Harsha Parihar, M.Sc-Fashion Design +One Year Fashion Design In Women's Wear Diploma Programme Portfolio

Fashion Technology
PORTFOLIO
Harsha Parihar
M.Sc. in Fashion Technology+
1st year diploma

ACKNOWLEDGMENT
I would like to convey my gratefulness to Dezyne E'cole college for
the excellent guidance, study skill and knowledge which I have
gained throughout my project.
I am thankful to my mentors who give me this opportunity of
making this project and help me to show my working abilities
through this project.
Harsha Parihar
M.Sc. Fashion Technology +2 Yrs.
Advanced Diploma In Fashion
Technology

This Project of Ms. HARSHA PARIHAR student of M.Sc. in Fashion
Technology with 2yrs advance women’s wear Fashion Diploma
Program has been checked and grade
as…………………………………………………………………………
……………………………………………………………………………
………………... .
Thanks
Principal
[Seal and Signature
Dezyne E’cole college
civil line, Ajmer
www.dezyneecole.com

SYNOPSIS
During my 1yr course I have learned what all knowledge are required as
a student of fashion designer to work in industry .i have learned element
and principle of design to drafting and pattern making draping and any
more subject. In draping we drape fabric on dress form according to a
design with the help of pins. We learned vortex and origami method in
draping during my project. Use of fabric manipulation to create a texture
effect in a simple dress We also learned about Indian Traditional
embroidery phulkari of Punjab , kantha of Bengal, kasuti of Karnataka
.We can use this embroidery to decorate fabric. We create fusion or give
a dress indo western look we use west silhouette and give them Indian
touch with Indian embroidery

HARSHA PARIHAR
FASHION DESIGNER
 www.dezyneecole.com 9829024839
PROFILE
I am a fashion designer from
Dezyne E’cole college. I have
learned that I can do everything
through fabric. To be a
successful designer, it help to
have formal training ,especially
in subject like elements and
principle of design, art of
manipulating fabric, decorate
garment with traditional Indian
embroidery from which I am
able to communicate a good
design.
EXPERIENCE
Pattern Engineering - collection of
casual women wear
Fabric Manipulation- Manipulating
fabric by pleats ,tucks etc.
Draping- Dart manipulation
Vector
Origami
Embroidery- Indian traditional
embroidery
INTERST
Pinterest
Painting
Music
Sketching
SKILLS
Pattern Engineering
Traditional Indian Textile
Draping
Fabric Manipulation
Corel Draw- graphic Design
Foundation Design
Presentation Techniques
LANGUAGE
Hindi , English
EDUCATION
Identity – I had work in annual
exhibition held in college
M.Sc. Fashion
Technology
M.A. in
Sociology
B.A
12th C.B.S.E
Board
10th C.B.S.E
Board
Dezyne E'cole
college 2015-2017
Government
college 2014-2016
Sophia college
Mayoor school
Queen’s Mary
girls school

Fashion does not mean wearing clothes fashion is not something that
exists in dresses only which are in latest trends and style. It is an area
where we need to understand any attire which enhances a person’s
personality and comfort in fashion design is a very vast industry that
gaining popularity and increase intern day by day .
To be industrial friendly we learn what are the techniques and skills
are required for the fulfillment the need of industry and start paying
attention on elements and principle of design.
This is what i learnt here at Dezyne E'cole college creating fashion
does not entail a vivid imagination and instinct for creativity. It also
involves many decision and myriad techniques, focused on central
idea. In Dezyne E'cole college fashion design has made me build a
strong foundation in terms of design sense. Conceptualization
independent research creative application and individual artistic
expression.
As a part of fashion industry. I am training my self through skill
education in master degree in fashion technology and industry
oriented diploma program in built with this study.
During a course duration of diploma i had an exposure towards
practice knowledge in fashion design. I have learnt during my 1st year
master of science in fashion technology.
LEARNING EXPERIENCE

