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Kyle Robinson, Melissa Hawtin, Ariana D’Avanzo
Agenda
• Introduction
• Part I: SWOT Analysis
• Part II: PEST Analysis
• Part III: Porter’s Five Forces
• Summary
Introduction
• Started in late 90s with subscription service by mail
• In 2015 they have over 65 million members in over
50 countries
• Average 100 million hours of media consumption a
day. This equals about 10 BILLION hours a month
• Currently provide DVD-by-mail and streaming
services
• Streaming available via multiple platforms: Roku,
Smart TVs, Blu-ray Disc players, gaming systems,
tablets, smart phones and more
introduction
• Library includes well over 100,000 titles – or a petabyte
• Not just a content distributor – they are a content creator
• Orange is the New Black, House of Cards, Narcos
• Netflix has been nominated for and won Emmys,
Academy Awards and Golden Globes
SWOT Analysis
Strengths
• Global Market Leader
• Strong Brand
Recognition
• High Customer
Satisfaction
• Affordable Pricing
• Large Content Selection
• Original TV Series
• Available on multiple
Platforms
• Watch Unlimited Amount
or “binge” watch
• No Commercials
Weaknesses
• Monthly Sign Up Fee
• Older Titles
• Share Decrease
• User Friendliness
• Password Sharing
Opportunities
• Original Series
• Further International Expansion
• Show More Popular Content
• Partnerships - Pre-installed Netflix
• Expand Target Market – Diversification
• Advertisements
threats
• Streaming Competitors
• Illegal Streaming
• Higher Licensing Costs
• Changing Customer Demands
• New Entrants
Strengths 
Opportunities
• Use brand name to partner with
stars and create more Original
Series
• Expand
• Bid for more content to increase
diversification
• Partner with devices soon to be
released
Weaknesses  Threats
• Stay in tune with customer wants / needs to remain
top streaming service
• Focus on producing more original series and
promoting these to remain competitive
• Make app more user friendly
• Increase advertisements to prevent rise in
subscription cost
Pest analysis
Political
• Piracy: illegal streaming of shows
• Content and licensing agreements
• Employee benefits
• Only hires “fully formed adults”
• International expansion
• Plan to operate in at least 200 countries by the end
of 2016
• $5 billion for global rights and acquisition fees and
original content development
• Anti-trust laws
Economic
• International expansion
• Economic condition
• Labor: work force conditions and regulations
• Exchange rates
• Dependent on changes in consumer spending
• Not a necessity
• Take into consideration unemployment rates and
interest rates
Social
• Applicable anywhere, anytime
• Impatience is rising: no commercials
• Fits with Millennial lifestyle
• Cord-cutting/streaming is the new social
trend/direction for consumption
• Variety of genres to fit all demographics
• Binge-watching shows
• Involved with and discussed on social media
Technological
• Streaming service: availability due to
millions of concurrent customers
• Need for high internet speed
• Recommended for you
• Software applications that will make
sure Netflix is perfect for any device
• Global services
• Keystone: New Data Pipeline
• Manages 8 million events and 17 GB
per second during peak
Porter’s five forces
Supplier power
• High – They created this marketplace
• Highly recognizable brand name –
“Netflix” has become a verb
• Global coverage – 50 countries with
over 65M users. Almost 40% of users
are outside the US
• High quality entertainment – extensive
content library and creating their own
quality content
• Relationships with customers – Price
change in 2011 was HUGE PR
nightmare
Buyer power
• Low-Medium
• Netflix has to purchase the vast majority of its content
• In 2013 Netflix spent $2B for content in licensing rights.
Most of that went to content they did not create
• Limited number of studios – must provide what users
want
• As this space gets more competitive they will have less
leverage as content creators will have more ways to
distribute their content
• Still the leading streaming entertainment service in the
market- content creators MUST be on Netflix
Product & tech
development
• Strong product – high quality content over high quality
signal and picture
• Sensitive to bandwidth – as global data usage increases
Netflix will need to monitor bandwidth issues
• Alternatives – traditional TV, Hulu, Amazon, HBO Go,
other OTT are priced the same. Parity in the market
• Platform integration – must meet consumers where
THEY want to watch. Must react to tech developments
for tablets, phones, computers and more
• Legislative Changes – keeping the internet free with no
“priority pipes”
New market entrants
• New entrants & existing
companies meeting Netflix
in the cloud
• OTT – HBO GO/Showtime
• CBS All Access
• Pay TV – On Demand
• Hulu Plus, Amazon TV
• Relatively easy to enter
this market for existing
media companies
• High cost of content will
deter new entrants
Competitive rivalry
• Highly competitive environment
• OTT – HBO GO/Showtime
• CBS All Access
• Pay TV – On Demand
• Hulu Plus, Amazon TV
• Not all competitors are subscription services
• YouTube
• Crackle – Free service similar to Netflix that also has
original web content
Competitive rivalry
Summary
Successes
• Market Creator
• Brand name recognition
• Creating content and
taking on traditional TV
format – and its working!
Looking Forward
• “New” entrants to their
marketplace
• Must keep creating content
and find ways to keep
people engaged
• Continue to provide quality
streaming service and
picture quality across all
platforms
summary
• How can they make more money?
