Slides 2 - 6: Introduction to the programme by Georgia Angelaki Slides 7 - 9: Keynote Michael Edson Slides 10 - 40: Europeana Aggregators Forum by Marco Rendina Slides 42 - 75: Promoting Cultural Heritage with digital invasion by Altheo Valentini-Egina and Marianna Marcucci Slides 77 - 97: Opportunities for digital cultural heritage and the public domain, under the EU Copyright Rules by Paul Keller, Steven Stegers, Jurga Gradauskaite, Antje Schmidt, Sebastiaan ter Burg and Harry Verwayen Slides 98 - 101: Climate Call for Action: Outcomes by Barbara Fischer Slides 102 - 114: Wrap up and closure by Marco de Niet

1. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
EUROPEANA 2019
29 Nov 2019 | LISBON

2. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
National Aggregator to Europeana
Project Lead
National Documentation Centre of Greece

3. 09:20 - 10:00 Plenary session
Michael Edson (Museum of United Nations) (on video)
Marco Rendina on the Europeana Aggregator Forum
10:00 - 10:30 Coffee break
Welcome & introduction to the programme
Start of Europeana ‘Europe at work’ collection day 2 (Sala Multimedia)

4. 10:30 - 11:55 Parallel sessions
Promoting cultural heritage with digital invasion (Auditorium)
How to implement the FAIR principles in digital culture (Room 1)
Achieving inclusivity & diversity in the Europeana Network (Room 2)
12:00 - 13:00 Lunch, demonstrations and networking
>

5. 13:05 - 14:30 Parallel sessions
Opportunities for digital cultural heritage and the public domain,
under the EU Copyright Rules (Auditorium)
Europeana Tech Unconference (Room 1)
Communicating the value of digital culture to stakeholders (Room 2)

6. 14:35 - 15:30 Plenary session
How was your journey? (moderated by Harry Verwayen)
Wrap-up & closure of the conference (Marco de Niet)
15:45 Library Tour 3 (Reservations only)

7. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Co-founder and Associate Director

8. CLICK TO ADD SUBTITLE
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10. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain

11. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Managing Director
Aggregators for Digital
Cultural Heritage in Europe

12. The Europeana
initiative
REPRESENTS THE
COMMUNITY
REPRESENTS CINTENT
PARTNERS
OPERATES

13. New strategy
focus

14. ● Who we are and what we do
● Our goals
● What we offer
● National and Domain/thematic aggregators
ÖK:s mannekänguppvisning. 4 april 1955, Örebro Kuriren, Örebro läns museum, Sweden, Public domain

15. Who we are and what we do
A Pan-European network
A Europe-wide network of national, regional, domain and thematic
aggregators, enabling cultural institutions to share their collections online on
Europeana and open it up to new audiences
Connecting content and people
Aggregators work with cultural institutions and collectors to gather authentic,
trustworthy and robust data and make it accessible to Europeana, education
clouds, research infrastructures, creatives, developers and the general public.

16. Who we are and what we do
12 pan-European
thematic and domain
aggregators.
25 national and
regional aggregators,
gathering content
from cultural
institutions across
Europe.
Aggregators work
with thousands of
museums, galleries,
libraries, archives,
audiovisual archives,
collectors and
communities.
Aggregators offer
advice and support in
digitisation, content
description, licensing,
media formats
accessibility,
multilingualism and in
domain and subject
vocabularies.
Network Culture partners Expertise
Aggregators are the backbone of content supply to Europeana, connecting and
promoting Europeana to their networks and communities.

17. Who we are and what we do
Member States and
regional authorities
are the main funders
of national and
regional aggregators.
The domain and
thematic aggregators
are co-funded by their
members and the EU.
Aggregators supply
around 90% of all
content in Europeana.
47+ million items
including digital
images, texts, videos,
sounds and 3D objects
from Europe’s diverse
cultural heritage.
Aggregators are agents
of change, encouraging
investments in new
technologies and
digital skills, and
contributing to
digitization strategies
at national and
European levels.
Finance Content base Impact

18. Our goals
• Aggregators are catalysts for digital transformation in
cultural institutions.
• Aggregators support thousands of cultural heritage
institutions and their communities to build Digital Europe.
• Aggregators foster digital culture, promote open
standards and encourage the free flow of data across
borders for re-use in applications for education, tourism
and leisure.

