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Camera Culture Ramesh  Raskar Alyosha  Efros  Ramesh  Raskar  Steve  Seitz  Siggraph 2009 Curated Course Next Billion Cameras http://raskar.scripts.mit.edu / nextbillioncameras /
[object Object],[object Object],[object Object],[object Object],[object Object],Next Billion Cameras
 
Alexei (Alyosha) Efros  [CMU] ,[object Object],[object Object],[object Object]
Ramesh Raskar  [MIT]  ,[object Object],[object Object],[object Object],[object Object]
Steve Seitz  [U-Washington] ,[object Object],[object Object],[object Object]
Where are the ‘camera’s?
Where are the ‘camera’s?
 
Camera Culture Ramesh  Raskar Alyosha  Efros  Ramesh  Raskar  Steve  Seitz  Siggraph 2009 Course Next Billion   Cameras http://raskar.info/photo/
Camera Culture Ramesh  Raskar Alyosha  Efros  Ramesh  Raskar  Steve  Seitz  Siggraph 2009 Course Next  100  Billion Cameras http://raskar.info/photo/
Key Message ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Can you look around a corner ?
Can you decode a 5 micron feature from 3 meters away  with an ordinary camera ?
Convert LCD into a big flat camera? Beyond Multi-touch
Pantheon
How do we move through a space?
What is ‘interesting’ here?
Record what you ‘feel’ not what you ‘see’
 
