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Interactive multimedia is a
   communication tool.
Communication encompasses a great deal of human (and animal) activity. Reading,
writing, listening, speaking, viewing images, and creating images are all acts of
communication. There are as well many more subtle communication activities that may
be conscious or unconscious, such as expression, gesture, “body language” and nonverbal
sounds. The process of communication has been the subject of study for
thousands of years, during which time the process has come to be appreciated with
increasing complexity. This essay will present a variety of definitions for “communication,” and then
describe a few communication models that have been proposed over the years. The reader is challenged
to examine the various models and determine to what extent each might
help explain the special type of communication represented by multimedia titles, and to
think about how we might develop a model of multimedia communication.
Models
Models provide a simplified view of
something to be studied. We choose
those elements of interest and use the
model to help us frame questions and
predictions. The elements we include (or
exclude) and the relationships between
them that we represent will by necessity
dictate the domain of inquiry. What we
don’t see (or acknowledge) we cannot
study.
Aristotle

One of the earliest recorded models is
attributed to the ancient Greek philosopher
Aristotle. Aristotle represented communication
as might an orator who speaks to large
audiences. His model incorporates few
elements: speaker, message and listener.
Harold Laswell
Political scientist Harold Laswell, writing in 1948,
posed the question, “Who says what
in which channel with what effect?” (p. 117). His
model includes considerations of a
variety of factors being considered to determine
the impact of a communication.
Considering that the previous ten years had
witnessed such speakers as Adolph Hitler
and Winston Churchill communicating both live
and over radio, it is not surprising that
a more sophisticated model would appear, nor
that a political scientist would deliver it.
To illustrate the significance of each element of the model, try visualizing what effect
some dynamic speaker would have if the medium were print, or what would happen if the
audience didn’t speak the same language.
Shannon and Weaver
Another viewpoint on communication is offered by
Shannon and Weaver (1949). This
model is focused on information theory, and in
particular the transmission and
reception of messages. The model introduces three
elements not found in Aristotle’s
model: a transmitter, a receiver, and sources of noise.
In telecommunications the
transmitter and receiver would be the hardware used
by the sender and receiver
during the act of communication. Noise may come
from static sources (like solar flares),
unusual weather conditions, or electron equipment
that interferes with the signal.

  Although at first glance, this model seems to be geared strictly for telecommunications such as radio
  and television, some of the elements may easily generalize into other fields of interest. Consider that
  in any face-to-face situation, there may be environmental or other sources of noise that interfere with
  the communication. The gray “lightning bolt” represents noise.
Wilbur Schramm
The models previously introduced were all created
by individuals interested in communication as an
element of some other field of study. Wilbur
Schramm (1954)
began studying communication as an independent
discipline. He developed several models for
addressing different questions. One contribution
Schramm made was to consider the fields of
experience of the sender
and receiver. The sender encodes the message,
based upon the sender’s field of                        the colored overlapping ovals
                                                        represent the fields of experience of
experience. The user’s field of experience guides       the sender and receiver.
decoding. If there is no commonality in
the sender’s and receiver’s field of experience, then
communication does not take place.
The extent to which the signal is correctly
 decoded(that is, decoded so that it is thesame as
 the original message prior to decoding) depends
 on the extent of the overlap of the two fields of
 experience. For instance, a lecture on
 neurophysiology delivered to an audience of sixth
 graders may result in little or no communication.
 The lecturer has background knowledge of
 chemistry and biology, and beyond that very
 specialized knowledge of biochemical processes
 in the nervous system.


