Ancient geoglyphs of the Kazakhstan (Forms and Positions) / Research papers by A.E.Dzubanov, M.G.Manatova, V.K.Sokolova, N.E.Sharipbek, V.A.Goriachikh, G.V.Pereboev, K.I.Samoilov. - Almaty, 2016.
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The main number of geoglyphs in the Kostanay region of the Kazakhstan were opened in 2007. Objects are located in 370 km to the west of the capital of the Kazakhstan. Objects have different shapes and sizes. Kazakhstan geoglyphs are different from most of the world famous geoglyphs. Firstly, different an execution technique: hills groups in the Kazakhstan, trenches in the UK and the Peru, stone laying in the Russia; Secondly, themes of forms: World’s famous geoglyphs have zoomorphic and anthropomorphic forms, Kazakhstan’s geoglyphs have abstract geometric forms; Thirdly, about functionality: the world famous geoglyphs - they are signs, Kazakhstan geoglyphs - they are buildings; Fourthly, sizes: Kazakhstan geoglyphs are somewhat larger. Calculation of excavation shows the fundamental possibility of the implementation figures in one season. Currently there are (supposedly) oldest architectural monuments on the Kazakhstan’s territory. Data for the Album prepared by the researcher group of the Architectural Department of the Kazakh Leading Academy of Architecture and Civil Engineering. This Album generated for information purposes of the Educational course "The Ancient architecture of the Kazakhstan" and a base for further researches.
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The Stylistic decision to art-works of the European garden-park architecture is traditionally based on two trends: the Classicism and the Baroque. The Classicism is typical for buildings located in open areas that provide panoramic views. This corresponds to the strict symmetry of the composition and the large molds and details. As Classicism options for sites without panoramic views is characteristic the Romanticism. This trend is mainly based on the "Aesthetics of ruins". Imitation dilapidated, overgrown trees and shrubs of antique buildings gives to the space a property of the "Historical depth". For buildings and structures located on the grounds among the densely growing trees, adequate stylistic solution is the Baroque. Lack of panoramic views allows the use of asymmetrical composition. Small Plastic of architectural and sculptural details is in harmony with foliage and tree branches. The interpretation of this style – neo-Baroque – used for an architectural-artistic design of the "Amure" Triumph Palace in the Almaty city. 63 images show the Build Complex and themes of architectural-spatial and artistic solutions.The “AmurE” Triumph Palace: a Modern interpretation of Classical garden-park ...
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Terms and definitions
THE INTRODUCTION
Part 1. HISTORICAL AND ARCHITECTURAL HERITAGE OF THE KAZAKHSTAN
AS A PREREQUISITE FOR THE SPREAD OF ORNAMENTAL COMPOSITIONS
IN THE URBAN ARCHITECTURE OF THE XX CENTURY
1.1 Historiographical aspects of the Kazakh architectural ornament Evolution
1.2 An Ornament in the Medieval and the XIX century Architecture as a source of motifs and themes for the Urban architecture of the XX century the ornamentation
1.3 The Yurt ornamentation, an ornament for clothes, utensils and household items as a source of motifs and themes for the Urban architecture of the XX century ornamentation
Part 2. AN ORNAMENT IN THE LATE XIX – THE FIRST HALF OF THE XX CENTURIES
URBAN ARCHITECTURE
2.1 An Ornament in the Urban Architecture of 1880’s-1920’s
2.2 An Ornament in the Urban Architecture of 1930’s-1940’s
2.3 An Ornament in the Urban Architecture of 1950’s
Part 3. AN ORNAMENT IN THE SECOND HALF OF THE XX – EARLY XXI CENTURIES
URBAN ARCHITECTURE
3.1 An Ornament in the Urban Architecture of 1960’s
3.2 An Ornament in the Urban Architecture of 1970’s-1980’s
3.3 An Ornament in the Urban Architecture of 1990’s-2010’s
CONCLUSIONS
The Main Reading
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THE INTRODUCTION
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AS A PREREQUISITE FOR THE SPREAD OF ORNAMENTAL COMPOSITIONS
IN THE URBAN ARCHITECTURE OF THE XX CENTURY
1.1 Historiographical aspects of the Kazakh architectural ornament Evolution
1.2 An Ornament in the Medieval and the XIX century Architecture as a source of motifs and themes for the Urban architecture of the XX century the ornamentation
1.3 The Yurt ornamentation, an ornament for clothes, utensils and household items as a source of motifs and themes for the Urban architecture of the XX century ornamentation
Part 2. AN ORNAMENT IN THE LATE XIX – THE FIRST HALF OF THE XX CENTURIES
URBAN ARCHITECTURE
2.1 An Ornament in the Urban Architecture of 1880’s-1920’s
2.2 An Ornament in the Urban Architecture of 1930’s-1940’s
2.3 An Ornament in the Urban Architecture of 1950’s
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3.1 An Ornament in the Urban Architecture of 1960’s
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The Almaty Lawn-and-park ensemble “Promenade”: Entertainment in the Architect...Konstantin Ivanovich Samoilov
The “Europolis” residential complex Art concept (the wish of the Customer) – the Classicism on the Strong version (the faithful reproduction of Greece and Rome Ancient forms: the Erechtheion – Acropolis of Athens; the Tower of Winds – Athens, the Pantheon – Rome; etc.).
