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PHILOSOPHY OF EARLY
CHILDHOOD EDUCATION
WHO IS FROE B E L?
IS THE RE A NY C ONNE C TION
   B E TWE E N THE S E TWO
         PIC TURE S ?
RE VIE W


      Classical and Current
        Theories of Play
What do we know about
the study of play?




  Where should our search for information
  begin?
E arly Influences on
Play S cholars hip

           •   Plato
           •   Comenius
           •   John Locke
           •   Rousseau
           •   Pestalozzi
           •   Froebel
E arly C ontributions to
the S tudy of Play
    • Johann Amos Comenius
      Children are innately curious, and different materials should be used to
      encourage their creativity.
    • John Locke
      Children are a blank slate and can learn through play when adults use toys to
      teach concepts.
    • Jean-Jacques Rousseau
      Children are innately good, and nature is a primary force in learning.
    • Pestalozzi
      Children should be free to explore, and they learn through action (learn by
      doing).
    • Friedrich Froebel
      Children learn through play.
Froebel’s E ducational
Pedagogy
       • free self-expression

       • creativity

       • social participation

       • motor expression
Froebel’s Gifts
• Object lessons can be extended by specific
  objects.
• He specifically designed 10 that he believed
  were important:
  1. solids (balls)    6. proportion
  2. shapes            7. surfaces
  3. number                   8. lines and circular
  4. extent            9. points
  5. symmetry                10. reconstruction
Froebel’s G ifts
Firs t G ift: S olids (B all on s tring)
Froebel’s G ifts
Firs t G ift: S olids (B all on s tring)
     The first gift is six soft, round spheres with strings that
     the child can manipulate.
     These are generally made of different colored worsted
     wool and measure about an inch and a half.
     The round balls can be manipulated by the child, rolled
     along a surface, or tossed into the air.
     This shape reflects the round spheres that occur in
     nature and expresses the idea of individuality—that “we
     are here”(1895, p. 285).
Froebel’s Gifts
S econd Gift: S hapes
Froebel’s Gifts
S econd Gift: S hapes

 In contrast with the softness of the first gift, the
 second gift is hard.
 Wooden spheres, cubes, and cylinders can be
 manipulated to demonstrate different properties.
 These can be manipulated and moved through
 the air.
 This expresses the concept of personality.
Froebel’s G ifts
Third Gift: Number
Froebel’s G ifts
Third Gift: Number

  The third gift consists of eight cubes (1 x 1 inch)
  that can be put together to form a 2-inch cube (2 x
  2 x 2).
  This is designed to stimulate self-selected or
  solitary play.
Froebel’s G ifts
Fourth G ift: E xtent
Froebel’s G ifts
Fourth G ift: E xtent

  The fourth gift expands the notion of the third
  gift to rectangles.
  It consists of eight rectangle-shaped blocks (2 x
  1 x ½) that form a 2-inch cube.
  This is designed to encourage obedience
  because it says to the child, “Study us” (p. 286).
Froebel’s G ifts
Fifth G ift: S ymmetry
Froebel’s G ifts
Fifth G ift: S ymmetry
 A combination of rectangles, squares, half
  shapes, and quartered shapes form a 3-inch cube
  (3 x 3 x 3).

 This gift is designed to stimulate an interest in
  unity and beauty.
Froebel’s Gifts
S ixth Gift: Proportion
Froebel’s Gifts
S ixth Gift: Proportion

 Twenty-seven brick-shaped blocks, three bisected
  longitudinally and six bisected transversely, forming
  a 3-inch cube.

 Obedience is the goal of this gift as the child
  controls and manipulates the blocks.
Froebel’s Gifts
S eventh Gift: S urfaces
Froebel’s Gifts
S eventh Gift: S urfaces

 Squares and equilateral triangles can be used to
 create designs.
Froebel’s G ifts
E ighth G ift: Lines and C ircular
Froebel’s G ifts
E ighth G ift: Lines and C ircular

  The gift of lines is found in straight sticks of various
   lengths that reflect multiples of the third gift, a 1-
   inch cube.
  Rings reflect knowledge of circular entities.
   Wooden, metal, or paper rings of various sizes;
   whole circles, half circles, and quadrants are
   included.
Froebel’s Gifts
Ninth Gift: Points
Froebel’s Gifts
Ninth Gift: Points
  The ninth gift consists of points such as beans,
   lentils, or other seeds, leaves, pebbles, pieces of
   cardboard paper, and so forth.
  The child has progressed from the solid to the
   point.
  This last gift enables the child to represent the
   surface and solid with points.
Froebel’s Gifts
Tenth Gift: Recons truction
Froebel’s Gifts
Tenth Gift: Recons truction
  The child can reconstruct the set of gifts from the
  solid to the point using sticks and a material for
  holding them together.

