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Thunder – Jessie J 
Deconstruction
Shot Type and Movement: Close up, mid 
angle, mild shaky cam tracking up and down. 
Analysis: This close up of Jessie shows 
her singing, she also has a dark 
appearance in bright light, this relates 
to her time during her album ‘Alive’ 
where she, during the recording of the 
album, looked more sinister. The shot 
relates to Andrew Goodwin’s theory, 
relating to point five, where there is a 
frequent notation of looking towards 
the camera. The shady theme Jessie 
used in the video also relates to the 
fourth part of Goodwin’s theory as the 
dark theme is a recurring theme across 
the album. 
Music/Lyrics: Slow, rising tempo. 
“Now I’m Fall-ing down” 
“You lift me up to the clouds” 
Edit: Slow, pulsing flashes of light 
occur during the shot, cuts are slow 
and lengthy. Cuts from close up to 
extreme long shot of Jessie sliding 
down the side of the car.
Shot Type and Movement: Extreme long shot, 
mid angle, still shot with some shaky 
movement 
Analysis: The movements in the video 
currently are slow, relating to the beat 
of the song. Also, every time Jessie says 
‘thunder’ in the song, a thunder strike 
appears in the background, relating to 
part of Goodwin’s theory as there is a 
literal relationship between lyrics and 
visual effects. The slow movements are 
used in the video as they are 
demanded by the record label. 
Music/Lyrics: Slow tempo continues with a beat 
every two seconds. 
“Like Thunder, thunder, thunder.” 
Edit: Cuts become slightly more 
frequent, but still maintain a slow 
pace. Every time the song says 
’thunder’ a thunder strike appears in 
the background.
Shot Type and Movement: Mid – High angle 
close-up shot, still cam. Quick cuts and tinted 
lighting. 
Analysis: similar to the rest of the 
video, there is a frequent notation of 
looking along with a high use of slow 
seductive movements, relating to more 
of Andrew Goodwin’s theory with the 
frequent notation of looking. Also, it 
relates to her recurring theme across 
her album, the sinister theme becomes 
more intense as cuts become more 
frequent, shaky cams are more 
common and Jessie’s movements 
become more chaotic, relating to the 
recurring theme across her album, 
where a similar theme occurs to the 
music video ‘Wild’ (also by Jessie J.) 
Music/Lyrics: Slow, rising tempo. 
“Now when you’re Fall-ing down” 
“You lift me up to the clouds” 
Edit: Extreme rapid cuts in beat with 
the music, tinted lighting in purple, 
some of the cuts overlay to create a 
ghost like figure.
Shot Type and Movement: Mid angle, extreme 
long shot, 180 degree tracking to the left. 
Analysis: This part of the song is the 
only part with a 180° rule, where the 
camera moves smoothly across the 
terrain, with a high amount of 
silhouettes of Jessie flashing across the 
screen, The main Jessie, in the middle 
uses slow, seductive movements, while 
the silhouettes are more frantic. This 
use of editing relates to the music 
video as thunder is known to appear 
(literally) in a flash, where the 
silhouettes appear in flashes, quickly 
disappearing from the screen quicker 
then they appear. Whereas the Jessie in 
the middle is the central spotlight, 
where the silhouettes appear, similar to 
a lightning rod. 
Music/Lyrics: Slow tempo with two second beat 
“You make my hands shake, 
I watch the glass break, 
Across my guarded heart tonight.” 
Edit: Translucent figures of Jessie 
move across the screen, lighting on 
the figures in purple and blue are 
used. The figures appear and 
disappear rapidly.
Shot Type and Movement: Mainly mid angles, 
switches between long shots and close ups, 
heavy use of shaky cam. 
Analysis: Cuts become even more 
frantic and frequent, the point in the 
song is loud but sad, so it relates to 
Andrew Goodwin’s theory with links 
between lyrics and visuals, where Jessie 
in some cuts is shown to be distraught; 
shown to be sad. Whereas in others, 
she expresses anger (picture: left.) 
The setting for the video suggests that 
the production budget of the video 
ranges from low to medium. Since 
there are car lights flashing around her, 
use of slow motion plus quick camera 
rotation. However, the rest of the 
scenery is bland, on a sand dune in the 
middle of nowhere with dark clouds 
Music/Lyrics: Slow tempo turns electric and thunder behind her. 
“Then you came and told me to fight through the 
rain, fight through the rain, to fight through the 
rain.” 
Edit: Cuts become very frequent, 
rapid switch between the purple and 
blue tinted lights. Some cuts overlay
Shot Type and Movement: Heavy use of shaky 
cam in each shot, mid angles, rapid use of 
establishing shots, long shots and close ups. 
Analysis: Similar to the rest of the 
video, there is a frequent use of quick 
cuts, and similar to the beginning of 
the song, every time Jessie says 
‘thunder’ a thunder strike appears in 
the background. 
The light in the centre of the stage 
relates to being lifted into the 
heavens. This theme occurs 
throughout the song, where Jessie is 
frequently floating in mid-air, as if she 
was being lifted by a heavenly force. 
Music/Lyrics: Slow tempo with two second beat. 
“Like Thunder, thunder, thunder, 
You feel like thunder in the sky.” 
Edit: Cuts become very frequent, 
thunder appears in the background 
every time Jessie says ‘thunder.’ 
The lighting switches from regular 
white to purple and light blue.

