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Introduction
A friend and I were
discussing „The Lord of the
Rings‟ trilogy and I said
“well, Lord of the Rings
isn‟t just some fairytale.
The main plot is too
complex to break it down to
basics, you have to include
everything for it to make
sense”. But she disagreed
with me. So this is what
gave me an idea for my
final project. I‟m using
semiotics to break the epic
of „Lord of the Rings‟ down
to a basic fairytale.
So what is a fairytale?
I grew up knowing that a basic fairytale is about a hero
(or heroes) who do a brave deed to vanquish evil. They
 would also fall in love with a heroine and have a little
                   help along the way.
So Who is Our Hero in
                  Lord of the Rings?
                             There are four…




Frodo Baggins      Gandalf   Aragorn   Samwise Gamgee
Signifier: The Heroes
                        Frodo and Sam
    Signified
• Brave
• Small
• Loyal
• Compassionate
• Pure
While Frodo is the main hero in this
  film. Sam is also a hero because he
  also carries the burden of the ring
  and keeps a hopeful heart that
  there will be a return journey home
  and he never truly let‟s that go.
                                        Sam: “I made a promise, Mr Frodo. A promise. 'Don't
                                        you leave him Samwise Gamgee.' And I don't mean to. I
                                        don't mean to.”
Signifier: The Heroes
Gandalf and Aragorn
Signified
•Brave
•Strong
•Fearless
•Fights for the good of
others
•Wise

Aragorn and Gandalf are
the ideal heroes one would
think of for a fairytale.
Unlike the hobbits, Frodo
and Sam.
Who are the Helpers?
Merry and Pippin   Legolas and Gimli
Aragorn: "Gentlemen! We do not stop till
                                  nightfall."
Signifier: The Helpers            Pippin: "What about breakfast?"
                                  Aragorn: "You've already had it."
Signified                         Pippin: "We've had one, yes. What about
•Witty                            second breakfast?"
•Funny
•Supportive
•Dependent (you‟ll see this
more with Merry and Pippin
rather than Legolas and Gimli)

Merry and Pippin are the ideal
helpers aka the break from all
the serious action. Legolas
and Gimli become more like
the ideal helpers in the second   Merry: "Don't think he knows about second
                                  breakfast, Pip."
and third film.                   Pippin: "What about elevensies?
                                  Luncheon? Afternoon tea? Dinner? Supper?
                                  He knows about them, don't he?"
                                  Merry: "I wouldn't count on it."
Who are the Villains?
There are two...
                   Others are just minions…




       Sauron                   Saruman
Saruman: “We must join with Him, Gandalf. We
Signifier: The                         must join with Sauron. It would be wise, my friend.”
Villains
Signified
•Evil
•Heartless
•Obsessed with having power
•Cruel
•Intimidating
•Powerful

While it‟s obvious that Sauron is
the main villain, Saruman is also a
villain because he decides to join
the side of evil because he knew
that he would not win against the
powers of Mordor. He did not
want to lose anything, just wanted    Gandalf: “Tell me, „friend‟, when did Saruman the Wise
to keep his power in Isengard.        abandon reason for madness?”
Signifier/Signified         Heroes/Helpers/Villains            Refer to Past 7 Slides


  Metaphor         No matter how bad things get, Good will always triumph over Evil.
 Paradigmatic
   Analysis        Good vs Evil, Innocence vs Adulthood, Loyalty vs Betrayal
 Syntagmatic
   Analysis        Refer to next slide

  Indexes          Whenever Frodo puts on the Ring, the forces of evil are able to see him

  Symbols          There are two important symbols: (1) the One Ring – symbolizes evil
                   and temptation. (2) Smeagol/Gollum – he symbolizes what Frodo could
                   become if he allows the Ring to control him.

Intertexuality     There are many Biblical allusions in Lord of the Rings. For
                   example: Gandalf represents a Jesus figure (he dies while fighting
                   a Balrog and is later reborn to finish his mission to help Frodo
                   destroy the Ring).

