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INSTRUCTIONAL	
  
DESIGN	
  IN	
  ACTION:	
  
observing	
  the	
  judgments	
  
of	
  ID	
  practitioners	
  
	
  	
  elizabeth	
  boling,	
  colin	
  m.	
  gray,	
  and	
  verily	
  tan	
  
collaborators	
  
-  Cesur	
  Dagli	
  
-  Muruvvet	
  Demiral-­‐Uzan	
  
-  Funda	
  Ergulec	
  
-  Abdullah	
  Altuwaijri	
  
-  Khendum	
  Gyabak	
  
-  Megan	
  Hilligoss	
  
-  Remzi	
  Kizilboga	
  
-  Kei	
  Tomita	
  
background,	
  purpose,	
  &	
  
previous	
  studies	
  
-  Views	
  on	
  design	
  have	
  been	
  shifting	
  in	
  instructional	
  design	
  
-  From	
  prescriptive	
  enactment	
  of	
  theory	
  to	
  disciplined	
  practice	
  
(Bichelmeyer,	
  Boling	
  and	
  Gibbons,	
  2006;	
  Smith	
  &	
  Boling,	
  2009)	
  
-  From	
  practice	
  defined	
  by	
  research	
  to	
  practice	
  as	
  definitive	
  of	
  design	
  
(Gibbons,	
  Boling,	
  &	
  Smith,	
  2014;	
  Schwier,	
  Campbell,	
  &	
  Kenny,	
  2007)	
  
-  Research	
  on	
  ID	
  practice	
  has	
  been	
  limited	
  
-  On	
  its	
  own	
  terms	
  (Rowland,	
  1992)	
  
-  Comparing	
  practice	
  to	
  existing	
  ID	
  models	
  or	
  frameworks	
  (e.g.,	
  ADDIE)	
  
(Wedman	
  &	
  Tessmer,	
  1993;	
  Visscher-­‐Voerman	
  and	
  Gustafson,	
  2004)	
  
-  Attempts	
  to	
  approach	
  the	
  complexity	
  of	
  practice	
  by	
  translating	
  it	
  into	
  
explicit,	
  teachable	
  terms	
  (Ertmer,	
  York,	
  &	
  Gedik,	
  2009;	
  Ertmer	
  et	
  al.,	
  2009)	
  
design	
  practice	
  &	
  judgment	
  
-  Moving	
  beyond	
  a	
  scientific	
  or	
  scientised	
  framing	
  of	
  
design	
  practice	
  (Cross,	
  2011;	
  Stolterman,	
  2008)	
  
-  Reframing	
  our	
  understanding	
  of	
  practical	
  knowledge	
  
(phronesis)	
  as	
  specialized	
  knowledge,	
  not	
  just	
  common	
  
sense	
  that	
  accompanies	
  scientific	
  action	
  (Dunne,	
  1997)	
  
-  Related	
  constructs:	
  
-  Tacit	
  knowledge	
  (Holt,	
  1997;	
  Polanyi,	
  1966;	
  Vickers,	
  1984)	
  
-  Conceptual	
  design	
  sense	
  and	
  critical	
  flexibility	
  (Yanchar	
  
&	
  Gabbitas,	
  2011)	
  
-  Design	
  character	
  and	
  judgment	
  (Nelson	
  &	
  Stolterman,	
  
2012;	
  Korkmaz	
  &	
  Boling,	
  2014)	
  
Type Operationalized	
  Definition
framing Creating	
  a	
  working	
  area	
  for	
  design	
  activities	
  to	
  occur,	
  often	
  by	
  introducing	
  
constraints	
  (client	
  or	
  tool)	
  or	
  ways	
  of	
  assessing	
  outcomes.	
  This	
  occurs	
  
dynamically	
  across	
  multiple	
  levels.
deliberated	
  off-­‐hand Recalling	
  to	
  consciousness	
  previous	
  judgments	
  that	
  have	
  led	
  to	
  successful	
  
practices	
  and	
  opening	
  them	
  to	
  the	
  possibility	
  of	
  adaptation	
  or	
  use.
appreciative Placing	
  high	
  value	
  and	
  emphases	
  on	
  certain	
  aspect/s	
  of	
  a	
  design	
  situation	
  
