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Cubism              (1907-1914)
  Krista Arrasmith, Sean Larson, Leah Schrauben
   This movement was created by Picasso
    and Braque in Paris from 1907 to 1914

    ◦ Braque and Picasso were the major artists
      throughout the majority of the Cubist
      movement

    ◦ The term Cubism was first coined by Louis
      Vauxcelles after seeing the landscapes Braque
      painted at L’Estaque, in 1908, calling the
      geometric figures in the paintings “cubes.”
   Influences on Cubism
    ◦ Primitivism and Non-Western Sources
    ◦ Oceanic and Iberian Sculpture
    ◦ African Art in the case of Picasso’s Les
      Demoiselles d’Avignon
    ◦ Colonialism/Imperialism
    ◦ World War I
    ◦ Post-Impressionism: Cézanne
    ◦ Science-Bohr, Einstein
Les Demoiselles d’Avigon (Picasso, 1907)
   Overall Characteristics
    ◦ Reject that art should copy nature
    ◦ Reject use of traditional techniques
    ◦ Emphasize two-dimensionality (geometricity)
    ◦ Reduce objects to geometric shapes and put
      these within a shallow space
    ◦ Multiple/contrasting vantage points
    ◦ Overlapping planes (passage)
    ◦ Exploration of the fourth dimension
      (simultaneity)
   Cubism consisted of two stages

    ◦ Analytical- Very abstract; mostly made up of
      overlapping planes and geometrical figures

