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TÜRK TESPİH SANATI
NEZİROĞLU
KOLEKSİYONU
TÜRK TESPİH SANATI NEZİROĞLU
KOLEKSİYONU TÜRK İŞADAMI
SERDAR NEZİROĞLU’NA AİTTİR.
• NEZİROĞLU TESPİH KOLEKSİYONU
SENELER BOYU TİTİZLİKLE SÜREN
BİR ÇALIŞMA İLE BİR ARAYA
GETİRİLMİŞTİR.
• TARTIŞMASIZ DÜNYADAKİ EN
DEĞERLİ TESPİH KOLEKSİYONU
OLARAK GÖSTERİLMEKTEDİR.
• KOLEKSİYON BİNLERCE NADİDE
SANAT ESERİNDEN
OLUŞMAKTADIR.
• TOPLAM TESPİH SAYISI HER
GEÇEN YILALINAN ESERLERLE
ARTMAYA DEVAM ETMEKTEDİR.
KOLEKSİYON ELMAS, ZÜMRÜT, YAKUT,
SAFİR, PIRLANTA, ALTIN VE GÜMÜŞ
GİBİ DEĞERLİ TAŞLAR VEYA
MADENLERDEN YAPILMIŞ DÜNYADA
BENZERİ OLMAYAN ESERLERİ
KAPSAMAKTADIR.
TESPİHLERİN YAPIMINDA KULLANILAN 100’E
YAKIN FARKLI MALZEMEDEN DİĞER
ÖRNEKLER İSE: TURTLE SHELL, RHINO HORN,
IVORY, MAMMOTH TUSK, WHALE TOOTH,
WHALE’S NECK BONE, EBONY, TUNISIA CORAL,
SPINEL STONE, PERNAMBUCO WOOD, PURPLE
ROSE WOOD, IPEWOOD, PINK IVORY WOOD,
GREEN HEART WOOD, IRON WOOD, BLUE
MAHOE, BALTIC AMBER, AMBEROID, CATALIN,
BLACK
AMBER, CLEAT, SNAKE WOOD,
GRANADILLA WOOD, TİGER WOOD VS.
KOLEKSİYONDA YER ALAN TESPİHLERİN
TAMAMI 100’E YAKIN ÜNLÜ TÜRK
SANATÇISI TARAFINDAN YAPILMIŞ, EL
YAPIMI VE EŞSİZ ESERLERDİR.
NEZİROĞLU TESPİH KOLEKSİYONUNU
EŞSİZ KILAN ÖZELLİKLERİ
• Nicelik ve nitelik yönünden;
GEREK TESPİH SAYISI, GEREKSE SANATSAL
ÖZELLİKLERİ YÖNÜNDEN DÜNYADAKİ
EN BÜYÜK VE EN DEĞERLİ KOLEKSİYONDUR.
• Eserlerin seceresi yönünden;
HER ESERİN SANATÇISININ VE
HAMMADDESİNİN NET OLARAK BİLİNDİĞİ
DÜNYADAKİ TEK KOLEKSİYONDUR.
• Sanatçı sayısı zenginliği yönünden;
100’E YAKIN TANINMIŞ TESPİH SANATÇISININ
ESERLERİNİN BİRARADA YER ALDIĞI
DÜNADAKİ TEK KOLEKSİYONDUR.
Malzeme zenginliği yönünden;
TESPİH YAPILABİLECEK DOĞAL YA DA
YAPAY, HEMEN HER
MATERYALİN KULLANILDIĞI DÜNYADAKİ TEK
KOLEKSİYONDUR.