“Elegance is not standing out, but being remembered” Giorgio
Armani.
Fashion today is the key driving force in the running not just a
country’s economy but in linking the country with its partners
different sides of the global networked globe.
The need of the consumer and the ongoing process of globalization
has paved the way for new job avenues and opportunities is the
arena of fashion.
In response to the demand fashion industry the subject fashion
studies was introduced an independent elective
Fashion studies offers in sight into the components and processes
of design, manufacturing ,marketing in apparel and text
Fashion study offers in sight into the components and processes of
design, manufacturing, marketing in apparel and textile. It
encompasses the process from provide an overview of fashion, an
understanding and elements of garment making
Fashion theory and practice are built on a academic foundation
where history anthropology, sociology , psychology and economics
intermingle to shed light on clothing as one of the three most
essential needs of the human race fashion is a dynamic force
which influence lifestyle choices made by consumers. It drives
international trends in a multitude of area from apparel,
accessories, automobiles ,wellness, vacations and more. Glamour
not withstanding fashion is a series globe a business with high
financial states. The increasing references to Indian textiles
clothing and culture on international fashion scenario are indicative
of India being center stage on the global fashion map.
INTRODUCTION OF WOMEN
FASHION WEAR

WOMEN WEAR
Fashion is not something that exist in a dress only fashion is in the
sky, in the street, fashion has to do with ideas, the way we live ,
what is happing- by Coco Chanel
Women were no longer spending their lives at home .They were
not studying teaching , including in offices. Their growing interest
and activities took them out of their homes.
With the changing times , the role of the women have become
multi dimensional working for home for office, with a hectic
schedule has led to the requirement of the easy to wear , maintain
and comfortable dressing which has become a necessity for
today’s lifestyle .
This radial social change among women naturally led to a gradual
shift towards simple silhouettes away from the elaborate clothing
that had prevailed in the past .
This social change coincided with the development of
manufacturing for large scale production of ready to wear
garments. Indian women wear market continues to be largely
driven by Indian aesthetic infused with the regional sensibilities
inspired by the Mughal of British influences over a period of time..

Fashion is the accepted day to day of dressing at a given time. If
we see everyone wearing the same color or style when they have
not been the trend before, such is in fashion. In fashion some style
come back, it apply for now . Even the retro fashion is never the
same
Traditionally ,Indian women wore draped styles ,it is only since a
little more than two hundred years ago , that the sari is being worn
It is during the Mughal rule that Indian women were introduced to
stitch garments such as the salwar kameez , kalidar kurta , pyjama,
sharara and ghagra. The Mughal style is very feminine , elegant
and dignified.
Women’s ready to wear garments follow specific trend prediction
for the season to enable the designer fabric manufacturers garment
manufacture and retailer to plan the design and production of the
garments.
The prevalent trends are perceived and analyzed by each
company to create a mood board suitable for their clients for a
particular season.
Couture and pret-a-porter show of fashion trends for women wear.
CONCLUSION Clothing in past were custom made i.e. stitched for
an individual using her body measurements by a tailor or a
dressmaker. During earlier or a dressmaker. During earlier
centuries the majority women . However wore clothes, made at
house by the women of the house .
Today we see a comfortable and seamless coexistence in Modern,
Mughal in Indian women ear.

SINGLE COMPLEMENTARY
COLOR SCHEME

FOUNDATION DESIGN
Colour play a vital role in our daily life. happiness and sadness
dependent on the Color you wear . Color is the significant aspect in
fabric first thing one notice about clothes is their color. An
impression of fine color in dress will be gained if the colors are
becoming to the person who is to wear them. Colour in a costume
should be in a way that they balance each other. While studying the
colors I learned more about color the colour wheel is made up of
three main color primary, secondary and tertiary colors and tint,
tones and shades of a colour. Color has a physiological effect on
others
.
Color – color is the most important of all design element .every
color has three characteristics i.e. hue, value and chrome.
Types of color
Primary color
•Poster red
•Chrome yellow
•Cobalt blue
Secondary color
•Orange
•Violet
•Green
Tertiary color
•Orange-yellow
•Red-orange
•Red-violet
•Blue –violet
•Green-blue
•Yellow-green
COLOR WHEEL