while	
  backgrounding	
  others.
quality Making	
  design	
  decisions	
  about	
  the	
  effectiveness	
  of	
  visual	
  and	
  other	
  forms	
  of	
  
style,	
  or	
  to	
  demonstrate	
  due	
  diligence,	
  often	
  in	
  accordance	
  with	
  company	
  
standards,	
  in	
  relation	
  to	
  a	
  concrete	
  design	
  artifact.
appearance Assessment	
  of	
  overall	
  quality,	
  relating	
  to	
  an	
  entire	
  product	
  or	
  experience,	
  
rather	
  than	
  just	
  a	
  portion.	
  This	
  often	
  includes	
  part/whole	
  relations	
  within	
  a	
  
frame	
  of	
  aesthetic	
  experience	
  or	
  measurement	
  against	
  heuristic(s).
connective Making	
  connections,	
  or	
  bridging	
  various	
  design	
  objects	
  that	
  are	
  central	
  to	
  the	
  
design	
  process	
  and	
  activity.	
  The	
  connections	
  made	
  in	
  this	
  context	
  are	
  not	
  
generalized	
  but	
  specific	
  to	
  the	
  design	
  situation.
design	
  judgment	
  types	
  
Type Operationalized	
  Definition
compositional Making	
  connections	
  or	
  bringing	
  various	
  design	
  objects	
  together	
  that	
  are	
  
central	
  to	
  the	
  design	
  process	
  and	
  activity.	
  The	
  connections	
  made	
  in	
  this	
  
context	
  are	
  generalized	
  and	
  not	
  specific	
  to	
  a	
  particular	
  design	
  situation	
  but	
  to	
  
the	
  overall	
  process.
instrumental The	
  selecting,	
  utilization,	
  or	
  influence	
  of	
  a	
  tool,	
  concept,	
  or	
  method	
  in	
  reaching	
  
an	
  established	
  design	
  goal.
navigational Considering	
  a	
  path,	
  plan,	
  or	
  certain	
  manner	
  (of	
  individual,	
  disciplined	
  
preference)	
  in	
  approaching	
  a	
  task	
  or	
  a	
  challenge	
  to	
  get	
  to	
  a	
  desired	
  state.
default Giving	
  an	
  automatic	
  response	
  to	
  a	
  situation	
  without	
  deliberation.
core Statement	
  about	
  one’s	
  value	
  or	
  thinking,	
  usually	
  revealed	
  when	
  pushed	
  by	
  
“why”	
  questions	
  concerning	
  one’s	
  judgment.
design	
  judgment	
  types	
  
research	
  questions	
  
-  What	
  do	
  IDs	
  do	
  in	
  practice	
  consistent	
  with	
  design	
  
judgment?	
  
-  What	
  design	
  judgments	
  take	
  place	
  in	
  ID	
  activities?	
  
