SlideShare a Scribd company logo
1 of 36
February, 2004, page 1
Basic LED Technology
February, 2004, page 2
Working outside the video box
Imaging tools and techniques for today’s architects
Opener
February 2004, page 3
Barco
• Founded as the Belgian American Radio Corporation in
Belgium in 1934
• International company, headquartered in Kortrijk,
Belgium, with a global presence
• 4,135 employees worldwide; 550 in North America
• Barco Media USA headquartered in Logan, Utah
KORTRIJK
February 2004, page 4
Simulation &
Presentation
Barco
Vision
Barco
View
Company structure
Media
Events
Digital Cinema
Medical imaging
Avionics
Traffic Control
Defense & Security
Textiles
Plastics
Control
Rooms
Media &
Entertainment
Simulation
VAR
Edutainment
Presentation
Broadcast
Traffic
Surveillance
Sales
Markets
34% 19% 18% 13% 12%
February 2004, page 5
Barco View
February 2004, page 6
Barco Projection
February 2004, page 7
What is video?
Video is electronically capturing images and
sound and transferring them to an output
imaging device
February 2004, page 8
Lets talk about about the video viewer
• Perception is reality
• Emotion is based on what is
processed in the sub conscience from
the senses. Image and sound being
the dominant senses.
• Brightness and color perception are
different from person to person
• The perceived quality of video is
generally based on what is being
viewed presently
• The eyes and brain affect the way
video is received.
• Luminance, contrast and resolution
play a far greater role than color
• Great audio makes video look better
• A viewer tends to position himself
relative to a scene so that the
smallest detail of interest in the scene
eliminates raster or picture elements.
• Brightness of the area influences
flicker
February 2004, page 9
The Eye
• The innermost layer is the
retina –the light-sensing
portion of the eye. The
retina has retentive value
which means that it stores
images for a fraction of a
second It contains rod
cells, which are responsible
for vision in low light, and
cone cells, which are
responsible for color vision
and detail.
February 2004, page 10
The Eye cont.
•The color-responsive chemicals in
the cones are called cone pigments
and are very similar to the chemicals
in the rods.. There are three kinds of
color-sensitive pigments:
•Red-sensitive pigment
•Green-sensitive pigment
•Blue-sensitive pigment
•Each cone cell has one of these
pigments so that it is sensitive to that
color. The human eye can sense
almost any gradation of color when
red, green and blue are mixed.
•The eye can process about 100
shades of gray. Movie film can handle
about 50 and video about seven
February 2004, page 11
The brain
• If you divide a still image into a
collection of small colored dots, your
brain will reassemble the dots into a
meaningful image
• If you divide a moving scene into a
sequence of still pictures and show
the still images in rapid succession,
the brain will reassemble the still
images into a single movie (It takes
about 15 to 20 frames a second
before you begin to see smooth
animation) This is based on the
retention capability of the eye.
February 2004, page 12
Light Emitting Diodes
• Light Emitting Diodes (LEDs) are
plastic capsules containing a
specific chemical compound on a
microscopic wafer that emits light
when subjected to an electrical
current.
•Surface Mount Diodes (SMD) are
used by Barco on indoor products.
A surface mount diode may be
discrete or a 3-in-1 package.
February 2004, page 13
Light Emitting Diodes (cont.)
• Individual LEDs are available in many grades of
quality and shades of color. Barco uses high grade
red, green, blue and amber LEDs.
• When red, green and blue LEDs are clustered
together and shine at their full brightness, the
combined light emission appears white to the
human eye. Varying the intensity of the three
colors creates all the other shades.
• Amber LEDs are used for monochrome displays.
February 2004, page 14
Pixel
• A single cluster of LEDs is used as a pixel.
• A pixel is a picture element; the smallest individual
unit or piece of a video display image. A pixel is an
individual dot in a video display.
• Each pixel has its own color and brightness
attributes.
February 2004, page 15
Pixel (cont.)
February 2004, page 16
Pitch
• A display’s pitch is its measurement of distance
from the center of one pixel to the center of
another pixel.
• The pitch determines the viewing distance. The
smaller the pitch, the shorter the viewing distance.
Pitch
Pitch
February 2004, page 17
• Minimum Distance: The point at which the fully
illuminated red, green, and blue components appear to
the eye to blend into white.
• Maximum Distance: The point at which the smallest
characters the display can generate begin to be
illegible. This point varies greatly with the content of
the display.
• Minimum distance = 2’ x pitch
– Ex: 2’ x 12 mm = 24’