 
Camera Culture Ramesh  Raskar Ramesh  Raskar  Camera Culture http://raskar.scripts.mit.edu / nextbillioncameras /
“ Visual Social Computing” ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],?
Crowdsourcing http://www.wired.com/wired/archive/14.06/crowds.html Object Recognition Fakes Template matching Amazon Mechanical Turk:  Steve Fossett search ReCAPTCHA=OCR
Participatory Urban Sensing ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],http://research.cens.ucla.edu/areas/2007/Urban_Sensing/ (Erin Brockovich) n
Community Photo Collections U of Washington/Microsoft: Photosynth
Beyond Visible Spectrum Cedip RedShift
Trust in Images From Hany Farid
Trust in Images From Hany Farid LA Times March’03
Cameras in Developing Countries http://news.bbc.co.uk/2/hi/south_asia/7147796.stm Community news program run by village women
Vision thru tongue http://www.pbs.org/kcet/wiredscience/story/97-mixed_feelings.html Solutions for the Visually Challenged http://www.seeingwithsound.com/
New Topics in Imaging Research ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Traditional  Photography Lens Detector Pixels Image Mimics Human Eye for a Single Snapshot : Single View, Single Instant, Fixed  Dynamic range and Depth of field  for given Illumination in a Static  world Courtesy: Shree Nayar
Computational Photography Computational Illumination Computational Camera Scene :  8D Ray Modulator Display Generalized Sensor Generalized Optics Processing 4D Ray Bender Upto 4D  Ray Sampler Ray  Reconstruction Generalized Optics Recreate 4D Lightfield Light Sources Modulators 4D Incident Lighting 4D Light Field
Computational Photography  [Raskar and Tumblin] ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],captures  a machine-readable representation of our world to hyper-realistically  synthesize  the essence of our visual experience.
Goal and Experience Low Level Mid Level High Level Hyper realism Raw Angle, spectrum aware Non-visual Data, GPS Metadata Priors Comprehensive 8D reflectance field Digital Epsilon Coded Essence Computational Photography aims to make progress on both axis Camera Array HDR,  FoV Focal stack Decomposition problems Depth Spectrum LightFields Human Stereo Vision Transient Imaging Virtual Object Insertion Relighting Augmented Human Experience Material editing from single photo Scene completion from photos Motion Magnification Phototourism
2 nd  International Conference on  Computational Photography Papers due  November 2, 2009 http://cameraculture.media.mit.edu/iccp10
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Computational Photography [Raskar and Tumblin] ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Epsilon Photography ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Dynamic Range Goal: High Dynamic Range Short Exposure Long Exposure
Epsilon Photography ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Computational Photography ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Digital Refocusing using  Light Field Camera 125 μ  square-sided microlenses [Ng et al 2005]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Multi-flash Camera for  Detecting Depth Edges
Depth  Edges Left Top Right Bottom Depth Edges Canny Edges
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Flutter Shutter Camera Raskar, Agrawal, Tumblin [Siggraph2006] LCD opacity switched  in coded sequence
Traditional Coded Exposure Image of Static Object Deblurred Image Deblurred Image
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
"Fast Separation of Direct and Global Components of a Scene using High Frequency Illumination,"  S.K. Nayar, G. Krishnan, M. D. Grossberg, R. Raskar,  ACM Trans. on Graphics (also Proc. of ACM SIGGRAPH),  Jul, 2006.
Computational Photography  [Raskar and Tumblin] ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
Blind Camera Sascha Pohflepp,  U of the Art, Berlin, 2006
Capturing the  Essence  of Visual Experience ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Scene Completion Using Millions of Photographs Hays and Efros, Siggraph 2007
Community Photo Collections U of Washington/Microsoft: Photosynth
Can you look around a corner ?
Can you look around a corner ? Kirmani, Hutchinson, Davis, Raskar 2009 Accepted for ICCV’2009,  Oct 2009 in Kyoto Impulse Response of a Scene
Femtosecond Laser as Light Source Pico-second detector array as Camera
Coded Aperture Camera The aperture of a 100 mm lens is modified Rest of the camera is unmodified Insert a  coded mask  with chosen binary pattern
In Focus Photo LED
Out of Focus Photo: Open Aperture
Out of Focus Photo: Coded Aperture
Captured Blurred Photo
Refocused on Person
[object Object],[object Object],Computational Probes:  Long Distance Bar-codes Mohan, Woo,Smithwick, Hiura, Raskar Accepted as Siggraph 2009 paper
Bokode
Barcodes markers  that assist machines in understanding the real world
Bokode: ankit mohan, grace woo, shinsaku hiura, quinn smithwick, ramesh raskar camera culture group, MIT media lab imperceptible visual tags for camera based interaction from a distance
Defocus blur of Bokode
Image greatly magnified. Simplified Ray Diagram
Our Prototypes
street-view tagging
Converting LCD Screen = large Camera for 3D Interactive HCI and Video Conferencing Matthew Hirsch, Henry Holtzman Doug Lanman, Ramesh Raskar BiDi Screen *
Beyond Multi-touch: Mobile Laptops Mobile
Light Sensing Pixels in LCD Display with embedded optical sensors Sharp Microelectronics Optical Multi-touch Prototype
Design Overview Display with embedded optical sensors LCD   ,  displaying   mask Optical sensor array ~2.5 cm ~50 cm
Beyond Multi-touch: Hover Interaction ,[object Object],[object Object]
Design Vision Object Collocated Capture and Display Bare Sensor Spatial Light Modulator
Touch + Hover using Depth Sensing LCD Sensor
Overview: Sensing Depth from    Array of Virtual Cameras in LCD
[object Object],[object Object],[object Object],[object Object],[object Object],Next Billion Cameras
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Camera Culture Group, MIT Media Lab  Ramesh  Raskar  http://raskar.info Cameras of the Future Digital Epsilon Coded Essence Computational Photography aims to make progress on both axis Camera Array HDR,  FoV Focal stack Decomposition problems Depth Spectrum LightFields Human Stereo Vision Transient Imaging Virtual Object Insertion Relighting Augmented Human Experience Material editing from single photo Scene completion from photos Motion Magnification Phototourism
Camera Culture Ramesh  Raskar Alyosha  Efros  Ramesh  Raskar  Steve  Seitz  Siggraph 2009 Course Next Billion Cameras http://raskar.info/photo/
[object Object],[object Object],[object Object],[object Object],[object Object],Next Billion Cameras
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Computational Photography http://raskar.info/photo/
[object Object]
 
Questions ,[object Object],[object Object],[object Object],[object Object],[object Object]
Fernald,  Science [Sept 2006] Shadow Refractive Reflective Tools  for Visual Computing
Cameras and their Impact ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
2 nd  International Conference on  Computational Photography Papers due  November 2, 2009 http://cameraculture.media.mit.edu/iccp10
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Next Billion Cameras Digital Epsilon Coded Essence Computational Photography aims to make progress on both axis Camera Array HDR,  FoV Focal stack Decomposition problems Depth Spectrum LightFields Human Stereo Vision Transient Imaging Virtual Object Insertion Relighting Augmented Human Experience Material editing from single photo Scene completion from photos Motion Magnification Phototourism
[object Object],[object Object],[object Object],Next Billion Cameras ,[object Object],Course Evaluation  (prize: free mug for each course!) http://www.siggraph.org/courses_evaluation  IntConf on Computational Photography, Mar’2010 Papers due Nov 2, 2009 http://cameraculture.info/iccp10 Book: Computational Photography [Raskar and Tumblin] AkPeters Booth #2527, 20% coupons here, Meet Authors Thu 2pm