method	
  
-  Two	
  sites	
  of	
  ID	
  practice	
  
-  8	
  practicing	
  IDs	
  
-  Data	
  Collection	
  
-  Field	
  observations	
  (20	
  hours	
  total)	
  with	
  handwritten	
  
fieldnotes	
  
-  Follow-­‐up	
  interviews	
  with	
  notes	
  and	
  audio	
  recording	
  
-  Analysis	
  
-  Unitized	
  coding	
  of	
  judgments	
  
-  Holistic	
  case	
  summaries	
  
findings	
  &	
  	
  
discussion	
  
!
!
Framing!
Off*hand!
Appreciative!
Quality!
Appearance!
Connective!
Compositional!
Instrumental!
Navigational!
Default!
Core!
TOTAL!
Gabriel! 9! 8! 10! 4! 5! 4! 2! 8! 5! 0! 1! 56!
Emily! 5! 6! 8! 2! 0! 3! 4! 8! 6! 10! 0! 52!
Julia! 0! 4! 3! 5! 4! 2! 4! 2! 2! 4! 0! 30!
Heather! 5! 1! 7! 0! 0! 0! 0! 0! 3! 0! 0! 16!
Ethan! 6! 0! 3! 1! 1! 0! 0! 1! 5! 2! 1! 20!
Ethan! 3! 0! 2! 1! 1! 1! 0! 1! 3! 0! 0! 12!
Claire! 3! 3! 6! 3! 1! 2! 3! 2! 3! 0! 0! 31!
Adam! 3! 3! 0! 1! 1! 1! 2! 1! 1! 0! 0! 13!
Sally! 13! 4! 4! 8! 14! 7! 5! 13! 8! 15! 1! 92!
TOTAL! 47! 29! 43! 25! 27! 20! 20! 36! 36! 31! 3! 322!
!
Frequency	
  of	
  Judgments	
  based	
  on	
  Nelson	
  and	
  Stolterman	
  (2012)	
  Types	
  
judgments	
  are	
  happening	
  	
  
all	
  the	
  time	
  
-  Average	
  of	
  35	
  design	
  judgments	
  per	
  observation	
  
-  Over	
  16	
  judgments	
  per	
  hour,	
  averaged	
  across	
  all	
  participants	
  
judgments	
  create	
  and	
  are	
  shaped	
  by	
  	
  
situational	
  factors	
  in	
  design	
  
-  Design	
  environment/office	
  culture	
  
-  Role	
  or	
  position	
  of	
  the	
  designer	
  
-  Project,	
  client,	
  and	
  external	
  factors	
  
	
  
judgments	
  are	
  clustered	
  	
  
and	
  layered	
  
-  Multiple	
  design	
  judgment	
  types	
  are	
  clustered	
  and	
  
layered	
  “in	
  the	
  wild”	
  
-  Stolterman:	
  “[judgments]	
  as	
  pearls	
  and	
  they	
  are	
  
connected	
  with	
  strings…If	
  you	
  take	
  one	
  and	
  hold	
  it	
  up,	
  
then	
  the	
  others	
  just	
  hang,	
  as	
  a	
  cluster…”	
  
-  Pure	
  philosophical	
  types	
  versus	
  complex,	
  contextually-­‐
bound	
  expressions	
  in	
  reality	
  
Name	
   Company	
   Role	
  
Years	
  of	
  
Experience	
   Background	
  
Gabriel	
  
Campus-­‐wide	
  
Consultancy	
   Media	
  Consultant	
   6	
  
Degree	
  in	
  Computer	
  Science;	
  
Masters	
  in	
  Comm.	
  &	
  Tech.	
  
Emily	
   Established	
  ID	
  Firm	
   ID	
   0.17	
   ID	
  in	
  non-­‐profit	
  fields	
  
Julia	
   Established	
  ID	
  Firm	
  
Senior	
  ID/Project	
  
Leader	
   7	
  
Degree	
  in	
  Fine	
  Arts;	
  	
  
Masters	
  in	
  IST	
  
Heather	
   Established	
  ID	
  Firm	
   Project	
  Manager	
   11	
  
Degree	
  in	
  English;	
  
Masters	
  in	
  IST	
  
Ethan	
   Established	
  ID	
  Firm	
   ID	
   2.5	
  
Degree	
  in	
  IT;	
  	
  
Masters	
  in	
  Instructional	
  Tech.	
  
Claire	
   Established	
  ID	
  Firm	
   ID	
   6.5	
  
Degree	
  in	
  Ed.	
  Counseling;	
  	
  
Masters	
  in	
  EdTech	
  
Adam	
   Established	
  ID	
  Firm	
   Course	
  Director	
   10	
  
Degree	
  in	
  Journalism;	
  	
  
EdS	
  in	
  IST	
  
Sally	
   Established	
  ID	
  Firm	
   ID	
   3	
   Masters	
  in	
  Screenwriting	
  
example	
  
She	
  started	
  the	
  meeting	
  [with	
  a	
  client	
  via	
  teleconferencing]	
  with	
  questions.	
  
She	
  needs	
  clarification	
  on	
  the	
  document	
  to	
  	
  understand	
  the	
  content	
  better	
  and	
  
said	
  she	
  wanted	
  to	
  ask	
  questions	
  to	
  the	
  person	
  who	
  created	
  high	
  level	
  outline.	
  
