beeldengeluid.nl event-centric browser for digital humanities +
  • 19. OPENIMAGES.EU • 3000 videos • NL Institute for Sound & Vision • mostly news broadcasts DELPHER.NL • 1.5 Million Scans of • Radio bulletins • (hand annotated) • 1937 – 1984
  • 21. Simple Event Model (SEM) OpenAnnotation (OA) & SKOS DIVE:MEDIA OBJECT SEM:EVEN T SEM:PLACE SEM:TIME SEM:ACTOR SKOS:CONCEPT OA:ANNOTATI ON • LINKS TO EUROPEANA (MULTILINGUAL) • LINKS TO DBPEDIA
  • 22. Crowdsourcing for Video Analysis http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo CrowdTruth.org
  • 23. Crowdsourcing for Text Analysis http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo CrowdTruth.org
  • 25. diversity of opinions from the crowd collected in a decentralized way Independent machine-generated narratives aggregated views over the collection http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo support for perspectives
  • 26. Digital Submarine UI Infinity of Exploration Linking Objects through Events Collecting Perspectives from the Crowd Linked (Open) Data
  • 27. Lora Aroyo Oana Inel Victor de Boer Chiel van den Akker Susan Legêne Christiaan Meijer Huub Wijfies Johan Oomen Jaap Blom Werner Helmich Dennis de Beurs
  • 28. around the Web http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo http://dive.beeldengeluid.nl http://agora.cs.vu.nl http://crowdtruth.org http://wm.cs.vu.nl
  • 29. THANK YOU! http://lora-aroyo.org  http://slideshare.net/laroyo  @laroyo

Editor's Notes

  1. Hi my name is Oana Inel Unfortunately, Lora Aroyo was not able to present today So, I am going to tell you about our journey with DIVE+ towards the new cultural comments
  2. One of the main characteristics of today is the massive, overwhelming amount of information around us This is especially remarkable in terms of cultural heritage content online Think of all the videos, images and the infinite amount of web pages that you get as search results when you want to learn about a given artist, period or an historic event However ….
  3. However, this unconceivable amount of information ‘looks all the same’ to the poor users when they are not able to consume it properly, e.g. When they don’t know where to start, what to search for, and typically getting lost in very specialized art-historic explanations
  4. As a result of this ‘we’ as audiences feel disconnected and lost in this vast information sea
  5. So, what can we do to bring the users of cultural heritage online back in the driver seat How can we empower the audiences and help them overcome the sense of overwhelming
  6. In this case we focus specifically on the Digital Humanities scholars To help them find what they search for To help them understand what they found To help them make serendipitous links between cultural heritage objects
  7. Some refer to the solution as “Cultural Commonwealth” In other words, making Online Cultural Heritage smarter, more open and more connected.
  8. And I mean Smart Cultural Heritage in terms of Using new technologies for indexing, retrieval and linking Providing content over various platforms Getting inspired In collaboration with creative industries
  9. Also Open Cultural Heritage in terms of Content being within the reach of both end users and other organization
  10. And finally, Connected Cultural Heritage in terms of Connected to the users, and knowing their wishes and context of use Connected to other collections with a complimentary role Providing your content in a distributed fashion – over different platforms
  11. This would mean: (1) linking Humanities and CS and (2) in this way help redefining the research questions in both fields And (3) in this way also stimulate the thinking out of the box in both fields; And ultimately, give much richer relevance of the results, by putting them in the perspective of Web Science and eScience [[Alternatively - read out the quote from the report of the Americal Council of Learned Societies Commission…]]]
  12. So, what does need to happen to achieve this cultural commonwealth? First we need to make a shift in the way we think Museums are not just inventories of the world’s knowledge
  13. They should be places where people can engage with the world
  14. And to be able to do this We need to teach our tools to understand ‘perspectives’, i.e. - to be able to identify, present and support a multitude of perspectives over the same information space
  15. And in this way allow them to DIVE in the sea of information And being able to explore it in a pleasant and informative way
  16. And we did build a tool for this – and we call it DIVE
  17. an event-centric browser for digital humanities
  18. After the successful completion of DIVE with our success at the International Semantic Web Conference We continued working together with eScience Center on DIVE+
  19. Here you can see the main elements of the DIVE interaction Relationships between objects of different types, e.g. events, people, locations
  20. And you can experience the infinity of the DIVING through continuously choosing elements to explore and getting related elements through events, locations, people or times ..
  21. Here we see only the event selection of the previous search result
  22. So, we started with two collections (1) 3000 news broadcasts from Sound and Vision & (2) Radio bulletins from the Dutch Royal Library (in the period of 1937 and 1984)
  23. In 2015 are adding more, (1) the online collection of objects from the Amsterdam Museum as well as (2) the Tropenmuseum collection
  24. The underlying approach of DIVE is based on using open Web standards (such as SKOS and OpenAnnottion) and state-of-the-art for linked data So, we use the Simple Event Model as the central knowledge representation in DIVE Additionally, we also DIVE knowledge base with links to external sources, such as Europeana and DBPedia All this results in a very rich knowledge graph of events, entities participating in those events and diverse links between all of them
  25. This results of very rich representation of all the collection objects in a large knowledge graph, where every object is related to others through events or entities depicted in it
  26. But the events data is very scarce So, to fill this rich knowledge graph with events data, we employed crowdsourcing for video analysis – to identify all the events and related entities depicted in each video
  27. And also for text analysis - to identify all the events and related entities depicted in each text
  28. Through the use of the simple event model we are able to generate automatically diverse ‘narratives’ or storylines through the integrated collections This allows users to explore them by diving into the numerous relations between events and their participating entities
  29. All this – brings us back where we started – we wanted to provide support for perspectives And the event-based narratives provide with this. Through the crowd we are able to collect in a decetralized way a huge amount of diverse opinions Through the event model we are able to generate numerous narratives through the collection And through the novel DIVE interface we provide an aggregated view of the whole collection
  30. In summary, DIVE – implements a Digital Submarine User Interface for Exploration DIVE – integrates Linked Open Data, Web Standards, Event Modeling & Crowd perspectives
  31. This is our multidisciplinary team consisting of Cultural heritage professionals Interaction Designers Historians And computer Scientists
  32. For more information you can explore some of those links