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Philippine Art
Movements
ABRIGO | AQUINO | DRUGA | OSBUCAN |
PILUDEN | SUGUITAN
Topic Outline
I. What is Philippine Art?
II. Brief Timeline of Philippine
Art
III. Key Movements
IV. 18th to 21st Century Art
V. Conclusion
What is
Philippine Art?
What makes art Filipino?
What is Philippine
Art?
 Our historical background
makes the Filipino distinct
from their neighbors, but
Philippine visual art has
no singular aesthetic.
What
constitutes
Philippine Art?
“We cannot define it
because you can’t have a
static answer to that,”
Philippine art expert
Ramon N. Villegas said
recently, adding that the
“Filipino-ness” of an
artwork cannot be
determined solely by
Is there a Filipino Soul?
This insistence to create
something relevant to one’s
nationality is not unique to the
Philippines.
…sometimes, trying to find the
Filipino in certain Philippine art is
like trying to milk a cow when the
cow isn’t a cow after all.
THE QUESTION OF
PHILIPPINE ART IS A
QUESTION OF
PHILIPPINE IDENTITY.
PHILIPPINE
NATIONALISM,
A BLACK LEGEND?
The Filipino is a “work in progress”
The Filipino as a product of cultural
influences is especially skillful at taking
these influences and making it their
own.
Philippine Identity?
Philippine Identities
Vilroy Godoy Culzon:
“Kung ano ang
pinanggalingan mo,
ilagay mo sa
canvass.”
Brief Timeline
of Philippine Art
Pre-colonial to present period
Art
Form
Pre-Colonial Spanish Period
(1521-1898)
American Period
(1898-1946)
Painting Body adornment,
ornament
Religious (icon and
ecclesiastical)
Secular (portraiture)
Genre paintings,
landscapes, still life,
portraits
Sculptur
e
Pottery, carving and
woodwork expression,
jewelry, metal crafts
Santos, furniture,
reliefs, altar pieces,
jewelry, metal work,
ornamentation
Free standing, relief,
public
Architect
ure
Dwellings and
houses, shelters,
worship areas, official
residences, mosque
Church, plaza complex,
town planning,
fortification, civic
buildings and
installations, private
residences, commercial
City planning, parks,
waterfront, civic
government structure,
public works,
apartments,
residences, offices,
Pre-Colonial Period
 Traditional art that has religious symbols, day to day
activity such as fishing, farming, etc., or a specific
decorative art pattern to the community
 Either influenced by animistic (local religion) or Islam-
based
Painting
Sculpture
 Discovered in 1965, the Angono Petroglyphs are believed
to be the oldest known artworks in the Philippines. Dating
to the third millennium B.C., they are a collection of 127
figural carvings engraved on the wall of a shallow cave of
volcanic tuff.
 The petroglyphs of Angono are among the oldest surviving
examples of rock engravings in Asia, and are believed to
be the oldest in the Philippines. Archaeological excavations
of the site have yielded fragments of earthenware and
obsidian flakes, which suggest the cave may have first
Pottery, Carving, and
Woodwork
 Examples:
Manunggul Jar
and Maitum Jar
Jewelry
Example: Ling Ling-o
Architecture
 Houses were made of light
materials like wood, bamboo
and nipa palm
 Some of them built tree
houses to protect themselves
against their enemies, or from
being attacked by wild animals
Other Form of Art
Weaving
 An ancient art form would weave
fibers such as abaca, pineapple,
ramie, maguey, cotton, and bark cloth
 Virtually all attire was hand woven.
Examples include G-string, Maranao
Malong, Bontoc Tapis, Ilong
patadyong, T’boli T’nalak, etc.
Unchanged art is still
existing
 The Okir (motif) is
an artistic cultural
heritage of the
Maranaos of
Lanao, Philippines
Spanish Period
 Formal painting, sculpture, and
architecture
 Catholic-based work of arts
1521-1898
Painting
 Religious (icon and
ecclesiastical)
 Secular (portraiture)
Esteban Villanueva, Basi Revolt, 1821 (14 paintings)
Inspired by: Maître â la Ratiêre, Battle of Marignano 1515)
Byzantine Painting Style
Byzantine art is an artistic product
of the Eastern Roman (Byzantine)
Empire, as well as the nations and
states that inherited culturally from
the empire. These are more
Christian-based art.
Byzantine frescoes: Langit, Lupa at Impierno, Josef
Luciano Dans ca. 1850
(Inspired by: 11th-12th century Church of Panavia
Sculpture
 Santos, furniture, altar pieces,
jewelry, metalwork,
ornamentation
 Rococo Art
Architecture
 The plaza complex consisted
of an open space, usually
rectangular or square in
shape, a chapel or church, a
convent, a municipio or
tribunal, a market place, a
cemetery, and the residences
around it. The physical set-up
enabled the Spaniards to
effectively manage and control
the natives, and bring them
closer to Catholicism.