ELEMENTS OF DESIGN
LINE- A line is a series of connecting point. It is the simple design
element line have direction length width. Line creates movement by
leading eye up down, side to side, line may be straight , curved,
bent, horizontal, vertical, diagonal.
Line - decorative and structural
Seam line hemline, panel tucks godets dart gores yoke plackets
pleats neckline
VALUE- it lightless or darkness of a color. It is a quality which
make light blue different from dark blue.
Color+ white = Tint
Color+ dark= Shades
Color+ grey =Tone
TEXTURE- texture is surface quality of an objects is of 3 types
Visual
Tactile
audible

Colors are used in many ways to assert recognition because
they are fairly easy to read and understand. Colors have a
demonstrable psychological effect The first thing that is ever
noticed about a garment is the color. Color is the most
important of all the design element. It is important to
understand the basic relationship of color.
Hue is the name of a color (their warmth or coolness - hue)
for e.g. yellow hue, red hue blue hue etc..
Value is lightness and darkness of color.
Chroma is purity of color or intensity of hue ( their brightness or
dullness - intensity)
Color Terminology
Color schemes
Contrast Complimentary
Opposite Color Scheme
Simple complimentary
color scheme
Double complimentary
color scheme
Triad complimentary color
scheme
Split complimentary color
scheme
Neutral Color
Scheme
Accented
neutral color
scheme
Achromatic
color scheme
Related Color
Scheme
Analogous color
scheme
Adjacent color
scheme
Monochromatic color
scheme
Polychromatic
color scheme
Warm
Color
Cool Color

GRADATION
SHADE ( RED + BLACK)
TINT ( RED + WHITE)
TONE ( RED + GREY)
Monochromatic a color scheme where we use tints, tones, and shade
of any single color to design anything. This color scheme tends to
make a person appear tall if his/her height is short.

White Purity Truth, Peace ,Innocence, Simplicity,
Coldness, Virginity, Birth, Freedom ,Elegance,
Honesty.
Black Intelligence, Mystery, Corruption, Forceful
Rebellion, Modernity, Power, Formality, Elegance,
Evil, Death, Quality
Grey Confident, sophisticate, dignity, seriousness,
Elegance, Respect, Wisdom, Old, Bored , Dullness,
Neutral, Pollution, Formal, Military, Education.
Orange Happiness, Powerful, Inviting, Friendship,
Rich, Quiet, Classic, Reliability, Energy, Balance,
Heat, Enthusiasm ,Playfulness, Warming, Optimisms
, Abundance
Yellow Joy, Happiness, radiant, quiet, bright, strong,
bold, electric, feminine, rising, Summer, Illness,
Fertility, Warming.
EFFECT OF COLORS

Red Life, Passion, Energy, Love, Warmness, Strength,
Boldness, Beauty, Awareness, Speed, Danger, Anger,
Wealth, Luck, Marriage.
Green Nature, Fertility, Environment, Wealth,
Generosity, Eternal life, Jealously, Growth, Heath,
Calmness, restful.
Pink Tough, Sweetness, Softness, Paleness,
Natural, Gentle, Youth, Innocence, Reality,
Overpowering.
Purple Cool, Challenging, Magic, Surprise Wisdom,
Confusion, Pride, Royalty, Instability Nobility,
Spirituality, Creativity, Mystery.
Blue Water, Reliable, strong, Ocean, Peace, Unity,
Calmness, Confident ,Conserved, Loyalty, Idealism,
Dependability, holy, Victory, Innocent, overpowering
EFFECT OF COLORS

ELEMENTS OF DESIGN
LINES
A line has various functions:
Movement is created by moving line the eye along the line up and
down, side to side or curved, vertical ,horizontal and diagonal around
the garment.

