2. Introduction...
• It is type of embroidery which attaches a small piece of
mirror.
• Done- throughout Asia.
• Also found in Pakistan, China and Indonesia.
3. History.
• Traces- 17th century in Iran
• It was brought in India by
travelers, during the Mughal era.
• It was originally done
by- MICA.
• Which was replaced by
glass later.
4. “For the peasant women of Gujarat, a needle is her pen
with which she gives expression to her creativity and
reiterates her relationship with religion and nature”
5. Sources of Inspiration…
• In the southern parts of Asia began this artwork with pairs of
scissors.
• It was consistently made wet.
• This was done to give any different shapes and trimmed
8. • Now duplicate the foundation stitch
but turn- 45 degree
•Do a blanket stitch, thread the needle
under your foundation stitches from the
center to the edge
9. Present Scenario.
• It is a significant local craft
• Famous for –Chaniya Cholis, torans, accessories, apparels,
bags, etc.
• Deepika Padukon flaunts vibrant mirror work in the movie
Ram Leela.
15. Origin…
Various communities.
It was a dowry that a young women is suppose to learn.
Rhythmic patterns.
Begins with triangles
Peacocks, mandals
Geometric patterns
Motifs…
16. Process…
• Fine colored threads are used
• On the face side, the stitches are 1cm along.
• Successive stitches are done on one side fabric, which makes a
dense patterning.
• Small mirrors are added
• Various items like :bedspreads, wall hangings, cushion covers ,
cradle cloth, jackets, atc
21. Introduction…
• Done by the Sodha, Rajput
and Megwar communities.
• Artisans outline the geometric
pattern first, then fill it.
• Reminiscent of the tactile
textural quality of date trees
22. Origin…
• By the Sindh and was brought to the
regions of the Banni by Meghwals and
Islamic pastoralist.
Kanjhri using Kharek embroidery
25. Introduction…
• Done by the Sodha, Rajput and
Meghwar communities.
• Word “pakko” literally means solid,
referring to the dense stitches.
• Covers the whole base cloth.
• Free hand drawing.
• Square chain stitch
31. Introduction…
• Done by Rabari communities of kutch.
• Nomadic communities that rear cattle
• Designs: boldand usually derived from mythology and daily
lives.
32. Origin…
• Integral part of their lives.
• Originally from Rajasthan that came into Kutch on a south
west route from Jaisalmer.
• Tradionally : used for dowry.
• Was stopped later
33. Motifs…
• Temple motifs : the power of goddess.
• Women with pot on their head.
• Tree motifs: local baval, bushes as food for herds, shade from sun.
• Scorpion motifs – protect against the real threat and symbolically
ensure fertility.
• Peacock and pa
• parrot.
• Camels.
38. Introduction…
• Sunni Muslims who are thought
to have migrated to Kutch via
Sindh from Iran back in 5th
century
• They are cattleman
• They migrated in search of new
grass
39. Origin..
• It relies on their oral tradition and sporadic reference :
migrated from Greece
• Arrived to India, Germany, Italy, Iraq, Iran, Baluchistan and
Sindh.
40. • They have their distinctive embroidery style
• Whole cloth is embroidered
• Clothes : orange, red, blue and yellow color are used.
• Mirrors are used
• Covering of the space around the mirror is done by chain
stitch and creeper stitch
41. Motifs…
• Images of the dolls
• Birds,
• Animals
All these are created in an embossed manner, using interlace
of button hole and chain stitch
45. Introduction…
• Small group of muslim cowherds
• They live in a small cluster of 11 villages
• Migrated from the middle east around the 16th century
• Houses are highly decorated
• It is mainly geometric and floral