[...]	
  She	
  continued	
  making	
  clarification	
  on	
  the	
  understanding	
  of	
  the	
  content	
  
and	
  she	
  asked	
  “what	
  communication	
  skills	
  and	
  active	
  listening	
  skills	
  mean.	
  She	
  
wanted	
  to	
  sure	
  whether	
  what	
  she	
  understood	
  is	
  same	
  what	
  they	
  mean	
  with	
  
these	
  terms.	
  Then,	
  she	
  stated	
  that	
  she	
  would	
  like	
  to	
  have	
  the	
  definition	
  of	
  
“active	
  listening	
  skills.	
  (Claire,	
  123-­‐124;	
  164-­‐166)	
  
limitations	
  
-  Data	
  limited	
  to	
  one	
  ID	
  at	
  a	
  time,	
  although	
  others	
  
appear	
  in	
  the	
  frame	
  
-  No	
  continuity	
  across	
  projects	
  or	
  project	
  teams	
  
-  Convenient	
  sample,	
  with	
  most	
  IDs	
  originally	
  educated	
  
in	
  a	
  single	
  ID	
  program	
  
-  Over-­‐explanation	
  of	
  practice	
  in	
  some	
  instances	
  
-  Operationalization	
  of	
  a	
  philosophical	
  model	
  of	
  
judgment	
  is	
  incomplete	
  
implications	
  &	
  future	
  research	
  
-  Judgments	
  are	
  made	
  on	
  a	
  continuous	
  basis	
  
throughout	
  projects,	
  and	
  not	
  just	
  as	
  mental	
  
“adjustments”	
  to	
  models;	
  these	
  judgments	
  cannot	
  be	
  
discovered	
  through	
  the	
  application	
  of	
  a	
  priori	
  scientific	
  
models	
  
-  Move	
  toward	
  understanding	
  practice	
  on	
  its	
  own	
  
terms,	
  using	
  this	
  as	
  a	
  base	
  for	
  scholarship	
  that	
  can	
  
then	
  improve	
  practice	
  
———————————	
  
-  We	
  know	
  almost	
  nothing	
  about	
  this	
  space	
  
-  Knowledge	
  of	
  professional	
  practice	
  is	
  highly	
  important	
  
for	
  ID	
  education,	
  including	
  engagement	
  in	
  authentic	
  
situations	
  
references	
  
Bichelmeyer,	
  B.,	
  Boling,	
  E.,	
  &	
  Gibbons,	
  A.	
  (2006).	
  Instructional	
  design	
  and	
  technology	
  models:	
  Their	
  impact	
  on	
  research,	
  practice	
  and	
  
teaching	
  in	
  IDT.	
  In	
  M.	
  Orey,	
  J.	
  McLendon	
  &	
  R.	
  Branch	
  (Eds.).	
  Educational	
  Media	
  and	
  Technology	
  Yearbook	
  2006.	
  Westport,	
  CT:	
  
Libraries	
  Unlimited.	
  
Cross,	
  N.	
  (2011).	
  Design	
  thinking:	
  Understanding	
  how	
  designers	
  think	
  and	
  work.	
  New	
  York,	
  NY:	
  Berg.	
  
Dunne,	
  J.	
  (1997).	
  Back	
  to	
  the	
  rough	
  ground:	
  Practical	
  judgment	
  and	
  the	
  lure	
  of	
  technique.	
  Notre	
  Dame,	
  IN:	
  University	
  of	
  Notre	
  Dame	
  
Press.	
  
Ertmer,	
  P.	
  A.,	
  York,	
  C.	
  S.,	
  &	
  Gedik,	
  N.	
  (2009).	
  Learning	
  from	
  the	
  pros:	
  How	
  experienced	
  designers	
  translate	
  instructional	
  design	
  models	
  
into	
  practice.	
  Educational	
  Technology,	
  49(1),	
  19-­‐27.	
  
Ertmer,	
  P.	
  A.,	
  Stepich,	
  D.	
  A.,	
  Flanagan,	
  S.,	
  Kocaman-­‐Karoglu,	
  A.,	
  Reiner,	
  C.,	
  Reyes,	
  L.,	
  ...	
  &	
  Ushigusa,	
  S.	
  (2009).	
  Impact	
  of	
  guidance	
  on	
  the	
  
problem-­‐solving	
  efforts	
  of	
  instructional	
  design	
  novices.	
  Performance	
  Improvement	
  Quarterly,21(4),	
  117-­‐132.	
  
