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Atmospheric Perspective and Collage




The Control of Francisco
Nicholas Bohac
* Last project we examined the different
 properties of watercolor painting: Wet on Dry,
 Wet on Wet, Blowing, Plastic Wrap, and Salt.
* Then we re-examined Line Variation through
 illustrating extinct animals.
*Atmospheric Perspective or Aerial Perspective:
• The effect the atmosphere has on the appearance of an
  object as it is viewed from a distance.
• As the distance between an object and a viewer increases,
  the contrast between the object and its background
  decreases, and the contrast of any markings or details
  within the object also decreases.
• The colors of the object also become less saturated and
  shift towards the background color, which is usually blue.
Lighter: further away!
                 *less details




Darker: closer
*More detail
Leonardo Da Vinci: Mona Lisa
A very famous example of
Atmospheric Perspective in
painting.

Mona Lisa is darker in contrast to
the background receding through
color behind her.
*Foreground:     The part of a view that is
    nearest to the observer, esp. in a picture or
    photograph.




*
*
*Middleground
 : is the visual
 plane located
 between both
 the foreground
 and background.
*Background:
 is the plane in a
 composition
 perceived
 furthest from
 the viewer.
* 2 Sketched examples!
* Eric Carle is an illustrator
    most famous for his
    children’s book : The Very
    Hungry Caterpillar
* Eric Carle’s art is
    distinctive and instantly
    recognizable. His art work
    is created in collage
    technique, using hand-
    painted papers which he
    cuts and layers to form
    bright and colorful images.



*
* Nicholas
     Bohac is a
     contemporary
     San Francisco
     artist who
     uses collage
     to assemble
     real and
     imagined
     landscapes.



*
* You will create a landscape collage painting
     based off an original photograph.
    * You will be using Eric Carle and Nik Bohac’s
     method of painting paper and cutting it up to
     assemble your landscape.
    * Your landscape must illustrate the concept of:
     Foreground, Middleground, and Background.




*
* First you will either use the sketch we create
     in class today or find/take apersonal
     photographs that demonstrates Foreground,
     Middleground, and Background.
    * Practice sketching this in your sketchbook.

*
* Using your photo as a reference and cut out pieces from
 magazines, collage them to your pencil drawing contour lines of
 your final piece landscape.
* Do not make your cut out pieces too large. Each piece of collage
 paper should try and not be any longer than 6 inches.
* REMEMBER detail is interesting more provocative to look at.


*
* Find pieces with color or patterns that match
     your photo.
    * The colors of this must directly relate to the
     colors in your reference photograph.
    * NO SYMBOLS!
    * SMALL PIECES NOT BIG!




*
* NOW IN CLASS, Using a page in your sketchbook:
* 1. Copy this basic contour line drawing of background,
 middleground and foreground & label!
How will you draw this outside on the bleachers?

-What’s in foreground? –Middleground? –Background?

-OUTLINE or CONTOUR LINE OF MAJOR SHAPES! (Trees, Hills, Sky!)
* NOW! Grab a piece of paper, eraser & pencil.
    * 4 pieces of tape on each corner.




*
*HOMEWORK:    Bring or find a photo & Sketch
Contour lines in your sketchbook by Wednesday!




     • Are you happy with your sketch?
       IF NOT, what photo will you take for this project?

     • Do you have a photo already that you can use?
     • NO PHOTOS FROM GOOGLE IMAGES!!
     • REMEMBER YOU WILL BE COLLAGING THIS IMAGE!!

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Collage landscape

  • 1. Atmospheric Perspective and Collage The Control of Francisco Nicholas Bohac
  • 2. * Last project we examined the different properties of watercolor painting: Wet on Dry, Wet on Wet, Blowing, Plastic Wrap, and Salt. * Then we re-examined Line Variation through illustrating extinct animals.
  • 3. *Atmospheric Perspective or Aerial Perspective: • The effect the atmosphere has on the appearance of an object as it is viewed from a distance. • As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases. • The colors of the object also become less saturated and shift towards the background color, which is usually blue.
  • 4. Lighter: further away! *less details Darker: closer *More detail
  • 5.
  • 6.
  • 7.
  • 8. Leonardo Da Vinci: Mona Lisa A very famous example of Atmospheric Perspective in painting. Mona Lisa is darker in contrast to the background receding through color behind her.
  • 9. *Foreground: The part of a view that is nearest to the observer, esp. in a picture or photograph. *
  • 10. *
  • 11.
  • 12. *Middleground : is the visual plane located between both the foreground and background. *Background: is the plane in a composition perceived furthest from the viewer.
  • 13.
  • 14.
  • 15. * 2 Sketched examples!
  • 16. * Eric Carle is an illustrator most famous for his children’s book : The Very Hungry Caterpillar * Eric Carle’s art is distinctive and instantly recognizable. His art work is created in collage technique, using hand- painted papers which he cuts and layers to form bright and colorful images. *
  • 17.
  • 18.
  • 19.
  • 20. * Nicholas Bohac is a contemporary San Francisco artist who uses collage to assemble real and imagined landscapes. *
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28. * You will create a landscape collage painting based off an original photograph. * You will be using Eric Carle and Nik Bohac’s method of painting paper and cutting it up to assemble your landscape. * Your landscape must illustrate the concept of: Foreground, Middleground, and Background. *
  • 29. * First you will either use the sketch we create in class today or find/take apersonal photographs that demonstrates Foreground, Middleground, and Background. * Practice sketching this in your sketchbook. *
  • 30. * Using your photo as a reference and cut out pieces from magazines, collage them to your pencil drawing contour lines of your final piece landscape. * Do not make your cut out pieces too large. Each piece of collage paper should try and not be any longer than 6 inches. * REMEMBER detail is interesting more provocative to look at. *
  • 31. * Find pieces with color or patterns that match your photo. * The colors of this must directly relate to the colors in your reference photograph. * NO SYMBOLS! * SMALL PIECES NOT BIG! *
  • 32. * NOW IN CLASS, Using a page in your sketchbook: * 1. Copy this basic contour line drawing of background, middleground and foreground & label!
  • 33. How will you draw this outside on the bleachers? -What’s in foreground? –Middleground? –Background? -OUTLINE or CONTOUR LINE OF MAJOR SHAPES! (Trees, Hills, Sky!)
  • 34. * NOW! Grab a piece of paper, eraser & pencil. * 4 pieces of tape on each corner. *
  • 35. *HOMEWORK: Bring or find a photo & Sketch Contour lines in your sketchbook by Wednesday! • Are you happy with your sketch? IF NOT, what photo will you take for this project? • Do you have a photo already that you can use? • NO PHOTOS FROM GOOGLE IMAGES!! • REMEMBER YOU WILL BE COLLAGING THIS IMAGE!!