Miagao Church
(Inspired by: Cathedral Church of Saint Mary in Murcia,
Spain)
Baroque Style
American Period
 Educational and value formation
 Art illustration, advertising, and
commercial design
1898-1946
Painting
 Art Nouveau
 A style of decorative art, architecture, and
design prominent in Western Europe and the
US from about 1890 until World War I, and
characterized by intricate linear designs and
flowing curves based on natural forms
Sculpture
 Free standing, relief, public
Architecture
City planning, parks, waterfront,
civic government structure, public
works, apartments, residences,
offices, health and public education,
business
Neoclasscism
CityHallofDavao(Inspiredby:Th
WhiteHouse)
Metropolitan Theater (Inspired by: Chrysler
Art Decoration in Philippine Architecture
Uy-Chaco Building (Inspired by: Old England
building built in Art Nouveau style. Musée des
Art Nouveau in Philippine Architecture
Philippine Modern Art
1946 - 1970
The study of determining what is Philippine Contemporary Art
Period is still being determined since the word has been used
loosely even during the American Colonial Period. However,
some Philippine art historians/critic has always been a
follower of the Western Art Style and its trends at that point,
and thus suggested that this was actually the point where
Philippine Modern Art Period started but went only full swing
after the war. This is set by the creation of the Art Association
of the Philippines (AAP) that in a way has a strong leaning
with the Modernist than the Conservatives (the traditional art
Philippine Contemporary Art
1980s to Present
It was on the on-set of the sudden rise of personal computers
and new technology created a new art medium for the arts
and human expression. But there were also countless revivals
of old styles being done. This started a new direction for the
arts, thus setting the name, momentarily, the Philippine
Contemporary Period.
2 Filipino Art Style that Developed
through Spanish Period
1. Miniaturismo
Art style that pays attention to the
embroidery and texture of the
costume
“Portrait of Romano Carillo”
by Justiniano Asuncion
2 Filipino Art Style that Developed
through Spanish Period
2. Letras y Figuras
Art style that fuses letters
with figures in every day
activity amidst a common
background
Usually used in painting a
patron’s full name
Key
Movements
From Baroque to Pop Art
Key Movements in PH Art
• Movements are styles in art
shaped by artists with a common
philosophy or goal.
• These movements can be borne
out of the social climates that
they became popular in, or be
made as responses to previous
movements.
• Most of the key art movements
found in the Philippines have
Western origin.
Baroque
 An art movement that arose in Europe
during the 17th and 18th centuries. This
movement was characterized by
extravagant imagery through use of
extensive decoration and
ornamentation. During this period, we
adapted this art style from Spain.
Santo
Paoay Church
Neoclassicism
 This art style followed soon after the
Baroque movement at the start of the
19th century. It harkens back to the
style of the Classical period of the
Greeks and Romans, with an
emphasis on symmetry, order and
simplicity. This movement became
prominent in the Philippines during
Baguio City Hall National Museum
Romanticism
An art movement characterized by an emphasis on the
senses and emotion, sometimes seen as a response to
the sober methods preferred in Neoclassicism, as
Romanticism also became prominent during the 19th
century. Juan Luna is the most prominent Filipino artist
in this movement, with a blend of some impressionist
style in his work.
Spoliarium, Juan Luna (1884)
Realism
This art movement from the 19th century
heavily pushed for the art style of
Naturalism that aimed to represent
nature the way it truly appears. Notable
artists here are Felipe Roxas and
Fernando Amorsolo. Amorsolo, however,
was one of the artists in the realism
movement to paint nature such that he
perfects it, with some stylized depictions.
Tinikling in Barrio,
Fernando
Expressionism
 This art movement,
made popular in the
20th century, went for a
style that did not
necessarily concern
itself with observation,
often using geometric
shapes and highly
intense colors, such as
the work of Ang Kiukok.
Other artists use
distortion and dull
colors to depics various
Dog Fight, Ang Kiukok (1982)
CUBISM
An art movement that started
around 1907 made famous by
Pablo Picasso, which utilized
the use of figures like cubes,
cones, and cylinders to depict
everything in nature. Vicente
Manansala created transparent
cubism, where the human
figure remained intact while the
background or the environment
was still depicted in the cubic
Madonna of the
Slums, Vicente
Manansala (1950)
Flower Vendor,
Onib Olmedo
(1987)
Impressionism
 This art movement
became famous in the
19th century with artists
like Claude Monet of
France. This movement
was concerned with
capturing the
impression of light on
objects and scenery,
with artists like Emilio
Aguilar Cruz and
Andres Cristobal beingJones Bridge, Emilio Cruz
Surrealism
Made famous in the early 1920s
by artists like Salvador Dali, this
art movement aimed to depict
the subconscious of the artist.
