1. Chapter 22 Italy, 1500 to 1600 Part One

2. Rome with Renaissance and Baroque Monuments

5. Self-Portrait c. 1512 Red chalk on paper, 333 x 213 mm Biblioteca Reale, Turin Leonardo da Vinci

6. Leonardo da Vinci Annunciation 1472-75 Tempera on wood, 98 x 217 cm Galleria degli Uffizi, Florence

7. Figure 22-2 LEONARDO DA VINCI, Virgin of the Rocks, ca. 1485. Oil on wood (transferred to canvas), approx. 6’ 3” x 3’ 7” Louvre, Paris “ The unified representation of objects in an atmospheric setting.” p. 615 “ Emotionally compelling, visually unified, and spatially convincing.” p. 615

10. Fra Filippo Lippi , 1455 1483

11. 1310 1483

14. Leonardo da Vinci, The Virgin and Child with Saint Anne , 1510, oil on wood panel , 5 1/2 x 4 1/2 feet (168 x 130 cm), Louvre, Paris. Head of the Virgin in Three-Quarter View Facing Right , 1508–12 Leonardo da Vinci (Italian, 1452–1519) Italian Charcoal, black and red chalks; traces of framing line in pen and brown ink at upper right; 8 x 6 1/8 in. (20.3 x 15.6 cm)

16. Figure 22-4 LEONARDO DA VINCI, Last Supper (uncleaned), ca. 1495–1498. Fresco (oil and tempera on plaster), 29’ 10” x 13’ 9”. Refectory, Santa Maria delle Grazie, Milan.

17. Bartholomew, James the less, Andrew, Judas, Peter, John, Jesus, Thomas, James, Phillip, Matthew, Thaddeus, Simon

19. Study for the Last Supper 1494-95 Pen and ink on paper, 266 x 214 mm Royal Library, Windsor

20. Study for the Last Supper 1494-95 Red chalk on paper, 260 x 392 mm Gallerie dell'Accademia, Venice

21. Study for the Last Supper c. 1495 Red chalk on red prepared paper, 180 x 150 mm Royal Library, Windsor Study for the Last Supper c. 1495 Black chalk on paper, 190 x 149 mm Royal Library, Windsor

22. LEONARDO DA VINCI, Last Supper (cleaned), ca. 1495–1498. Fresco (oil and tempera on plaster), 29’ 10” 13’ 9”. Refectory, Santa Maria delle Grazie, Milan .

23. Bartholomew, James the less, Andrew, Judas, Peter, John, Jesus, Thomas, James, Phillip, Matthew, Thaddeus, Simon

24. Jesus

25. John Phillip

27. Figure 22-5 LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505. Oil on wood, approx. 2’ 6” x 1’ 9”. Louvre, Paris.

31. Leonardo da Vinci, Ginevra de' Benci , c. 1474, oil on wood panel , 15 1/8 x 14 1/2 inches (38.2 x 36.7 cm), National Gallery of Art, Washington, DC.

32. Leonardo da Vinci, Lady with an Ermine , Portrait of Cecilia Gallerani ( 1483-90, oil on wood panel , 21 x 15 1/2 inches (53.4 x 39.3 cm), Czartoryski Museum, Cracow.

33. Portrait of Cecilia Gallerani (detail) 1483-90 Oil on wood Czartoryski Museum, Cracow

34. Leonardo da Vinci Adoration of the Magi, 1481-82, Monochrome on panel,8’ x 8’1”, Galleria degli Uffizi, Florence

35. Perspectival study of the Adoration of the Magic. 1481 Pen and ink, traces of silverpoint and white on paper, 163 x 290 mmGalleria degli Uffizi, Florence

36. Leonardo da Vinci, Study of proportions, from Vitruvius's De Architectura , red crayon with pen and ink on paper , 13 1/2 x 9 5/8 inches (34.3 x 24.5 cm), Accademia, Venice.

37. Leonardo da Vinci, Skull , 1489, red crayon with pen and ink on paper . This is a lateral view of a human skull with the left half of the calvaria removed to expose the interior. This is one of a huge number of anatomical drawings Leonardo made, to most of which he added written notes. He said he had dissected over thirty human bodies-- men and women of varied ages.