  (See F. Froebel [1885] for additional details.)
POP QUIZ!
  20 MINUTES DRILL – a group of two
           (pair activity)

 • List all 10 gifts as stated by Froebel.
          • Draw each of them.
Froebel’s Occupations

  The occupations furnish material for
  practice in certain skills, lead to invention, and
  give the child power.
  These activities develop fine motor skills as
  well as contribute to the child’s sense of self-
  esteem.
E xamples
 Solids: plastic clay, cardboard work, wood-carving
 Surfaces: paper-folding, paper-cutting, parquetry,
  painting
 Lines: interlacing, intertwining, weaving, thread
  games, embroidery, drawing
E xamples (cont.)
Points: stringing beads, buttons, perforating
Reconstruction: reconstruct the surface and
 solid synthetically from the point. It consists of
 softened peas or wax pellets and sharpened
 sticks or straws.
               (Adapted from Froebel, 1885)
Classical Theories of Play
  Surplus energy theory of play

  Relaxation and recreation theories of play

  Practice (or pre-exercise) theory of play

  Recapitulation theory of play
S urplus E nergy
Theory of Play
  Children have too much energy and play rids them of
   excess energy.
                            (Von Schiller, 1954)

  Criticism
        No evidence exists to support theory.
        The reason for play would be the same reason for work.
Relaxation and Recreation
Theories of Play
  Play is necessary to regenerate energy used at
   work.
                                 (G. Patrick, 1916)
  Criticism
      No evidence exists to support the theory.
      Play can be as exhausting as work.
Practice or Pre-E xercis e
Theory of Play
  Play develops skills necessary for
   functioning as an adult.
                             (Groos, 1901)


  Criticism—children may practice what
   they see adults do, but they cannot
   know what will occur in the future.
Recapitulation Theory
of Play
 Eliminate ancient instincts by reliving
  evolutionary history of the human species.
                           (G. Stanley Hall, 1916)


 Criticism—if evolution is still occurring, it
  should also be evident in play.
C hild S tudy Movement

 G. Stanley Hall—father of American
  Playground Movement
 Patty Smith Hill—promoted free play and
  large hollow blocks
 Caroline Pratt—unit blocks
 Harriet Johnson—block play at Bank Street
Modern S cholars
of Play
           Freud

           Erikson

           Dewey

           Piaget

           Vygotsky
Freud

 The child’s motivation is to seek pleasure and
  avoid pain.

 The pleasure principle is the primary
  motivation to play.
E riks on

Purpose of Play

  Play as ego mastery for emotional development
  Play as social
  Play as a lifelong phenomenon
E riks on’s Play Levels

  The autocosmic level of play occurs in the first
  year of life when children explore, experience,
  and investigate their own body as they
  discover that they are separate from other
  people.
E riks on’s Play Levels

• Microsphere
  – Toys are used in two ways.
     • Props for acting out their emotions
     • Tools to discover the limits of rules established by caregivers
  – Child gains mastery over the world as she controls toys
    and materials.
E riks on’s Play Levels

• Macrosphere—The child develops a
  shared view of the world as she engages
  in sociodramatic play and games.
Piaget
• Purpose of play
  – Play provides for wish fulfillment.
  – Play follows development.
  – Play allows children to sublimate reality through a
    process involving accommodation and
    assimilation.
Piaget (cont.)

• Accommodation occurs when the child adjusts the mental
  schema to accept new knowledge.
• Assimilation occurs when the individual fits information into
  existing mental structures.
• Play is disequilibrium with an imbalance of assimilation and
  accommodation with a dominance of assimilation over
  accommodation.
Vygots ky
• Purpose of play
   – Ego mastery
   – Rule bound
• Play allows child to engage in wish fulfillment.
• Play creates the zone of proximal development. Play leads to
  development and is the highest level of intellectual
  development prior to formal instruction.
• “The child always behaves beyond his average age, above his
  daily behavior; in play it is as though he were a head taller
  than himself” (Vygotsky, 1978, p. 102).
• Play leads to development.
Influential S cholars
• Mildred Parten—play occurs in separate,
  distinguishable social levels.
• Jerome Bruner—play leads to cognitive
  adaptation.
• Brian Sutton-Smith—play is inter-disciplinary
  and necessary for survival.
• Gail Carnella—play may not be valuable.