19. What we offer
Aggregators use
standards,
vocabularies and linked
data and promote their
use by cultural
institutions offering
case studies and
translations to ease
their uptake
Aggregators
contribute actively to
the development of
international and
national domain and
subjects standards
Aggregators work
actively to improve
and enrich data and
content, promote
international
recommendations for
best practices in
digital culture and
support to cultural
heritage professionals
Technology Standards Quality
Aggregators provide
tools, services and
infrastructures (data
repositories, cloud
storage, metadata
harvesting, metadata
mapping, enrichment
services, APIs and
portals)
Helpdesks are
available for cultural
institutions

20. What we offer
Aggregators are well
placed to reach out to
institutions,
communities and
enthusiasts to develop
metadata strategies
that connect objects
and collections to
audiences, bridging
generation and
perspective gaps
between cultural
heritage content,
professionals and
Europeana users
More than 10
thematic collections
launched on
Europeana, based on
content provided by
aggregators.
Active role in raising
awareness of
Europeana amongst
European citizens.
100% of content
carries a rights label.
Digital Europe Inclusion Highlights
Aggregators’
infrastructure
supports connectivity
and makes cultural
data interoperable
with portals,
education clouds,
research
infrastructures,
Europeana and other
users.

21. Domain and thematic aggregators
• 12 Pan-European networks built around a specific
heritage domain
• operate as digital cultural heritage Expert hubs offering
specialist support to CHIs across Europe
• main partners in the Europeana DSI core service
• main driver behind the Europeana thematic collections
• rely on EU funding and membership fees

22. National and regional aggregators
• 25 institutions operating at a national/regional level in 21
Member States plus Serbia
• maintaining a cross-domain or domain specific national
aggregation infrastructures
• collaborate to the Europeana initiative bringing CHIs’ rich
content from a national and local level to Europeana
• rely on national and local funding

23. ● About the EAF
● The new EAF (why and how)
● Benefits of being a member
● Responsibilities
● Accreditation process
ÖK:s mannekänguppvisning. 4 april 1955, Örebro Kuriren, Örebro läns museum, Sweden, Public domain

24. Title here
CC BY-SA
Europeana Aggregators
CC BY-SA
About the Europeana Aggregators Forum
• Established in 2012
• Members: National and
pan-European domain and thematic
aggregators
Purpose
• Exchange ideas, knowledge,
experiences and best practices
• Foster closer working relationships
and two-way communication
between members
Meetings
• Twice a year organised and hosted by
an aggregator or the EF Office

25. Title here
CC BY-SA
Europeana Aggregators
CC BY-SA
WHY a new EAF
• To place the community of aggregators at the
centre
• To give increased recognition for organisations
aggregating Europe’s cultural heritage
• Joint mission: Improve access to culture
• Working on standards and frameworks
• Bringing people & organisations together
• To have the opportunity to function as an
instrument to influence political action on
cultural heritage
The new Europeana Aggregators Forum

26. Title here
CC BY-SA
Europeana Aggregators
CC BY-SA
HOW a
• Firming up the scope of the Forum
• Establishing a light organisational
structure
• Improving visibility and recognition
for the community
The new Europeana Aggregators Forum

27. Title here
CC BY-SA
Europeana Aggregators
CC BY-SA
Scope
The purpose of the Aggregator Forum is to coordinate all activities required for the
effective functioning of a pan-European aggregation ecosystem both at operational and
at strategic level.
● OPERATIONAL LEVEL
○ Forum to ensure development and uptake of standards and frameworks and
training programmes. Sharing also best practice, tools, etc.
● STRATEGIC LEVEL
○ Forum to function as advocacy body for Europe’s national, domain and thematic
aggregators
○ Forum to coordinate with EF on how to reach the aggregation goals
○ Forum and EF to take joint responsibility for the mission of aggregation