38. Study of the effect of light on a profile head ( 1487-90 Black chalk, pen and ink on paper, 203 x 143 mm Galleria degli Uffizi, Florence Male head in profile with proportions c. 1490 Pen and ink on paper, 280 x 222 mm Gallerie dell'Accademia, Venice

39. Comparison of scalp skin and onion 1489 Pen, ink and red chalk on paper, 203 x 152 mm Royal Library, Windsor Anatomical studies of a male shoulder 1509-10 Pen and ink on paper, 292 x 198 mm Royal Library, Windsor

40. Leonardo da Vinci, Head of a Young Woman , Accademia, Venice. Heads of an old man and a youth 1495-1500 Red chalk on paper, 208 x 150 mm Galleria degli Uffizi, Florence

41. Garment study for a seated figure 1470-84 Oil on canvas, 26,5 x 25,3 cm Musée du Louvre, Paris Study of hands c. 1474 Silverpoint and white highlights on pink prepared paper, 214 x 150 mm Royal Library, Windsor

42. Figure 22-6 LEONARDO DA VINCI, Embryo in the Womb, ca. 1510. Pen and ink on paper. Royal Library, Windsor Castle.

43. Drawing of a Woman's Torso Drawing Biblioteca Ambrosiana, Milan

44. Landscape drawing for Santa Maria della Neve on 5th August 1473 1473 Pen and ink, 190 x 285 mm Galleria degli Uffizi, Florence

45. Lily (detail) 1480-85 Pe and ink, black chalk on paper, 314 x 177 mm Royal Library, Windsor

46. Giant Crossbow 1480-82 Drawing Biblioteca Ambrosiana, Milan Multi Barrel Gun 1480-82 Drawing Biblioteca Ambrosiana, Milan

47. Flying machine c. 1487 Metalpoint, pen and ink on paper, 235 x 176 mm Insritut de France, Paris Drawing of a flying machine c. 1485 Pen and ink on paper, 23 x 16 cm Bibliothèque de l'Institut de France, Paris

48. Skis with which one can walk on water (detail) c. 1480 Metalpoint, pen and ink on paper Biblioteca Ambrosiana, Milan Automobile 1478-80 Metalpoint, pen and brush on paper, 27 x 20 cm Biblioteca Ambrosiana, Milan

49. Codex on the flight of birds Pen and ink on paper, 210 x 150 mm Biblioteca Reale, Turin

50. Bird's-eye-view of sea coast c. 1515 Pen, ink, watercolour on paper, 272 x 400 mm Royal Library, Windsor Map of Tuscany and the Chiana Valley c.1502 Black chalk, pen, ink and colour on paper, 338 x 488 mm Royal Library, Windsor

51. Study of a central church c. 1488 Pen, ink and black chalk on paper, 24 x 19 cm Bibliothèque de l'Institut de France, Paris http://www.bl.uk/onlinegallery/ttp/ttpbooks.html

52. Raphael 1483 - 1520

53. Figure 22-9 RAPHAEL, Philosophy (School of Athens), Stanza della Segnatura, Vatican Palace, Rome, Italy, 1509–1511. Fresco, approx. 19’ x 27’. Raphael 1483 - 1520

55. Plato and Aristotle Heradeitus (Michelangelo)

56. Euclid (Bramante) Geometry

57. Figure 22-9 RAPHAEL, Philosophy (School of Athens), Stanza della Segnatura, Vatican Palace, Rome, Italy, 1509–1511. Fresco, approx. 19’ x 27’. Raphael 1483 - 1520

58. Figure 19-9 GIOTTO DI BONDONE, Lamentation, Arena Chapel, Padua, Italy, ca. 1305. Fresco, 6’ 6 3/4” x 6’ 3/4”. 1305

59. 1427

60. 1495-98

61. Figure 22-8 RAPHAEL, Madonna in the Meadow, 1505. Oil on panel, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisches Museum, Vienna.

63. Figure 21-8 FRA FILIPPO LIPPI, Madonna and Child with Angels, ca. 1455. Tempera on wood, approx. 3’ x 2’ 1”. Galleria degli Uffizi, Florence.