Straight lines are seen on seams ,yokes, edges, dart, panels, zippers,
tucks, rows of buttons and braids.
Straight lines signify neatness, strength power , stability, dignity and
give effect of slimness.
Curved lines emphasize body curves and body look rounder give effect
of feminity, confidence, gracefulness movement, richness elegance and
gentle youthfulness.
Perpendicular lines can be seen on yokes, darts, and trims.
Perpendicular lines of the yoke attracting to the dress. Small shapes
and space add interest than a regular shape and space.
LINES

Dominating thick lines seen on borders, bands, belts, cuffs, add weight
and convey forcefulness, expansion, roughness, assertiveness and
masculinity.
Horizontal lines are seen on yokes, waistlines, hemlines necklines and
sleeves. It has shortening and widening effect. Psychologically, it shows
flatness, balance, rest and peace.
Vertical lines are seen on side seams, pleats, fabric pattern and trims. It
lengthens and being bold, sophisticated, strong and elegant, vertical
lines show forces, gravitational pull, mobility, flatness, balance and rest.
Diagonal lines are seen on pockets, panels, seams, fabric patterns,
necklines, collar lapels, flared trousers, A-line skirts, raglan sleeves are
interesting and dramatic in effect. It has a slimming effect if more
vertical and widening effect if more horizontal.
LINES

TEXTURE
TEXTURE feel of the surface is texture and quality of surface.it is
following of three types:
VISUAL : light falling on the surface creates shadows, highlights, on a
knitted surface. Cloth appears transparent when light passes through it.
Surface treatment like printing, embroidery, smoking applique and
quilting are all visual texture.
TACTILE : changes in fabric through arrangement of thread in weaving
and knitting can be felt on skin here coarseness, softness and crisped
by feel of hand on fabric is seen.
AUDIBLE : through friction when the fabric rub over each other, a
sound can be heard. The crisp rustle of silk.
Texture wheel

Proportion is the way all the parts in a
design related to each other so the
person looks tall, slim and more
youthful Scale is an aspect which is
mainly dealing with fashion accessories
a huge hand bag on a small woman
look oversized while a handbag on a
large woman look different and makes
wearer look larger.
Similarly the size of pocket color,
sleeves, cuff, peplums, belt, button,
fabric prints, texture and trims. Should
all be as per body size of the person
wear it.
Contrast can be use in small amount of the dress add interest and
attention. A contrast occur when two or more totally unrelated features
occur in one design. Contrast sometimes becomes very important in a
design.
Balance weight of the different elements is the design is equally
distributed to create balance. The concept of visual balance is similar to
that of physical balance were stability is achieve when the part of
design are evenly distributed around a balance line or point.
Balance is of two types formal or informal:
4
4
7
1
1
7
Formal balance is similar and occur
when one side is repeated another
on other side of axis or to become a
mirror image formal balance draw
attention to the feature if repeated.
Informal balance is a similar and
occur when object on both side of the
axis are equal in visual weight but
not identical his difference may be
simple variation or strongly
contrasting. Structural balance in a
garment can be adjust by moving of
seams, yokes, panels, darts by
adding or subtracting fullness and
also by arranging openings.
PRINCIPLE OF DESIGN

RHYTHM
The elements are placed in a manner that eye moves in a direction. It is
a organized motion and feature of a design because of which the eye
moves over a garment. Rhythm is seen on gathers, pleats, frills, drapes,
flowing hemlines, seams, laces and edges.
Regular Rhythm – rhythmic effect becomes stronger when the pattern is
repeated. It could be an identical repetitive pattern .
Graded Rhythm – that is it is regular increase and decrease in pattern.
Random Rhythm – occurs at irregular interval in a design.
UNITY
All elements of design strive to have unity when place together in a
pieces of art. The elements of principle of design should be so placed
that neither should be over done .There should be no competition
between the elements. A completely united design is that which spoils
with the removal or addition of even a single dot, line, shape, color or
texture. The elements are placed in perfect harmony with each other.
Rhythmiceffect created by frillsof the dress

