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Dr. Seuss Goes to War: The World
War II Editorial Cartoons of
Theodor Seuss Geisel
Author : Richard H. Minear
Publisher : The New Press
ISBN : 1565847040
Publication Date : 2001-9-1
Language : eng
Pages : 272

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Dr. Seuss Goes to War: The World
War II Editorial Cartoons of
Theodor Seuss Geisel
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ISBN : 1565847040
Language : eng
Pages : 272
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Author : Richard H. Minear Publisher : The New Press ISBN : 1565847040
Publication Date : 2001-9-1 Language : eng Pages : 272
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ISBN : 1565847040
Language : eng
Pages : 272

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Drawing ConclusionsWell before Sam ever considered eating green eggs and ham or Horton
heard a who, Dr. Seuss was drawing biting cartoons for adults that expressed his fierce
opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM
magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against
dictatorial rule abroad and America First (an isolationist organization that argued against
U.S. entry into World War II) with more than 400 cartoons urging the United States to fight
against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan
(he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the
foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these
cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how
America responded to World War II as events unfolded.As one of America's leading
historians of Japan during World War II, Minear also offers insightful commentary on the
historical and political significance of this immense body of work that, until now, has not
been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-
American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his
cartooning career at Dartmouth College, where he contributed to the humor magazine. After
a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his
work published, choosing his middle name, Seuss, and adding "Dr." several years later when
he dropped out of graduate school at Oxford University in England. He had never planned on
setting poison political pen to paper until he realized his deep hatred of Italian fascism. The
first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia
wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter
while a winged Mussolini holds up the free end of the banner of paper emerging from the
roll. He submitted it to a friend at PM, an outspoken political magazine that was "against
people who push other people around," and began his two-year career with the magazine
before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature
of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying
the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations
into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the
next two years, depicted alone, among his generals and other Germans, and with his allies
Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss
portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr.
Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain
for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime
actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely
reserved for the fascists abroad. He was also loudly critical of America's initial apathy
toward the war, skewering isolationists like America First advocate Charles Lindbergh, the
Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington
Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as
evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do
everything they could to ensure victory over fascism.Minear provides historical background
in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly
explains the highly problematic anti-Japanese and anticommunist stances held by both Dr.
Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly
adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as
Russia and the United States were united on the Allied front, but his stereotypical portrayals

of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war
raged on, reflecting the troubling public opinion of American citizens. Minear does not
attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons
evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew
another editorial cartoon, though we find in these cartoons the genesis of his later characters
Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle
Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted
fans have not been able to see until now. But this book is also a comprehensive, thoughtfully
researched, and exciting history lesson of the Second World War, by a writer who loves Dr.
Seuss as much as those who grow up with his books do.

{Read Online} Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor
Seuss Geisel Free [epub]$$
Dr. Seuss Goes to War: The World War II
Editorial Cartoons of Theodor Seuss Geisel
Download and Read online, DOWNLOAD EBOOK,[PDF EBOOK EPUB],Ebooks
download, Read EBook/EPUB/KINDLE,Download Book Format PDF.
Drawing ConclusionsWell before Sam ever considered eating green eggs and
ham or Horton heard a who, Dr. Seuss was drawing biting cartoons for
adults that expressed his fierce opposition to anti-Semitism and fascism. An
editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily
New York newspaper, Dr. Seuss launched a battle against dictatorial rule
abroad and America First (an isolationist organization that argued against
U.S. entry into World War II) with more than 400 cartoons urging the

United States to fight against Adolf Hitler and his cohorts in fascism, Benito
Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki,
the wartime prime minister, or Togo Shigenori, the foreign minister). Dr.
Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons,
demonstrating the active role Dr. Seuss played in shaping and reflecting how
America responded to World War II as events unfolded.As one of America's
leading historians of Japan during World War II, Minear also offers
insightful commentary on the historical and political significance of this
immense body of work that, until now, has not been seriously considered as
part of Dr. Seuss's extraordinary legacy.Born to a German-American family
in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning
career at Dartmouth College, where he contributed to the humor magazine.
After a run-in with college authorities for bootlegging liquor, he had to use a
pseudonym to get his work published, choosing his middle name, Seuss, and
adding "Dr." several years later when he dropped out of graduate school at
Oxford University in England. He had never planned on setting poison
political pen to paper until he realized his deep hatred of Italian fascism.
The first editorial cartoon he drew depicts the editor of the fascist paper Il
Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging
away at a giant steam typewriter while a winged Mussolini holds up the free
end of the banner of paper emerging from the roll. He submitted it to a
friend at PM, an outspoken political magazine that was "against people who
push other people around," and began his two-year career with the
magazine before joining the U.S. Army as a documentary filmmaker in
1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon,
"The head eats, the rest gets milked," portraying the dictator as the
proprietor of "Consolidated World Dairy," merging 11 conquered nations
into one cow. Hitler went on to become one of the main caricatures in
Seuss's work for the next two years, depicted alone, among his generals and
other Germans, and with his allies Benito Mussolini and Pierre Laval. He is
also drawn alongside "Japan," which Dr. Seuss portrays quite offensively,
with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was
outspoken against antiblack racism in the United States, he held a virulent
disdain for the Japanese and rendered sinister and, at times, slanderous
caricatures of their wartime actions even before the bombing of Pearl
Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists
abroad. He was also loudly critical of America's initial apathy toward the
war, skewering isolationists like America First advocate Charles Lindbergh,
the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill

Patterson of the Washington Times-Herald, and Joseph Patterson of the
New York Daily News, whom he considered as evil as Hitler. He encouraged
Americans to buy war savings bonds and stamps and to do everything they
could to ensure victory over fascism.Minear provides historical background
in Dr. Seuss Goes to War that not only serves to contextualize these cartoons
but also deftly explains the highly problematic anti-Japanese and
anticommunist stances held by both Dr. Seuss and PM magazine, which
contradicted the leftist sentiments to which they both eagerly adhered. As
Minear notes, Dr. Seuss eventually softened his feelings toward communism
as Russia and the United States were united on the Allied front, but his
stereotypical portrayals of Japanese and Japanese-Americans grew
increasingly and undeniably racist as the war raged on, reflecting the
troubling public opinion of American citizens. Minear does not attempt to
ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons
evoke the mood and the issues of the era. After Dr. Seuss left PM magazine,
he never drew another editorial cartoon, though we find in these cartoons
the genesis of his later characters Yertle the dictating turtle and the Cat in
the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to
War is an astonishing collection of work that many of his devoted fans have
not been able to see until now. But this book is also a comprehensive,
thoughtfully researched, and exciting history lesson of the Second World
War, by a writer who loves Dr. Seuss as much as those who grow up with his
books do.

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{Read Online} Dr. Seuss Goes to War: The World War II Editorial Cartoons of Theodor
Seuss Geisel Free [epub]$$
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Drawing ConclusionsWell before Sam ever considered eating green eggs and
ham or Horton heard a who, Dr. Seuss was drawing biting cartoons for
adults that expressed his fierce opposition to anti-Semitism and fascism. An
editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily
New York newspaper, Dr. Seuss launched a battle against dictatorial rule
abroad and America First (an isolationist organization that argued against
U.S. entry into World War II) with more than 400 cartoons urging the
United States to fight against Adolf Hitler and his cohorts in fascism, Benito
Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki,
the wartime prime minister, or Togo Shigenori, the foreign minister). Dr.
Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons,
demonstrating the active role Dr. Seuss played in shaping and reflecting how
America responded to World War II as events unfolded.As one of America's
leading historians of Japan during World War II, Minear also offers
insightful commentary on the historical and political significance of this
immense body of work that, until now, has not been seriously considered as
part of Dr. Seuss's extraordinary legacy.Born to a German-American family
in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning
career at Dartmouth College, where he contributed to the humor magazine.
After a run-in with college authorities for bootlegging liquor, he had to use a
pseudonym to get his work published, choosing his middle name, Seuss, and
adding "Dr." several years later when he dropped out of graduate school at
Oxford University in England. He had never planned on setting poison
political pen to paper until he realized his deep hatred of Italian fascism.
The first editorial cartoon he drew depicts the editor of the fascist paper Il
Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging
away at a giant steam typewriter while a winged Mussolini holds up the free
end of the banner of paper emerging from the roll. He submitted it to a
friend at PM, an outspoken political magazine that was "against people who
push other people around," and began his two-year career with the
magazine before joining the U.S. Army as a documentary filmmaker in
1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon,
"The head eats, the rest gets milked," portraying the dictator as the
proprietor of "Consolidated World Dairy," merging 11 conquered nations
into one cow. Hitler went on to become one of the main caricatures in
Seuss's work for the next two years, depicted alone, among his generals and
other Germans, and with his allies Benito Mussolini and Pierre Laval. He is
also drawn alongside "Japan," which Dr. Seuss portrays quite offensively,

with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was
outspoken against antiblack racism in the United States, he held a virulent
disdain for the Japanese and rendered sinister and, at times, slanderous
caricatures of their wartime actions even before the bombing of Pearl
Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists
abroad. He was also loudly critical of America's initial apathy toward the
war, skewering isolationists like America First advocate Charles Lindbergh,
the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill
Patterson of the Washington Times-Herald, and Joseph Patterson of the
New York Daily News, whom he considered as evil as Hitler. He encouraged
Americans to buy war savings bonds and stamps and to do everything they
could to ensure victory over fascism.Minear provides historical background
in Dr. Seuss Goes to War that not only serves to contextualize these cartoons
but also deftly explains the highly problematic anti-Japanese and
anticommunist stances held by both Dr. Seuss and PM magazine, which
contradicted the leftist sentiments to which they both eagerly adhered. As
Minear notes, Dr. Seuss eventually softened his feelings toward communism
as Russia and the United States were united on the Allied front, but his
stereotypical portrayals of Japanese and Japanese-Americans grew
increasingly and undeniably racist as the war raged on, reflecting the
troubling public opinion of American citizens. Minear does not attempt to
ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons
evoke the mood and the issues of the era. After Dr. Seuss left PM magazine,
he never drew another editorial cartoon, though we find in these cartoons
the genesis of his later characters Yertle the dictating turtle and the Cat in
the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to
War is an astonishing collection of work that many of his devoted fans have
not been able to see until now. But this book is also a comprehensive,
thoughtfully researched, and exciting history lesson of the Second World
War, by a writer who loves Dr. Seuss as much as those who grow up with his
books do.

Dr. Seuss Goes to War: The
World War II Editorial Cartoons
of Theodor Seuss Geisel

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OR

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