Holt,	
  J.	
  E.	
  (1997).	
  The	
  designer's	
  judgement.	
  Design	
  Studies,	
  18(1),	
  113-­‐123.	
  
Korkmaz,	
  N.,	
  &	
  Boling,	
  E.	
  (2014).	
  Development	
  of	
  design	
  judgment	
  in	
  instructional	
  design:	
  Perspectives	
  from	
  instructors,	
  students,	
  and	
  
instructional	
  designers.	
  In	
  Design	
  in	
  educational	
  technology	
  (pp.	
  161-­‐184).	
  Switzerland:	
  Springer.	
  
Nelson,	
  H.	
  G.,	
  &	
  Stolterman,	
  E.	
  (2012).	
  The	
  design	
  way:	
  Intentional	
  change	
  in	
  an	
  unpredictable	
  world	
  (2nd	
  ed.).	
  Cambridge,	
  MA:	
  MIT	
  Press.	
  
Polanyi,	
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AERA2014: Instructional Design In Action: Observing the Judgments of ID Practitioners

  • 1. INSTRUCTIONAL   DESIGN  IN  ACTION:   observing  the  judgments   of  ID  practitioners      elizabeth  boling,  colin  m.  gray,  and  verily  tan  
  • 2. collaborators   -  Cesur  Dagli   -  Muruvvet  Demiral-­‐Uzan   -  Funda  Ergulec   -  Abdullah  Altuwaijri   -  Khendum  Gyabak   -  Megan  Hilligoss   -  Remzi  Kizilboga   -  Kei  Tomita  
  • 3. background,  purpose,  &   previous  studies   -  Views  on  design  have  been  shifting  in  instructional  design   -  From  prescriptive  enactment  of  theory  to  disciplined  practice   (Bichelmeyer,  Boling  and  Gibbons,  2006;  Smith  &  Boling,  2009)   -  From  practice  defined  by  research  to  practice  as  definitive  of  design   (Gibbons,  Boling,  &  Smith,  2014;  Schwier,  Campbell,  &  Kenny,  2007)   -  Research  on  ID  practice  has  been  limited   -  On  its  own  terms  (Rowland,  1992)   -  Comparing  practice  to  existing  ID  models  or  frameworks  (e.g.,  ADDIE)   (Wedman  &  Tessmer,  1993;  Visscher-­‐Voerman  and  Gustafson,  2004)   -  Attempts  to  approach  the  complexity  of  practice  by  translating  it  into   explicit,  teachable  terms  (Ertmer,  York,  &  Gedik,  2009;  Ertmer  et  al.,  2009)  
  • 4. design  practice  &  judgment   -  Moving  beyond  a  scientific  or  scientised  framing  of   design  practice  (Cross,  2011;  Stolterman,  2008)   -  Reframing  our  understanding  of  practical  knowledge   (phronesis)  as  specialized  knowledge,  not  just  common   sense  that  accompanies  scientific  action  (Dunne,  1997)   -  Related  constructs:   -  Tacit  knowledge  (Holt,  1997;  Polanyi,  1966;  Vickers,  1984)   -  Conceptual  design  sense  and  critical  flexibility  (Yanchar   &  Gabbitas,  2011)   -  Design  character  and  judgment  (Nelson  &  Stolterman,   2012;  Korkmaz  &  Boling,  2014)  
  • 5. Type Operationalized  Definition framing Creating  a  working  area  for  design  activities  to  occur,  often  by  introducing   constraints  (client  or  tool)  or  ways  of  assessing  outcomes.  This  occurs   dynamically  across  multiple  levels. deliberated  off-­‐hand Recalling  to  consciousness  previous  judgments  that  have  led  to  successful   practices  and  opening  them  to  the  possibility  of  adaptation  or  use. appreciative Placing  high  value  and  emphases  on  certain  aspect/s  of  a  design  situation   while  backgrounding  others. quality Making  design  decisions  about  the  effectiveness  of  visual  and  other  forms  of   style,  or  to  demonstrate  due  diligence,  often  in  accordance  with  company   standards,  in  relation  to  a  concrete  design  artifact. appearance Assessment  of  overall  quality,  relating  to  an  entire  product  or  experience,   rather  than  just  a  portion.  This  often  includes  part/whole  relations  within  a   frame  of  aesthetic  experience  or  measurement  against  heuristic(s). connective Making  connections,  or  bridging  various  design  objects  that  are  central  to  the   design  process  and  activity.  The  connections  made  in  this  context  are  not   generalized  but  specific  to  the  design  situation. design  judgment  types  
  • 6. Type Operationalized  Definition compositional Making  connections  or  bringing  various  design  objects  together  that  are   central  to  the  design  process  and  activity.  The  connections  made  in  this   context  are  generalized  and  not  specific  to  a  particular  design  situation  but  to   the  overall  process. instrumental The  selecting,  utilization,  or  influence  of  a  tool,  concept,  or  method  in  reaching   an  established  design  goal. navigational Considering  a  path,  plan,  or  certain  manner  (of  individual,  disciplined   preference)  in  approaching  a  task  or  a  challenge  to  get  to  a  desired  state. default Giving  an  automatic  response  to  a  situation  without  deliberation. core Statement  about  one’s  value  or  thinking,  usually  revealed  when  pushed  by   “why”  questions  concerning  one’s  judgment. design  judgment  types  
