17. ‘A period of time where information is the key ingredient
of our social organisation and where flows of
messages and images between networks constitute
the basic thread of our social structure.’
Manuel Castells
18. ‘The information society is rapidly transforming the way people
communicate and understand their identity in the modern world.’
Manuel Castells
22. In de ‘information age’ spelen onze levens zich steeds vaker
in een digitale omgeving af, in een digitale cultuur. Het
uitwisselen van informatie vindt voornamelijk online plaats.
27. en oude media
De televisie serie Selfie integreert elementen uit de digitale cultuur in het plot.
‘After being the subject on an embarrassing viral video, a self - involved 20 -something enlists
the help of marketing expert to revamp her image in the real world’.
34. Waarom is het voor jou als maker van belang om onze
digitale cultuur onder de loep nemen?
35. ‘The computer has moved from being merely a tool,
such as a calculator or processor, to being a filter for all
culture and has started to replace the cinema screen,
the television, the gallery wall and the book as
our primary interface with mediated culture …’
Vincent Miller - Understanding Digital Culture: Key Elements of Digital Media (2011)
36. It is impossible to understand social and cultural
changes without a knowledge of the workings of media.
Marshall McLuhan
37. De komst van een digitale cultuur roept vragen op met betrekking
tot hoe en wat we communiceren en de
veranderende wijze waarop we onze huidige cultuur vormgeven.
38. Om te begrijpen hoe media & cultuur veranderen is het van
belang om de omgeving waarin ze ontwikkelt en gebruikt
worden (omgeving = digitale cultuur) te onderzoeken/leren
kennen.
39. ‘Societies have always been shaped more by the nature of
the media by which men communicate than by the content of
the communication.’
Marshall McLuhan
42. watch this space - francesca gavin
http://roughversion.blogspot.nl/2015/04/watch-this-space.html
43. This is an examination about our relationship to screens.
Let’s start small with the phone. It is the most intimate
example of our relationship to technology.
The screen object we carry with us everyday.
Where is the screen in contemporary life?
44. Nothing is ever really off - just resting, waiting to be
activated at a single gesture, touch or glance.
52. The screen constantly moved closer to our eyes over the past
decades. The screen will be attached to our eyes soon.
Aram Bartholl
53. Screens have a bad reputation. They are blamed for eye ache,
sleep damage, rewired brains, and social isolation.
54. We have never been more obsessed with looking at the moving or still
image in screen space. Nathan Jeurgenson notes in ‘The IRL Fetish’ the
plain fact that our lived reality is the result of the constant
interprenetation of the online and offline.
55. “Texting, emailing, posting lets us present the self as
we want it to be. We get to retouch. Human relationships are messy.
We clean them up with technology. We sacrifice conversations for
connection.”
Sherry Turkle
Turkle notes that the phone presents the fantasy that we
are never alone, will alway be heard. “Being alone feels like
a problem that needs to be solved. I share therefore I am.”
56. In fact the void-like nature of the screen can be seen
as what makes it so exciting. It is waiting to be
filled with imagery, information and ideas.
57. les 2. de remixcultuur van het Internet
Literatuur: Noah Levinson, “ I Can Has Cultural Influenz?” (2015)
op te halen op via
http://forbes5.pitt.edu/ojs/index.php/forbes5/article/view/21
voor vragen en/of opmerkingen io.stanescu@gmail.com