28. Title here
CC BY-SA
Europeana Aggregators
CC BY-SA
Establishing an organisation structure
EAF Steering Group
Chair
✔ Responsible for setting the agenda in collaboration with members of the Steering
Group
✔ Chair meetings, ensure participation of relevant member(s)
✔ Function as ENA/MC liaison after each EAF Meeting or when specific issues for
discussion points occur
Vice-Chair
✔ Shared responsibilities with Chair
EF Representative
✔ Ensure alignment with EF strategy and development
✔ Ensure visibility of the role of the aggregators on Europeana Pro
✔ Organise logistically EAF meeting in collaboration with hosting organisation
✔ Act as liaison between the EAF and the Europeana DSI project

29. Title here
CC BY-SA
Europeana Aggregators
CC BY-SA
Improving visibility and recognition
HOW a
• Promote outputs and activities of the Forum
o Case studies and recommendations
o Standardised Training Programme
o Train the trainer workshops
• Ensure visibility for Europe’s cultural heritage aggregation
ecosystem
o Use Europeana Pro to feature aggregators’ role and
expertise
o Aggregators Factsheet
• Raise awareness of the Aggregators’ role in the Europeana
initiative at the EC and Members States level

30. Benefits
• EAF membership (access to EAF meetings and EAF
Basecamp)
• Vote in decisions taken by the EAF
• Aggregator profile on Pro
• Representatives of the Europeana initiative
• Use EAF logo (trusted partner)

31. Responsibilities
• Provide content to Europeana
• Clear scope
• Help and support for CHIs
• Sufficient capacity
• Exit or transition plan
• Active participation in EAF
• Collaborate with EF and other aggregators

32. Accreditation Process
• Candidate fills application form and commits to
responsibilities
• EAF SG pre-evaluates the application
• Candidate submits test data successfully & sign DEA
• Candidate is invited to present at EAF meeting
• EAF members ratify the accreditation
• Candidate receives the Accreditation letter

33. EAF branding

34. Full index of accredited
aggregators with
complete info and
contacts details
Europeana Pro

35. Full index of accredited
aggregators with
complete info and
contacts details
Europeana Pro

36. Full index of accredited
aggregators with
complete info and
contacts details
Europeana Pro

37. Full index of accredited
aggregators with
complete info and
contacts details
Europeana Pro

38. Full index of accredited
aggregators with
complete info and
contacts details
Europeana Pro

39. Full index of accredited
aggregators with
complete info and
contacts details
Europeana Pro

40. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
@EuropeanaEU

41. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
#Europeana2019
#EuropeanaCommunities

42. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
European Grants International Academy

43. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
EU projects manager, digital and
social innovation specialist
‘Promoting cultural heritage
with digital invasions’

44. Erasmus+ KA2 Strategic Partnership for Adult Education
To promote the exchange of good
practices for the involvement of
citizens in the dissemination,
enhancement and care of cultural
heritage, through an innovative
methodology based on the use of new
communication technologies.

45. Italy’s most beautiful village

46. Steve McCurry @ Bevagna
Sensational Umbria

47. Empowerment of cultural operators...
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48. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Communication (Digital) Strategist,
Marketing & Innovation for Travel
and Culture industries
Invasioni Digitali
‘Promoting Cultural heritage
with digital invasions’

49. “We believe in a new connection between
museums and participants based on the active
participations of people to the production,
creation and valorization of culture”

50. “We believe in new ways of experiencing cultural sites, never more passive,
where knowledge will be built and not only transmitted.Where the participant will
be involved and creating another form of art.”

51. WE COME
IN PEACE

53. The painter's work does not end with its context:
it ends in the eye of the observer.
Alberto Burri

69. This exhibition is a great retrospective
of José de Guimarães' graphic work,
which presents a representative
selection of his engraving produced
from the 60's until the end of 2018.
The exhibition is based on the collection
of works that the author has been
donating to BNP, where there is a copy
of all his engraving, totaling over 400
construction.

70. Jorge de Sena was born in Lisbon
on November 2, 1919.
Commemoration of 100 years of
his birth with materials from the
personal archive of the author
From family with navy tradition,
and commanding father of the
Merchant Navy, the sea seemed
to be his destination. He was a
young cadet, traveling in Sagres
to Brazil and then to Africa
Starts writing poetry at 16.
His work, in addition to more than
12 books of poetry, encompasses
the novel, the theater and the
translation of works of fiction
such as Hemingway, Faulkner,
Caldwell, Peacock, Greene and
poetry.

