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Shot list

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Shot list

  1. 1. Shot list Scene Location/Mise en scene Description Framing Actors Props 1 Bar The bar is a dimly lit smoky dive. Irish the bar-tender paces the bar clean-ing glasses. Sounds of care outside can be heard occa-sionally along side the non-diegetic theme music. Irish speaks to Gaudi At a slight angle off side a two shot in shallow focus Jack Water-man, Mathew Bray Glasses/ Dish rag, Hat, Cig-arettes Irish speaks to Gaudi Over the shoul-der shot of Gaudi Jack Water-man, Mathew Bray Glasses/ Dish rag, Hat, Cig-arettes Irish speaks to Gaudi Medium Close-up of Gaudi showing a woman in the background (pull focus) Jack Water-man, Fiona Walker Cigarette holder, Hat Christina approaches Gaudi Tracking shot following Chris-tina’s footsteps as she walks Fiona Walker Cigarette holder, Hat Christina approaches Gaudi High angle on Gaudi, Christina enters the shot and brushes him before sit-ting down Jack Water-man, Fiona Walker Cigarette holder, Hat Christina sits Over the shoul-der shot show-ing Christina’s back as she sits down Jack Water-man, Fiona Walker Cigarette holder, Hat
  2. 2. Christina speaks Close up on Christina’s face Fiona Walker Cigarette, holder Gaudi re-plies Medium Close-up Jack Water-man Hat, Ciga-rette The pair converse Two shot show-ing both charac-ters full body followed Jack Water-man, Fiona Walker Cigarettes The pair converse Series of over the shoulder shots Jack Water-man, Fiona Walker Hat, Ciga-rettes Christina says last lines close up Jack Water-man Cigarettes Gaudi watches her leave Extreme close up Jack water-man None Christina introduces herself with hat Dutch angle Fiona walker Hat Gaudi fin-ishes his drink and takes a pill Long shot Jack water-man Glass Gaudi gets up Long shot Jack water-man None Gaudi leaves the bar Long shot watches him walk towards the door Jack water-man None 2 Gaudi looks at the street from the doorway Over the shoul-der looking up at a street light Jack water-man None
  3. 3. Doorway, Street, Road The road is again dimly lit by white un-natural light. Cars occasion-ally go up and down the road the sound of rain can be heard lightly as it pours Gaudi’s view (POV) Panning shot of the surrounding area Jack water-man None Gaudi crosses the street High angle on Gaudi crossing the road, pan-ning across slightly Jack water-man None Gaudi walks Another high angle from be-hind Gaudi on the other side of the road Jack water-man None Gaudi walks Tracking shot showing him walk forward, camera facing the road Jack water-man None Gaudi walks looks at buildings (POV) Close-up of his face- eyes turn-ing to look up-wards at the buildings Jack water-man None Gaudi walks longshot from front seeing him walk towards the camera Jack water-man None Gaudi No-tices old house and stops Similar shot showing him sop and turning to face the house Jack water-man None Gaudi walks on High angle from behind again Jack water-man None
  4. 4. Gaudi sees mother’s corpse Starts at close-up of Gaudi’s face followed by a shocking whip switch accom-panied by a strike as the corpse is re-vealed Jack water-man, Chloe Leighton Blood, Glass shards Gaudi step-ping over mother Low angle shows Gaudi treading over the corpse (overcoming his illness) Jack water-man Blood, Glass shards Gaudi shakes it off Over the shoul-der shot from the front shows Gaudi compos-ing himself the corpse behind him is gone as if never there Jack water-man None Gaudi walks on Long shot shows him walk past the camera Jack water-man None Gaudi hears scream POV shot shows him walking forward, the perspective is slightly blurred. The camera is often at Dutch angles up until the black out Jack water-man None Gaudi runs (POV) running with camera Jack water-man None
