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Jorge Martínez Lucena
• The 3rd Golden Age of TV (MOOC: Massive Open
Online Course)
https://www.youtube.com/watch?v=Tq_9pK0LONQ
• Transmedia Storytelling –according to Wikipedia-
(also known as transmedia narrative or
multiplatform storytelling, cross-media seriality
etc.) is the technique of telling a single story or
story experience across multiple platforms and
formats including, but not limited to, games,
books, events, cinema and television.The
purpose being to not only reach a wider audience
by expanding the target market pool, but to
expand the narrative itself.
WhyTV series?
ExposureTime
- Borderline characters and protagonists (madness, immorality,
abnormality).
- Rebel/Victim (Hassan, 1995)
The Antihero in Post-Modern Fiction
- The Sopranos (1999-2007):Tony Soprano
- House (2004-2012): Gregory House
- Weeds (2005-2012) : Nancy Botwin
- Breaking Bad (2008-2013): Walter White
- 24 (2001-2013): Jack Bauer
- Sons of Anarchy (2008-): Jax Teller
- Homeland (2011-): Carrie Mathison
Antiheroes in ContemporaryTV series
Homeland (2011-):
• Carrie Mathison (Claire Danes): Bipolar
Disorder
• Nicholas Brody (Damian Lewis): Post-
traumatic Stress Disorder
Madness and Antiheroes
Dexter (2006-2013): Dexter Morgan
The Antihero as a Good Psychopath
- House of Cards (2013-): Frank Underwood (Kevin Spacey) and Claire
Underwood (Robin Wright)
TheVillain as Protagonist: Antiheroic
Psychopathic Politician
- Hannibal (2013-): Dr. Hannibal Lecter (Mads Mikkelsen)
TheVillain as Protagonist: Antiheroic
Serial Killer Psychiatrist
• Lack of empathy
• Shallow emotions
• Guilt externatization
• Lying discourse
• Superficial charm
• Self-Reliance
• Pathological egocentrism
• Low tolerance for frustration
• High impulsivity
• Tendency for agressive responses
Psychopathic Features
- Family justifies everything
How DoWe IdentifyWithThese
Antiheroes?
- There is always someone who is worse than our lovely villain
How DoWe IdentifyWithThese
Antiheroes?
- Victimization of the character
How DoWe IdentifyWithThese
Antiheroes?
- The spectator doesn’t judge them exclusively through ʽthe engagement
of moral scrutiny but rather through moral disengagement-laden story
schemaʼ which are learnt through repeated viewings of these sorts of
antiheroic stories (Shafer and Raney, 2012)
How DoWe IdentifyWithThese
Antiheroes?
• Excellence according to our social values
• Machiavellian and calculating intelligence
• Professional success
• Elegance
• Delicacy
How DoWe IdentifyWithThese
Antiheroes?
- Charisma of the actor who interprets the role.
How DoWe IdentifyWithThese
Antiheroes?
Are these features of contemporary TV series enough to justify our
identification with these psychopaths?
What’s Up Doc?
Paul Ricoeur’s classic, Time and Narrative, establishes that in order to spin a
narrative it is necessary to be grounded in our ʽpreunderstanding of the word
of actionʼ, which is formed by ʽits meaningful structures, its symbolic
resources, and its temporal character.ʼ
So, we have to assume that we all share certain social imaginaries (success,
excellence, etc.)
A Possible Reason
Psycopaths have great success in our political and economic world. Are our
values psycopathic as well?
A Psycopathic Social Imaginary
What are the real effects of these TV series?
Last Question

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I Identify with Psychopaths: What's up Doc?

  • 2. • The 3rd Golden Age of TV (MOOC: Massive Open Online Course) https://www.youtube.com/watch?v=Tq_9pK0LONQ • Transmedia Storytelling –according to Wikipedia- (also known as transmedia narrative or multiplatform storytelling, cross-media seriality etc.) is the technique of telling a single story or story experience across multiple platforms and formats including, but not limited to, games, books, events, cinema and television.The purpose being to not only reach a wider audience by expanding the target market pool, but to expand the narrative itself. WhyTV series?
  • 4. - Borderline characters and protagonists (madness, immorality, abnormality). - Rebel/Victim (Hassan, 1995) The Antihero in Post-Modern Fiction
  • 5. - The Sopranos (1999-2007):Tony Soprano - House (2004-2012): Gregory House - Weeds (2005-2012) : Nancy Botwin - Breaking Bad (2008-2013): Walter White - 24 (2001-2013): Jack Bauer - Sons of Anarchy (2008-): Jax Teller - Homeland (2011-): Carrie Mathison Antiheroes in ContemporaryTV series
  • 6. Homeland (2011-): • Carrie Mathison (Claire Danes): Bipolar Disorder • Nicholas Brody (Damian Lewis): Post- traumatic Stress Disorder Madness and Antiheroes
  • 7. Dexter (2006-2013): Dexter Morgan The Antihero as a Good Psychopath
  • 8. - House of Cards (2013-): Frank Underwood (Kevin Spacey) and Claire Underwood (Robin Wright) TheVillain as Protagonist: Antiheroic Psychopathic Politician
  • 9. - Hannibal (2013-): Dr. Hannibal Lecter (Mads Mikkelsen) TheVillain as Protagonist: Antiheroic Serial Killer Psychiatrist
  • 10. • Lack of empathy • Shallow emotions • Guilt externatization • Lying discourse • Superficial charm • Self-Reliance • Pathological egocentrism • Low tolerance for frustration • High impulsivity • Tendency for agressive responses Psychopathic Features
  • 11. - Family justifies everything How DoWe IdentifyWithThese Antiheroes?
  • 12. - There is always someone who is worse than our lovely villain How DoWe IdentifyWithThese Antiheroes?
  • 13. - Victimization of the character How DoWe IdentifyWithThese Antiheroes?
  • 14. - The spectator doesn’t judge them exclusively through ʽthe engagement of moral scrutiny but rather through moral disengagement-laden story schemaʼ which are learnt through repeated viewings of these sorts of antiheroic stories (Shafer and Raney, 2012) How DoWe IdentifyWithThese Antiheroes?
  • 15. • Excellence according to our social values • Machiavellian and calculating intelligence • Professional success • Elegance • Delicacy How DoWe IdentifyWithThese Antiheroes?
  • 16. - Charisma of the actor who interprets the role. How DoWe IdentifyWithThese Antiheroes?
  • 17. Are these features of contemporary TV series enough to justify our identification with these psychopaths? What’s Up Doc?
  • 18. Paul Ricoeur’s classic, Time and Narrative, establishes that in order to spin a narrative it is necessary to be grounded in our ʽpreunderstanding of the word of actionʼ, which is formed by ʽits meaningful structures, its symbolic resources, and its temporal character.ʼ So, we have to assume that we all share certain social imaginaries (success, excellence, etc.) A Possible Reason
  • 19. Psycopaths have great success in our political and economic world. Are our values psycopathic as well? A Psycopathic Social Imaginary
  • 20. What are the real effects of these TV series? Last Question