4. 20th Century Music
The new musical
styles created by 20th
century classical
composers were truly
unique and innovative.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
7. Impressionism
One of the earlier
but concrete forms
declaring the entry of
20th century music.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
8. Impressionism
It is a French
movement in the late
19th and early 20th
century.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
10. Impressionism
It was an attempt
not to depict
reality, but merely
to suggest it.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
11. Impressionism
It was an attempt
not to depict
reality, but merely
to suggest it.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
12. Impressionism
It was meant to
create an emotional
mood rather than a
specific picture.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
13. Impressionism
In terms of imagery,
impressionistic forms were
translucent and hazy, as if
trying to see through a
rain-drenched window.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
15. The primary
exponent of the
impressionist
movement and
the focal point
for other
impressionist
composers.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
16. He believed
that the
primary aim
of French
music is to
give pleasure.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
18. His musical
compositions total
more or less 227
which include
orchestral music,
chamber music,
piano music, operas,
ballets, songs, and
other vocal music.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
19. Debussy’s western influences
came from composers Franz
Liszt and Giuseppe Verdi.
From the East, he was
fascinated by the Javanese
gamelan that he had heard at
the 1889 Paris Exposition.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
20. L’Enfant Prodigue (1884)
Ariettes Oubliees
Prelude to the Afternoon of a Faun
String Quartet
Pelleas et Melisande (1895)
La Mer (1905)—a highly imaginative and atmospheric
symphonic work for orchestra about the sea
Images, Suite Bergamasque, and Estampes—his most
popular piano compositions; a set of lightly textured
pieces containing his signature work Claire de Lune
(Moonlight)
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
22. He was born in
Ciboure, France.
He entered the
Paris
Conservatory at
the age of 14 where
he studied with the
eminent French
composer GabrielMUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
23. Virtuoso
Many of his
works deal with
water in its
flowing or stormy
moods as well as
with human
characterizations.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
25. A strong
advocate of
Russian music,
he also admired
the music of
Chopin, Liszt,
Schubert, and
Mendelssohn.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
26. Pavane for a Dead Princess (1899)
Jeux d’Eau or Water Fountains (1901)
String Quartet (1903)
Sonatine for Piano (c.1904)
Miroirs (Mirrors), 1905
Gaspard de la Nuit (1908), a set of demonic-inspired
pieces based on the poems of Aloysius Bertrand which
is arguably the most difficult piece in the piano
repertoire.
Daphnis et Chloe (1912),
La Valse (1920), a waltz with a frightening undertone
that had been composed for ballet and arranged as
well as for solo and duo piano.
Ravel’s work is approximating 60 pieces for piano,
chamber music, song cycles, ballet, and opera.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
29. Debussy was more
spontaneous and liberal in
form, while Ravel was very
conservative and attentive to
the classical norms of musical
structure and the
compositional craftsmanship.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
30. Debussy was more casual in
his portrayal of visual imagery,
Ravel was more formal and
exacting in the development
of his motive ideas.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
32. Expressionism
A music that expresses
true emotions with
exaggeration.
Very atonal and
dissonant
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
34. Expressionism
It served as a medium
for expressing strong
emotions, such as
anxiety, rage, and
alienation.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
37. German composer Richard
Wagner influenced his work
as evidenced by his
symphonic poem Pelleas et
Melisande, Op 5 (1903), a
counterpoint of Debussy’s
opera of the same title.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
38. The man behind the 12-
tone music.
Born in a working-class
suburb of Vienna, Austria
on September 13, 1874 in
Austria. MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
39. His musical compositions
total more or less 213
which include concerti,
orchestral music, piano
music, operas, choral
music, songs, and otherMUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
40. His works include the following:
Verklarte Nacht, Three Pieces for Piano, op. 11
Pierrot Lunaire
Gurreleider
Verklarte Nacht (Transfigured Night, 1899)
one of his earliest successful pieces,
blends the lyricism, instrumentation, and
melodic beauty of Brahms with the
chromaticism and construction of Wagner.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
43. Born on June 17, 1882 on
Oranienbaum (now
Lomonosov), Russia and died
on April 6, 1971 in NYC.
One of the great
trendsetters of the 20th
century (Modern Era)MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
44. Stravinsky’s early music
reflected the influence of
his teacher, the Russian
composer Nikolai Rimsky-
Korsakov.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
45. Stravinsky’s musical output
approximates 127 works,
including concerti, orchestral
music, instrumental music,
operas, ballets, solo vocal, and
choral music
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
48. Primitivism
It is tonal through
the asserting of one
note as more
important than the
others.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
53. NEOCLASSICISM
Moderating factor
between the emotional
excesses of the Romantic
period and the violent
impulses of the soul in
expressionism.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
54. NEOCLASSICISM
Freer use of the
seven-note
diatonic scale.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
57. BELA VIKTOR
JANOS BARTOK
Born in Nagyszentmiklos,
Hungary (now Romania) on
March 25, 1881.