   Codes           In the first film, the Fellowship is trying to enter Moria but the door is
                   locked until they can speak the password which is the riddle: “Speak Friend
                   and Enter” Gandalf misinterprets this, but Frodo sees that you must say
                   “Friend” in Elvish to enter.
Syntagmatic Analysis of the Main Plot
•At the beginning of the trilogy, Frodo is presented with the ring (0) and is warned
by Gandalf of the powers (1).

•He sets out to bring the ring to Rivendell with Sam, Merry, and Pippin. (11) When
they arrive the council argues about who will go to Mordor and destroy the ring.
Frodo decides that he‟s going to do it (10) and the full fellowship is on its way (11).

•A few times throughout the trilogy Frodo slips the ring on his finger (3) and the
enemy is able to see that Frodo has the ring (5).

• Frodo isconstantly tested by evil by just being the ringbearer (12). He finally
makes it to Mordor (15) and destroys the ring (18).

•The hobbits return to the Shire (20) but soon after Frodo must depart for the Grey
Havens because the damage he got from the ring never fully healed.

http://changingminds.org/disciplines/storytelling/plots/propp/propp.htm
My Semiotic Analysis Results Are…!
Results
In my opinion I was right, The
Lord of the Rings cannot be
broken down to a simple fairy
tale. While parts of the main
plot (following Frodo and the
Ring) went along with Propp‟s
morphology, a lot of the story
was left out because there are
at times where we‟re following
three different stories (in the
Two Towers where Merry and
Pippin were separated from
Aragorn, Legolas, and Gimli).
There is just so much story
that it‟s hard to break it all
down to basics using
semiotics.
Sources
The Lord of the Rings the Fellowship of the Ring. Dir. Peter Jackson. Perf. Elijah Wood, Ian
          McKellan, Viggo Mortenson. New Line Home Entertainment, 2001. DVD.

The Lord of the Rings: The Return of the King. Dir. Peter Jackson. Perf. Elijah Wood, Ian
          McKellan, Viggo Mortenson. Entertainment in Video, 2004. DVD.

The Lord of the Rings: The Two Towers. Dir. Peter Jackson. Perf. Elijah Wood, Ian McKellan,
          Viggo Mortenson. New Line Home Entertainment, 2003. DVD.

"Propp's Morphology of the Folk Tale." Changing Minds and Persuasion. Changing Minds.
         Web. 29 Apr. 2012.
         <http://changingminds.org/disciplines/storytelling/plots/propp/propp.htm>.

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A Semiotic Analysis on The Lord of the Rings Trilogy

