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COMPONENTS OF DANCE
ILLUSTRATION OF TUMBLING
SKILLS
FORWARD ROLL
BACKWARD ROLL
CARTWHEEL
AERIAL CARTWHEEL
FORWARD HANDSPRING
BACK HANDSPRING
BACKTUCK
DANCE AND ITS ELEMENTS
Interpretative Dance
 Dances that are meant to be
interpreted for performances and
staging.
 Dance literatures and signature
basic steps are already inherent to
these dances which serve as
identifying steps to the dance.
 Such dances include folk dance,
ballroom dance, and ballet.
Creative Dance
 Dances that are created out of
two approaches, the elemental
approach and creative approach.
 These dances are highly
improvisational in nature
considering the different
elements necessary in the
creation of dance.
 Dances that fall under this
classification include modern-
contemporary dance, jazz,
 pop and hip-hop (b-boying).
Elemental Approach in the
Creation of Dance
1. SPACE
Floor Pattern
 Patterns created by the body as
it moves through space
examples of which include lines,
letters, shapes or polygons, and
other non-geometric patterns.
Direction
 The course or way in which
movement is directed with
reference to the frontal plane of
the body.
 Examples include forward,
backward, sideward, diagonally
sideward and upward.
. Focus
 Point of attention by either the
performer or the audience.
 Personal focus is the point of
attention by the performer while
performing, while general focus
is the point of attention that the
performer draws the audience to
 It may be a personal focus or
general focus.
Dimension
 - How performers appear with
reference to the audience’s view.
 The nearer the performer, the
bigger he would appear; the farther
the performer, the smaller he would
appear.
 Dimension has something to do
with perspective
Balance
 It may be static or dynamic in
nature. Static balance is balance
 at rest, while dynamic balance is
balance in motion
Levels
 They are classified as low,
middle and high with the lowest
 level the basis of middle and
high levels.
Reminder: you are advised to do
level 1 or low level lifting ONLY.
Mass and Volume
 This is dictated by the number of
bodies performing through
space.
 There are dances or parts of the
dance performance that require
more dancers while some
require less or few.
Contours and Shapes
- Shapes and forms created by
the body or
bodies as they move through
space.
2. TIME
 Dance is both a space and time
art because it makes use of
space and spends time as
movements are executed.
 Once time passes and
movements are executed, it may
or may not be the same when
done again.
 That’s why live performances of
dances are preferred to maximize
its artistic and aesthetic values,
which are put on full display when
performed live.
 Time in dance dictates and
determines its speed or length, its
mood, and the energy required in
its performance.
 Time in dance is represented by
music specifically, and is
predominantly influenced by
rhythm, tempo, dynamics and
melody. Rhythm guides the
movement count, tempo dictates
the speed of movement, and
dynamics and melody speak of the
mood of movement.
3. ENERGY
 Pertains to the amount of effort
exerted in the performance of dance
or dance movements and
combinations.
 Energy in dance makes the
difference in terms of the intensity
of movement.
 Two dancers might be executing
same movement, but differ in
the manner of execution and
level of energy exerted.
ASSIGNMENT
1. What is a locomotor movement
?
2. What is a non locomotor
movement?
3. Give the definition of the ff:
a. WALK
b. RUN
C. JUMP K.TWIST
D. FLEXION L. PIVOT
E. EXTENSION M.TURN
F. CONTRACTION
G. RELEASE
H. COLLAPSE
I. RECOVER
J. ROTATION
 WRITEYOUR ANSWER IN A 1
WHOLE SHEET OF PAPERTO BE
PASSED NEXT MEETING.
-MR. ORTIZ AND MRS.CRUZ

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Components of dance

  • 10. DANCE AND ITS ELEMENTS
  • 12.  Dances that are meant to be interpreted for performances and staging.  Dance literatures and signature basic steps are already inherent to these dances which serve as identifying steps to the dance.
  • 13.  Such dances include folk dance, ballroom dance, and ballet.
  • 15.  Dances that are created out of two approaches, the elemental approach and creative approach.  These dances are highly improvisational in nature considering the different elements necessary in the creation of dance.
  • 16.  Dances that fall under this classification include modern- contemporary dance, jazz,  pop and hip-hop (b-boying).
  • 17. Elemental Approach in the Creation of Dance
  • 20.  Patterns created by the body as it moves through space examples of which include lines, letters, shapes or polygons, and other non-geometric patterns.
  • 22.  The course or way in which movement is directed with reference to the frontal plane of the body.  Examples include forward, backward, sideward, diagonally sideward and upward.
  • 24.  Point of attention by either the performer or the audience.  Personal focus is the point of attention by the performer while performing, while general focus is the point of attention that the performer draws the audience to
  • 25.  It may be a personal focus or general focus.
  • 27.  - How performers appear with reference to the audience’s view.  The nearer the performer, the bigger he would appear; the farther the performer, the smaller he would appear.  Dimension has something to do with perspective
  • 29.  It may be static or dynamic in nature. Static balance is balance  at rest, while dynamic balance is balance in motion
  • 31.  They are classified as low, middle and high with the lowest  level the basis of middle and high levels. Reminder: you are advised to do level 1 or low level lifting ONLY.
  • 33.  This is dictated by the number of bodies performing through space.  There are dances or parts of the dance performance that require more dancers while some require less or few.
  • 35. - Shapes and forms created by the body or bodies as they move through space.
  • 37.  Dance is both a space and time art because it makes use of space and spends time as movements are executed.  Once time passes and movements are executed, it may or may not be the same when done again.
  • 38.  That’s why live performances of dances are preferred to maximize its artistic and aesthetic values, which are put on full display when performed live.  Time in dance dictates and determines its speed or length, its mood, and the energy required in its performance.
  • 39.  Time in dance is represented by music specifically, and is predominantly influenced by rhythm, tempo, dynamics and melody. Rhythm guides the movement count, tempo dictates the speed of movement, and dynamics and melody speak of the mood of movement.
  • 41.  Pertains to the amount of effort exerted in the performance of dance or dance movements and combinations.  Energy in dance makes the difference in terms of the intensity of movement.
  • 42.  Two dancers might be executing same movement, but differ in the manner of execution and level of energy exerted.
  • 43. ASSIGNMENT 1. What is a locomotor movement ? 2. What is a non locomotor movement? 3. Give the definition of the ff: a. WALK b. RUN
  • 44. C. JUMP K.TWIST D. FLEXION L. PIVOT E. EXTENSION M.TURN F. CONTRACTION G. RELEASE H. COLLAPSE I. RECOVER J. ROTATION
  • 45.  WRITEYOUR ANSWER IN A 1 WHOLE SHEET OF PAPERTO BE PASSED NEXT MEETING. -MR. ORTIZ AND MRS.CRUZ