Corel draw is a vector graphic software it is used for graphic
designing in this software I have learned how to use vector graphic
software to give perfect look to my illustration through shape tool
logo design, text editing typography, cover pages, layouts and
pattern making with the help of editing tool use 2 point curve, 3
point curve, mathematical defined curved line, smooth looking
graphics saved on bitmap file format design are easy to select
color, move re-size and many other effect and tools..
COREL DRAW

C o c o C h a n e l b o y i s h l o o k s t y l e c l a s s i c
f a s h i o n d e s i g n p r i n t c o l o u r t e x t u r e e l e g a n t l o o k
f a s h i o n s h o w m a g a z i n e p h o t o s h o p c r e a t i v e i n s p i r a t i o n
f a b r i c t r o p i c a l f l o w e r s i l k m a d e t o o r d e r , s i m p l i c i t y
e l e g a n t l o o k , c o n t e m p o r a r y l o o k a r t i s t i c l o o k w a r m c o l o u r
s i l k , c o r e l d r a w f r e e h a n d , a r t i s t i c m e d i a t e x t w e b s i t e
f a s h i o n h i s t o r y s i m p l i c i t y h i g h e r e n d f a s h i o n c u l t u r e , l o o k , f a s h i o n ,
s t y l e , c o l o u r p r i n t f r e e h a n d e l e g a n t f a s h i o n c l a s s i c n e w l o o k
Co c o Ch a n e l b o yis h lo o k s t yle cla s sic in s p ira tio n yo ke re a d ym a d e a rt
fa s h io n d e s ig n p rin t co lo u r te x tu re e le g a n t lo o k h ig h p ro file
f a s h io n s h o w m a g a z in e p h o to s h o p c re a tiv e in s p ira t io n
f a b ric tro p ic a l flo w e r s ilk m a d e to o rd e r, sim p licit y
e le g a n t lo o k , co n t e m p o ra ry lo o k a rtis tic lo o k w a rm c o lo u r
silk , co re ld ra w fre e h a n d , a rt ist ic m e d ia t e xt w e b sit e
fa s h io n h is to ry s im p licit y h ig h e r e n d fa s h io n cu lt u re , lo o k, f a sh io n ,
s ty le , c o lo u r p rin t
C oco C h a ne l bo yis h
look
sty le
cla ss ic
fa s hio n d es ig n
p rin t co lou r tex ture
e leg an t loo k
fa s hio n
s h ow
ma g azin e
p h otos h op
crea ti ve ins p irat ion
fa b ric
tro pica l flo we r s ilk
m
a de t o
ord er, s im
p licity
ele ga n t loo k, con tem pora ry look art istic
lo ok
w a rm
colo ur
s ilk, corel dra w
freeh an d , art istic m
ed ia te xt w eb site
fa s h ion
his tor y
s imp licity
hi gh er en d
f as h ion
cult ure, lo ok, fa sh io n,
s ty le, colou r p ri nt fre eha n d
eleg an t
fa s hi on
cla s sic
n ew
look
Co co C ha n el b oy ish
lo ok
s ty le
cl as si c
fa sh ion
d esig n
prin t colo ur te xtu re
eleg a n t look
fa sh ion
s ho w
m
a ga zin e ph ot osh o p
crea tive in s pira tio n
fa bric
trop ica l flow er si lk m
a d e to
o rder, sim
p licity
eleg a nt lo ok , con te mp ora ry
lo ok
a rtis tic
look
wa rm
co lou r
sil k, coreld ra w
freeh a n d , a rtis tic m
ed ia
tex t w ebs ite
fa sh io n
h is tory sim pl ici ty
h ig h er e nd
fa sh io n
cu ltu re, loo k, fas h ion ,
s tyle , co lou r prin t freeh a n d
ele ga n t fa sh ion
cla ss ic
n ew
lo ok
Coco Chanel boyish look style classic
fashion design print colour texture elegantlook
fashion show magazine photoshop creative inspiration
fabric tropical flower silk made to order, simplicity
elegant look, contemporary look artistic look warmcolour
silk, coreldraw freehand, artistic media text website
fashion history simplicity higher end fashion culture, look, fashion,
style, colour print freehand elegant fashion classic new look
Coco Chanel boyish look style classic magazine vogue website
fashion design print colour texture elegant look fashion shows
fashion show magazine photoshop creative inspiration coco chanel
fabric tropical flower silk made to order, simplicity creative look
elegant look, contemporary look artistic look warm colour style
silk, coreldraw
freehand, artistic media textwebsite print colour texture
fashion history simplicity higher end fashion culture, look, fashion,
style, colour print freehand elegant fashion classic new look
CocoChanelboyishlookstyleclassic
fashiondesignprintcolourtextureelegantlook
fashionshow
m
agazinephotoshop
creativeinspiration
fabrictropicalflow
ersilkmadeto
order,simplicity
elegantlook,contemporarylookartisticlook
warm
colour
silk,coreldraw
freehand,artisticm
edia
textwebsite
fashionhistorysim
plicityhigherendfashionculture,look,fashion,
style,colourprintfreehand
elegantfashionclassicnew
look
GRAPHIC DESIGN