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Philosophy of early childhood education 2

  • 2. WHO IS FROE B E L?
  • 3. IS THE RE A NY C ONNE C TION B E TWE E N THE S E TWO PIC TURE S ?
  • 4. RE VIE W Classical and Current Theories of Play
  • 5. What do we know about the study of play? Where should our search for information begin?
  • 6. E arly Influences on Play S cholars hip • Plato • Comenius • John Locke • Rousseau • Pestalozzi • Froebel
  • 7. E arly C ontributions to the S tudy of Play • Johann Amos Comenius Children are innately curious, and different materials should be used to encourage their creativity. • John Locke Children are a blank slate and can learn through play when adults use toys to teach concepts. • Jean-Jacques Rousseau Children are innately good, and nature is a primary force in learning. • Pestalozzi Children should be free to explore, and they learn through action (learn by doing). • Friedrich Froebel Children learn through play.
  • 8. Froebel’s E ducational Pedagogy • free self-expression • creativity • social participation • motor expression
  • 9. Froebel’s Gifts • Object lessons can be extended by specific objects. • He specifically designed 10 that he believed were important: 1. solids (balls) 6. proportion 2. shapes 7. surfaces 3. number 8. lines and circular 4. extent 9. points 5. symmetry 10. reconstruction
  • 10. Froebel’s G ifts Firs t G ift: S olids (B all on s tring)
  • 11. Froebel’s G ifts Firs t G ift: S olids (B all on s tring) The first gift is six soft, round spheres with strings that the child can manipulate. These are generally made of different colored worsted wool and measure about an inch and a half. The round balls can be manipulated by the child, rolled along a surface, or tossed into the air. This shape reflects the round spheres that occur in nature and expresses the idea of individuality—that “we are here”(1895, p. 285).
  • 12. Froebel’s Gifts S econd Gift: S hapes
  • 13. Froebel’s Gifts S econd Gift: S hapes In contrast with the softness of the first gift, the second gift is hard. Wooden spheres, cubes, and cylinders can be manipulated to demonstrate different properties. These can be manipulated and moved through the air. This expresses the concept of personality.
  • 14. Froebel’s G ifts Third Gift: Number
  • 15. Froebel’s G ifts Third Gift: Number The third gift consists of eight cubes (1 x 1 inch) that can be put together to form a 2-inch cube (2 x 2 x 2). This is designed to stimulate self-selected or solitary play.
  • 16. Froebel’s G ifts Fourth G ift: E xtent
  • 17. Froebel’s G ifts Fourth G ift: E xtent The fourth gift expands the notion of the third gift to rectangles. It consists of eight rectangle-shaped blocks (2 x 1 x ½) that form a 2-inch cube. This is designed to encourage obedience because it says to the child, “Study us” (p. 286).
  • 18. Froebel’s G ifts Fifth G ift: S ymmetry
  • 19. Froebel’s G ifts Fifth G ift: S ymmetry  A combination of rectangles, squares, half shapes, and quartered shapes form a 3-inch cube (3 x 3 x 3).  This gift is designed to stimulate an interest in unity and beauty.
  • 20. Froebel’s Gifts S ixth Gift: Proportion
  • 21. Froebel’s Gifts S ixth Gift: Proportion  Twenty-seven brick-shaped blocks, three bisected longitudinally and six bisected transversely, forming a 3-inch cube.  Obedience is the goal of this gift as the child controls and manipulates the blocks.
  • 22. Froebel’s Gifts S eventh Gift: S urfaces
  • 23. Froebel’s Gifts S eventh Gift: S urfaces Squares and equilateral triangles can be used to create designs.
  • 24. Froebel’s G ifts E ighth G ift: Lines and C ircular
  • 25. Froebel’s G ifts E ighth G ift: Lines and C ircular  The gift of lines is found in straight sticks of various lengths that reflect multiples of the third gift, a 1- inch cube.  Rings reflect knowledge of circular entities. Wooden, metal, or paper rings of various sizes; whole circles, half circles, and quadrants are included.
  • 27. Froebel’s Gifts Ninth Gift: Points  The ninth gift consists of points such as beans, lentils, or other seeds, leaves, pebbles, pieces of cardboard paper, and so forth.  The child has progressed from the solid to the point.  This last gift enables the child to represent the surface and solid with points.
  • 28. Froebel’s Gifts Tenth Gift: Recons truction
  • 29. Froebel’s Gifts Tenth Gift: Recons truction The child can reconstruct the set of gifts from the solid to the point using sticks and a material for holding them together. (See F. Froebel [1885] for additional details.)