 The audience would lack the vocabulary, if nothing else, to make sense of the
 information. There are many ideas in this model that should apply for examination of
 communication under a wide variety of circumstances.
Berlo’s “SMCR” Model
Berlo (1960) took a different approach to
constructing a model. Rather than attempting
to identify elements of interest, and
relationships between those elements, he
created what he called “a model of the
ingredients of communication” (pp. 23–24). This
model identifies controlling factors for four
identified elements of communication: Source,
Message, Channel, and Receiver. This model
promises to be helpful in identifying specific
factors to use in experimentation.
Thank you




Made by Karimov Alexandr

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Interactive multimedia is a communication tool

  • 1. Interactive multimedia is a communication tool. Communication encompasses a great deal of human (and animal) activity. Reading, writing, listening, speaking, viewing images, and creating images are all acts of communication. There are as well many more subtle communication activities that may be conscious or unconscious, such as expression, gesture, “body language” and nonverbal sounds. The process of communication has been the subject of study for thousands of years, during which time the process has come to be appreciated with increasing complexity. This essay will present a variety of definitions for “communication,” and then describe a few communication models that have been proposed over the years. The reader is challenged to examine the various models and determine to what extent each might help explain the special type of communication represented by multimedia titles, and to think about how we might develop a model of multimedia communication.
  • 2. Models Models provide a simplified view of something to be studied. We choose those elements of interest and use the model to help us frame questions and predictions. The elements we include (or exclude) and the relationships between them that we represent will by necessity dictate the domain of inquiry. What we don’t see (or acknowledge) we cannot study.
  • 3. Aristotle One of the earliest recorded models is attributed to the ancient Greek philosopher Aristotle. Aristotle represented communication as might an orator who speaks to large audiences. His model incorporates few elements: speaker, message and listener.
  • 4. Harold Laswell Political scientist Harold Laswell, writing in 1948, posed the question, “Who says what in which channel with what effect?” (p. 117). His model includes considerations of a variety of factors being considered to determine the impact of a communication. Considering that the previous ten years had witnessed such speakers as Adolph Hitler and Winston Churchill communicating both live and over radio, it is not surprising that a more sophisticated model would appear, nor that a political scientist would deliver it. To illustrate the significance of each element of the model, try visualizing what effect some dynamic speaker would have if the medium were print, or what would happen if the audience didn’t speak the same language.
  • 5. Shannon and Weaver Another viewpoint on communication is offered by Shannon and Weaver (1949). This model is focused on information theory, and in particular the transmission and reception of messages. The model introduces three elements not found in Aristotle’s model: a transmitter, a receiver, and sources of noise. In telecommunications the transmitter and receiver would be the hardware used by the sender and receiver during the act of communication. Noise may come from static sources (like solar flares), unusual weather conditions, or electron equipment that interferes with the signal. Although at first glance, this model seems to be geared strictly for telecommunications such as radio and television, some of the elements may easily generalize into other fields of interest. Consider that in any face-to-face situation, there may be environmental or other sources of noise that interfere with the communication. The gray “lightning bolt” represents noise.
  • 6. Wilbur Schramm The models previously introduced were all created by individuals interested in communication as an element of some other field of study. Wilbur Schramm (1954) began studying communication as an independent discipline. He developed several models for addressing different questions. One contribution Schramm made was to consider the fields of experience of the sender and receiver. The sender encodes the message, based upon the sender’s field of the colored overlapping ovals represent the fields of experience of experience. The user’s field of experience guides the sender and receiver. decoding. If there is no commonality in the sender’s and receiver’s field of experience, then communication does not take place.
  • 7. The extent to which the signal is correctly decoded(that is, decoded so that it is thesame as the original message prior to decoding) depends on the extent of the overlap of the two fields of experience. For instance, a lecture on neurophysiology delivered to an audience of sixth graders may result in little or no communication. The lecturer has background knowledge of chemistry and biology, and beyond that very specialized knowledge of biochemical processes in the nervous system. The audience would lack the vocabulary, if nothing else, to make sense of the information. There are many ideas in this model that should apply for examination of communication under a wide variety of circumstances.
  • 8. Berlo’s “SMCR” Model Berlo (1960) took a different approach to constructing a model. Rather than attempting to identify elements of interest, and relationships between those elements, he created what he called “a model of the ingredients of communication” (pp. 23–24). This model identifies controlling factors for four identified elements of communication: Source, Message, Channel, and Receiver. This model promises to be helpful in identifying specific factors to use in experimentation.
  • 9. Thank you Made by Karimov Alexandr