64. Figure 22-10 RAPHAEL, Galatea, Sala di Galatea, Villa Farnesina, Rome, Italy, 1513. Fresco, 9’ 8” x 7’ 5”.

66. Figure 22-11 RAPHAEL, Baldassare Castiglione, ca. 1514. Oil on wood transferred to canvas, approx. 2’ 6 1/4” x 2’ 2 1/2”. Louvre, Paris.

67. DOMENICO GHIRLANDAIO, Giovanna Tornabuoni(?), 1488. Oil and tempera on wood, approx. 2’ 6” x 1’ 8”. Thyssen-Bornemisza Collection, Madrid, Spain.

68. Raphael, Pope Leo X with Two Cardinals, 1518 (150 Kb); Oil on wood, 154 x 119 cm (60 5/8 x 46 7/8 in); Uffizi, Florence

69. Michelangelo Pieta, 1498 - 1500

70. Figure 18-51 Virgin with the Dead Christ (Röttgen Pietà), from the Rhineland, Germany, ca. 1300–1325. Painted wood, 2’ 10 1/2” high. Rheinisches Landemuseum, Bonn. GOTHIC

71. Figure 22-9 MICHELANGELO BUONARROTI, David, 1501–1504. Marble, 13’ 5” high. Galleria dell’Accademia, Florence.

72. Figure 22-9 Alternate View Full figure, 3/4 length, seen from the right © 2005 Saskia Cultural Documentation, Ltd.

73. EPIGONOS(?), Gallic chieftain killing himself and his wife. Roman marble copy after a bronze original from Pergamon, Turkey, ca. 230–220 BCE, approx. 6’ 11” high. Museo Nazionale Romano-Palazzo Altemps, Rome.

74. POLYKLEITOS, Doryphoros (Spear Bearer). marble

75. LYSIPPOS, Apoxyomenos (Scraper). Rome.

80. Figure 22-10 MICHELANGELO BUONARROTI, Moses, San Pietro in Vincoli, Rome, Italy, ca. 1513–1515. Marble, approx. 8’ 4” high.

82. Figure 22-10 MICHELANGELO BUONARROTI, Moses, San Pietro in Vincoli, Rome, Italy, ca. 1513–1515. Marble, approx. 8’ 4” high.

83. Seated boxer, from Rome, Italy, ca. 100–50 BCE. Bronze, approx. 4’ 2 1/2” high. Museo Nazionale Romano, Rome.

84. Figure 22-10 Alternate View Total view © 2005 Saskia Cultural Documentation, Ltd.

86. Slave (awakening) 1519-36 Marble, height 267 cm Galleria dell'Accademia, Florence

87. Figure 22-11 MICHELANGELO BUONARROTI, Bound Slave, 1513–1516. Marble, approx. 6’ 10 1/2” high. Louvre, Paris.

88. Sleeping satyr (Barberini Faun), from Rome, Italy, ca. 230–200 BCE. Marble, approx. 7’ 1” high. Glyptothek, Munich

89. Slave (dying) c. 1513 Marble, height 229 cm Musée du Louvre, Paris

92. Reconstruction of the interior 1480s Cappella Sistina, Vatican

93. Figure 22-13 MICHELANGELO BUONARROTI, ceiling of the Sistine Chapel, Vatican City, Rome, Italy, 1508–1512. Fresco, approx. 128’ x 45’.

96. Figure 22-12 Interior of the Sistine Chapel (view facing east), Vatican City, Rome, Italy, built 1473. Copyright © Nippon Television Network Corporation, Tokyo.

97. Figure 22-14 MICHELANGELO BUONARROTI, Creation of Adam (detail), ceiling of the Sistine Chapel, Vatican City, Rome, Italy, 1511–1512. Fresco, approx. 9’ 2” x 18’ 8”.

105. Jonah 1511 Fresco, 400 x 380 cm Cappella Sistina, Vatican

108. Figure 22-15 Cleaning of ceiling of Sistine Chapel, Vatican City, Rome, Italy, 1977–1989.

109. Figure 22-16 Detail of the Azor-Sadoch lunette’s left side over one of the Sistine Chapel windows at various stages of the restoration process, Vatican City, Rome, Italy, 1977–1989. Copyright © Nippon Television Network Corporation, Tokyo.