Harsha Parihar
M.Sc.Fashion Technology
2015 - 2016
GRAPHIC DESIGN

FA
SH
IO
N
TECHNO
LO
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Y
Harsha Parihar
M.sc.Fashion technology
2015-2017
GRAPHIC DESIGN

TEXTILE STUDIES
For any fashion designer its very important to study about the fabric and
its properties For design new cloth designer should be aware about the
fabric finishes should be aware about fabric finishes like fire repellency,
water repellency, aroma fabric ,anti wrinkle property of fabric.
Fiber Classification :-
Fiber is a raw material of yarn it gives us different sources. It comes
from various sources such as Natural and Man-made fibers.
Natural fiber
Stable fibers
Short fibers (cm and
inches)
Man - made fiber
Filament fiber
Long fibers (meters and
feet). Silk is only natural
filament which is filament.
Weaving Knitting Non - woven
FABRIC FORMATION (TECHNIQUES)

WEAVING
is the process of interlacement of two sets of yarn warp ( length wise
running yarn) and weft(cross wise running yarn).
KNITTING
is the process of interloping with single yarn it s done by flatbed
machine, circular machine and with knitting needles
NON – WOVEN
is the process entangling fiber and filament mechanically, thermally,
chemical they are flat, porous, sheets that are made directly from
separate fiber or from or from molten plastic or plastic film.
Knitted
Warp
knitting
Weft
knitting
Tricot Single jerseyRachel
Purl Rib
Interlock
SatinPlain
Sateen
Twill Jacquard
Honeycomb
Weaves
FABRIC FORMATION

Weaving structure
Plain Weave the simplest of the weave and the most common. Consist
of interlacing of warp and filling yarn in over one and under one.
Twill weave
Satin weave
Plain weave
Twill weave
A distinct design in the form of diagonals is characteristic of the second
basic weave twill.
Satin weave
A four shaft with warp floats in interrupted diagonal. Variation of plain
weave in satin weave.

Surface design technique is a method to decorate surface of a fabric
and add value to it . It is a technique to give new look to any surface
of fabric .
There are 2 methods of surface design technique
Structural
Decorative
Structural techniques add a design at the time of weaving Ikat, brocade
tie and dye, are some of the example of it.
Decorative art embroidery( pulkari , kantha , chamba rumal are some
examples of embroidery ) printing (block print, kalamkari, sanganeri
print are example of printing textile and decorative art by manipulations
(tucks, darts, flower manipulations , applied art mirror ,sequence and
other decorative elements used to embellish part of a fabric and many
other method using for decorate any surfaces There are infinite
technique to decorate a fabric which give them functional as well as
decorative effect.
SURFACE DESIGNING TECHNIQUE

Drafting is a method of creating a shape with accurate
measurement. In drafting I learned about line, shape , form etc.
Through joining two points create a line . Through lines
(vertical , horizontal , diagonal ,curve line ) we create a shape
from shape to motif and from motif to pattern we can also called
as The systematic representation and dimensional specification
of any shape from which we create motif then a pattern.
Drafting is a basic step to create a shape with accurate
measurements.
Design idea into and a coherent proposal, to communicate
ideas and concepts, to convince client of the merits of a design.
Drafting is a method from which we create
DRAFTING

