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FFiigguurraattiivvee LLaanngguuaaggee iinn 
nnoonn--ffiiccttiioonn 
MMeettaapphhoorrss 
((iimmpplliieedd mmeettaapphhoorrss//ddiirreecctt mmeettaapphhoorrss)) 
SSiimmiilleess 
AAnnaallooggiieess 
PPeerrssoonniiffiiccaattiioonn
Why use ffiigguurraattiivvee llaanngguuaaggee iinn 
nnoonn--ffiiccttiioonn?? 
((wwrriittee tthheessee ddoowwnn)) 
• Create immediate drama 
• Create a visual or appeal to another sense 
• Establish mood 
• Clarify a concept (relating something 
known to unknown) 
• Emphasis - Reinforce an observation 
• Persuade or convince
AAnnaallyyzzee ssoommee eexxaammpplleess 
• Think about what type of figurative 
language (direct metaphor, implied 
metaphor, simile, or analogy 
• What is the author’s purpose (drama, 
imagery, mood, clarify, emphasis, 
persuade)
TThhee HHeellpp 
bbyy SShhaarroonn SShhaarrkkeeyy 
""TThhee HHeellpp"" iiss aa ddeelliicciioouuss ppeeppppeerryy sstteeww ooff hhoommee--ccooookkeedd,, 11996600ss 
SSoouutthheerrnn--ssttyyllee rraacciissmm tthhaatt sseerrvveess uupp aa ssoouullffuull ddiisshh ooff wwhhaatt aaiillss 
uuss aanndd wwhhaatt hheeaallss uuss.. LLaauugghhtteerr,, wwhhiicchh iiss llaaddlleedd oonn tthhiicckk aass 
ggrraavvyy,, pprroovveess ttoo bbee tthhee sseeccrreett iinnggrreeddiieenntt —— ttuurrnniinngg wwhhaatt 
sshhoouulldd bbee aa ffeeeell--bbaadd mmoovviiee aabboouutt tthhoossee ttrroouubblleedd ttiimmeess iinnttoo aa 
hheeaarrtt--wwaarrmmiinngg ssuurrpprriissee.. 
TThhee mmoovviiee iiss rriicchhllyy ffllaavvoorreedd bbyy tthhee wwoorrkk ooff aa sspprraawwlliinngg ccaasstt 
tthhaatt ppuuttss tthhee eexxcceeppttiioonnaall VViioollaa DDaavviiss aanndd EEmmmmaa SSttoonnee aatt tthhee 
ffiillmm''ss iimmppaassssiioonneedd cceenntteerr,, wwiitthh tthhee sscceennee--sstteeaalliinngg ttaanngg ooff 
OOccttaavviiaa SSppeenncceerr aanndd tthhee sswweeeett--ttaarrtt ooff JJeessssiiccaa CChhaassttaaiinn 
tthhaannkkffuullllyy nneevveerr ffaarr aawwaayy
LLooooppeerr 
bbyy EErriikk WWeebbeerr 
““NNooww jjuusstt aass II wwaass aallll sseett ttoo hhaanndd LLooooppeerr aa ""CC"" ffoorr mmaakkiinngg mmee 
sshhiifftt iinn mmyy sseeaatt eennttiirreellyy ttoooo mmaannyy ttiimmeess,, wwaaiittiinngg ffoorr ssoommeetthhiinngg 
ttoo bbllooww mmyy ddoooorrss ooffff,, iitt hhaappppeenneedd.. AAnn eennddiinngg tthhaatt wweellll,, bblleeww mmyy 
ddoooorrss ooffff.. TThhee ffiinniisshh iiss tthhee cciinneemmaattiicc eeqquuiivvaalleenntt ooff DDaavviidd 
TTyyrreeee''ss SSuuppeerr BBoowwll ccaattcchh;; aa ccoonncclluussiioonn tthhaatt mmiirraaccuulloouussllyy -- 
mmaaggnniiffiicceennttllyy -- mmaannaaggeess ttoo cclloossee tthhee ffiinnaall lloooopp wwiitthh aann ooffff--tthhee-- 
RRiicchhtteerr--ssccaallee ssttrrookkee ooff ggeenniiuuss.. NNiicceellyy ppllaayyeedd MMrr.. JJoohhnnssoonn,, 
nniicceellyy ppllaayyeedd..”” 