110. Figure 22-25 MICHELANGELO BUONARROTI, Last Judgment, fresco on the altar wall of the Sistine Chapel, Vatican City, Rome, Italy, 1534–1541. Copyright © Nippon Television Network Corporation, Tokyo.

111. Figure 17-25 GISLEBERTUS, Last Judgment, west tympanum of Saint-Lazare, Autun, France, ca. 1120–1135. Marble, approx. 21’ wide at base.

113. Figure 22-25 MICHELANGELO BUONARROTI, Last Judgment, fresco on the altar wall of the Sistine Chapel, Vatican City, Rome, Italy, 1534–1541. Copyright © Nippon Television Network Corporation, Tokyo.

120. Figure 22-22 MICHELANGELO BUONARROTI, New Sacristy (Medici Chapel), San Lorenzo, Florence, Italy, 1519–1534

121. Figure 22-22 MICHELANGELO BUONARROTI, tomb of Giuliano de’ Medici, New Sacristy (Medici Chapel), San Lorenzo, Florence, Italy, 1519–1534. Marble, central figure approx. 5’ 11” high.

123. Night 1526-33 Marble, length: 194 cm Sagrestia Nuova, San Lorenzo, Florence

124. Day 1526-33 Marble, length: 185 cm Sagrestia Nuova, San Lorenzo, Florence

125. Figure 22-22 Alternate View View from left © 2005 Saskia Cultural Documentation, Ltd.

127. Twilight 1524-31 Marble, length: 195 cm Sagrestia Nuova, San Lorenzo, Florence

128. Dawn 1524-31 Marble, length: 203 cm Sagrestia Nuova, San Lorenzo, Florence

129. Pietà c. 1550 Marble, height: 226 cm Museo dell'Opera del Duomo, Florence

131. Figure 22-23 DONATO D’ANGELO BRAMANTE, plan for the new Saint Peter’s, the Vatican, Rome, Italy, 1505.

132. Restored view (a), plan (b), and section (c) of Old Saint Peter’s, Rome, Italy, begun ca. 320. (The restoration of the forecourt is conjectural.)

135. Figure 22-24 CHRISTOFORO FOPPA CARADOSSO, medal showing Bramante’s design for the new Saint Peter’s, 1506. British Museum, London.

137. Figure 22-22 DONATO D’ANGELO BRAMANTE, Tempietto, San Pietro in Montorio, Rome, Italy, 1502(?).

138. Temple of Vesta (?), Tivoli, Italy, early first century BCE.

140. Figure 22-28 MICHELANGELO BUONARROTI, plan for Saint Peter’s, Vatican City, Rome, Italy, 1546.

141. Bramante Michelangelo

142. Figure 22-29 MICHELANGELO BUONARROTI, Saint Peter’s (view from the northwest), Vatican City, Rome, Italy, 1546–1564. Dome completed by GIACOMO DELLA PORTA, 1590. © 2005 Saskia Cultural Documentation, Ltd.

143. Figure 22-29 MICHELANGELO BUONARROTI, Saint Peter’s (view from the northwest), Vatican City, Rome, Italy, 1546–1564. Dome completed by GIACOMO DELLA PORTA, 1590.

144. Figure 22-29 Alternate View Total © 2005 Saskia Cultural Documentation, Ltd.

145. Figure 22-30 MICHELANGELO BUONARROTI, drawing of south elevation of Saint Peter’s, Vatican City, Rome, Italy, 1546–1564 (engraving by ÉTIENNE DUPÉRAC, ca. 1569). Metropolitan Museum of Art, New York (Harris Brisbane Dick Fund, 1941).

146. Figure 22-26 MICHELANGELO BUONARROTI, aerial view of Capitoline Hill (Campidoglio), Rome, Italy, designed ca. 1537. © 2005 Saskia Cultural Documentation, Ltd.

147. Figure 22-26 Alternate View General view of the complex from SW, with Capitoline Museum, paving, sculpture and Palace of Senators © 2005 Saskia Cultural Documentation, Ltd.

148. Figure 22-27 MICHELANGELO BUONARROTI, Museo Capitolino, Capitoline Hill, Rome, Italy, designed ca. 1537.

149. Fig. 22-54 Michelangelo, Vestibule of the Laurentian Library, Florence, Italy, 1524-1559 Mannerism