Fundamental of drawing rajesh jain hawala

Fundamentals of
Drawing
- Kabir Malkani
* This presentation has been compiled from references available from the Internet. This is meant purely
for educational purposes and the presenter does not claim to hold any ownership whatsoever; of the
content (textual or graphical) included in this presentation. The ownership and copyrights of the following
content belong to the respective brands /agencies / artists showcased in this presentation.

Topics covered…
O Introduction
O Origin of Basic Drawing Materials
O Gripping the Pencil
O Basic Shapes & Forms
O Shading
O Perspective Drawing
O Drawing the Human Face

Introduction
O Drawing is a form of visual art that
makes use of any number of drawing
instruments to mark a two-dimensional
medium.
O An artist who practices or works in drawing
may be called a draftsman or
draughtsman.
O The medium has been a popular and
fundamental means of public expression
throughout human history. It is one of the
simplest and most efficient means of
communicating visual ideas.
Raphael, study for what
became the Alba Madonna,
with other sketches

Introduction
O Instruments used for drawing
include graphite pencils, pen and ink,
inked brushes, wax color pencils,
Crayons, Charcoal, Chalk, Pastels,
Markers, styluses and various metals
(such as silverpoint).
O Other materials used for drawing
include various kinds of erasers,
pencil sharpeners, geometric
apparatus such as rulers,
protractors, compass etc.
O The most common surfaces for
drawing is paper, although other
surface materials such as cardboard,
plastic, leather, canvas, and board,
may be used. Temporary drawings
may be made on a blackboard or
whiteboard or indeed almost
anything.
André Masson
Ink on paper
Pencil portrait by
Ingres

Origin of Basic Drawing
Materials

Origin of Basic Drawing Materials
Paper
O The precursor to modern paper dates back to
2nd century BC in China.
O From China, the paper making process spread
to the Middle East, then to medieval Europe
in the 13th century, where the first water-
powered paper mills were built.
O In 1844, Canadian inventor Charles Fenerty
and German F.G. Keller independently
developed processes for pulping wood fibers
significantly lowering the cost
O Modern day paper is a thin material produced
by pressing together moist fibers, typically
cellulose pulp derived from wood, rags or
grasses, and drying them into flexible sheets.
Hemp wrapping paper, China,
circa 100BC.
Stack of modern day copy paper

Pencil
Origination of the word “Pencil”
O from French: “pincel”, which means “a small
paintbrush”
O From Latin: “penicillus” a "little tail“
Evolution
O Modern day pencils evolved from an ancient Roman writing
instrument made of lead called a stylus. Lead poisoning
from pencils was not uncommon
Discovery of Graphite
O Some time before 1565, an enormous deposit of graphite
was discovered Cumbria, England. The locals found that it
was very useful for marking sheep and thought it was some
form of Lead. Graphite from a pencil stick is not poisonous.
Grading and classification
Pencils are usually graded on the European System using a
continuum from "H" (for hardness) to "B" (for blackness), as well
as "F", a letter arbitrarily chosen to indicate midway between HB
and H.
The standard writing pencil is graded HB.
Ancient Roman Stylus
Modern day HB graphite pencils
First mass-produced pencils in 1662 by
Faber-Castel

Eraser
O An eraser is an article of stationery that is used for
removing pencil markings.
O Typical erasers are made from synthetic rubber,
but more expensive or specialized erasers are
vinyl, plastic, or gum-like materials.
O Before rubber erasers, tablets of rubber or wax
were used to erase lead or charcoal marks
from paper. Bits of rough stone such as
sandstone or pumice were used to remove small
errors from parchment or papyrus documents
written in ink. Crustless bread was used as an
eraser in the past.
O In 1770, Edward Nairne, an English engineer, is
credited with developing the first widely-marketed
rubber eraser for an inventions competition. He
sold natural rubber erasers for the high price of
three shillings per half-inch cube.
An old-fashioned gum eraser
Faber Castell Vinyl Erasers

Gripping the Pencil
Scribe Grip
O The “scribe’s grip” that
feels natural for most
people is surely the worst
grip for drawing: writing
and drawing are
fundamentally different
activities.
O Writing is done with minute
motions of the hand and
fingers, with the elbow
fixed
O Drawing is done with
broad movement of the
whole arm, from hand to
shoulder-blade

Gripping the Pencil
Pen Grip
O Hold the pencil like you
would hold the writing
pen, but much further
from the tip
O This grip is good for
detailing, and for small-
size sketching
O It is also the grip Wacom
tablets are designed for

Gripping the Pencil
Violin bow grip
O Hold the pencil with the thumb
against all four fingers. This
removes most control from the
fingers, and emphasizes the
wrist and especially the arm at
elbow and shoulder.
O This grip is the preferable basic
drawing grip.
O it produces flowing, economical
sweeping line and is ideal for
rough sketching, hatching and
tonal work with the side of lead.