Galo Ocampo is an artist of this
movement.
The River of Life, Galo Ocampo
Abstract
Expressionism
Made famous by the
works of Jackson
Pollock, this art
movement pointed out
that the creation of the
art was the art itself, not
just the painting
Social Realism
 A broad description on
different artworks whose
themes spew biting
commentaries on socio-
political issues of the
country
 Aimed to effect social
change through socio-
political pieces
 Late 1800s revolutionary
period, and then again in
the First Quarter Storm in
the 1970s (Martial Law)
Martsa ng Bayan para sa Kalayaan,
Katarungan, at Kapayapaan, Edgar Fernandez
(1984)
Krista,PabloBaenSantos(1984)
Bihag,EdgarTalusanFernandez(1985)
Figurative Art
One of the most popular
movements, as figurative art is
representational, meaning it is
derived from real object sources
Early figurative art in the
Philippines is mostly realistic and
classical, but in modern times,
surreal depictions of human
figures and conditions entered
figurative art.
Kumot, Elmer Borlongan (1993)
Rehimen, Elmer
Borlongan (1988)
Conceptual Art
In this movement, the idea is more
important than the object, and
encompasses site-specific art installations,
three-dimensional assemblages of
discards and non-art elements,
performance, and video art. Some of the
works are ephemeral or temporary, and
therefore requires documentation.
ROBERTO CHABET: Father of Philippine Conceptual Art
POP
ART
Pop Art is a distinctive genre of art
that is primarily characterized by an
interest in popular culture and
imaginative interpretations of
commercial products. Renowned for
its bold imagery, bright color palette,
and repetitive approach inspired by
mass production, the movement is
celebrated for its unique and
recognizable style.
The movement presented a
challenge to traditions of fine art by
including imagery from popular and
mass culture, such as advertising,
Pop-Surreal and
Lowbrow Art
 An underground visual art movement that is
based on comic books, tattoos, punk music and
other alternative-pop culture themes. American
illustrator Dave McKean influenced a lot of young
Filipino artists, who created informal movements
within universities. On the other hand, graffiti art,
which utilizes spray paint and even stickers, has
recently caught on with a lot of young Filipino
Regionalism
 Regionalism was an American art movement that
centralized around artists working in the Midwest in
states like Kansas and Missouri, it was art that
focused on rural life in America.
 What’s unique about where you live? Is it urban or
rural? Some kinds of art explore specific
geographic areas and environments.
LUZON
VISAYAS
MINDANAO
CORDILLERA
18th to 21st
Century Art
Remarkable artists up to the
present
FILIPINO
ARTISTS
Secular Artists
 Damian Domingo
 “First (known/recognized) Filipino
painter”
 Founded the first art school in the
country around 1815 to 1820, later
named by the
 Agustin Saez
 Known as one of the teachers and
inspiration of Juan Luna, Lorenzo
Guerrero and their contemporaries
The “Primitives”
Known Artists:
 Isidro Arcejo
 Jose Asuncion
 Antonio Asuncion
 D. Gomez
The “Primitives”
 Antonio Malantic
 Little Hidalgo and
his grandfather,
1859 (left)
 Portrait of
Soledad Francia,
1876 (right
Late 19th Century
and 20th Century
Precursors
Juan Senson (1847 – 1927)
 “Byzantine Style”
 Heavily depicted figures
rendered with stiff lines;
 Pure colorations;
 Symbolic perspective;
 Stylized human figures
 “Baptism,” Juan Senson,
Biga Church
 Attributed Scupltures:
 “Yellow Crucifixion”
 “Kristong Pagkabuhay”
Juan Luna (1857-1899)
 Competed against the
Westerner’s “cultural
superiority-mongering”
 “Daphne y Cleo” (ca.