WWaattcchh tthhee vviiddeeoo ((wwhhiicchh II eemmbbeeddddeedd bbeellooww)) bbeeffoorree aannsswweerriinngg 
rreeaassoonn wwhhyy..
Kia Optima Hybrid 
by Benson Kong 
• Now, the sheetmetal. Generally speaking, 
hybrids aren't supposed to look this way; look at 
the alpha dog Toyota Prius and its near 
doppelgänger, the Honda Insight. At first 
innocent glance, you could mistake the Optma 
Hybrid for possessing Teutonic origins, which 
isn't a huge surprise considering Kia's head 
designer is Peter Schreyer, formerly of Audi. 
• There are some pictures on the next slide to 
help you with the underlined words.
““WWhhyy WWee CCrraavvee HHoorrrroorr MMoovviieess”” 
bbyy SStteepphheenn KKiinngg 
“Why? Some of the reasons are simple and 
obvious. To show that we can, that we are not 
afraid, that we can ride this roller coaster. Which is 
not to say that a really good horror movie may not 
surprise a scream out of us at some point, the way 
we may scream when the roller coaster twists 
through a complete 360 or plows through a lake at 
the bottom of the drop”
Breaking Bad season 5 episode 15 review: 
by Toni Mendelsohn 
• The second half of this show's fifth and final season is finally playing out like 
an authentic Shakespearian tragedy - albeit one which has had four-and-a-half 
series' worth of prologue to it. So if last week's explosive realignment of 
the universe was Walt's Lear-like fall from grace, this week is his descent 
into madness. The big question, of course, is the form his redemption will 
take, if indeed he even gets one. 
• The Lear comparison holds quite strongly in this episode. Much like the mad 
king, Walt is forced into the wilderness, his kingdom in tatters and his family 
deposed. We even have a fool-like character in the form of the extractor, 
who, in admitting he'll appropriate Walt's money after he dies, is telling him 
not what he wants to hear, but what the truth is. 
• Of course, Lear dies at the end of the play, leaving the noble youth to seize 
power. It remains to be seen whether Jesse will recover anything of himself 
and do the same, but then again Breaking Bad and King Lear aren't 
identical stories.
Miley Cyrus and Ugly Sex 
by Victor Davis Hanson 
• “For going “beyond” — not singing more mellifluously, dancing more 
adroitly, or energizing the crowd more enthusiastically — is now the point. 
In Petronius Arbiter’s first-century novel, The Satyricon, the fatter and 
more repugnant is Trimalchio, and the more loudly he passes wind, burps, 
mangles mythology, and invokes scatology, the more he thinks that he 
appeals to his bored dinner guests. In terms of repugnance, Miley Cyrus 
was the anorexic and mobile version of Jabba the Hutt.”
TTaakkeerrss 
BByy TTyy BBuurrrr 
• “Takers’’ might have made a perfectly decent little B heist 
movie, but someone had to go and forget to give the 
cameraman his Ritalin. Since the film is about 45 percent 
chase scene and 45 percent frenzied shootout — the other 
10 percent is strained macho posturing — that’s an awful 
lot of blurry, whip-pan action defying you to make visual 
sense of it. Who’s zooming who? Where’s Waldo? Where’s 
the script? 
• This one is tricky figure out what a cameraman is being 
compared to. Who takes Ritalin, cannot pay attention?
One more classic – just cause it is 
weird!
““22001122 BBMMWW 665500ii CCoonnvveerrttiibbllee”” 
bbyy JJaarrrreedd GGaallll 
• If we may, a hypothetical situation for the reader: Say a family of 
ducks lives in your yard. And when the neighbor kid mows your 
lawn, he runs over a duckling. You’d complain, right? And if he 
kept doing it, you’d continue to complain until he finally stopped? 
(For the purposes of this illustration, you must retain his services.) 
• We ask because we realize we’re repeating ourselves, but the 
reader must understand that BMW has been dicing some ducks. 