Tanınırlığı yönünden;
• 3 CİLDİ KİTAPLAŞTIRILMIŞ,
• 12 CİLDİ E-KİTAPLAŞTIRILMIŞ,
• T.C. KÜLTÜR BAKANLIĞINCA SANATSAL
DEĞER OLARAK GÖRÜŞMÜŞ VE BELGESELİ
YAPILMIŞ,
• BAŞLANGIÇ OLARAK TÜRKİYE, KATAR
VE BİRLEŞİK ARAP EMİRLİKLERİ GİBİ
ÜLKELERDE SERGİLENMİŞ VE
SERGİLENMEYE DEVAM EDİLEN,
• BASINDA SIKLIKLA YER ALMAKTA OLAN,
• 67 ÜLKEDEN BEŞYÜZALTMIŞ BİNİN
ÜZERİNDE FANI BULUNAN VE HER GÜN
YAKLAŞIK 1.000 KİŞİNİN KATILIMI İLE
FANI SÜREKLİ BÜYÜYEN
(HTTPS://WWW.FACEBOOK.COM/TESBİHCOM)
DÜNYADAKİ TEK KOLEKSİYONDUR.
• Görsel zenginlik yönünden;
MÜZELEŞMESİ DAHA
KOLEKSİYONCULUĞUN İLK BAŞLANGICINDA
PLANLANARAK,
ESERLERİN SANATÇILARI, HAMMADDE
RENKLERİ, EBATLARI DAHİL, SERGİLENMESİ
ÖNGÖRÜLEREK SİPARİŞ VERİLEN VEYA
KOLEKSİYONCULARDAN DİREKT SATIN
ALINAN,
TEKDÜZELİKTEN UZAKLAŞTI-
RILMIŞ DÜNYADAKİ TEK KOLEKSİYONDUR.
TESPİH KOLEKSİYONCUSU SERDAR
NEZİROĞLU’NUN AMACI;
• BU ESERLERİ TOPLUMLA PAYLAŞMAK,
İNCELİKLERİNİ ÖĞRETMEK VE
BİLİNÇLENDİRMEK YOLUNDA
FAALİYETLERDE BULUNMAKTIR.
• KÜLTÜREL MİRASIN YAŞATILMASI,
YAYILMASI VE GELECEK NESİLLERE
AKTARILMASI PRENSİBİNİ
REALİZE ETMEKTİR.
• TESPİH SANATINI DAİMİ BİR SERGİ
VE/VEYA MÜZE İMKÂNIYLA TÜM
SANATSEVERLERLE BULUŞTURMAKTIR.
• BU YOLLA, BU KÜLTÜREL MİRASIN
GELECEK NESİLLERE TAŞINMASINA
VESİLE OLMAKTIR.

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Türk Tespih Sanatı TR

  • 2. TÜRK TESPİH SANATI NEZİROĞLU KOLEKSİYONU TÜRK İŞADAMI SERDAR NEZİROĞLU’NA AİTTİR.
  • 3. • NEZİROĞLU TESPİH KOLEKSİYONU SENELER BOYU TİTİZLİKLE SÜREN BİR ÇALIŞMA İLE BİR ARAYA GETİRİLMİŞTİR. • TARTIŞMASIZ DÜNYADAKİ EN DEĞERLİ TESPİH KOLEKSİYONU OLARAK GÖSTERİLMEKTEDİR.
  • 4. • KOLEKSİYON BİNLERCE NADİDE SANAT ESERİNDEN OLUŞMAKTADIR. • TOPLAM TESPİH SAYISI HER GEÇEN YILALINAN ESERLERLE ARTMAYA DEVAM ETMEKTEDİR.
  • 5. KOLEKSİYON ELMAS, ZÜMRÜT, YAKUT, SAFİR, PIRLANTA, ALTIN VE GÜMÜŞ GİBİ DEĞERLİ TAŞLAR VEYA MADENLERDEN YAPILMIŞ DÜNYADA BENZERİ OLMAYAN ESERLERİ KAPSAMAKTADIR.
  • 6. TESPİHLERİN YAPIMINDA KULLANILAN 100’E YAKIN FARKLI MALZEMEDEN DİĞER ÖRNEKLER İSE: TURTLE SHELL, RHINO HORN, IVORY, MAMMOTH TUSK, WHALE TOOTH, WHALE’S NECK BONE, EBONY, TUNISIA CORAL, SPINEL STONE, PERNAMBUCO WOOD, PURPLE ROSE WOOD, IPEWOOD, PINK IVORY WOOD, GREEN HEART WOOD, IRON WOOD, BLUE MAHOE, BALTIC AMBER, AMBEROID, CATALIN, BLACK AMBER, CLEAT, SNAKE WOOD, GRANADILLA WOOD, TİGER WOOD VS.