1879-1880)
 Awarded a silver
palette by the Liceo
Artistico de Manila
 “La Muerte de
Cleopatra” (1881)
 Silver medal at
Madrird’s Exposicion
“Spoliarium” (1883-1884)
Gold medal at the Exposicion
Nacional de Bellas Artes
“Las Damas Romanas” (1882)
Diploma of Honor at the Munich
Art Museum
Felix Hidalgo (1855-1913)
 “Las Viergenes Cristianas
Expuestas al Populacho”
(1884), was awarded the ninth
silver medal at the Exposicion
General de Belles Artes in
Madrid
 “La Barca de Aqueronte” (1887),
and “Laguna Estigia” (1887),
received a gold medal at the
Exposicion General de Belles
Artes in Madrid
Fabian de la Rosa
(1869-1937)
 “Don Fabian”
 Teacher of Amorsolo,
Tolentino,
Manansala,
Francisco, and
Legaspi
 Mixture of rural
countryside and
female portraits
using chiaroscuro
method
 “Women Working in
 “Memeng Tolentino”
 Works expounded on the value of
Filipino sacrifice through accurate
reproduction of their likeness but
clothing and posing them in idealistic
settings in Beaux Arts manner
 “Bonifacio Monument” (1932)
Guillermo Tolentino (1890-
1976)
Fernando Amorsolo (1892-
1972)
 Tangible sense of historical
detachment between subject and
context
 Appreciation of “beautiful” motifs
to argue the motifs of art as a
continuation of the “classical”
traditions of the academy
 “nationalism”, “earthiness”,
“condition of the modern”
“Portrait of Fernanda de
“Planting Rice with Mayon Volcano”
(1949)
“Antipolo Fiesta”
(1947)
Victorio Edades
(1895-1985)
 Transformation of
Philippine art to
modern art; rebellion
against conservative
academism
 “new perceptions of
the external world”
 Emphasis on
distortion, emotional
feeling, and radical
coloration
“The Sketch” (1928)
“The Builders”
(1928)
“Bulul at Babae” (ca. 1930s)
Juan Nakpil (1899-1986)
 “Father of Philippine
Architecture”
 Utilized the Art Deco style in
Filipino structures and later
transitioned to the International
lifestyle
 Quezon Institute Complex
UP Diliman Administration Building
Vicente
Manansala
(-1981)
 Transparent
Cubism style
 National Artist
for Visual Arts
1981
Madonna of the
Slums (1950)
“Luksong Tinik”
(1973)
Carlos Francisco (1912-
1969)
 Uses Figurative Modernism
and Asian traditional art
 Murals depicting narrative
sweep and epic proportions
of Philippine history and
society
 “Bayanihan sa Bukid”
 Have more freedom to explore
 They show their love for country and
evolving culture
 Styles come from cross-cultural
exposures from Eastern and
Western world mixed with their
Filipino roots
 Many use color to convey emotion
rather than intellectual values
Modern Filipino Artists
Jose T. Joya
National Artist for Visual Arts, 2003; Filipino Abstract
Expressionist painter
Hills of Nikko (1964)
Oil on Canvas
Barter of Panay (1978)
Oil on Canvas
Hernando Ruiz Ocampo
National Artist for Visual Arts, 1991; Modernist Abstract
“Children
Dancing Mutants
(1995)
Arturo Luz
National Artist for Visual Arts; Modern Neo-Realist
Red Sky (2007)
Acrylic on
Bagong Taon
(1997)
Mauro “Malang” Santos
“Children
Dancing Mutants
(1995)
Woman Vendor
(1993)
Flower Vendor
(1992)
 The movement sought to contradict
some aspects of modernism or
aspects that emerged/developed in
its aftermath
 The constituents of this movement
believed that they should no longer
try to create something “new” but
instead “borrow, combine, explore”
what was already existing to
produce something new.
 Associated with the deconstruction
of the idea, the disillusionment in
Post-Modern Filipino Artists
Ian Quirante
Post-modern artist
The Secret
(2011)
Untitled (2004)
Mixed media
Rocky Cajigan
Multimedia artist
Educated (2015)
Box construction, Atomizer, Cordillera weaving, Wooden phalluses,
Frankincense, Gold and Myrrh
(2015)
Ang Kiukok
National Artist for Visual Arts 2001
Cockfight
(1998)
Fish (1958)
Oil on Canvas
Lino Severino
Modern Contemporary Painter
Vanishing Scene #232 (1994)
Acrylic on Canvas
Untitled (1993)
Acrylic on Canvas
Impy Pilapil
A Dreamer’s
Zone II Oceanic Garden Series
(2015)
Charito Bitanga
Abstract Artist
Untitled 0000 (1992)
Oil on Canvas
Presentation
Oil on Canvas
Baguio Local Artists
Kidlat Tahimik
 Father of Philippine
Independent Cinema;
National Artist of the
Philippines for Film 2018
 Film director, writer, and actor
whose films are commonly
associated with the Third
Cinema movement through
their critiques of
neocolonialism
Ben Cab
 Hailed as a master of
contemporary Philippine Art;
National Artist for Visual Arts
2006
 Painter and printmaker, has
exhibited widely in the
Philippines and in Asia,
Europe, and the United States
 Received the Gawad CCP
Para sa Sining (Cultural
Center of the Philippines
Award for the Arts)
SabelinBlue(2006);OilonCanvas
Sabel
Justine Amores
 Currently a senior History major
at University of the Philippines
Baguio
 Medium: Painting (watercolor
and gouache) and photography
 Combines vibrant colors for her
illustrations reflecting her
cheerful, amiable, and animated
character
 Particular interest on painting
jeepneys, Filipiniana themes,
and recently, on cats
Untitled (2019)
Film Photography
Dyipni Series (2017-2018)
Gouache Painting
Conclusion
We do not have a distinct art
movement, but when we adopt
Western art movements, or any
foreign art movements, we sure
make it with our own flavor.
