1.
Foreigners, understanding of Chinese gardens.
外国人，中国园林的认识。

2.
In 1989, I was readjusting to life, beyond
Somerset Maugham's Fiji [i]
Meanwhile, the late Maggie Keswick, had
written the foreword to Alison Hardie’s
translation of Yuan Ye [ The Craft of gardens ]
 the first surviving [ if not the first ever
written ] manual, on Chinese landscape
gardening;
by Ji Cheng [ Ji Wupi ] pen-name “ The
Negative Daoist,” and originally written
between1631-1634.

3.
1989年，我被调整到生命，超越W.Somerset毛姆
的斐济[I]
与此同时，麦琪后期凯瑟克，写了前言;
袁野，园林工艺，翻译由艾莉森哈迪，作家。
第一个幸存[如果不是第一，有史以来]手册，
对中国园林景观;
由吉承[姬屋辟]笔名，道教阴性，最初写，
1631年至1634年之间。

4.
[i]
apart from imagining Pacific scenes, from the time of W. Somerset
Maugham, back in 1922, when he published the book -
On a Chinese Screen: Sketches of Life in China;
it focused on Westerner’s struggles to accept, adapt or understand, the
enormity of cultural differences, they encountered in China.
[I]
除了太平洋想象的场景，从威廉·萨默塞特·毛姆的时间，早在1922年，当他
出版的书，
在一个中国屏风 - 在中国的生活素描;
它着眼于西方人的斗争，以接受，适应和理解，文化差异的艰巨性，他们在
中国的遭遇。

5.
In her closing paragraphs back in 1989, the late
Maggie Keswick [ Western authority on Chinese
gardens ] leaves readers, with poignant reminders and
foresight:
# Foreigners / Tourists – understanding of Chinese
gardens and
# Preservation – the balance, between man and
nature.
在她的结尾段落，张曼玉晚凯瑟克[对中国园林的西方
权威]叶读者而言，用凄美的提醒和先见之明，早在
1989年：
＃外国人/游客 - 中国园林的理解和
＃保存 - 平衡，人与自然之间。

6.
# To see Chinese gardens, through
Chinese eyes?
要了解中国园林，透过中国的眼睛？
# Foreigners / Tourists, suffering from
visual indigestion?
外国人/游客从视觉消化不良的痛苦？

7.
# Swamped with visitors / swarmed over
rocks.
与游客淹没/涌上了岩石。
# Earth stamped dry and lifeless.
地球加盖干，毫无生气。

8.
To quote the late Maggie Keswick:
“the world of men has breached the lime-washed walls”
要引用已故张曼玉凯瑟克的话：
“男人的世界已违反石灰洗的墙壁”

9.
Finding a balance, between tourism number
commercialization & shattered tranquility.
找到一个平衡点，旅游人数和商品化破碎宁静之间。

10.
……..seeking retreat, from the world's dust.
………寻求撤退，从世界的灰尘。