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Measures of Position DECILES for ungrouped data
 

Thunder – jessie j

  • 1. Thunder – Jessie J Deconstruction
  • 2. Shot Type and Movement: Close up, mid angle, mild shaky cam tracking up and down. Analysis: This close up of Jessie shows her singing, she also has a dark appearance in bright light, this relates to her time during her album ‘Alive’ where she, during the recording of the album, looked more sinister. The shot relates to Andrew Goodwin’s theory, relating to point five, where there is a frequent notation of looking towards the camera. The shady theme Jessie used in the video also relates to the fourth part of Goodwin’s theory as the dark theme is a recurring theme across the album. Music/Lyrics: Slow, rising tempo. “Now I’m Fall-ing down” “You lift me up to the clouds” Edit: Slow, pulsing flashes of light occur during the shot, cuts are slow and lengthy. Cuts from close up to extreme long shot of Jessie sliding down the side of the car.
  • 3. Shot Type and Movement: Extreme long shot, mid angle, still shot with some shaky movement Analysis: The movements in the video currently are slow, relating to the beat of the song. Also, every time Jessie says ‘thunder’ in the song, a thunder strike appears in the background, relating to part of Goodwin’s theory as there is a literal relationship between lyrics and visual effects. The slow movements are used in the video as they are demanded by the record label. Music/Lyrics: Slow tempo continues with a beat every two seconds. “Like Thunder, thunder, thunder.” Edit: Cuts become slightly more frequent, but still maintain a slow pace. Every time the song says ’thunder’ a thunder strike appears in the background.
  • 4. Shot Type and Movement: Mid – High angle close-up shot, still cam. Quick cuts and tinted lighting. Analysis: similar to the rest of the video, there is a frequent notation of looking along with a high use of slow seductive movements, relating to more of Andrew Goodwin’s theory with the frequent notation of looking. Also, it relates to her recurring theme across her album, the sinister theme becomes more intense as cuts become more frequent, shaky cams are more common and Jessie’s movements become more chaotic, relating to the recurring theme across her album, where a similar theme occurs to the music video ‘Wild’ (also by Jessie J.) Music/Lyrics: Slow, rising tempo. “Now when you’re Fall-ing down” “You lift me up to the clouds” Edit: Extreme rapid cuts in beat with the music, tinted lighting in purple, some of the cuts overlay to create a ghost like figure.
  • 5. Shot Type and Movement: Mid angle, extreme long shot, 180 degree tracking to the left. Analysis: This part of the song is the only part with a 180° rule, where the camera moves smoothly across the terrain, with a high amount of silhouettes of Jessie flashing across the screen, The main Jessie, in the middle uses slow, seductive movements, while the silhouettes are more frantic. This use of editing relates to the music video as thunder is known to appear (literally) in a flash, where the silhouettes appear in flashes, quickly disappearing from the screen quicker then they appear. Whereas the Jessie in the middle is the central spotlight, where the silhouettes appear, similar to a lightning rod. Music/Lyrics: Slow tempo with two second beat “You make my hands shake, I watch the glass break, Across my guarded heart tonight.” Edit: Translucent figures of Jessie move across the screen, lighting on the figures in purple and blue are used. The figures appear and disappear rapidly.
  • 6. Shot Type and Movement: Mainly mid angles, switches between long shots and close ups, heavy use of shaky cam. Analysis: Cuts become even more frantic and frequent, the point in the song is loud but sad, so it relates to Andrew Goodwin’s theory with links between lyrics and visuals, where Jessie in some cuts is shown to be distraught; shown to be sad. Whereas in others, she expresses anger (picture: left.) The setting for the video suggests that the production budget of the video ranges from low to medium. Since there are car lights flashing around her, use of slow motion plus quick camera rotation. However, the rest of the scenery is bland, on a sand dune in the middle of nowhere with dark clouds Music/Lyrics: Slow tempo turns electric and thunder behind her. “Then you came and told me to fight through the rain, fight through the rain, to fight through the rain.” Edit: Cuts become very frequent, rapid switch between the purple and blue tinted lights. Some cuts overlay
  • 7. Shot Type and Movement: Heavy use of shaky cam in each shot, mid angles, rapid use of establishing shots, long shots and close ups. Analysis: Similar to the rest of the video, there is a frequent use of quick cuts, and similar to the beginning of the song, every time Jessie says ‘thunder’ a thunder strike appears in the background. The light in the centre of the stage relates to being lifted into the heavens. This theme occurs throughout the song, where Jessie is frequently floating in mid-air, as if she was being lifted by a heavenly force. Music/Lyrics: Slow tempo with two second beat. “Like Thunder, thunder, thunder, You feel like thunder in the sky.” Edit: Cuts become very frequent, thunder appears in the background every time Jessie says ‘thunder.’ The lighting switches from regular white to purple and light blue.