71. Fernando Oliveira was one of the most
curious figures of the sixteenth century.
In early 1536 its grammar of Portuguese
language was printed in Lisbon (whose
only known example is preserved in
BNP).
In 1555 published the Art of War of the
Sea, an innovative treatise on nautical
themes (of which the BNP retains a
copy).
This exhibition rehearses a
recomposition of Fernando de Oliveira's
book universe, including not only his
own writings, but above all the many
titles that are summoned in his works
and which he would have consulted or
even possessed at some point in his
complex existential path.

73. You can participate to the invasion
ONLINE posting pictures from the
Online Library of the National Library
of Portugal!
http://livrariaonline.bnportugal.pt

74. #FeelingCulture
#EuropeanaCommunities
You can follow the invasion online!

76. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
#Europeana2019
#EuropeanaCommunities

77. Opportunities for digital cultural
heritage and the public domain,
under the EU Copyright Rules
Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
Publicspace.online

78. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
publicspace.online
Introduction to the new
EU copyright rules

88. Text and data mining (Art.3&4)
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89. Digital and cross-border teaching (Art.5)
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90. Out of Commerce Works (Art.8-11)
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91. Is it a collection
of OOCWs?
Is there a
representative
CMO for the
type of works?
Does the CMO
want to issue a
license and can
parties agree
on terms?
Collection
can be made
available online
relying on the
exception
The collection
cannot be
made available
online
no
yes no
no
yes
Collection
can be made
available in
accordance
with the terms
of the license
yes
Intention to
make the
collection
available needs
to be published
in a single
public online
portal.
Rightholders
have 6 months
to object /
opt-out.
OOCWs flowchart (Art.8-11)

92. Visual art in the public domain (Art.14)
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93. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY

96. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Open Nederland
Public Domain Day 2020

97. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
‘Digital transformation’
An epic journey

98. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain

99. Constantin Hansen, En lille pige, Elise Købke, med en kop foran sig, 1850, Statens Museum for Kunst, Denmark, CC0, https://www.europeana.eu/portal/record/2020903/KMS3388.html

100. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
1. We called for action
2. We came together
3. We agreed on actions
Join us here:
http://bit.ly/2OkYQzC

101. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain

102. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain

103. The Europeana Network Association AGM 2018 - Europeana Foundation, CC BY
Chair of the Europeana Network
Association

104. “Connect Communities” => “Connected community” !

105. “Writer pays homage to lost love
and a dying Europe”
Photo: Gelya Bogatishcheva

106. National Museum of Natural History - University of Lisbon
Europeana MNHNL-0001133-MB-IMG & MNHNL-0000759-MB-IMG
Transformation (in a green way)

107. Group picture from 28-11 (not the mirror world, but real people)

108. ‘O Fado’ (1910)
by José Malhoa
Museu do Fado
https://pt.wikipedia.org/wiki/O_Fado

109. 2020!

110. Europa [Material cartográfico] : Nach den vorzüglichsten Hülfsnitteln, Götze, Johann August Ferdinand, 1773-1819 Biblioteca Digital de Madrid Spain, Public domain
@EuropeanaEU

111. Orange Growing packaging of 'Sunkist' oranges from California, Österreichische Nationalbibliothek, Public Domain
Sharing the story of Europe
through our working lives in the
past and the present.

112. Orange Growing packaging of 'Sunkist' oranges from California, Österreichische Nationalbibliothek, Public Domain
‘We still don't yet have our collections online for
people to see… we are working on digitisation.
This collection day will be the first time we will
be able to put something online.’
- Emi Ingo, Fiskars Museum

113. Orange Growing packaging of 'Sunkist' oranges from California, Österreichische Nationalbibliothek, Public Domain
‘On our way to digitize and share our collection, the
collection days mark one step to visibility and
accessibility... a great motivation for our colleagues
to publish online and open access.’
- Dr Elisabeth Böhm, Stiftung Historische Museen
Hamburg

114. Orange Growing packaging of 'Sunkist' oranges from California, Österreichische Nationalbibliothek, Public Domain