Philippine Art and Key
Movements constitute our
“Filipino identity.” But Filipino
Identity is vague, and to talk
about Filipino identity is to
also talk of inclusion and
exclusion – the sameness
and difference of different
cultures and traditions
(Zulueta, 2014)
To appreciate Philippine
Art is to appreciate the
uniqueness of the culture
behind it.
THANK
YOU!

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Arts philippine art movement

  • 1. Philippine Art Movements ABRIGO | AQUINO | DRUGA | OSBUCAN | PILUDEN | SUGUITAN
  • 2. Topic Outline I. What is Philippine Art? II. Brief Timeline of Philippine Art III. Key Movements IV. 18th to 21st Century Art V. Conclusion
  • 3. What is Philippine Art? What makes art Filipino?
  • 4. What is Philippine Art?  Our historical background makes the Filipino distinct from their neighbors, but Philippine visual art has no singular aesthetic.
  • 5. What constitutes Philippine Art? “We cannot define it because you can’t have a static answer to that,” Philippine art expert Ramon N. Villegas said recently, adding that the “Filipino-ness” of an artwork cannot be determined solely by
  • 6. Is there a Filipino Soul? This insistence to create something relevant to one’s nationality is not unique to the Philippines. …sometimes, trying to find the Filipino in certain Philippine art is like trying to milk a cow when the cow isn’t a cow after all.
  • 7. THE QUESTION OF PHILIPPINE ART IS A QUESTION OF PHILIPPINE IDENTITY.
  • 9. The Filipino is a “work in progress” The Filipino as a product of cultural influences is especially skillful at taking these influences and making it their own. Philippine Identity?
  • 10. Philippine Identities Vilroy Godoy Culzon: “Kung ano ang pinanggalingan mo, ilagay mo sa canvass.”
  • 11. Brief Timeline of Philippine Art Pre-colonial to present period
  • 12. Art Form Pre-Colonial Spanish Period (1521-1898) American Period (1898-1946) Painting Body adornment, ornament Religious (icon and ecclesiastical) Secular (portraiture) Genre paintings, landscapes, still life, portraits Sculptur e Pottery, carving and woodwork expression, jewelry, metal crafts Santos, furniture, reliefs, altar pieces, jewelry, metal work, ornamentation Free standing, relief, public Architect ure Dwellings and houses, shelters, worship areas, official residences, mosque Church, plaza complex, town planning, fortification, civic buildings and installations, private residences, commercial City planning, parks, waterfront, civic government structure, public works, apartments, residences, offices,
  • 13. Pre-Colonial Period  Traditional art that has religious symbols, day to day activity such as fishing, farming, etc., or a specific decorative art pattern to the community  Either influenced by animistic (local religion) or Islam- based
  • 15. Sculpture  Discovered in 1965, the Angono Petroglyphs are believed to be the oldest known artworks in the Philippines. Dating to the third millennium B.C., they are a collection of 127 figural carvings engraved on the wall of a shallow cave of volcanic tuff.  The petroglyphs of Angono are among the oldest surviving examples of rock engravings in Asia, and are believed to be the oldest in the Philippines. Archaeological excavations of the site have yielded fragments of earthenware and obsidian flakes, which suggest the cave may have first
  • 16.
  • 17. Pottery, Carving, and Woodwork  Examples: Manunggul Jar and Maitum Jar
  • 19. Architecture  Houses were made of light materials like wood, bamboo and nipa palm  Some of them built tree houses to protect themselves against their enemies, or from being attacked by wild animals
  • 20. Other Form of Art Weaving  An ancient art form would weave fibers such as abaca, pineapple, ramie, maguey, cotton, and bark cloth  Virtually all attire was hand woven. Examples include G-string, Maranao Malong, Bontoc Tapis, Ilong patadyong, T’boli T’nalak, etc.
  • 21. Unchanged art is still existing  The Okir (motif) is an artistic cultural heritage of the Maranaos of Lanao, Philippines
  • 22. Spanish Period  Formal painting, sculpture, and architecture  Catholic-based work of arts 1521-1898
  • 23. Painting  Religious (icon and ecclesiastical)  Secular (portraiture)
  • 24. Esteban Villanueva, Basi Revolt, 1821 (14 paintings) Inspired by: Maître â la Ratiêre, Battle of Marignano 1515)
  • 25. Byzantine Painting Style Byzantine art is an artistic product of the Eastern Roman (Byzantine) Empire, as well as the nations and states that inherited culturally from the empire. These are more Christian-based art.
