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How does your media product
represent particular social groups?
         By Katrina O’Connor
Young women are a key group
        represented in this film
• The perspectives and ideas of young women
  are under-represented in the media industry
Who is your favourite director?
• If you ask anybody who their favourite
  directors are for example they will probably
  tell you Spike Lee, Ken Loach or Martin
  Scorsese.
Women Directors
• Jane Campion is a rare example of a high profile women
  director for Bright Star about the poet John Keats.
• women directors do not feature often on the ‘big screen’.
• Young women are a key group in our film.
• this is a group whose perspective and ideas are under-
  represented in the media industry.
Disability and Film
• This film also has a disabled protagonist.
• In most films featuring disabled people, their disability is
  usually an important element of the story (My Left Foot for
  example).
• In our film disability is avoided as an issue in the story line as
  disabled participation in everyday life should be
  unremarkable.
Viewer bias about women
• The film also asks the viewer to think about their preconceptions about
  the vulnerability of young women.
• How will the audience expect a young woman to react to the dilemma she
  finds herself in?
• Will they expect her to be ‘rescued’ by a male character? Will she be
  ‘helpless’?
• Challenging the gender stereotypes so successfully revisited in the series
  ‘Madmen’ is a very useful function of media production.
The Team
• The team creating this film also represent
  multicultural Britain; being made by students
  from immigrant communities ( I am of South
  African and Irish background for example).

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How does your media product represent particular social groups.

  • 1. How does your media product represent particular social groups? By Katrina O’Connor
  • 2. Young women are a key group represented in this film • The perspectives and ideas of young women are under-represented in the media industry
  • 3. Who is your favourite director? • If you ask anybody who their favourite directors are for example they will probably tell you Spike Lee, Ken Loach or Martin Scorsese.
  • 4. Women Directors • Jane Campion is a rare example of a high profile women director for Bright Star about the poet John Keats. • women directors do not feature often on the ‘big screen’. • Young women are a key group in our film. • this is a group whose perspective and ideas are under- represented in the media industry.
  • 5. Disability and Film • This film also has a disabled protagonist. • In most films featuring disabled people, their disability is usually an important element of the story (My Left Foot for example). • In our film disability is avoided as an issue in the story line as disabled participation in everyday life should be unremarkable.
  • 6. Viewer bias about women • The film also asks the viewer to think about their preconceptions about the vulnerability of young women. • How will the audience expect a young woman to react to the dilemma she finds herself in? • Will they expect her to be ‘rescued’ by a male character? Will she be ‘helpless’? • Challenging the gender stereotypes so successfully revisited in the series ‘Madmen’ is a very useful function of media production.
  • 7. The Team • The team creating this film also represent multicultural Britain; being made by students from immigrant communities ( I am of South African and Irish background for example).