Author's interpretation of the customer requirements – a fantasy in the Palladian manner. Ascending to the creativity of Andrea Palladio approach associated with the identity of all the facades of buildings, found through reflection in the architectural composition of residential houses, Restaurant, Office building, the Portico of the Main entrance, attendants pavilions). A characteristic feature of the architectural solution of façades is the use of the same elements that provide a visual unity of different size buildings.
Compositions exhibit various combinations of the Doric, Ionic, Corinthian, Composite, Tuscan and Palm-deciduous orders. The basis of facades composite solutions - the Colossal version of an Ionic colonnade. Despite the difficult terrain with significant height differences in the linear composition, visual alignment of four-story buildings facades achieved as result of sizes uniformity of Ionic order Colonnade. Differences of landscape positions offset by different height of entablatures and pedestals, as well arcades and pilasters, which forming of first floors.
The Artistic innovation – one-volute twin capitals of the columns at blocks junction (four-storey houses). Facade decorations of identical buildings have differences in nuances. It provides a variety of views. Multi-storey buildings crowned by Belvedere domed pavilions, provides excellent panoramic views of the foothills and the city stretching from the foot of the Trans-Ili Alatau.
Four-storey buildings with mansards – reinforced concrete (walls, floors – 4 floors), steel (frames, claddings – mansard). Six-storey buildings with the mansard, a multi-level parking – steel (frames), reinforced concrete (floors, walls), foam block (walls). Residential buildings include two-, three-, four-, five-room apartments and penthouses.
The Residential complex is in an isolated area (a feature of the landscape). The developed system of services and infrastructure. Autonomous systems of engineering support. Useful road connections to the City center. Prospects of development – apartment buildings, a complex of world cuisine restaurants, an ethnographic park, garden-park ensemble, the entertainment and shopping Center.
This is the first example of Neoclassical forms massive use in the Kazakhstan's architecture of the 21st century (now – a popular stylistic direction in Kazakhstan's architecture).
The Album includes of 134 illustrations: 92 photos and 42 drawings.
The “EUROPOLIS” residential complex: a fantasy in Palladian style traditions ...
The “EUROPOLIS” residential complex: a fantasy in Palladian style traditions ...Konstantin Ivanovich Samoilov
It is the second of eleven brochures of the Thematic series "Styles of the Kazakhstan’s Architecture" – on based the Author’s monograph “ARCHITECTURE OF THE KAZAKHSTAN OF THE 20-CENTURY (Development of architectural-artistic forms)”, 2004. The Brochure includes 213 images of 179 buildings, constructed in the Nineteenth century. The set of objects is structured as an aspect of forms style classification.
For architects, art-critics and historians.
THE KAZAKHSTAN’S ARCHITECTURE of the Nineteenth century (THE FORMS SUMMATION...
THE KAZAKHSTAN’S ARCHITECTURE of the Nineteenth century (THE FORMS SUMMATION...Konstantin Ivanovich Samoilov
It is the first of eleven brochures of the Thematic series "Styles of the Kazakhstan’s Architecture" – on based the Author’s monograph “ARCHITECTURE OF THE KAZAKHSTAN OF THE 20-CENTURY (Development of architectural-artistic forms)”, 2004. The Brochure includes 102 images of 86 buildings, constructed in Ancient and Medieval times. The set of objects is structured as an aspect of forms style classification.
For architects, art-critics and historians.
THE KAZAKHSTAN’S ARCHITECTURE of the Ancientry and the Middle Ages (THE FORMS...