  • 7. research  questions   -  What  do  IDs  do  in  practice  consistent  with  design   judgment?   -  What  design  judgments  take  place  in  ID  activities?  
  • 8. method   -  Two  sites  of  ID  practice   -  8  practicing  IDs   -  Data  Collection   -  Field  observations  (20  hours  total)  with  handwritten   fieldnotes   -  Follow-­‐up  interviews  with  notes  and  audio  recording   -  Analysis   -  Unitized  coding  of  judgments   -  Holistic  case  summaries  
  • 9. findings  &     discussion  
  • 10. ! ! Framing! Off*hand! Appreciative! Quality! Appearance! Connective! Compositional! Instrumental! Navigational! Default! Core! TOTAL! Gabriel! 9! 8! 10! 4! 5! 4! 2! 8! 5! 0! 1! 56! Emily! 5! 6! 8! 2! 0! 3! 4! 8! 6! 10! 0! 52! Julia! 0! 4! 3! 5! 4! 2! 4! 2! 2! 4! 0! 30! Heather! 5! 1! 7! 0! 0! 0! 0! 0! 3! 0! 0! 16! Ethan! 6! 0! 3! 1! 1! 0! 0! 1! 5! 2! 1! 20! Ethan! 3! 0! 2! 1! 1! 1! 0! 1! 3! 0! 0! 12! Claire! 3! 3! 6! 3! 1! 2! 3! 2! 3! 0! 0! 31! Adam! 3! 3! 0! 1! 1! 1! 2! 1! 1! 0! 0! 13! Sally! 13! 4! 4! 8! 14! 7! 5! 13! 8! 15! 1! 92! TOTAL! 47! 29! 43! 25! 27! 20! 20! 36! 36! 31! 3! 322! ! Frequency  of  Judgments  based  on  Nelson  and  Stolterman  (2012)  Types  
  • 11. judgments  are  happening     all  the  time   -  Average  of  35  design  judgments  per  observation   -  Over  16  judgments  per  hour,  averaged  across  all  participants   judgments  create  and  are  shaped  by     situational  factors  in  design   -  Design  environment/office  culture   -  Role  or  position  of  the  designer   -  Project,  client,  and  external  factors    
  • 12. judgments  are  clustered     and  layered   -  Multiple  design  judgment  types  are  clustered  and   layered  “in  the  wild”   -  Stolterman:  “[judgments]  as  pearls  and  they  are   connected  with  strings…If  you  take  one  and  hold  it  up,   then  the  others  just  hang,  as  a  cluster…”   -  Pure  philosophical  types  versus  complex,  contextually-­‐ bound  expressions  in  reality  
  • 13. Name   Company   Role   Years  of   Experience   Background   Gabriel   Campus-­‐wide   Consultancy   Media  Consultant   6   Degree  in  Computer  Science;   Masters  in  Comm.  &  Tech.   Emily   Established  ID  Firm   ID   0.17   ID  in  non-­‐profit  fields   Julia   Established  ID  Firm   Senior  ID/Project   Leader   7   Degree  in  Fine  Arts;     Masters  in  IST   Heather   Established  ID  Firm   Project  Manager   11   Degree  in  English;   Masters  in  IST   Ethan   Established  ID  Firm   ID   2.5   Degree  in  IT;     Masters  in  Instructional  Tech.   Claire   Established  ID  Firm   ID   6.5   Degree  in  Ed.  Counseling;     Masters  in  EdTech   Adam   Established  ID  Firm   Course  Director   10   Degree  in  Journalism;     EdS  in  IST   Sally   Established  ID  Firm   ID   3   Masters  in  Screenwriting  
  • 14. example   She  started  the  meeting  [with  a  client  via  teleconferencing]  with  questions.   She  needs  clarification  on  the  document  to    understand  the  content  better  and   said  she  wanted  to  ask  questions  to  the  person  who  created  high  level  outline.   [...]  She  continued  making  clarification  on  the  understanding  of  the  content   and  she  asked  “what  communication  skills  and  active  listening  skills  mean.  She   wanted  to  sure  whether  what  she  understood  is  same  what  they  mean  with   these  terms.  Then,  she  stated  that  she  would  like  to  have  the  definition  of   “active  listening  skills.  (Claire,  123-­‐124;  164-­‐166)  
  • 15. limitations   -  Data  limited  to  one  ID  at  a  time,  although  others   appear  in  the  frame   -  No  continuity  across  projects  or  project  teams   -  Convenient  sample,  with  most  IDs  originally  educated   in  a  single  ID  program   -  Over-­‐explanation  of  practice  in  some  instances   -  Operationalization  of  a  philosophical  model  of   judgment  is  incomplete  
  • 16. implications  &  future  research   -  Judgments  are  made  on  a  continuous  basis   throughout  projects,  and  not  just  as  mental   “adjustments”  to  models;  these  judgments  cannot  be   discovered  through  the  application  of  a  priori  scientific   models   -  Move  toward  understanding  practice  on  its  own   terms,  using  this  as  a  base  for  scholarship  that  can   then  improve  practice   ———————————   -  We  know  almost  nothing  about  this  space   -  Knowledge  of  professional  practice  is  highly  important   for  ID  education,  including  engagement  in  authentic   situations  
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Editor's Notes