  • 26. Byzantine frescoes: Langit, Lupa at Impierno, Josef Luciano Dans ca. 1850 (Inspired by: 11th-12th century Church of Panavia
  • 27. Sculpture  Santos, furniture, altar pieces, jewelry, metalwork, ornamentation  Rococo Art
  • 28. Architecture  The plaza complex consisted of an open space, usually rectangular or square in shape, a chapel or church, a convent, a municipio or tribunal, a market place, a cemetery, and the residences around it. The physical set-up enabled the Spaniards to effectively manage and control the natives, and bring them closer to Catholicism.
  • 29. Miagao Church (Inspired by: Cathedral Church of Saint Mary in Murcia, Spain) Baroque Style
  • 30. American Period  Educational and value formation  Art illustration, advertising, and commercial design 1898-1946
  • 31. Painting  Art Nouveau  A style of decorative art, architecture, and design prominent in Western Europe and the US from about 1890 until World War I, and characterized by intricate linear designs and flowing curves based on natural forms
  • 33. Architecture City planning, parks, waterfront, civic government structure, public works, apartments, residences, offices, health and public education, business
  • 35. Metropolitan Theater (Inspired by: Chrysler Art Decoration in Philippine Architecture
  • 36. Uy-Chaco Building (Inspired by: Old England building built in Art Nouveau style. Musée des Art Nouveau in Philippine Architecture
  • 37. Philippine Modern Art 1946 - 1970 The study of determining what is Philippine Contemporary Art Period is still being determined since the word has been used loosely even during the American Colonial Period. However, some Philippine art historians/critic has always been a follower of the Western Art Style and its trends at that point, and thus suggested that this was actually the point where Philippine Modern Art Period started but went only full swing after the war. This is set by the creation of the Art Association of the Philippines (AAP) that in a way has a strong leaning with the Modernist than the Conservatives (the traditional art
  • 38. Philippine Contemporary Art 1980s to Present It was on the on-set of the sudden rise of personal computers and new technology created a new art medium for the arts and human expression. But there were also countless revivals of old styles being done. This started a new direction for the arts, thus setting the name, momentarily, the Philippine Contemporary Period.
  • 39. 2 Filipino Art Style that Developed through Spanish Period 1. Miniaturismo Art style that pays attention to the embroidery and texture of the costume “Portrait of Romano Carillo” by Justiniano Asuncion
  • 40. 2 Filipino Art Style that Developed through Spanish Period 2. Letras y Figuras Art style that fuses letters with figures in every day activity amidst a common background Usually used in painting a patron’s full name
  • 42. Key Movements in PH Art • Movements are styles in art shaped by artists with a common philosophy or goal. • These movements can be borne out of the social climates that they became popular in, or be made as responses to previous movements. • Most of the key art movements found in the Philippines have Western origin.
  • 43. Baroque  An art movement that arose in Europe during the 17th and 18th centuries. This movement was characterized by extravagant imagery through use of extensive decoration and ornamentation. During this period, we adapted this art style from Spain. Santo
  • 45. Neoclassicism  This art style followed soon after the Baroque movement at the start of the 19th century. It harkens back to the style of the Classical period of the Greeks and Romans, with an emphasis on symmetry, order and simplicity. This movement became prominent in the Philippines during
  • 46. Baguio City Hall National Museum
  • 47. Romanticism An art movement characterized by an emphasis on the senses and emotion, sometimes seen as a response to the sober methods preferred in Neoclassicism, as Romanticism also became prominent during the 19th century. Juan Luna is the most prominent Filipino artist in this movement, with a blend of some impressionist style in his work.
  • 49. Realism This art movement from the 19th century heavily pushed for the art style of Naturalism that aimed to represent nature the way it truly appears. Notable artists here are Felipe Roxas and Fernando Amorsolo. Amorsolo, however, was one of the artists in the realism movement to paint nature such that he perfects it, with some stylized depictions.