THE KAZAKHSTAN’S ARCHITECTURE of the Ancientry and the Middle Ages (THE FORMS...Konstantin Ivanovich Samoilov
The Kazakhstan's architecture of this Century is a peculiar phenomenon. The trend of active involvement in the World architectural process for Kazakhstan architecture emerged in the last quarter of the 20th century. Now the Kazakhstan architecture – an integral part of this process.
Many foreign architects involved in the design of objects on the Kazakhstan territory; Kazakhstan's architects work in different countries. This promotes deep interpenetration of creative concepts.
This formed the phenomenon of Kazakh architecture of the 21st century. It is organically connected to the cultural and historical identity of the Region and global processes of creative interpretation of forms, which are characteristic of World architectural process in general.
To illustrate this interesting phenomenon allocated 144 (72 + 72) typical examples of 2000-2015's buildings.
Examples are distributed in chronological order of the construct completion.
Images sources are indicated directly near with illustrations on each page.
Architects and companies listed on the basis of aggregate data from different sources (for some objects from various sources indicate different authors). About some buildings listed authors in the available sources has not yet been found.
The Author expresses his gratitude to Internet resources – https://www.google.com ; https://www.wikipedia.org – which to provide the ability to collect an information.
This Album generated for information purposes of the Educational course "The Modern architecture (21st century)".
The front cover:
The Acqualina Sunny Isles Condos., Sunny Isles, Florida, USA, 2006 (Arch. Robert M.Swedroe – Robert M.Swedroe Architects & Planners) – Photo by K.I.Samoilov, 2014.
The Six-storey house, Europolis complex, Kazakhstan, 2008 (Arch. Konstantin I.Samoilov – BC Europolis) – Photo by K.I.Samoilov, 2015.
THE KAZAKHSTAN’S ARCHITECTURE OF THE 21st CENTURY IN THE WORLD ARCHITECTURAL ...
THE KAZAKHSTAN’S ARCHITECTURE OF THE 21st CENTURY IN THE WORLD ARCHITECTURAL ...Konstantin Ivanovich Samoilov
The Kazakhstan's architecture of this Century is a peculiar phenomenon. The trend of active involvement in the World architectural process for Kazakhstan architecture emerged in the last quarter of the 20th century. Now the Kazakhstan architecture – an integral part of this process.
Many foreign architects involved in the design of objects on the Kazakhstan territory; Kazakhstan's architects work in different countries. This promotes deep interpenetration of creative concepts.
This formed the phenomenon of Kazakh architecture of the 21st century. It is organically connected to the cultural and historical identity of the Region and global processes of creative interpretation of forms, which are characteristic of World architectural process in general.
TRENDS OF FORMS EVOLUTION: The Neo-EXPRESSIONISM (The Romanticism version and The Deconstructivism version); The Neo-SYMBOLISM (The Signedness version and The Synthetical version); The Neo-CLASSICISM (The Strict version and The Simplistic version).
To illustrate this interesting phenomenon allocated 72 typical examples of buildings. Examples are distributed in chronological order of the construct completion. Images sources are indicated directly near with illustrations on each page.
Architects and companies listed on the basis of aggregate data from different sources (for some objects from various sources indicate different authors). About some buildings listed authors in the available sources has not yet been found.
The Author expresses his gratitude to Internet resources – https://www.google.com ; https://www.wikipedia.org – which to provide the ability to collect an information.
This Album generated for information purposes of the Educational course "The Modern architecture (21st century)".
The front cover:
The Office Building «K-CELL» – reconstruction, Almaty, Kazakhstan, 2013 – Photo by K.I.Samoilov, 2013.
The Four-storey house, Europolis complex, Almaty, Kazakhstan, 2005 (Arch. Konstantin I.Samoilov – Urbostyle, BC Europolis) – Photo by K.I.Samoilov, 2015.
KAZAKHSTAN’s ARCHITECTURE OF THE 21st CENTURY BEGINNING TRENDS OF FORMS EVOLU...
KAZAKHSTAN’s ARCHITECTURE OF THE 21st CENTURY BEGINNING TRENDS OF FORMS EVOLU...Konstantin Ivanovich Samoilov
For the first time analyzed the process of development and peculiarity of architectural-artistic forms in the Kazakhstan architecture of the 20-century. Concentrate of the attention on various lines of this development. Regarded in that light consider series ancient and medieval architectural works, architecture of the 19-certury and of the first years of the 21-century.
The most valuable illustrations displaying about 2700 architectural works and vast bibliographical list make the monograph a unique encyclopedic edition.
For architects, art-critics and historians.
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