We cried foul after the company fitted the 5-series with a new 
electric power-steering system, as it deprives the driver of any feel 
through that most important of automotive interfaces. Now BMW 
has fitted the 6er with this system. It’s as if there were a rogue 
faction within the Bayerische Motoren Werke that is trying to scuttle 
the mother ship.

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Why authors use figurative language in non-fiction

  • 1. FFiigguurraattiivvee LLaanngguuaaggee iinn nnoonn--ffiiccttiioonn MMeettaapphhoorrss ((iimmpplliieedd mmeettaapphhoorrss//ddiirreecctt mmeettaapphhoorrss)) SSiimmiilleess AAnnaallooggiieess PPeerrssoonniiffiiccaattiioonn
  • 2. Why use ffiigguurraattiivvee llaanngguuaaggee iinn nnoonn--ffiiccttiioonn?? ((wwrriittee tthheessee ddoowwnn)) • Create immediate drama • Create a visual or appeal to another sense • Establish mood • Clarify a concept (relating something known to unknown) • Emphasis - Reinforce an observation • Persuade or convince
  • 3. AAnnaallyyzzee ssoommee eexxaammpplleess • Think about what type of figurative language (direct metaphor, implied metaphor, simile, or analogy • What is the author’s purpose (drama, imagery, mood, clarify, emphasis, persuade)
  • 4. TThhee HHeellpp bbyy SShhaarroonn SShhaarrkkeeyy ""TThhee HHeellpp"" iiss aa ddeelliicciioouuss ppeeppppeerryy sstteeww ooff hhoommee--ccooookkeedd,, 11996600ss SSoouutthheerrnn--ssttyyllee rraacciissmm tthhaatt sseerrvveess uupp aa ssoouullffuull ddiisshh ooff wwhhaatt aaiillss uuss aanndd wwhhaatt hheeaallss uuss.. LLaauugghhtteerr,, wwhhiicchh iiss llaaddlleedd oonn tthhiicckk aass ggrraavvyy,, pprroovveess ttoo bbee tthhee sseeccrreett iinnggrreeddiieenntt —— ttuurrnniinngg wwhhaatt sshhoouulldd bbee aa ffeeeell--bbaadd mmoovviiee aabboouutt tthhoossee ttrroouubblleedd ttiimmeess iinnttoo aa hheeaarrtt--wwaarrmmiinngg ssuurrpprriissee.. TThhee mmoovviiee iiss rriicchhllyy ffllaavvoorreedd bbyy tthhee wwoorrkk ooff aa sspprraawwlliinngg ccaasstt tthhaatt ppuuttss tthhee eexxcceeppttiioonnaall VViioollaa DDaavviiss aanndd EEmmmmaa SSttoonnee aatt tthhee ffiillmm''ss iimmppaassssiioonneedd cceenntteerr,, wwiitthh tthhee sscceennee--sstteeaalliinngg ttaanngg ooff OOccttaavviiaa SSppeenncceerr aanndd tthhee sswweeeett--ttaarrtt ooff JJeessssiiccaa CChhaassttaaiinn tthhaannkkffuullllyy nneevveerr ffaarr aawwaayy
  • 5. LLooooppeerr bbyy EErriikk WWeebbeerr ““NNooww jjuusstt aass II wwaass aallll sseett ttoo hhaanndd LLooooppeerr aa ""CC"" ffoorr mmaakkiinngg mmee sshhiifftt iinn mmyy sseeaatt eennttiirreellyy ttoooo mmaannyy ttiimmeess,, wwaaiittiinngg ffoorr ssoommeetthhiinngg ttoo bbllooww mmyy ddoooorrss ooffff,, iitt hhaappppeenneedd.. AAnn eennddiinngg tthhaatt wweellll,, bblleeww mmyy ddoooorrss ooffff.. TThhee ffiinniisshh iiss tthhee cciinneemmaattiicc eeqquuiivvaalleenntt ooff DDaavviidd TTyyrreeee''ss SSuuppeerr BBoowwll ccaattcchh;; aa ccoonncclluussiioonn tthhaatt mmiirraaccuulloouussllyy -- mmaaggnniiffiicceennttllyy -- mmaannaaggeess ttoo cclloossee tthhee ffiinnaall lloooopp wwiitthh aann ooffff--tthhee-- RRiicchhtteerr--ssccaallee ssttrrookkee ooff ggeenniiuuss.. NNiicceellyy ppllaayyeedd MMrr.. JJoohhnnssoonn,, nniicceellyy ppllaayyeedd..”” WWaattcchh tthhee vviiddeeoo ((wwhhiicchh II eemmbbeeddddeedd bbeellooww)) bbeeffoorree aannsswweerriinngg rreeaassoonn wwhhyy..