• Maximum distance = min. distance X 7
– Ex: 24’ x 7 = 168’
OR
• Maximum distance = 30 to 40 times
the height of the display
– Ex: 9’ x 12’ = 270’ – 360’
Viewing Distance
February 2004, page 18
Viewing Distance (cont.)
February 2004, page 19
Question
• What is the minimum
and maximum viewing
distance of a 3 mm
display?
February 2004, page 20
Matrix
• An array of pixels forms a matrix usually stated as
## x ## pixels.
• All Barco video and text boards are matrices.
• Scoreboards may be either a matrix or segmented
digits.
February 2004, page 21
Matrix (cont.)
February 2004, page 22
Fill Factor
• Fill factor refers to the amount of black space
between pixels.
• A high fill factor means more LEDs per ft² and
generally a smoother looking picture.
Low Fill Factor High Fill Factor
February 2004, page 23
Resolution
• Resolution is the total
number of pixels in a
display.
• The higher the number of
pixels the greater the
possible detail.
• A standard video signal
(NTSC) has a native
resolution of 645 x 485
pixels.
300x300
80 x 80
February 2004, page 24
Question
• Given a per pixel price of
$6.00, what is the cost
of an LED screen with
NTSC video resolution?
February 2004, page 25
Aspect Ratio
•Relationship in a video image between the
width of the image and the height of the
image expressed in generic terms of units
width by height (4:3, 16:9).
•The aspect ratio for NTSC video and most
computer monitors is 4:3. The standard
aspect ratio for digital HDTV is 16:9.
February 2004, page 26
Question
• What is the physical size
of a 10mm LED screen
with NTSC video
resolution?
February 2004, page 27
Viewing Angle
• The angle off center at which the display output
drops to half brightness. Expressed in degrees
horizontal and vertical.
– Ex: Horizontal 140° (±70°), and vertical 60º (±30°).
February 2004, page 28
Color Shift
•As the eye moves off-axis the brightness
reduction of the RG&B LEDs may not change
consistently.
•As the viewing angle increases LED’s begin to
shadow one another. The color shift should
happen after the viewing angle drop off.
•Vertical color shift may also be caused by the
shaders at extreme angles.
February 2004, page 29
Brightness
• LED brightness is measured
in candelas per square meter
(cd/m2) a.k.a. nits (roughly
0.3 foot lamberts). The
higher the number, the
brighter the display.
• No correlation with
illuminated brightness such
as LUX (Lumens per m²).
• 1500 nits provides readable
text in outdoor daylight.
Video requires up to 5,000
for good color depth.
• Indoor video requires 1,500
to 2,500 nits.
• Barco brightness measured at
6500ºK.
February 2004, page 30
Question
• What brightness would
you recommend for a
display facing the street
through a window?
February 2004, page 31
Color Temperature
• Measured in degrees
Kelvin, color temperature
is an indication of the
amount of “warmth”
(yellow, red tones) or
“coolness” (blue tones) in
a white light.
• Standard video color
temperature is 6500ºK.
• Barco’s color temperature
is adjustable.
February 2004, page 32
Contrast Ratio
• Contrast ratio is a measure of the dynamic range of a
displayed image - the distance between the “whitest”
white and the “blackest” black in a video wave form.
• There is no industry standard method of measuring
contrast ratio. LED has high numbers because it has no
residual glow when turned off in a dark room.
• A more important number for video is shades of gray.
February 2004, page 33
Calibration
• For even picture quality, the brightness of each
LED is calibrated (adjusted) to match the
brightness of the surrounding LEDs.
• Barco uses a combination of hardware and
software to automatically calibrate:
– Pixel-to-pixel
– Tile-to-tile
February 2004, page 34
HOW to choose a Daylight Display
Formula BasedFormula Based
update of valuesupdate of values
Color ValueColor Value
PassportPassport
Brightness PassportBrightness Passport
VIDEOVIDEO
PROCESSINGPROCESSING
• Measurement of individual LEDs
• Storage on EEPROM in Modules
• Individual color and brightness correction
• Update of the correcting value through time
• Uniform picture initially
• Uniform picture through time
• Lifetime color compatibility of module
with newer modules
EEPROMEEPROM
StorageStorage
February 2004, page 35
International Protection Rating
• International IP scale is a unique reference base for all
types of industrial applications.
• Tiles resistant to:
– Water
– Heat
– UV
– Vibrations
– Dust
– Salt
– Animal intrusion
February 2004, page 36
LED Lifetimes
0%
20%
40%
60%
80%
100%
120%
10000
20000
30000
40000
50000
60000
700
00
80000
90000
10000
Hours of Use
PercentageDegradation
Life Time Range
Life Expectancy
• Old LEDs never die, they just fade away.
• The life expectancy represents the time passed before
the LED fades to half brightness. LEDs fade at a
significantly faster rate after half brightness.
• Barco pixels range from 50,000 to 100,000 hours.

