2. I found I could say things with color and shapes that I couldn’t say in any other way – things I had no words for. –Georgia O’Keeffe Professor: Course/Section:
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11. Fig 2-2 JACKSON POLLOCK. Number 14: Gray (1948). Enamel and gesso on paper. 223/4” x 31”.
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14. Fig 2-4 A, B, and C Actual line (A) versus two kinds of implied lines, one formed by dots (B) and the other formed by psychologically connecting the edges of a series of straight lines (C).
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16. Figure 2.5, p.30: LEONARDO DA VINCI. Madonna of the Rocks (c. 1483). Oil on panel, transferred to canvas. 78 1⁄2 ” x 48 ” . Figure 2.6, p30: The pyramidal structure of the Madonna of the Rocks .
17. Figure 2.7 p. 31. EMILY MARY OSBORNE. Nameless and Friendless (1834 - ?) Oil on Canvas. 34” x 44”.
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19. Figure 2.8, p.31: RIMMA GERLOVINA AND VALERIY GERLOVIN. Madonna and Child (1992). Chromogenic print. To Give Outline and Shape
20. Figure 2.9, p.31: ELIZABETH CATLETT. Sharecropper (1968). Color linocut. 26 ” x 22 ”. To Create Depth and Texture
27. Fig. 12 JACOB LAWRENCE. Harriet Tubman Series, No. 4 (1939 - 1940) Casein tempera on gessoed hardboard. 12” x 17 7/8”.
28. The word FORM - is often used to speak about shapes in sculpture and architecture - 3D works of art. Figure 2.14, p.34: HELENE BRANDT. Mondrian Variations, Construction No. 3B with Four Red Squares and Two Planes (1996). Welded steel, wood, paint. 22 ” x 19 ” x 17 ” .
29. Volume refers to the mass or bulk of a 3D work. It is the amount of space it contains. Fig. 2-15. GERRIT RIETVELDT. Schroeder House, Utrecht. (1924).
30. Mass - In 3D art, the mass of an object refers to its bulk. Fig. 2-16 RACHEL WHITEREAD. Holocaust Memorial, Vienna (2000).
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32. Fig. 2-17 MARK TANSEY. Landscape (1994). Oil on Canvas. 181.6cm x 365.8 cm.
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34. Geometric Shapes Fig. 18 DAVID SMITH. Cubi XVIII (1964). Polished stainless steel. 9’7 3/4” x 5” x 1’ 9 3/4”.