  • 51. Expressionism  This art movement, made popular in the 20th century, went for a style that did not necessarily concern itself with observation, often using geometric shapes and highly intense colors, such as the work of Ang Kiukok. Other artists use distortion and dull colors to depics various Dog Fight, Ang Kiukok (1982)
  • 52. CUBISM An art movement that started around 1907 made famous by Pablo Picasso, which utilized the use of figures like cubes, cones, and cylinders to depict everything in nature. Vicente Manansala created transparent cubism, where the human figure remained intact while the background or the environment was still depicted in the cubic
  • 53. Madonna of the Slums, Vicente Manansala (1950) Flower Vendor, Onib Olmedo (1987)
  • 54. Impressionism  This art movement became famous in the 19th century with artists like Claude Monet of France. This movement was concerned with capturing the impression of light on objects and scenery, with artists like Emilio Aguilar Cruz and Andres Cristobal beingJones Bridge, Emilio Cruz
  • 55. Surrealism Made famous in the early 1920s by artists like Salvador Dali, this art movement aimed to depict the subconscious of the artist. Galo Ocampo is an artist of this movement. The River of Life, Galo Ocampo
  • 56. Abstract Expressionism Made famous by the works of Jackson Pollock, this art movement pointed out that the creation of the art was the art itself, not just the painting
  • 57. Social Realism  A broad description on different artworks whose themes spew biting commentaries on socio- political issues of the country  Aimed to effect social change through socio- political pieces  Late 1800s revolutionary period, and then again in the First Quarter Storm in the 1970s (Martial Law) Martsa ng Bayan para sa Kalayaan, Katarungan, at Kapayapaan, Edgar Fernandez (1984)
  • 59. Figurative Art One of the most popular movements, as figurative art is representational, meaning it is derived from real object sources Early figurative art in the Philippines is mostly realistic and classical, but in modern times, surreal depictions of human figures and conditions entered figurative art. Kumot, Elmer Borlongan (1993)
  • 61. Conceptual Art In this movement, the idea is more important than the object, and encompasses site-specific art installations, three-dimensional assemblages of discards and non-art elements, performance, and video art. Some of the works are ephemeral or temporary, and therefore requires documentation.
  • 62. ROBERTO CHABET: Father of Philippine Conceptual Art
  • 63. POP ART Pop Art is a distinctive genre of art that is primarily characterized by an interest in popular culture and imaginative interpretations of commercial products. Renowned for its bold imagery, bright color palette, and repetitive approach inspired by mass production, the movement is celebrated for its unique and recognizable style. The movement presented a challenge to traditions of fine art by including imagery from popular and mass culture, such as advertising,
  • 64.
  • 65. Pop-Surreal and Lowbrow Art  An underground visual art movement that is based on comic books, tattoos, punk music and other alternative-pop culture themes. American illustrator Dave McKean influenced a lot of young Filipino artists, who created informal movements within universities. On the other hand, graffiti art, which utilizes spray paint and even stickers, has recently caught on with a lot of young Filipino
  • 66.
  • 67. Regionalism  Regionalism was an American art movement that centralized around artists working in the Midwest in states like Kansas and Missouri, it was art that focused on rural life in America.  What’s unique about where you live? Is it urban or rural? Some kinds of art explore specific geographic areas and environments.
  • 68. LUZON
  • 72. 18th to 21st Century Art Remarkable artists up to the present
  • 74. Secular Artists  Damian Domingo  “First (known/recognized) Filipino painter”  Founded the first art school in the country around 1815 to 1820, later named by the  Agustin Saez  Known as one of the teachers and inspiration of Juan Luna, Lorenzo Guerrero and their contemporaries
  • 75. The “Primitives” Known Artists:  Isidro Arcejo  Jose Asuncion  Antonio Asuncion  D. Gomez
  • 76. The “Primitives”  Antonio Malantic  Little Hidalgo and his grandfather, 1859 (left)  Portrait of Soledad Francia, 1876 (right
  • 77. Late 19th Century and 20th Century Precursors
  • 78. Juan Senson (1847 – 1927)  “Byzantine Style”  Heavily depicted figures rendered with stiff lines;  Pure colorations;  Symbolic perspective;  Stylized human figures  “Baptism,” Juan Senson, Biga Church  Attributed Scupltures:  “Yellow Crucifixion”  “Kristong Pagkabuhay”
  • 79. Juan Luna (1857-1899)  Competed against the Westerner’s “cultural superiority-mongering”  “Daphne y Cleo” (ca. 1879-1880)  Awarded a silver palette by the Liceo Artistico de Manila  “La Muerte de Cleopatra” (1881)  Silver medal at Madrird’s Exposicion
  • 80. “Spoliarium” (1883-1884) Gold medal at the Exposicion Nacional de Bellas Artes “Las Damas Romanas” (1882) Diploma of Honor at the Munich Art Museum
  • 81. Felix Hidalgo (1855-1913)  “Las Viergenes Cristianas Expuestas al Populacho” (1884), was awarded the ninth silver medal at the Exposicion General de Belles Artes in Madrid  “La Barca de Aqueronte” (1887), and “Laguna Estigia” (1887), received a gold medal at the Exposicion General de Belles Artes in Madrid
  • 82.