More Related Content

What's hot

SoundSense
SoundSenseSoundSense
SoundSense
butest
 
Introducing SAMSUNG Galaxy Beam
Introducing SAMSUNG Galaxy BeamIntroducing SAMSUNG Galaxy Beam
Introducing SAMSUNG Galaxy Beam
JJ Wu
 

What's hot (11)

SoundSense
SoundSenseSoundSense
SoundSense
 
Iluminação de banheiros - Delta
Iluminação de banheiros - DeltaIluminação de banheiros - Delta
Iluminação de banheiros - Delta
 
Multimedia System & Design Ch 5 video
Multimedia System & Design Ch 5 videoMultimedia System & Design Ch 5 video
Multimedia System & Design Ch 5 video
 
Dukane 8420 dlp projector
Dukane 8420 dlp projectorDukane 8420 dlp projector
Dukane 8420 dlp projector
 
Dukane 8421 DLP projector
Dukane 8421 DLP  projectorDukane 8421 DLP  projector
Dukane 8421 DLP projector
 
Introducing SAMSUNG Galaxy Beam
Introducing SAMSUNG Galaxy BeamIntroducing SAMSUNG Galaxy Beam
Introducing SAMSUNG Galaxy Beam
 
Display ws50 0613_3
Display ws50 0613_3Display ws50 0613_3
Display ws50 0613_3
 
TV Systems Analogy
TV Systems AnalogyTV Systems Analogy
TV Systems Analogy
 
L51 w
L51 wL51 w
L51 w
 
Projectors
ProjectorsProjectors
Projectors
 
Video Compression Part 1 Video Principles
Video Compression Part 1 Video Principles Video Compression Part 1 Video Principles
Video Compression Part 1 Video Principles
 

Viewers also liked

LED-Light Emitting Diode
LED-Light Emitting DiodeLED-Light Emitting Diode
LED-Light Emitting Diode
Aon Ali Jaffery
 

Viewers also liked (10)

American LED Technology Presentation
American LED Technology PresentationAmerican LED Technology Presentation
American LED Technology Presentation
 
Color Consistency
Color ConsistencyColor Consistency
Color Consistency
 
Grandlite LED Technology NSi Presentation
Grandlite LED Technology NSi PresentationGrandlite LED Technology NSi Presentation
Grandlite LED Technology NSi Presentation
 