Gripping the Pencil
Gesture grips and variations
O Between the “pen” and the “violin bow”, there is any number of
intermediate grips, suitable mostly for gesture drawing with varying
paper size and motion range.
O Usually, the smaller the page or detail, the closer the grip will be to
the “pen”.

Gripping the Pencil
Brush Grip
O Sometimes a brush grip is used for detail work — it is the pencil
held like a brush, in a pen grip with index finger resting along the
shaft.
O It offers more motion freedom than the pen grip and works with or
without elbow support, but when used with a pencil it also takes
away some fine control.
O It is fairly good for holding the Wacom stylus, too.

Basic Shapes & Forms
Exercise #1: Drawing Straight Lines
O Draw each line with a single motion. You'll discover the
best angle at which you can draw a straight line. Then,
all you have to do is turn the paper to execute a
horizontal, a vertical, or diagonal line.

Exercise #2
O List down a few
objects that you see in
the real world that
follow these structure
types

Contour Lines
O Defines the edges and surface
ridges of an object.
O A contour line also creates a
boundary separating one area
from another.
A contour drawing by Egon Schiele.

Shading
Definition
O The use of light and dark
values to give the illusion
of form and depth

Shading - Terms
O Highlights: small areas of
white used to show the very
brightest spots of an object
O Transitional Light /
Midtones: used to show the
actual color of the object
O Core of the Shadow:
Represents the shadowed
side of an object
O Cast Shadow: the shadow
where the object meets the
surface (the darkest tone)
O Reflected light – is a faint
rim of light reflected back
onto an object from the
surfaces surrounding the
object.

Shading - Techniques
Hatching
Crosshatching
Stippling
Scribbling
Blending

Hatching is a series of straight or curved
lines (called a set), drawn beside one
another to give the illusion of a value.
Crosshatching is a shading technique
in which one set of lines crosses over
(overlaps) another set.
The act of Stippling involves covering
an area with dots. It is a wildly time-
consuming technique, in which an image
is drawn dot...by dot...by dot. Pointillism
in art is based on this technique.

Scribbling has many different names
and techniques such as Scumbling,
Circling & Squirkling. Basically, this
technique involves shading using
random strokes or circlular strokes.
Blending, also known as Smooth
Shading is where you use your finger or
some smudge tool such as a piece of
cloth or cotton swab and smear the
shading for a more uniform shade. If
controlled correctly this can give a
smooth polished look.

Hatching Crosshatching Stippling

Scribbling Blending

Exercise #3
O Identify the different shading techniques used in the
above diagram

Perspective Drawing
Perspective Drawing is
a technique used to
represent three-
dimensional images on
a two-dimensional
picture plane.

Perspective Drawing - Terms
SUBJECT
refers to the object or scene that
we are dealing with in the
composition of our drawing or
painting. It can be one item or
many things, such as a complex
scene from nature.

HORIZON LINE
The horizon is represented by
the point at which the sea and
sky, or flat land and sky, meet.
The true horizon line is always at
the “Eye Level” and will change
as you change the elevation of
view.
High Elevation of View
Normal Elevation of View
Low Elevation of View

VIEWING POINT
Every object appears different
when viewed from various
angles.
The viewing point can be seen as
a straight line from our eye to the
horizon line. If we move to the
right/left OR up/down, we are
changing the viewing point and
there will be major changes in
the drawing.

THE PICTURE PLANE
The picture plane (PP) is the plane that is used to record the 'picture' or 'drawing'
that the eye sees. It is easiest to think of the picture plane as being a sheet of
glass, and the observer having a marking pen that can trace onto the glass
exactly what their eye sees.

VANISHING POINT
is that spot on the horizon line to which the receding parallel lines diminish. As
things get further away, from us, they seems smaller and closer together. When
they get far enough away, distances become ever tinier and so form a single
point.

VANISHING POINT
Look at a long table from one
end and notice that the far end
appears to be smaller than the
near end. We know that the ends
of the table are the same width,
but due to perspective, we notice
the viewing difference. This is the
Illusion of Depth.

VANISHING POINT
If we draw imaginary lines along the sides of the table and extend them to meet each other , they
will meet at a point. The meeting point where the two lines meet is a Vanishing point. And the
parallel line which passes through the vanishing point is Horizon Line. Lines that are parallel to the
table side lines will also meet at the same vanishing point on the horizon line. All objects in the
picture will also seem to grow smaller as they move into the picture, toward the horizon line. So,
the horizon line plays a number of important role in the rules of perspective.

Perspective Drawing - Types
There are three types of
perspective that we use most.
one-point, two-point and three-
point perspective.
Let’s learn how to draw these…

One-Point Perspective
Steps
1. Draw a Horizon Line
2. Mark a point on that
line… this will be the
Vanishing Point

Steps
3. Draw a neat rectangle
NOTE: Ensure the
vertical edges are
perpendicular and
horizontal edges are
parallel with the
Horizon Line

Steps
4. Draw 4 lines
originating from each
of the corners of the
rectangle and
converging at the
Vanishing Point. These
are also called
Vanishing Lines

Steps
5. Draw another
rectangle behind the
existing one using the
Vanishing Lines as
coordinates for it’s
corners.
NOTE: Ensure the
vertical edges are
perpendicular and
horizontal edges are
parallel to the edge of
the paper

Steps
6. Now you can delete
the Vanishing Lines.
NOTE: If you want to
draw a see-through
box, you can choose
not to erase the lines
inside the box.