  • 83. Fabian de la Rosa (1869-1937)  “Don Fabian”  Teacher of Amorsolo, Tolentino, Manansala, Francisco, and Legaspi  Mixture of rural countryside and female portraits using chiaroscuro method  “Women Working in
  • 84.  “Memeng Tolentino”  Works expounded on the value of Filipino sacrifice through accurate reproduction of their likeness but clothing and posing them in idealistic settings in Beaux Arts manner  “Bonifacio Monument” (1932) Guillermo Tolentino (1890- 1976)
  • 85. Fernando Amorsolo (1892- 1972)  Tangible sense of historical detachment between subject and context  Appreciation of “beautiful” motifs to argue the motifs of art as a continuation of the “classical” traditions of the academy  “nationalism”, “earthiness”, “condition of the modern” “Portrait of Fernanda de
  • 86. “Planting Rice with Mayon Volcano” (1949) “Antipolo Fiesta” (1947)
  • 87. Victorio Edades (1895-1985)  Transformation of Philippine art to modern art; rebellion against conservative academism  “new perceptions of the external world”  Emphasis on distortion, emotional feeling, and radical coloration “The Sketch” (1928)
  • 89. “Bulul at Babae” (ca. 1930s)
  • 90. Juan Nakpil (1899-1986)  “Father of Philippine Architecture”  Utilized the Art Deco style in Filipino structures and later transitioned to the International lifestyle  Quezon Institute Complex
  • 92. Vicente Manansala (-1981)  Transparent Cubism style  National Artist for Visual Arts 1981 Madonna of the Slums (1950) “Luksong Tinik” (1973)
  • 93. Carlos Francisco (1912- 1969)  Uses Figurative Modernism and Asian traditional art  Murals depicting narrative sweep and epic proportions of Philippine history and society  “Bayanihan sa Bukid”
  • 94.  Have more freedom to explore  They show their love for country and evolving culture  Styles come from cross-cultural exposures from Eastern and Western world mixed with their Filipino roots  Many use color to convey emotion rather than intellectual values Modern Filipino Artists
  • 95. Jose T. Joya National Artist for Visual Arts, 2003; Filipino Abstract Expressionist painter Hills of Nikko (1964) Oil on Canvas Barter of Panay (1978) Oil on Canvas
  • 96. Hernando Ruiz Ocampo National Artist for Visual Arts, 1991; Modernist Abstract “Children Dancing Mutants (1995)
  • 97. Arturo Luz National Artist for Visual Arts; Modern Neo-Realist Red Sky (2007) Acrylic on Bagong Taon (1997)
  • 98. Mauro “Malang” Santos “Children Dancing Mutants (1995) Woman Vendor (1993) Flower Vendor (1992)
  • 99.  The movement sought to contradict some aspects of modernism or aspects that emerged/developed in its aftermath  The constituents of this movement believed that they should no longer try to create something “new” but instead “borrow, combine, explore” what was already existing to produce something new.  Associated with the deconstruction of the idea, the disillusionment in Post-Modern Filipino Artists
  • 100. Ian Quirante Post-modern artist The Secret (2011) Untitled (2004) Mixed media
  • 101. Rocky Cajigan Multimedia artist Educated (2015) Box construction, Atomizer, Cordillera weaving, Wooden phalluses, Frankincense, Gold and Myrrh (2015)
  • 102. Ang Kiukok National Artist for Visual Arts 2001 Cockfight (1998) Fish (1958) Oil on Canvas
  • 103. Lino Severino Modern Contemporary Painter Vanishing Scene #232 (1994) Acrylic on Canvas Untitled (1993) Acrylic on Canvas
  • 104. Impy Pilapil A Dreamer’s Zone II Oceanic Garden Series (2015)
  • 105. Charito Bitanga Abstract Artist Untitled 0000 (1992) Oil on Canvas Presentation Oil on Canvas
  • 107. Kidlat Tahimik  Father of Philippine Independent Cinema; National Artist of the Philippines for Film 2018  Film director, writer, and actor whose films are commonly associated with the Third Cinema movement through their critiques of neocolonialism
  • 108.
  • 109.
  • 110. Ben Cab  Hailed as a master of contemporary Philippine Art; National Artist for Visual Arts 2006  Painter and printmaker, has exhibited widely in the Philippines and in Asia, Europe, and the United States  Received the Gawad CCP Para sa Sining (Cultural Center of the Philippines Award for the Arts)
  • 112. Justine Amores  Currently a senior History major at University of the Philippines Baguio  Medium: Painting (watercolor and gouache) and photography  Combines vibrant colors for her illustrations reflecting her cheerful, amiable, and animated character  Particular interest on painting jeepneys, Filipiniana themes, and recently, on cats
  • 113. Untitled (2019) Film Photography Dyipni Series (2017-2018) Gouache Painting
  • 115. We do not have a distinct art movement, but when we adopt Western art movements, or any foreign art movements, we sure make it with our own flavor.
  • 116. Philippine Art and Key Movements constitute our “Filipino identity.” But Filipino Identity is vague, and to talk about Filipino identity is to also talk of inclusion and exclusion – the sameness and difference of different cultures and traditions (Zulueta, 2014)
  • 117. To appreciate Philippine Art is to appreciate the uniqueness of the culture behind it.