  5. 5. Black out Camera fades out and a dark silhouette is seen as the cam-era slowly shakes Jack water-man None Sea front Dimly lit over-looking the dark sea. The sound of the waves is audi-ble one street light forms a spot light over Gaudi this adds to an air of isolation Gaudi comes to Close up on Gaudi’s face Jack water-man None Looks out to sea Medium long shot showing Gaudi’s shock at not knowing his location then an over the shoul-der shot show-ing him looking out to sea Jack water-man None Shot of Gaudi at lo-cation Long shot from behind Gaudi at high angle Jack water-man None Gaudi walks off Shot from be-hind the sea wall showing him disappear below it as he walks off “low angle” Jack water-man None Gaudi walks off showing his front Medium close up he walks past the camera Jack water-man None 3 Gaudi en-ters the of-fice Match on action Jack water-man None Michael’s welcomes Gaudi Match on action Jack Water-man, Alex Hester, Matthew Bray None
  6. 6. Office Brightly lit of-fice of esteem. Classic Film noir Venetian blinds on the window. When the door opens the sound of a busy office can be heard with clacking keys and the muf-fled sound of shouting voices. Gaudi re-plies Medium shot on Gaudi Jack Water-man, Alex Hester, Matthew Bray None Michael’s introduces Ricky Mar-tell 3 shot shallow focus revealing Martell Jack Water-man, Alex Hester, Matthew Bray None Martell speaks Over the shoul-der shot on Martell Jack Water-man, Alex Hester, Matthew Bray None Gaudi ar-gues Single person long shot on Gaudi Jack Water-man, Alex Hester, Matthew Bray None Michaels replies Medium shot showing Michaels and Gaudi head on head with Mar-tell in the back-ground Jack Water-man, Alex Hester, Matthew Bray None Michael’s explains case Medium shot at a low angle as he walks behind desk and pro-duces the case notes Jack Water-man, Alex Hester, Matthew Bray Case notes
  7. 7. Gaudi agree’s High angle on Gaudi showing Michaels’ Authority Jack Water-man, Alex Hester, Matthew Bray Case Notes Gaudi and Martell leave Long shot be-hind door show-ing them step through and it close Jack Water-man, Alex Hester, Matthew Bray None 4 Car park, Car side, Car Bright sunny day half full car park, traf-fic noise can be heard Gaudi and martell walk to-wards car Track to follow at there sides, Gaudi is slightly in front of Mar-tell at all times Matthew Bray, Jack Water-man None The pair converse Over the shoul-der shots Matthew Bray, Jack Water-man None They get in the car High angle Matthew Bray, Jack Water-man Car The car leaves High angle Matthew Bray, Jack Water-man Car Michaels looks through blinds Close up on eyes through blinds Alex Hester Car 5 Car pulls up Close up of he front of Matthew Bray, Jack Water-man Car
  8. 8. Crime scene Sunny day. Wide-open space outside an apartment building coro-ner’s car is pulled up next to a corpse covered by a cloth and sur-rounded by coroners markings. The sound of a blurred police siren is heard as well as muf-fled talking and crying. A short distance away the cry-ing woman covered in a blanket is be-ing inter-viewed Walking to-wards crime scene Track to follow them from the front Matthew Bray, Jack Water-man None Martell splits As above Matthew Bray, Jack Water-man None Gaudi talks to coroner Medium focus two shot Matthew Bray, Jack Water-man, Ethan Lang Car, Coro-ners notes, markings Gaudi talks Medium close up Jack Water-man, Ethan Lang None Looks at crying woman Long Two shot of Martell speaking to woman Jack Water-man, Ethan Lang, Chloe Leighton Blanket Hat men-tioned Close up of the hat Jack Water-man, Ethan Lang, Hat Gaudi baf-fled Close up Jack Water-man, Ethan Lang, None Coroner “Are you ok?” medium close up of coroner Jack Water-man, Ethan Lang, None
  9. 9. Fine. Extreme close up of Gaudi Jack Water-man, Ethan Lang, None

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