  1. ----- Meeting Notes (4/1/14 09:37) -----
  2. ----- Meeting Notes (4/1/14 09:37) -----
  3. ----- Meeting Notes (4/1/14 09:44) -----types of judgmentconstruct not refined enough to explain why core and framing are so far apart
  4. ----- Meeting Notes (4/1/14 09:48) -----contrast between what we saw happening and the potential for the ADDIE model (or similar) to suggest that judgment only occurs at critical pointsSWITCH TO COLIN
  5. ----- Meeting Notes (4/1/14 09:55) -----Implication is that a certain type of judgment may be connected to other types
  6. In this case, a framing judgment appeared to be foregrounded (i.e., the pearl that is held up), as she sought to understand the content within the document by asking questions. She checked the high level document, and also the person who created it. In the process, she clarified specific terminology, and then asked deeper questions relating to the subject matter of the training, communication. Here, she seemed to be exercising connective judgment, in trying to get to the composite whole of “communication.” While she worked towards this communicative “whole,” she also seemed to emphasize certain aspects of communication over others, which is characteristic of appreciative judgment. In this way, connective and appreciative judgment “cluster behind” or are backgrounded below the primary framing judgment.----- Meeting Notes (4/1/14 09:55) -----5 seconds of silence to allow people to read---Note she is doing these specific things; this is what we saw her do, not a direct list of judgments
  7. ----- Meeting Notes (4/1/14 09:57) -----Did not attempt to characterize judgments of people that were not in our primary frametelling rather than showing