  • 6. Kia Optima Hybrid by Benson Kong • Now, the sheetmetal. Generally speaking, hybrids aren't supposed to look this way; look at the alpha dog Toyota Prius and its near doppelgänger, the Honda Insight. At first innocent glance, you could mistake the Optma Hybrid for possessing Teutonic origins, which isn't a huge surprise considering Kia's head designer is Peter Schreyer, formerly of Audi. • There are some pictures on the next slide to help you with the underlined words.
  • 7.
  • 8. ““WWhhyy WWee CCrraavvee HHoorrrroorr MMoovviieess”” bbyy SStteepphheenn KKiinngg “Why? Some of the reasons are simple and obvious. To show that we can, that we are not afraid, that we can ride this roller coaster. Which is not to say that a really good horror movie may not surprise a scream out of us at some point, the way we may scream when the roller coaster twists through a complete 360 or plows through a lake at the bottom of the drop”
  • 9. Breaking Bad season 5 episode 15 review: by Toni Mendelsohn • The second half of this show's fifth and final season is finally playing out like an authentic Shakespearian tragedy - albeit one which has had four-and-a-half series' worth of prologue to it. So if last week's explosive realignment of the universe was Walt's Lear-like fall from grace, this week is his descent into madness. The big question, of course, is the form his redemption will take, if indeed he even gets one. • The Lear comparison holds quite strongly in this episode. Much like the mad king, Walt is forced into the wilderness, his kingdom in tatters and his family deposed. We even have a fool-like character in the form of the extractor, who, in admitting he'll appropriate Walt's money after he dies, is telling him not what he wants to hear, but what the truth is. • Of course, Lear dies at the end of the play, leaving the noble youth to seize power. It remains to be seen whether Jesse will recover anything of himself and do the same, but then again Breaking Bad and King Lear aren't identical stories.
  • 10. Miley Cyrus and Ugly Sex by Victor Davis Hanson • “For going “beyond” — not singing more mellifluously, dancing more adroitly, or energizing the crowd more enthusiastically — is now the point. In Petronius Arbiter’s first-century novel, The Satyricon, the fatter and more repugnant is Trimalchio, and the more loudly he passes wind, burps, mangles mythology, and invokes scatology, the more he thinks that he appeals to his bored dinner guests. In terms of repugnance, Miley Cyrus was the anorexic and mobile version of Jabba the Hutt.”
  • 11. TTaakkeerrss BByy TTyy BBuurrrr • “Takers’’ might have made a perfectly decent little B heist movie, but someone had to go and forget to give the cameraman his Ritalin. Since the film is about 45 percent chase scene and 45 percent frenzied shootout — the other 10 percent is strained macho posturing — that’s an awful lot of blurry, whip-pan action defying you to make visual sense of it. Who’s zooming who? Where’s Waldo? Where’s the script? • This one is tricky figure out what a cameraman is being compared to. Who takes Ritalin, cannot pay attention?
  • 12. One more classic – just cause it is weird!
  • 13. ““22001122 BBMMWW 665500ii CCoonnvveerrttiibbllee”” bbyy JJaarrrreedd GGaallll • If we may, a hypothetical situation for the reader: Say a family of ducks lives in your yard. And when the neighbor kid mows your lawn, he runs over a duckling. You’d complain, right? And if he kept doing it, you’d continue to complain until he finally stopped? (For the purposes of this illustration, you must retain his services.) • We ask because we realize we’re repeating ourselves, but the reader must understand that BMW has been dicing some ducks. We cried foul after the company fitted the 5-series with a new electric power-steering system, as it deprives the driver of any feel through that most important of automotive interfaces. Now BMW has fitted the 6er with this system. It’s as if there were a rogue faction within the Bayerische Motoren Werke that is trying to scuttle the mother ship.