Dunia led presentation 2014
Dunia led presentation 2014Dunia led presentation 2014
Dunia led presentation 2014
 
Innovation Flow Shankar - TRIZ
Innovation Flow Shankar - TRIZInnovation Flow Shankar - TRIZ
Innovation Flow Shankar - TRIZ
 
Light-emitting diodes
Light-emitting diodes Light-emitting diodes
Light-emitting diodes
 
Led ppt
Led ppt Led ppt
Led ppt
 
LED-Light Emitting Diode
LED-Light Emitting DiodeLED-Light Emitting Diode
LED-Light Emitting Diode
 
Led Ppt
Led PptLed Ppt
Led Ppt
 
LED Lighting Presentation
LED Lighting PresentationLED Lighting Presentation
LED Lighting Presentation
 

Similar to Basic led technology

Information Processes and Technology Multimedia and Graphics
Information Processes and Technology Multimedia and GraphicsInformation Processes and Technology Multimedia and Graphics
Information Processes and Technology Multimedia and Graphics
pezhappy99
 
Introduction to computer graphics
Introduction to computer graphics Introduction to computer graphics
Introduction to computer graphics
Priyodarshini Dhar
 
E4 Dallas 2014: What is Color Brightness
E4 Dallas 2014: What is Color BrightnessE4 Dallas 2014: What is Color Brightness
E4 Dallas 2014: What is Color Brightness
rAVe [PUBS]
 
Motion graphics glossary
Motion graphics glossaryMotion graphics glossary
Motion graphics glossary
BigCheese1
 
video compression techique
video compression techiquevideo compression techique
video compression techique
Ashish Kumar
 

Similar to Basic led technology (20)

Digital File Formats
Digital File Formats Digital File Formats
Digital File Formats
 
simple video compression
simple video compression simple video compression
simple video compression
 
Information Processes and Technology Multimedia and Graphics
Information Processes and Technology Multimedia and GraphicsInformation Processes and Technology Multimedia and Graphics
Information Processes and Technology Multimedia and Graphics
 
To Understand Video
To Understand VideoTo Understand Video
To Understand Video
 
The Importance of Terminology and sRGB Uncertainty - Notes - 0.5
The Importance of Terminology and sRGB Uncertainty - Notes - 0.5The Importance of Terminology and sRGB Uncertainty - Notes - 0.5
The Importance of Terminology and sRGB Uncertainty - Notes - 0.5
 
Rainbow storage-Technology By Satish
Rainbow storage-Technology By SatishRainbow storage-Technology By Satish
Rainbow storage-Technology By Satish
 
Introduction to computer graphics
Introduction to computer graphics Introduction to computer graphics
Introduction to computer graphics
 
ADVANCED DIGITAL TV :OVERVIEW
ADVANCED DIGITAL TV :OVERVIEWADVANCED DIGITAL TV :OVERVIEW
ADVANCED DIGITAL TV :OVERVIEW
 
Chapter 4 Peter Norton
Chapter 4 Peter NortonChapter 4 Peter Norton
Chapter 4 Peter Norton
 
E4 Dallas 2014: What is Color Brightness
E4 Dallas 2014: What is Color BrightnessE4 Dallas 2014: What is Color Brightness
E4 Dallas 2014: What is Color Brightness
 
Glossary
GlossaryGlossary
Glossary
 
N4Less05.ppt
N4Less05.pptN4Less05.ppt
N4Less05.ppt
 
Motion graphics glossary
Motion graphics glossaryMotion graphics glossary
Motion graphics glossary
 
111 03 hardware 2 output
111 03 hardware 2 output111 03 hardware 2 output
111 03 hardware 2 output
 
video compression techique
video compression techiquevideo compression techique
video compression techique
 
HDTV Technology and Scanning Techniques
HDTV Technology and Scanning TechniquesHDTV Technology and Scanning Techniques
HDTV Technology and Scanning Techniques
 