  • 7. KOLEKSİYONDA YER ALAN TESPİHLERİN TAMAMI 100’E YAKIN ÜNLÜ TÜRK SANATÇISI TARAFINDAN YAPILMIŞ, EL YAPIMI VE EŞSİZ ESERLERDİR.
  • 9. • Nicelik ve nitelik yönünden; GEREK TESPİH SAYISI, GEREKSE SANATSAL ÖZELLİKLERİ YÖNÜNDEN DÜNYADAKİ EN BÜYÜK VE EN DEĞERLİ KOLEKSİYONDUR.
  • 10. • Eserlerin seceresi yönünden; HER ESERİN SANATÇISININ VE HAMMADDESİNİN NET OLARAK BİLİNDİĞİ DÜNYADAKİ TEK KOLEKSİYONDUR.
  • 11. • Sanatçı sayısı zenginliği yönünden; 100’E YAKIN TANINMIŞ TESPİH SANATÇISININ ESERLERİNİN BİRARADA YER ALDIĞI DÜNADAKİ TEK KOLEKSİYONDUR.
  • 12. Malzeme zenginliği yönünden; TESPİH YAPILABİLECEK DOĞAL YA DA YAPAY, HEMEN HER MATERYALİN KULLANILDIĞI DÜNYADAKİ TEK KOLEKSİYONDUR.
  • 13. Tanınırlığı yönünden; • 3 CİLDİ KİTAPLAŞTIRILMIŞ, • 12 CİLDİ E-KİTAPLAŞTIRILMIŞ, • T.C. KÜLTÜR BAKANLIĞINCA SANATSAL DEĞER OLARAK GÖRÜŞMÜŞ VE BELGESELİ YAPILMIŞ, • BAŞLANGIÇ OLARAK TÜRKİYE, KATAR VE BİRLEŞİK ARAP EMİRLİKLERİ GİBİ ÜLKELERDE SERGİLENMİŞ VE SERGİLENMEYE DEVAM EDİLEN,
  • 14. • BASINDA SIKLIKLA YER ALMAKTA OLAN, • 67 ÜLKEDEN BEŞYÜZALTMIŞ BİNİN ÜZERİNDE FANI BULUNAN VE HER GÜN YAKLAŞIK 1.000 KİŞİNİN KATILIMI İLE FANI SÜREKLİ BÜYÜYEN (HTTPS://WWW.FACEBOOK.COM/TESBİHCOM) DÜNYADAKİ TEK KOLEKSİYONDUR.
  • 15. • Görsel zenginlik yönünden; MÜZELEŞMESİ DAHA KOLEKSİYONCULUĞUN İLK BAŞLANGICINDA PLANLANARAK, ESERLERİN SANATÇILARI, HAMMADDE RENKLERİ, EBATLARI DAHİL, SERGİLENMESİ ÖNGÖRÜLEREK SİPARİŞ VERİLEN VEYA KOLEKSİYONCULARDAN DİREKT SATIN ALINAN, TEKDÜZELİKTEN UZAKLAŞTI- RILMIŞ DÜNYADAKİ TEK KOLEKSİYONDUR.
  • 17. • BU ESERLERİ TOPLUMLA PAYLAŞMAK, İNCELİKLERİNİ ÖĞRETMEK VE BİLİNÇLENDİRMEK YOLUNDA FAALİYETLERDE BULUNMAKTIR. • KÜLTÜREL MİRASIN YAŞATILMASI, YAYILMASI VE GELECEK NESİLLERE AKTARILMASI PRENSİBİNİ REALİZE ETMEKTİR.
  • 18. • TESPİH SANATINI DAİMİ BİR SERGİ VE/VEYA MÜZE İMKÂNIYLA TÜM SANATSEVERLERLE BULUŞTURMAKTIR. • BU YOLLA, BU KÜLTÜREL MİRASIN GELECEK NESİLLERE TAŞINMASINA VESİLE OLMAKTIR.