  • 30. POP QUIZ! 20 MINUTES DRILL – a group of two (pair activity) • List all 10 gifts as stated by Froebel. • Draw each of them.
  • 31. Froebel’s Occupations The occupations furnish material for practice in certain skills, lead to invention, and give the child power. These activities develop fine motor skills as well as contribute to the child’s sense of self- esteem.
  • 32. E xamples  Solids: plastic clay, cardboard work, wood-carving  Surfaces: paper-folding, paper-cutting, parquetry, painting  Lines: interlacing, intertwining, weaving, thread games, embroidery, drawing
  • 33. E xamples (cont.) Points: stringing beads, buttons, perforating Reconstruction: reconstruct the surface and solid synthetically from the point. It consists of softened peas or wax pellets and sharpened sticks or straws. (Adapted from Froebel, 1885)
  • 34. Classical Theories of Play  Surplus energy theory of play  Relaxation and recreation theories of play  Practice (or pre-exercise) theory of play  Recapitulation theory of play
  • 35. S urplus E nergy Theory of Play  Children have too much energy and play rids them of excess energy. (Von Schiller, 1954)  Criticism  No evidence exists to support theory.  The reason for play would be the same reason for work.
  • 36. Relaxation and Recreation Theories of Play  Play is necessary to regenerate energy used at work. (G. Patrick, 1916)  Criticism No evidence exists to support the theory. Play can be as exhausting as work.
  • 37. Practice or Pre-E xercis e Theory of Play  Play develops skills necessary for functioning as an adult. (Groos, 1901)  Criticism—children may practice what they see adults do, but they cannot know what will occur in the future.
  • 38. Recapitulation Theory of Play  Eliminate ancient instincts by reliving evolutionary history of the human species. (G. Stanley Hall, 1916)  Criticism—if evolution is still occurring, it should also be evident in play.
  • 39. C hild S tudy Movement G. Stanley Hall—father of American Playground Movement Patty Smith Hill—promoted free play and large hollow blocks Caroline Pratt—unit blocks Harriet Johnson—block play at Bank Street
  • 40. Modern S cholars of Play  Freud  Erikson  Dewey  Piaget  Vygotsky
  • 41. Freud  The child’s motivation is to seek pleasure and avoid pain.  The pleasure principle is the primary motivation to play.
  • 42. E riks on Purpose of Play Play as ego mastery for emotional development Play as social Play as a lifelong phenomenon
  • 43. E riks on’s Play Levels The autocosmic level of play occurs in the first year of life when children explore, experience, and investigate their own body as they discover that they are separate from other people.
  • 44. E riks on’s Play Levels • Microsphere – Toys are used in two ways. • Props for acting out their emotions • Tools to discover the limits of rules established by caregivers – Child gains mastery over the world as she controls toys and materials.
  • 45. E riks on’s Play Levels • Macrosphere—The child develops a shared view of the world as she engages in sociodramatic play and games.
  • 46. Piaget • Purpose of play – Play provides for wish fulfillment. – Play follows development. – Play allows children to sublimate reality through a process involving accommodation and assimilation.
  • 47. Piaget (cont.) • Accommodation occurs when the child adjusts the mental schema to accept new knowledge. • Assimilation occurs when the individual fits information into existing mental structures. • Play is disequilibrium with an imbalance of assimilation and accommodation with a dominance of assimilation over accommodation.
  • 48. Vygots ky • Purpose of play – Ego mastery – Rule bound • Play allows child to engage in wish fulfillment. • Play creates the zone of proximal development. Play leads to development and is the highest level of intellectual development prior to formal instruction. • “The child always behaves beyond his average age, above his daily behavior; in play it is as though he were a head taller than himself” (Vygotsky, 1978, p. 102). • Play leads to development.
  • 49. Influential S cholars • Mildred Parten—play occurs in separate, distinguishable social levels. • Jerome Bruner—play leads to cognitive adaptation. • Brian Sutton-Smith—play is inter-disciplinary and necessary for survival. • Gail Carnella—play may not be valuable.

Editor's Notes

  1. Instructor: Use an inquiry approach to encourage discussion. Ask students what they know about the study of play and encourage them to consider research strategies.