He started piano lessons at 18
and later entered Budapest
Royal Academy of Music
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
58. BELA BARTOK
He was inspired by the
performance of Richard
Strauss’s Also Sprach
Zarathustra to write his
first nationalistic poem,
Kossuth in 1903.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
59. BELA BARTOK
His music was
being badly
received in his
country.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
62. BELA BARTOK
He admired the
musical styles of
Liszt, Strauss,
Debussy and
Stravinsky.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
63. BELA BARTOK
Most famous for his Six
String Quartets (1908–
1938). It represents the
greatest achievement of
his creative life, spanning
a full 30 years for their
completion.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
64. BELA BARTOK
His musical compositions
total more or less 695
which include concerti,
orchestral music, piano music,
instrumental music, dramatic
music, choral music, and
songs.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
65. BARTOK’S WORKS
Concerto for
Orchestra (1943) –
five-movement work
composed late in
Bartok’s life.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
68. BARTOK’S WORKS
PIANO CONCERTO,
No.3 & VIOLA
CONCERTO (1945)-
supposed-to-be 42nd
surprise birthday
presents for his wife.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
72. SERGEI
PROKOFIEFF
a combination of
neo-classicist,
nationalist, and
avant-garde
composer.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
73. SERGEI
PROKOFIEFF
uniquely recognizable
for its progressive
technique, pulsating
rhythms, melodic
directness, and a
resolving dissonance.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
74. SERGEI
PROKOFIEFFHe also wrote Peter and the
Wolf, a light-hearted
orchestral work intended for
children, to appease the
continuing government
crackdown on avant-garde
composers at the time.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
75. PROKOFIEFF’s
WORKSSymphony no. 1 (also called
Classical Symphony),his
most accessible orchestral
work linked to the combined
styles of classicists Haydn and
Mozart and neo-classicist
Stravinsky.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
76. PROKOFIEFF’s
WORKSSymphony no. 1 (also called
Classical Symphony),his
most accessible orchestral
work linked to the combined
styles of classicists Haydn and
Mozart and neo-classicist
Stravinsky.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
79. FRANCIS JEAN
MARCEL POULENC
One of the relatively
few composers born
into wealth and a
privileged social
position.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
80. FRANCIS POULENC
He rejected the heavy
romanticism of Wagner
and the so-called
imprecision of Debussy
and Ravel.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
81. FRANCIS POULENC
A member of the
group of young
French composers
known as “Les Six.”
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
82. POULENC’S WORKS
Concert Champetre (1928)
Concerto for Two Pianos
(1932)
Concerto for Solo
Piano(1949)
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
83. POULENC’S WORKS
Les Mamelles de Tiresias
(1944) – revealed his light-
hearted character.
Dialogues des Carmelites
(1956) – highlighted his
conservation writing style.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
84. POULENC’S WORKS
La Voix Humane (1958) –
reflected his own turbulent
emotional life.
Litanies a la vierge noire
(1936) – somber and
solemn work
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
85. POULENC’S WORKS
Stabat Mater (1950) -
carried a Baroque solemnity
with a prevailing style of
unison singing and
repetition.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
86. POULENC’S WORKS
Poulenc’s musical compositions
total around 185 which include
solo piano works, as well as
vocal solos, known as melodies,
which highlighted many aspects
of his temperament in his avant
garde style.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
89. LES SIX
GEORGES AURIC
(1899–1983) wrote
music for the movies
and rhythmic music
with lots of energy.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
90. LES SIX
LOUIS DUREY (1888–
1979) used traditional
ways of composing and
wrote in his own,
personal way, not
wanting to follow form.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
91. LES SIX
ARTHUR HONEGGER
(1882–1955) liked chamber
music and the symphony.
His popular piece Pacific
231 describes a train
journey on the Canadian
Pacific Railway.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
92. LES SIX
DARIUS MILHAUD (1892–
1974) was a very talented
composer who wrote in several
different styles. His love of jazz
can be heard in popular pieces
like Le Boeuf sur le Toit which
he called a cinema-symphony.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
93. LES SIX
GERMAINE TAILLEFERRE
(1892–1983) was the only female
in the group. She liked to use
dance rhythms. She loved
children and animals and wrote
many works about them. She
also wrote operas, concerti, and
many works for the piano.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
94. The “LES SIX”
1. Francis Poulenc
2. Georges Auric
3. Louis Durey
4. Arthur Honegger
5. Darius Milhaud
6. Germaine Tailleferre
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
97. AVANT-GARDE
Improvisation was a
necessity in this style,
for the musical scores
were not necessarily
followed as written.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
101. AVANT-GARDE
unconventional methods
of sound and form
absence of traditional
rules governing
harmony, melody, and
rhythm
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
104. PHILIP GLASS
One of the most commercially
successful minimalist
composer.