Exercise #4
O Try drawing these boxes in
one-point perspective
following the steps
mentioned above

One-Point Perspective -
Examples

Two-Point Perspective
Steps
2. Mark two points on
that line… these will
be the Vanishing
Points

Steps
3. Now, draw a vertical
line that will be the
front corner edge of
your box
NOTE: Ensure this line
is not too close to the
Horizon Line and that
its perpendicular to it

Steps
4. Now, draw the first
Vanishing Lines
starting from the two
ends of the line and
diminishing at the two
Vanishing Points

Steps
5. Now complete the
visible sides of the box
by drawing the corner
edges (shown here
with red lines).
Note: Make sure these
lines are perpendicular
to the Horizon Line

Steps
6. Now draw two sets of
Vanishing Lines from
the ends of the corner
edges you drew in the
last step.
Note: The Vanishing
Lines from the left
corner edge of the box
should connect to the
Vanishing Point on the
Right & those from the
Right corner edge
should connect to the
Vanishing Point on the
Left.

Steps
7. Now you simply have to
draw a vertical line from
the where the lower two
vanishing lines intersect,
to the intersection of the
upper two lines (shown as
a red line in this example).

Steps
6. Now you can delete
the Vanishing Lines.
NOTE: If you want to
draw a see-through
box, you can choose
not to erase the lines
inside the box.

Exercise #5
O Try drawing this box in
two-point perspective
following the steps
mentioned above

Two-Point Perspective -
Examples

Three-Point Perspective
Steps
closer to the bottom of
your page
2. Mark two Vanishing
Points on that line…
and add the third one
above the line closer
to the top of the page
3. Draw a perpendicular
line from the 3rd VP to
the Horizon Line

Steps
4. Now, draw a line
beginning from the Left VP
intersecting the
perpendicular line at about
2/3rds its height
5. From this intersection
draw another line to the
Right VP
6. Draw another line again
beginning from the Left VP
intersecting the
perpendicular line at about
1/3rds its height
7. From this intersection
draw another line to the
Right VP
8. Now, draw two lines
starting from the 3rd VP on
either side of the
perpendicular line

Steps
9. Draw a line from the lower
back corner to the left
vanishing point. And draw
one from the lower left
corner to the right
vanishing point.

Steps
10. If you want to show a see-
through box… draw the 3
green lines as shown in
the diagram

Steps
10. Now erase the Vanishing
Lines

Three-Point Perspective -
Examples

Drawing the Human Face
1. Draw a circle
2. Lightly draw a vertical
line splitting it in half
3. Extend this line
downwards – the length
being roughly about the
radius of the circle (Take
note of the
measurements shown)
Courtesy soas95
http://soas95.deviantart.com/

4. Draw the outline of the
face as shown
5. Lightly mark the vertical
half line. This is where
the eyes should be
drawn.
Tip: The shape of the
face can be fine-tuned
later. Don’t aim for
perfection at this stage.
Courtesy soas95

6. Lightly draw the
eyebrow line halfway
between the eye line
and the center of the
circle
7. Similarly mark the
guidelines for key
features such as hair &
the nose
Courtesy soas95

8. Divide the eye line into
5 equal parts. The 2nd &
the 4th division
demarcates the location
of the eyes
Courtesy soas95

9. Divide the bottom third
of the face into 3 equal
parts – these will mark
the opening of the
mouth & the top of the
chin
10. The middle third of the
face decides the
position of the ears
Courtesy soas95

11. Erase the guidelines
12. Detail out the key
features
Courtesy soas95

Tips:
1. You must be able to
draw realistically before
stylizing
2. Understanding of
Anatomy is the key to
drawing decently
3. Look up the web,
observe film actors &
actresses or casually
observe people around
you to understand the
basic differences in
features such as eyes,
lips, noses, hair & ears
4. Practice this exercise
over and over again
Courtesy soas95

Assignment
Choose from projects listed below:
O Draw the inside of a room using One-Point
Perspective
O Draw a popular Indian monument using Two-
Point Perspective OR
O Draw the side profile of the face you have just
drawn during the course of this training. (Feel
free to look up the web for references)
* Final Date for submitting this assignment is the
21st of Jan 2014

Fundamental of drawing rajesh jain hawala

Recommended

Recommended

More Related Content

What's hot

What's hot (20)

Viewers also liked

Viewers also liked (20)

Similar to Fundamental of drawing rajesh jain hawala

Similar to Fundamental of drawing rajesh jain hawala (20)

Recently uploaded

Recently uploaded (20)

Fundamental of drawing rajesh jain hawala