2. Science and Technology had produced great
influence in daily life of our modern society
and it established more efficiency and
effectivity to human activities.
4. 1. MULTIPLICITY
- individuals acquire a more
rigorous filter of choosing among
expanded range of
options and variances in materials,
institutions services and products.
7. 2. MATERIAL ABUNDANCE
- without such tangible things,
dynamics of
science and technology is
impossible.
- at the same time, the things that
they are reinventing are the things
13. 3. FLOW
- it refers to the steps and
processes that organize everyday life
along levels of throughput.
14. ACTIVITIES OF DAILY LIVING
5:30 A.M
GISING
6:00 A.M
UMAGAHAN
6:30 A.M
LIGO AT BIHIS
7:30 A.M
PASOK SA
SCHOOL
12:00 P.M
UWIAN
12:10 P.M
TANGHALIAN
1:30 P.M
PASOK
NANAMAN
5:00 P.M
UWIAN
NANAMAN
7:00 P.M
GABIHAN,
HOMEWORKS
10:00 P.M
TULOG
15. 4. PACE
- science and technology has rapidly
increased its pace of innovation and
developing the world and society is
obliged to pick up this pace.
. - however, others might have the
struggle
to pick up the pace because not all
19. 5. TRANSIENCE
- transience exists when the
composition of flow through a system
society, changes rapidly overtime.
- the transience character was made
possible by
modern mass production and
construction technology.
20.
21. 6. MOBILITY
- in the last century, industrialized
societies have
developed remarkable abilities to move
people,
information and materials in great
numbers and
amounts over great distances relatively
22.
23. 7. SCALE
- whether in terms of sizes of
population, human settlements,
human gatherings, and social
gatherings, the trends in scale in
contemporary society are the
following:
24. 7. SCALE
a. GIGANTISM – Earth moving equipment,
tall buildings, foot-high
structures,skyscrapers, etc.
25.
26. b. Miniaturization – transistor radios,
calculators, computers, televisions, etc.
27. 8. TECHNICITY
- technology has penetrated every nook
and cranny of everyday existence,
particularly on the spheres of work and
school.
28. 8. TECHNICITY
Consider, for example, familiar facets of
everyday life like:
a. Exercise – sophisticated and athletic
footwear, high tech work out apparatus,
wrist chronographs, and portable stereos
with headphones have altered the conditions
33. IMPRESSIONISM
• Impressionism is a movement in painting
that originated in France in the late 19th
century. Artists often painted out of doors,
rather than in a studio, so that they can
observe nature more directly.
• Impressionism is characterized by a concern
with depicting the visual impression of the
moment, especially in terms of the shifting
40. THE WORLD OF PAINTING
• Background. The birthplace of modern
painting was in mid 19th century, western
Europe. Painters placed equal or greater
emphasis om the inner spirit or atmosphere
created by a new technology or technological
process.
Rain, Steam and Speed
41. THE WORLD OF PAINTING
• Subject Matter. what something is about. In
artwork, the subject matter would be what
the artist has chosen to paint, draw or
sculpt.
• Pigments. Impressionists obsession with
light and atmospherics was facilitated by
advances in pigmentation. New organic
pigments in painting in the mid 19th century
42. THE WORLD OF PAINTING
• Metal Tubes. Impressionist painters worked
in en plein air (in the open air) with new
mundane technological invention – the soft
metal tubes.
44. • Transportation Technology. the new
technology of the railroad train exercised an
important influence on impressionism.
- The new mode of transport made it
possible for impressionist artists travel with
relative ease to the lovely environments of
the world.
45. • Camera. Actual photographs were used by
some impressionists as bases for some of
their paintings.
• Science of Color. Scientific research
continues on light, color and perception.
Mixing of dyes, hues and other colors to
produce the desired result.
46. • Audience. Advances in transport technology
in the 20th century have enabled travelling
exhibitions of great art works from one
continent to another, affording millions of
people direct access to the works.