Draping Is A Method In Which Fabric Is Directly Drape On A Dress
Form According To Our Design Easy And Fast Only With Pins. The
Fabric May Be Conform To The Basic Shape Of The Form Or Be
Arranged Artistically In Fold , Gathers, Pleats, Darts, According To
A Specific Design .Draping For Fashion Designer Is A Process Of
Positioning And Pinning Fabric On Dress Form To Develop The
Structure Of A Garment Design.
So At Dezyne E’cole College We Have Learned Draping Method In
Which We Have Learned Various Dart Manipulation, Single Double,
Clusters And Even Had A Group Activity Within Which We Have
Experienced Vortex And Origami
DRAPING

PHULKARI
Some of my assignment of Indian Traditional Embroidery
KANTHA

KASUTI
GUJARATI
Some of my assignment of Indian Traditional Embroidery

PATTERNS
Pattern are available not only for clothes, but for a whole
range of crafts and soft furnishing projects . when using a
paper pattern to create a garment ,we will need to take
your body measurements so that you compare them to
those of the pattern.
Pattern Making
Pattern making is a method of transforming a design into
its constituent flat pattern pieces and drafting them out.
Pattern for a garment is the blue print on the basis of
which the fabric is cut and the same is achieved by two
methods:
1. Flat pattern method
2. Draping
Flat Pattern Method is a method where in body or dress
form measurements are taken for developing a pattern.
Its is depend on accurate measurements to complete the
paper pattern.
Its is wide used because of its accuracy of sizing and the
speed with which complicated design are made. It is a
system of creating pattern by manipulating a basic block.
• The basic block include seam allowance.
• The method is logical and easy to understand.
• It brings consistency and accuracy of both size and fit
of mass-produced garments.
• It is also the fastest and most efficient pattern design
method even for complicated designs.
GARMENT CONSTRUCTION

Name of the block example :-
Shirt front 2 pieces, back 1 piece ,sleeves 2 pieces etc.
Grain line straight grain
Size example 32,34,36
OR Small , Medium , Large
Terminology
Block/ Sloper
Sloper is a tern given to a very basic set of pattern pieces
used to make additional pattern of any style. It is refers to
cutting of basic bodice, skirt , sleeves or any such
patterns.
Basic
Bodice
block
Size 34”
Pattern is developed from the block that includes all the
information needed for cutting and production of the
garment including seam allowance.

The following should be included on a pattern:
Grain line
Centre front or Centre back
Style number or Code number of the pattern set may
which be evolved e.g. AB 01 here AB identifies type of the
garment and 01 identifies the piece number of complete set
. If there are 3pieces in a garment, the pieces will be
numbered as AB 01, AB 02 and AB 03.
Pattern pieces e.g. Shirt front, shirt back, side front etc.
Size as 32, 34 etc.
Cutting information it should be clearly mentioned as to
how many pieces are to be cut e.g. cut1, cut2, cut on fold
Notches marks that are needed to help assemble garment
sections correctly.
Directional fabrics for fabrics which have design in one
direction such as floral print, velvet, stripes etc. A symbol
“cut one way ” is indicated on the pattern.
Seam allowance
Basic Bodice block
Size 34”

Cutting line
Grain line
Place to on fold
Alteration line
Seam or stitch line
Seam allowance
Button hole
Button position
Combined button and button hole
Dart
Pleat
Tuck
Bust point
Waist or hip line
Single notches
Double notches
Zipper placement

Child’s Basic Bodice Block
. A bodice indicates the upper part of a dress. This is covering
the body from neck to the waist. The children’s basic bodice
block is the slopper for all the garments for children’s

Women’s Basic Bodice Block
A bodice, is an article of clothing for women covering the body
from neck to the waist. A bodice indicates the upper part of a
dress. This construction was standard for fashionable garments
from 18th century until the late19th century.