Born in New York, USA of
Jewish parentage, Glass
became an accomplished
violinist and flutist at the age of
15.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
105. PHILIP GLASS
In Paris, he became
inspired by the music
of the renowned Indian
sitarist Ravi
Shankar.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
106. PHILIP GLASS
He formed the Philip Glass
Ensemble and produced works
such as Music in Similar
Motion (1969) and Music in
Changing Parts (1970), which
combined rock-type grooves with
perpetual patterns played at
extreme volumes.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
107. PHILIP GLASS
Glass collaborated with theater
conceptualist Robert Wilson to
produce the four-hour opera
Einstein on the Beach (1976),
an instant sell-out at the New York
Metropolitan Opera House. It put
minimalism in the mainstream of
20th century music.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
108. PHILIP GLASS
He completed the trilogy with the
operas Satyagraha (1980) and
Akhnaten (1984), based on the
lives of Mahatma Gandhi, Leo
Tolstoy, Martin Luther King, and an
Egyptian pharaoh. Here, he
combined his signature repetitive
and overlapping style with
theatrical grandeur on stage.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
109. PHILIP GLASS
His musical
compositions total
around 170. Today, Glass
lives alternately in Nova
Scotia, Canada and New
York, USA.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
112. GEORGE GERSHWIN
born in New York to Russian
Jewish immigrants.
His older brother Ira was his
artistic collaborator who wrote
the lyrics of his songs. His first
song was written in 1916 and
his first Broadway musical La
La Lucille in 1919.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
113. GEORGE GERSHWIN
From that time on, Gershwin’s name
became a fixture on Broadway.
He also composed Rhapsody in Blue (1924)
and An American in Paris (1928), which
incorporated jazz rhythms with classical
forms.
His opera Porgy and Bess (1934) remains
to this day the only American opera to be
included in the established repertory of this
genre.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
114. GEORGE GERSHWIN
In spite of his commercial success,
Gershwin was more fascinated with
classical music. He was influenced by
Ravel, Stravinsky, Berg, and
Schoenberg, as well as the group of
contemporary French composers
known as “Les Six” that would shape
the character of his major works—
half jazz and half classical.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
115. GEORGE GERSHWIN
He is a true “crossover
artist,” in the sense that his
serious compositions remain
highly popular in the classical
repertoire, as his stage and film
songs continue to be jazz and
vocal standards.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
116. GEORGE GERSHWIN
“Father of American
Jazz,” his “mixture of the
primitive and the
sophisticated” gave his
musician appeal that has
lasted long after his death.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
117. GEORGE GERSHWIN
His musical compositions
total around 369 which
include orchestral music,
chamber music, musical
theatre, film musicals,
operas, and songs.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
121. LEONARD
BERNSTEINHis big break came when he was
asked to substitute for the ailing
Bruno Walter in conducting the New
York Philharmonic Orchestra in a
concert on November 14, 1943. The
overnight success of this event
started his reputation as a great
interpreter of the classics as well as of
the more complex works of Gustav
Mahler.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
122. LEONARD
BERNSTEIN
He achieved pre-
eminence in two fields:
conducting and
composing for Broadway
musicals, dance shows,
and concert music.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
123. BERNSTEIN’S
WORKS:
West Side Story
(1957), an American
version of Romeo and Juliet,
which displays a tuneful, off-
beat, and highly atonal
approach to the songs.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
124. BERNSTEIN’S
WORKS:
Candide (1956) and the
much-celebrated Mass
(1971), which he wrote for
the opening of the John
F. Kennedy Center for the
Performing Arts in
Washington, D.C.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
125. BERNSTEIN’S
WORKS:
“Harvardian Lectures,” a
six-volume set of his
papers on syntax,
musical theories, and
philosophical insights
delivered to his students
at Harvard University.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
129. MODERN NATIONALISM
A looser form of 20th
century music development
focused on nationalist
composers and musical
innovators who sought to
combine modern techniques
with folk materials.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
130. MODERN NATIONALISM
In Eastern Europe,
prominent figures included
the Hungarian Bela Bartok
and the Russian Sergei
Prokofieff, who were neo-
classicists to a certain
extent.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
131. MODERN NATIONALISM
Bartok infused Classical
techniques into his own brand
of cross rhythms and shifting
meters to demonstrate many
barbaric and primitive themes
that were Hungarian—
particularly gypsy—in origin.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
132. MODERN NATIONALISM
Prokofieff used striking
dissonances and Russian
themes, and his music
was generally witty, bold,
and at times colored with
humor.
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
133. MODERN NATIONALISM
Extensive use of
polytonality.
a kind of atonality that
uses two or more tonal
centers simultaneously
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
135. MODERN NATIONALISM
In Russia, a highly gifted
generation of creative
individuals known as the
“Russian Five” infused
chromatic harmony and
incorporated Russian folk
music and liturgical chant in
their thematic materials.MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century
136. “RUSSIAN FIVE”
Modest Mussorgsky
Mili Balakirev
Alexander Borodin
Cesar Cui
Nikolai Rimsky Korsakov
MUSIC 10 QUARTER 1: Music of the 20th
and 21st Century