Chapter 3- Media Representation and Formats.ppt
Chapter 3- Media Representation and Formats.pptChapter 3- Media Representation and Formats.ppt
Chapter 3- Media Representation and Formats.ppt
 
Projected materials
Projected materialsProjected materials
Projected materials
 
Multimedia Design Chapter 4
Multimedia Design Chapter 4Multimedia Design Chapter 4
Multimedia Design Chapter 4
 
Digital light processing
Digital light processingDigital light processing
Digital light processing
 

Basic led technology

  • 1. February, 2004, page 1 Basic LED Technology
  • 2. February, 2004, page 2 Working outside the video box Imaging tools and techniques for today’s architects Opener
  • 3. February 2004, page 3 Barco • Founded as the Belgian American Radio Corporation in Belgium in 1934 • International company, headquartered in Kortrijk, Belgium, with a global presence • 4,135 employees worldwide; 550 in North America • Barco Media USA headquartered in Logan, Utah KORTRIJK
  • 4. February 2004, page 4 Simulation & Presentation Barco Vision Barco View Company structure Media Events Digital Cinema Medical imaging Avionics Traffic Control Defense & Security Textiles Plastics Control Rooms Media & Entertainment Simulation VAR Edutainment Presentation Broadcast Traffic Surveillance Sales Markets 34% 19% 18% 13% 12%
  • 5. February 2004, page 5 Barco View
  • 6. February 2004, page 6 Barco Projection
  • 7. February 2004, page 7 What is video? Video is electronically capturing images and sound and transferring them to an output imaging device
  • 8. February 2004, page 8 Lets talk about about the video viewer • Perception is reality • Emotion is based on what is processed in the sub conscience from the senses. Image and sound being the dominant senses. • Brightness and color perception are different from person to person • The perceived quality of video is generally based on what is being viewed presently • The eyes and brain affect the way video is received. • Luminance, contrast and resolution play a far greater role than color • Great audio makes video look better • A viewer tends to position himself relative to a scene so that the smallest detail of interest in the scene eliminates raster or picture elements. • Brightness of the area influences flicker
  • 9. February 2004, page 9 The Eye • The innermost layer is the retina –the light-sensing portion of the eye. The retina has retentive value which means that it stores images for a fraction of a second It contains rod cells, which are responsible for vision in low light, and cone cells, which are responsible for color vision and detail.
  • 10. February 2004, page 10 The Eye cont. •The color-responsive chemicals in the cones are called cone pigments and are very similar to the chemicals in the rods.. There are three kinds of color-sensitive pigments: •Red-sensitive pigment •Green-sensitive pigment •Blue-sensitive pigment •Each cone cell has one of these pigments so that it is sensitive to that color. The human eye can sense almost any gradation of color when red, green and blue are mixed. •The eye can process about 100 shades of gray. Movie film can handle about 50 and video about seven
  • 11. February 2004, page 11 The brain • If you divide a still image into a collection of small colored dots, your brain will reassemble the dots into a meaningful image • If you divide a moving scene into a sequence of still pictures and show the still images in rapid succession, the brain will reassemble the still images into a single movie (It takes about 15 to 20 frames a second before you begin to see smooth animation) This is based on the retention capability of the eye.
  • 12. February 2004, page 12 Light Emitting Diodes • Light Emitting Diodes (LEDs) are plastic capsules containing a specific chemical compound on a microscopic wafer that emits light when subjected to an electrical current. •Surface Mount Diodes (SMD) are used by Barco on indoor products. A surface mount diode may be discrete or a 3-in-1 package.
  • 13. February 2004, page 13 Light Emitting Diodes (cont.) • Individual LEDs are available in many grades of quality and shades of color. Barco uses high grade red, green, blue and amber LEDs. • When red, green and blue LEDs are clustered together and shine at their full brightness, the combined light emission appears white to the human eye. Varying the intensity of the three colors creates all the other shades. • Amber LEDs are used for monochrome displays.
  • 14. February 2004, page 14 Pixel • A single cluster of LEDs is used as a pixel. • A pixel is a picture element; the smallest individual unit or piece of a video display image. A pixel is an individual dot in a video display. • Each pixel has its own color and brightness attributes.
  • 15. February 2004, page 15 Pixel (cont.)
  • 16. February 2004, page 16 Pitch • A display’s pitch is its measurement of distance from the center of one pixel to the center of another pixel. • The pitch determines the viewing distance. The smaller the pitch, the shorter the viewing distance. Pitch Pitch