Women’s Basic Skirt Block
A skirt is a tube of cone shaped draped garment that hangs
from the waist of hip, but most skirts are fitted the body at the
waist of hip and fuller below, with the fullness introduced by
means of dart, gores, pleats of panels. The hemline of skirt can
vary from micro to floor length and can vary accordingly.

Saree blouse
A blouse is a upper garment loose – fitted garment for women,
covering the body from the neck or shoulder more or less to the
waistline, with or without collar, button and sleeve.

Kameez
Kurta is a upper garment a long shirt of tunic falling above of
somewhere below the knee. The side seam ( known as the
chaak ) are often open below the waist line. They were
traditionally wear with loose salwar or paijama. Kurta are worn
both as casual and party wear.

Churidar Pyjama
Churidar pyjama are tightly fitted trousers worn by both men
and women. Churidar are variants of the common salwar pants.
Salwar are cut wide at the top and narrow at the ankle. Earlier
tight fitting churidar like pants worn in India were referred to by
the British as Mughal breeches.

Patiala Salwar
Salwar is the lower garment it is a traditional outfit originating in
South Asia. Salwar is the traditional garment worn by both
women and men salwar are loose pajama like trousers. The
legs are wide at the top and narrow at the bottom. They were
traditionally worn with kurta. Variations of salwar Dhoti salwar,
Patiala salwar, Afghani salwar etc.

Kalidar Kurta
A kali of kalidar kurta is similar to a frock and has many panels.
The kalidar kurta is made up of several geometrical pieces. It
has two rectangular central panels in the back and the front.
The kalidar kurta is worn by men and women.

Night suit
TOP – The top is made up of front opening with a comfort fitting
and is loosely fitted garment for night wear.
PYJAMA – Pyjama is loose fitted two piece garment derives
from the original garment and worn chiefly for sleeping.

CILENT BOARD
Make a salwar kameez for a lecturer in
engineering college age 30 to 32 years using
any surface design technique ?
MY CLIENT
CLIENT NAME MRS. REENA CHOUHAN
AGE 31
OCCUPATION LECTURER
WORKING HOUR 9 to 5
OBSERVATION
CALM ,CONFIDENT, INTELLIGENT ,QUALITY ,
ENERGY ,POWER, BALANCE

IDEA GENERATION
C 91
M 75
Y 45
K 71
C100
M 83
Y33
K36
C 0
M 60
Y 100
K 0
C 0
M 0
Y 0
K 100
C 0
M 0
Y0
K80
C 0
M 20
Y60
K20
C 0
M 60
Y 100
K 0
C 75
M 68
Y 65
K 90
C40
M 100
Y0
K0
C 22
M 46
Y100
K3
C 33
M 89
Y100
K49
C84
M 73
Y60
K81

C 0
M 60
Y 100
K 0
C 0
M 0
Y 0
K 100
C 75
M 68
Y 65
K 90
FINAL CREATIONS
SPECIFICATION SHEET
PRINCESS PANEL BLACK
KURTA
EMBROIDERY
SPIDER WEB (BASIC
SITICH)
NECKLINE ROUND
PLAIN SLEEVES
PANTS STYLE ORANGE
SALWAR

basic block
front
size 34”
basic block
back
size 34”
center panel
size 34”
side panel
size 34”
cut 2 piece
side panel
size 34”
cut 2 piece
center panel
size 34”
back
size34”
basic sleeves
size 34”
backfront
FINAL GARMENT DRAFT

basic block
front
size 34”
basic block
back
size 34”
center panel
size 34”
side panel
size 34”
cut 2 piece
side panel
size 34”
cut 2 piece
center panel
size 34”
back
size34”
basic sleeves
size 34”
backfront
ESTIMATION SHEET

Harsha Parihar, M.Sc-Fashion Design +One Year Fashion Design In Women's Wear Diploma Programme Portfolio

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Harsha Parihar, M.Sc-Fashion Design +One Year Fashion Design In Women's Wear Diploma Programme Portfolio