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Raskar Next Billion Cameras Siggraph 2009

Editor's Notes

  1. Since we are adapting LCD technology we can fit a BiDi screen into laptops and mobile devices.
  2. Introduce gist.
  3. 4 blocks : light, optics, sensors, processing, (display: light sensitive display)
  4. Inference and perception are important. Intent and goal of the photo is important. The same way camera put photorealistic art out of business, maybe this new artform will put the traditional camera out of business. Because we wont really care about a photo, merely a recording of light but a form that captures meaningful subset of the visual experience. Multiperspective photos. Photosynth is an example.
  5. Many think all this is for CP
  6. Stereo-pair is a simple example of coded photography. Many decomposition problems, direct/global, diffuse/specular,
  7. 1:15
  8. Comparisons
  9. SIGGRAPH 2008 Class: Computational Photography Debevec: Illumination as Computing / Scene & Performance Capture August 2008 Nayar et al. used high-frequency illumination patterns to quickly separate “direct” and “global” components. Basically, the global components stay the same as you phase-shift high-frequency illumination on the scene, while the direct components appear and disappear at different pixels. Taking the minimum value over a sequence of phase shifts yields the global component, multiplied by the fill ratio of the patterns; the maximum minus the minimum yields the direct component.
  10. Inference and perception are important. Intent and goal of the photo is important. The same way camera put photorealistic art out of business, maybe this new artform will put the traditional camera out of business. Because we wont really care about a photo, merely a recording of light but a form that captures meaningful subset of the visual experience. Multiperspective photos. Photosynth is an example.
  11. Maybe all the consumer photographer wants is a black box with big red button. No optics, sensors or flash. If I am standing the middle of times square and I need to take a photo. Do I really need a fancy camera?
  12. The camera can trawl on flickr and retrieve a photo that is roughly taken at the same position, at the same time of day. Maybe all the consumer wants is a blind camera.
  13. Reversibly encode all the information in this otherwise blurred photo
  14. The glint out of focus shows the unusual pattern.
  15. Since we are adapting LCD technology we can fit a BiDi screen into laptops and mobile devices.
  16. Recall that one of our inspirations was this new class of optical multi-touch device. At the top you can see a prototype that Sharp Microelectronics has published. These devices are basically arrays of naked phototransistors. Like a document scanner, they are able to capture a sharp image of objects in contact with the surface of the screen. But as objects move away from the screen, without any focusing optics, the images captured this device are blurred.
  17. Our observation is that by moving the sensor plane a small distance from the LCD in an optical multitouch device, we enable mask-based light-field capture. We use the LCD screen to display the desired masks, multiplexing between images displayed for the user and masks displayed to create a virtual camera array. I’ll explain more about the virtual camera array in a moment, but suffice to say that once we have measurements from the array we can extract depth.
  18. This device would of course support multi-touch on-screen interaction, but because it can measure the distance to objects in the scene a user’s hands can be tracked in a volume in front of the screen, without gloves or other fiducials.
  19. Thus the ideal BiDi screen consists of a normal LCD panel separated by a small distance from a bare sensor array. This format creates a single device that spatially collocates a display and capture surface.
  20. So here is a preview of our quantitative results. I’ll explain this in more detail later on, but you can see we’re able to accurately distinguish the depth of a set of resolution targets. We show above a portion of portion of views form our virtual cameras, a synthetically refocused image, and the depth map derived from it.
  21. CPUs and computers don’t mimic the human brain. And robots don’t mimic human activities. Should the hardware for visual computing which is cameras and capture devices, mimic the human eye? Even if we decide to use a successful biological vision system as basis, we have a range of choices. For single chambered to compounds eyes, shadow-based to refractive to reflective optics. So the goal of my group at Media Lab is to explore new designs and develop software algorithms that exploit these designs.