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 “It is an art which ideas
with the motions of the
human body”.
- James K. Feibleman,
a great Philosopher
 “It is an art of rhythmic
bodily movements that projects
ordered sequence of moving
visual patterns of line, solid
shape, and color”.
- Thomas Munro in Kraus
and Gaufman, 1981
 Are the indigenous dances of
any specific “folk” or the common
people. They are traditional
customary or recreational dance
forms of a given country which have
evolved naturally and were handed
down across generations.
 Are related to
everything of importance
in our daily lives, such as
customs, rituals, and
occupations of a specific
group of people.
 Most of these dances are
related in origin to religious
belief, stemming from emotions,
superstitions, festivals,
ceremonies of birth, courtship,
marriage, death, war, and
countless themes, common to
all people around the world.
 “Became the overt expression of
emotions and ideas which were
peculiarly significant or the re-
enactment of customs and events
constituting an important part of
their history and patterns of daily
living”.
- Duggan, Schlottmann, and
Rutledge (1948)
 “Traditional mode of
expression that employs
bodily movements and
redundant patterns linked to
definitive features of
rhythmic beats or music”.
- Lopez (2006)
1. It is traditional.
2. It has an expressive behavior.
3. Simple, basic rhythm dominate
the folk dance and establishes the
pattern of movement.
4. It is created by an unknown
choreographer or by communal
efforts.
5. It performs a function in the life
of the (folk) people.
 Folk dances are traditional
dances found in a certain
country, while national dances
are also traditional folk dances
but have a national scope. They
are popular and widely danced
throughout a given country,
often with a number of regional
variations.
 Cariñosa
 Curacha
 Pandango
 Ethnic dances or ethnological
dances are those performed in
primitive tribes and have retained
their close kinship with religious
ritual and community custom.
 This dances may require a certain
level of special performing skills that
are symbolic in meaning, making it
harder for those outside the group to
understand.
“This dances may require a
certain level of special
performing skills that are
symbolic in meaning,
making it harder for those
outside the group to
understand”.
- Kraus, 1962
They can be performed in
three (3) different
categories:
1. Ritual
2. Life-cycle
3. Occupational
 Dances that depict ritual
ceremonies.
Example:
Dugso (Bukidnon)
Pagdidiwata (Palawan)
 Dances relating to the cycle of
human life such as birthing,
courtship, wedding, and funeral.
Examples:
Binasuan (Pangasinan)
Daling-daling (Muslim
courtship dance from
Sulu)
 Dances that exhibit work
and occupation of the
dances.
Examples:
Mag-Asik (Cotabato)
Mananagat (Cebu)
Folk Dance Traditions Around the World
Folk Dance Traditions Around the World

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Folk Dance Traditions Around the World

  • 1.
  • 2.  “It is an art which ideas with the motions of the human body”. - James K. Feibleman, a great Philosopher
  • 3.  “It is an art of rhythmic bodily movements that projects ordered sequence of moving visual patterns of line, solid shape, and color”. - Thomas Munro in Kraus and Gaufman, 1981
  • 4.
  • 5.  Are the indigenous dances of any specific “folk” or the common people. They are traditional customary or recreational dance forms of a given country which have evolved naturally and were handed down across generations.
  • 6.  Are related to everything of importance in our daily lives, such as customs, rituals, and occupations of a specific group of people.
  • 7.  Most of these dances are related in origin to religious belief, stemming from emotions, superstitions, festivals, ceremonies of birth, courtship, marriage, death, war, and countless themes, common to all people around the world.
  • 8.  “Became the overt expression of emotions and ideas which were peculiarly significant or the re- enactment of customs and events constituting an important part of their history and patterns of daily living”. - Duggan, Schlottmann, and Rutledge (1948)
  • 9.  “Traditional mode of expression that employs bodily movements and redundant patterns linked to definitive features of rhythmic beats or music”. - Lopez (2006)
  • 10.
  • 11. 1. It is traditional. 2. It has an expressive behavior. 3. Simple, basic rhythm dominate the folk dance and establishes the pattern of movement. 4. It is created by an unknown choreographer or by communal efforts. 5. It performs a function in the life of the (folk) people.
  • 12.
  • 13.  Folk dances are traditional dances found in a certain country, while national dances are also traditional folk dances but have a national scope. They are popular and widely danced throughout a given country, often with a number of regional variations.
  • 15.  Ethnic dances or ethnological dances are those performed in primitive tribes and have retained their close kinship with religious ritual and community custom.  This dances may require a certain level of special performing skills that are symbolic in meaning, making it harder for those outside the group to understand.
  • 16. “This dances may require a certain level of special performing skills that are symbolic in meaning, making it harder for those outside the group to understand”. - Kraus, 1962
  • 17. They can be performed in three (3) different categories: 1. Ritual 2. Life-cycle 3. Occupational
  • 18.  Dances that depict ritual ceremonies. Example: Dugso (Bukidnon) Pagdidiwata (Palawan)
  • 19.  Dances relating to the cycle of human life such as birthing, courtship, wedding, and funeral. Examples: Binasuan (Pangasinan) Daling-daling (Muslim courtship dance from Sulu)
  • 20.  Dances that exhibit work and occupation of the dances. Examples: Mag-Asik (Cotabato) Mananagat (Cebu)