  • 1.
  • 2. Introduction A friend and I were discussing „The Lord of the Rings‟ trilogy and I said “well, Lord of the Rings isn‟t just some fairytale. The main plot is too complex to break it down to basics, you have to include everything for it to make sense”. But she disagreed with me. So this is what gave me an idea for my final project. I‟m using semiotics to break the epic of „Lord of the Rings‟ down to a basic fairytale.
  • 3. So what is a fairytale? I grew up knowing that a basic fairytale is about a hero (or heroes) who do a brave deed to vanquish evil. They would also fall in love with a heroine and have a little help along the way.
  • 4. So Who is Our Hero in Lord of the Rings? There are four… Frodo Baggins Gandalf Aragorn Samwise Gamgee
  • 5. Signifier: The Heroes Frodo and Sam Signified • Brave • Small • Loyal • Compassionate • Pure While Frodo is the main hero in this film. Sam is also a hero because he also carries the burden of the ring and keeps a hopeful heart that there will be a return journey home and he never truly let‟s that go. Sam: “I made a promise, Mr Frodo. A promise. 'Don't you leave him Samwise Gamgee.' And I don't mean to. I don't mean to.”
  • 6. Signifier: The Heroes Gandalf and Aragorn Signified •Brave •Strong •Fearless •Fights for the good of others •Wise Aragorn and Gandalf are the ideal heroes one would think of for a fairytale. Unlike the hobbits, Frodo and Sam.
  • 7. Who are the Helpers? Merry and Pippin Legolas and Gimli
  • 8. Aragorn: "Gentlemen! We do not stop till nightfall." Signifier: The Helpers Pippin: "What about breakfast?" Aragorn: "You've already had it." Signified Pippin: "We've had one, yes. What about •Witty second breakfast?" •Funny •Supportive •Dependent (you‟ll see this more with Merry and Pippin rather than Legolas and Gimli) Merry and Pippin are the ideal helpers aka the break from all the serious action. Legolas and Gimli become more like the ideal helpers in the second Merry: "Don't think he knows about second breakfast, Pip." and third film. Pippin: "What about elevensies? Luncheon? Afternoon tea? Dinner? Supper? He knows about them, don't he?" Merry: "I wouldn't count on it."
  • 9. Who are the Villains? There are two... Others are just minions… Sauron Saruman
  • 10. Saruman: “We must join with Him, Gandalf. We Signifier: The must join with Sauron. It would be wise, my friend.” Villains Signified •Evil •Heartless •Obsessed with having power •Cruel •Intimidating •Powerful While it‟s obvious that Sauron is the main villain, Saruman is also a villain because he decides to join the side of evil because he knew that he would not win against the powers of Mordor. He did not want to lose anything, just wanted Gandalf: “Tell me, „friend‟, when did Saruman the Wise to keep his power in Isengard. abandon reason for madness?”
  • 11. Signifier/Signified Heroes/Helpers/Villains Refer to Past 7 Slides Metaphor No matter how bad things get, Good will always triumph over Evil. Paradigmatic Analysis Good vs Evil, Innocence vs Adulthood, Loyalty vs Betrayal Syntagmatic Analysis Refer to next slide Indexes Whenever Frodo puts on the Ring, the forces of evil are able to see him Symbols There are two important symbols: (1) the One Ring – symbolizes evil and temptation. (2) Smeagol/Gollum – he symbolizes what Frodo could become if he allows the Ring to control him. Intertexuality There are many Biblical allusions in Lord of the Rings. For example: Gandalf represents a Jesus figure (he dies while fighting a Balrog and is later reborn to finish his mission to help Frodo destroy the Ring). Codes In the first film, the Fellowship is trying to enter Moria but the door is locked until they can speak the password which is the riddle: “Speak Friend and Enter” Gandalf misinterprets this, but Frodo sees that you must say “Friend” in Elvish to enter.
  • 12. Syntagmatic Analysis of the Main Plot •At the beginning of the trilogy, Frodo is presented with the ring (0) and is warned by Gandalf of the powers (1). •He sets out to bring the ring to Rivendell with Sam, Merry, and Pippin. (11) When they arrive the council argues about who will go to Mordor and destroy the ring. Frodo decides that he‟s going to do it (10) and the full fellowship is on its way (11). •A few times throughout the trilogy Frodo slips the ring on his finger (3) and the enemy is able to see that Frodo has the ring (5). • Frodo isconstantly tested by evil by just being the ringbearer (12). He finally makes it to Mordor (15) and destroys the ring (18). •The hobbits return to the Shire (20) but soon after Frodo must depart for the Grey Havens because the damage he got from the ring never fully healed. http://changingminds.org/disciplines/storytelling/plots/propp/propp.htm
  • 13. My Semiotic Analysis Results Are…!
  • 14. Results In my opinion I was right, The Lord of the Rings cannot be broken down to a simple fairy tale. While parts of the main plot (following Frodo and the Ring) went along with Propp‟s morphology, a lot of the story was left out because there are at times where we‟re following three different stories (in the Two Towers where Merry and Pippin were separated from Aragorn, Legolas, and Gimli). There is just so much story that it‟s hard to break it all down to basics using semiotics.
  • 15. Sources The Lord of the Rings the Fellowship of the Ring. Dir. Peter Jackson. Perf. Elijah Wood, Ian McKellan, Viggo Mortenson. New Line Home Entertainment, 2001. DVD. The Lord of the Rings: The Return of the King. Dir. Peter Jackson. Perf. Elijah Wood, Ian McKellan, Viggo Mortenson. Entertainment in Video, 2004. DVD. The Lord of the Rings: The Two Towers. Dir. Peter Jackson. Perf. Elijah Wood, Ian McKellan, Viggo Mortenson. New Line Home Entertainment, 2003. DVD. "Propp's Morphology of the Folk Tale." Changing Minds and Persuasion. Changing Minds. Web. 29 Apr. 2012. <http://changingminds.org/disciplines/storytelling/plots/propp/propp.htm>.