  • 17. February 2004, page 17 • Minimum Distance: The point at which the fully illuminated red, green, and blue components appear to the eye to blend into white. • Maximum Distance: The point at which the smallest characters the display can generate begin to be illegible. This point varies greatly with the content of the display. • Minimum distance = 2’ x pitch – Ex: 2’ x 12 mm = 24’ • Maximum distance = min. distance X 7 – Ex: 24’ x 7 = 168’ OR • Maximum distance = 30 to 40 times the height of the display – Ex: 9’ x 12’ = 270’ – 360’ Viewing Distance
  • 18. February 2004, page 18 Viewing Distance (cont.)
  • 19. February 2004, page 19 Question • What is the minimum and maximum viewing distance of a 3 mm display?
  • 20. February 2004, page 20 Matrix • An array of pixels forms a matrix usually stated as ## x ## pixels. • All Barco video and text boards are matrices. • Scoreboards may be either a matrix or segmented digits.
  • 21. February 2004, page 21 Matrix (cont.)
  • 22. February 2004, page 22 Fill Factor • Fill factor refers to the amount of black space between pixels. • A high fill factor means more LEDs per ft² and generally a smoother looking picture. Low Fill Factor High Fill Factor
  • 23. February 2004, page 23 Resolution • Resolution is the total number of pixels in a display. • The higher the number of pixels the greater the possible detail. • A standard video signal (NTSC) has a native resolution of 645 x 485 pixels. 300x300 80 x 80
  • 24. February 2004, page 24 Question • Given a per pixel price of $6.00, what is the cost of an LED screen with NTSC video resolution?
  • 25. February 2004, page 25 Aspect Ratio •Relationship in a video image between the width of the image and the height of the image expressed in generic terms of units width by height (4:3, 16:9). •The aspect ratio for NTSC video and most computer monitors is 4:3. The standard aspect ratio for digital HDTV is 16:9.
  • 26. February 2004, page 26 Question • What is the physical size of a 10mm LED screen with NTSC video resolution?
  • 27. February 2004, page 27 Viewing Angle • The angle off center at which the display output drops to half brightness. Expressed in degrees horizontal and vertical. – Ex: Horizontal 140° (±70°), and vertical 60º (±30°).
  • 28. February 2004, page 28 Color Shift •As the eye moves off-axis the brightness reduction of the RG&B LEDs may not change consistently. •As the viewing angle increases LED’s begin to shadow one another. The color shift should happen after the viewing angle drop off. •Vertical color shift may also be caused by the shaders at extreme angles.
  • 29. February 2004, page 29 Brightness • LED brightness is measured in candelas per square meter (cd/m2) a.k.a. nits (roughly 0.3 foot lamberts). The higher the number, the brighter the display. • No correlation with illuminated brightness such as LUX (Lumens per m²). • 1500 nits provides readable text in outdoor daylight. Video requires up to 5,000 for good color depth. • Indoor video requires 1,500 to 2,500 nits. • Barco brightness measured at 6500ºK.
  • 30. February 2004, page 30 Question • What brightness would you recommend for a display facing the street through a window?
  • 31. February 2004, page 31 Color Temperature • Measured in degrees Kelvin, color temperature is an indication of the amount of “warmth” (yellow, red tones) or “coolness” (blue tones) in a white light. • Standard video color temperature is 6500ºK. • Barco’s color temperature is adjustable.
  • 32. February 2004, page 32 Contrast Ratio • Contrast ratio is a measure of the dynamic range of a displayed image - the distance between the “whitest” white and the “blackest” black in a video wave form. • There is no industry standard method of measuring contrast ratio. LED has high numbers because it has no residual glow when turned off in a dark room. • A more important number for video is shades of gray.
  • 33. February 2004, page 33 Calibration • For even picture quality, the brightness of each LED is calibrated (adjusted) to match the brightness of the surrounding LEDs. • Barco uses a combination of hardware and software to automatically calibrate: – Pixel-to-pixel – Tile-to-tile
  • 34. February 2004, page 34 HOW to choose a Daylight Display Formula BasedFormula Based update of valuesupdate of values Color ValueColor Value PassportPassport Brightness PassportBrightness Passport VIDEOVIDEO PROCESSINGPROCESSING • Measurement of individual LEDs • Storage on EEPROM in Modules • Individual color and brightness correction • Update of the correcting value through time • Uniform picture initially • Uniform picture through time • Lifetime color compatibility of module with newer modules EEPROMEEPROM StorageStorage
  • 35. February 2004, page 35 International Protection Rating • International IP scale is a unique reference base for all types of industrial applications. • Tiles resistant to: – Water – Heat – UV – Vibrations – Dust – Salt – Animal intrusion
  • 36. February 2004, page 36 LED Lifetimes 0% 20% 40% 60% 80% 100% 120% 10000 20000 30000 40000 50000 60000 700 00 80000 90000 10000 Hours of Use PercentageDegradation Life Time Range Life Expectancy • Old LEDs never die, they just fade away. • The life expectancy represents the time passed before the LED fades to half brightness. LEDs fade at a significantly faster rate after half brightness. • Barco pixels range from 50,000 to 100,000 hours.