• Business model works against them
• Must maintain low cost in environment where costs
keep going up
• Increase advertisements?

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NETFLIX- swot pest porter v3

  • 1. Kyle Robinson, Melissa Hawtin, Ariana D’Avanzo
  • 2. Agenda • Introduction • Part I: SWOT Analysis • Part II: PEST Analysis • Part III: Porter’s Five Forces • Summary
  • 3. Introduction • Started in late 90s with subscription service by mail • In 2015 they have over 65 million members in over 50 countries • Average 100 million hours of media consumption a day. This equals about 10 BILLION hours a month • Currently provide DVD-by-mail and streaming services • Streaming available via multiple platforms: Roku, Smart TVs, Blu-ray Disc players, gaming systems, tablets, smart phones and more
  • 4. introduction • Library includes well over 100,000 titles – or a petabyte • Not just a content distributor – they are a content creator • Orange is the New Black, House of Cards, Narcos • Netflix has been nominated for and won Emmys, Academy Awards and Golden Globes
  • 6. Strengths • Global Market Leader • Strong Brand Recognition • High Customer Satisfaction • Affordable Pricing • Large Content Selection • Original TV Series • Available on multiple Platforms • Watch Unlimited Amount or “binge” watch • No Commercials
  • 7. Weaknesses • Monthly Sign Up Fee • Older Titles • Share Decrease • User Friendliness • Password Sharing
  • 8. Opportunities • Original Series • Further International Expansion • Show More Popular Content • Partnerships - Pre-installed Netflix • Expand Target Market – Diversification • Advertisements
  • 9. threats • Streaming Competitors • Illegal Streaming • Higher Licensing Costs • Changing Customer Demands • New Entrants
  • 10. Strengths  Opportunities • Use brand name to partner with stars and create more Original Series • Expand • Bid for more content to increase diversification • Partner with devices soon to be released
  • 11. Weaknesses  Threats • Stay in tune with customer wants / needs to remain top streaming service • Focus on producing more original series and promoting these to remain competitive • Make app more user friendly • Increase advertisements to prevent rise in subscription cost
  • 13. Political • Piracy: illegal streaming of shows • Content and licensing agreements • Employee benefits • Only hires “fully formed adults” • International expansion • Plan to operate in at least 200 countries by the end of 2016 • $5 billion for global rights and acquisition fees and original content development • Anti-trust laws
  • 14. Economic • International expansion • Economic condition • Labor: work force conditions and regulations • Exchange rates • Dependent on changes in consumer spending • Not a necessity • Take into consideration unemployment rates and interest rates
  • 15. Social • Applicable anywhere, anytime • Impatience is rising: no commercials • Fits with Millennial lifestyle • Cord-cutting/streaming is the new social trend/direction for consumption • Variety of genres to fit all demographics • Binge-watching shows • Involved with and discussed on social media
  • 16. Technological • Streaming service: availability due to millions of concurrent customers • Need for high internet speed • Recommended for you • Software applications that will make sure Netflix is perfect for any device • Global services • Keystone: New Data Pipeline • Manages 8 million events and 17 GB per second during peak
  • 18. Supplier power • High – They created this marketplace • Highly recognizable brand name – “Netflix” has become a verb • Global coverage – 50 countries with over 65M users. Almost 40% of users are outside the US • High quality entertainment – extensive content library and creating their own quality content • Relationships with customers – Price change in 2011 was HUGE PR nightmare
  • 19. Buyer power • Low-Medium • Netflix has to purchase the vast majority of its content • In 2013 Netflix spent $2B for content in licensing rights. Most of that went to content they did not create • Limited number of studios – must provide what users want • As this space gets more competitive they will have less leverage as content creators will have more ways to distribute their content • Still the leading streaming entertainment service in the market- content creators MUST be on Netflix
  • 20. Product & tech development • Strong product – high quality content over high quality signal and picture • Sensitive to bandwidth – as global data usage increases Netflix will need to monitor bandwidth issues • Alternatives – traditional TV, Hulu, Amazon, HBO Go, other OTT are priced the same. Parity in the market • Platform integration – must meet consumers where THEY want to watch. Must react to tech developments for tablets, phones, computers and more • Legislative Changes – keeping the internet free with no “priority pipes”
  • 21. New market entrants • New entrants & existing companies meeting Netflix in the cloud • OTT – HBO GO/Showtime • CBS All Access • Pay TV – On Demand • Hulu Plus, Amazon TV • Relatively easy to enter this market for existing media companies • High cost of content will deter new entrants
  • 22. Competitive rivalry • Highly competitive environment • OTT – HBO GO/Showtime • CBS All Access • Pay TV – On Demand • Hulu Plus, Amazon TV • Not all competitors are subscription services • YouTube • Crackle – Free service similar to Netflix that also has original web content
  • 24. Summary Successes • Market Creator • Brand name recognition • Creating content and taking on traditional TV format – and its working! Looking Forward • “New” entrants to their marketplace • Must keep creating content and find ways to keep people engaged • Continue to provide quality streaming service and picture quality across all platforms
  • 25. summary • How can they make more money? • Business model works against them • Must maintain low cost in environment where costs keep going up • Increase advertisements?