Editor's Notes

  1. What are Advanced Techniques. How can you achieve; 1. A uniform picture initially? 2. A uniform picture through time? 3. Lifetime colour and brightness compatibility of older and new LED tiles? An LED tile is manufactured using the Mix and Pray technique to even out variations as much as possible. The brightness of EVERY LED is then measured using a robot. The colour point of each quadrant of the tile is also measured. These measurements create a table of correction values for each LED within THAT LED tile. The corrections are stored on a EEPROM within the tile. These EEPROM values create a brightens and colour PASSPORT for that INDIVIDUAL TILE The Video Processor (Digitizer) reads these PASSPORT values for EACH LED whenever a wall is operating and adjusts the CORRECTIONS to each LED to create a consistently uniform display on day 1. The microprocessor within each tile then measures and records the DRIVE CURRENT, BRIGHTNESS SETTING, RUN TIME and TEMPERATURE for EACH LED Tile. These results are used in a formula to adjust the PASSPORT VALUES over time to take into account the aging effects on the brightness and colorimetry of the LEDs. This creates a lifetime compatibility of older LED tiles with a new tile. When a new LED tile is added to an older wall it’s passport value will indicate a higher brightness and the processor will add a higher correction value to compensate for these differences. This also allows LED tiles from several rental companies to be used within 1 large wall without noticeable colour or brightness differences even though the walls are of different ages. THIS IS ADVANCED TECHNIQUES
  2. RELIABILITY is critical for Daylight displays - Prime time sports events, live shows, corporate vents, paid advertising in prominent locations do not mix well with product failures. Failures are highly visible. Therefore take ALL Precautions to optimize RELIABILITY WATER and DUST/POLUTION resistance are 2 keys aspects that can improve reliability IP Chart defines how resistant to dust and water a product is. EVER product should have an IP certification. Even a rating of IP00 still tells you how you need to protect it. Heat resistance is another key area. However, many LED walls require air conditioning not just because of the requirement to cool the displays but because humidity must be removed. Where a wall is NOT waterproof considerable care needs to be taken to ensure that no humidity can get onto the circuit boards. This needs something far more than a simple shelter. Before you place a $1M+ non-waterproof LED wall outside consider how much protection you need to take to avoid circuit board failures.