    ◦ Synthetic- tended to use new mediums, such
      as clips from newspaper, on top of paint
      canvass; took away all three dimensional
      aspects left from Analytical
Analytical Cubism
       (1907-1912)
   Style
    ◦ Mostly landscapes, few figures (simple
      subjects)
    ◦ Noticeable lack of color
    ◦ Earth tones
    ◦ Colors or tones with neutral associations
Portrait of Ambrose Vollard (Picasso,1910)
Portrait of Daniel-Henry Kahnweiler (Picasso,1910)
Ma Jolie (Picasso, 1910)
The Portugese (man) (Braque,1911)
Synthetic Cubism
      (1912-1914)
   Style
    ◦   Vibrant colors
    ◦   Collage created
    ◦   Different materials than just canvas
    ◦   Referred to as blunt and straightforward
    ◦   Considered “easy to read”
Guitar (Picasso, 1913)
The Card-Player (Picasso,1913-1914)
Fruit and Jug on a Table (Metzinger, 1916) (Cubist
version of Cezanne’s piece)
The Smoker (Gris, 1913)
Stairway (Léger, 1914)
Harlequin (Picasso, 1915)
Major Cubist Artists
   Pablo Picasso
    ◦ Style
      Brighter Colors
      Less Abstracted
      Many Paintings are Still-Lifes or Self-Portraits
    ◦ Famous Cubist Works
      Self Portrait (1907)
      Les Demoiselles d’Avignon (1907)
      Dryad (1908)
      Bread and Fruit Dish on a Table (1909)
      Portrait of Ambroise Vollard (1910)
      Guitar (1913)
      Three Musicians (1921)
Self Portrait (1907)
Bread and Fruit Dish on a Table (1909)
   Georges Braque
    ◦ Style
      Not Very Abstracted
      Mostly Earthy Colors (Browns, Greens, Blacks)
      Many Paintings are Landscapes
    ◦ Famous Cubist Works
      El Viaducto de L’Estaque (1907)
      Viaduct at L’Estaque (1908)
      Paisaje de L’Estaque (1908)
      Gran Desnudo (1908)
      Castle at La Roche-Guyon (1909)
      El Parque de Carrières Saint-Denis (1909)
      Harbor in Normandy (1909)
   Braque (cont.)
    ◦ Famous Cubist Works (cont.)
      Le Sacré-Couer (1910)
      El Violín (1911)
      The Portugese (Man) (1911-1912)
      The Musician’s Table (1913)
      Still-Life: Le Jour (1929)
El Viaducto de L’Estaque (1907)
Castle at La Roche-Guyon (1909)
The Musican’s Table (1913)
   Jean Metzinger
    ◦ Style
      Darker Colors (Darker Blues, Greens, and
       Browns)
      Many paintings of scenes of life invovling humans
      Not Very Abstracted
    ◦ Famous Cubist Works
      At the Cycle-Race Track (1912)
      Dancer in a Café (1912)
      The Smoker (1914)
      Fruit and Jug on a Table (1916)
      Naturaleza Muerta (1919)
      Still-Life: Playing Cards, Coffee Cup, and Apples
At the Cycle-Race Track (1912)
Dancer in the Café (1912)
Still-Life: Playing Cards, Coffee Cup, and Apples
   Fernand Léger
    ◦ Style
      Brighter Colors
      More Rounded Geometric Shapes
      Highly Abstracted
      Most Paintings of People Doing Different Tasks
    ◦ Famous Cubist Works
      Desnudos en el Bosque (1909)
      Smoke (1912)
      Woman in Blue (1912)
      Contrast of Forms (1913)
      El Despertador (1914)
      Segundo Estado (1914)
Smoke (1912)
Contrast of Forms (1913)
El Despertador (1914)
   Juan Gris
    ◦ Style
      More Earthy Colors (Greens, Browns, Blues)
      Highly Abstracted
      Mostly of Still-Life
    ◦ Famous Cubist Works
      Beer Glass and Cards (1913)
      Flowers (1914)
      Breakfast (1914)
      A Pot of Geraniums (1915)
Beer Glass and Cards (1913)
Flowers (1914)
A Pot of Geraniums (1915)
   Roger de La Fresnaye
    ◦ Style
      Brighter Colors (Yellows, Whites, Blues)
      Not Very Abstracted
      Most Paintings of Humans
    ◦ Famous Cubist Works
      Village at the Water’s Edge (1910) (has definite
       similarites to Impressionism)
      Artillery (1911)
      The Conquest of the Air (1913)
      Sitzendy Man (1914)
      Smoking in the Shelter (1918)
Village at the Water’s Edge (1910)
Artillery (1911)
The Conquest of the Air (1913)
   Marcel Duchamp
    ◦ Style
      Earthy Colors (Browns, Blacks)
      Highly Abstracted
      Many Pieces Try to Capture Movement of Nudes
    ◦ Famous Cubist Works
      Apropos of Little Sister (1911)
      Nude, Sad Young Man on a Train (1911)
      Nude descending a Staircase, No. 2 (1912)
      The Passage From Virgin to Bride (1912)
      The King and Queen Surrounded by Swift Nudes
       (1912)
      Die Verheiratete Frau (1912)
Nude, Sad Young Man on a Train (1911)
Nude Descending a Staircase, No. 2 (1912)
The Passage From Virgin to Bride (1912)
   Albert Gleizes
    ◦ Style
      Mix of Earthy Colors and Vibrant Colors
      Many Pieces are Landscapes
      Highly Abstracted
    ◦ Famous Cubist Works
      Catedral (1912)
      Puerto Comercial (1912)
      Cabeza Masculina (1913)
      Paisaje (1914)
      Nueva York (1916)
Catedral (1912)
Paisaje (1914)
Nueva York (1916)
Cubist Sculpture
   Alexander Archipenko
    ◦ Style
      Mostly dark colors (Blacks)
      Not very abstracted
      Mostly contorted or misshapen human bodies
    ◦ Famous Cubist Works
      Seated Female Nude (1909)
      The Draped Woman (1911)
      Reclining Nude (1912)
      Die Sitzende (1912)
      Carrousel Pierrot (1913)
      The Gondolier (1914)
      The Boxers (1914)
      Walking (1914)
   Archipenko (cont.)
    ◦ Famous Cubist Works (cont.)
      Female Torso (1914)
      Woman Combing Her Hair (1915)
      Walking Soilders (1917)
The Draped Woman (1911)
The Gondolier (1914)
The Boxers (1914)
   Raymond Duchamp-Villon
    ◦ Style
      Mostly Darker Colors (Blacks)
      Very Abstracted
      Mostly of Parts of Humans or Animals
    ◦ Famous Cubist Works
      Torso of a Young Man (1910)
      The Lovers (1913)
      The Horse (1914)
      Portrait of Professor Gosset (1917)
The Lovers (1913)
The Horse (1914)
Portrait of Professor Gosset (1917)
   Jacques Lipchitz
    ◦ Style
      Use Bland Colors (Whites, Metallics)
      Highly Abstracted
      Mostly of Humans
    ◦ Famous Cubist Works
      Man With a Guitar (1915)
      The Bather (1925)
Man With a Guitar (1915)
The Bather (1925)
Off-branches of Cubism
   Kinetic Cubism/Cubo-Futurism
    ◦ Developed in Russia around 1910
    ◦ Based off of Synthetic Cubism/ reinterpretation
      of French Cubism and Italian Futurism
    ◦ More emphasis on movement and action
    ◦ Bold colors and lines
    ◦ Fragmentation of objects on canvas surface
    ◦ Key artists:
      Malevich
      Popova
      Goncharova
   Orphism/Orphic Cubism (1910)
    ◦ Roots in Analytical Cubism but uses bright
      circles
    ◦ Delaunays pioneered this technique (Prisma
      Electrico, Rythme Couleur, ect.)
   All pics from abcgallery.com and all-
    art.org

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Cubism powerpoint

  • 1. Cubism (1907-1914) Krista Arrasmith, Sean Larson, Leah Schrauben
  • 2. This movement was created by Picasso and Braque in Paris from 1907 to 1914 ◦ Braque and Picasso were the major artists throughout the majority of the Cubist movement ◦ The term Cubism was first coined by Louis Vauxcelles after seeing the landscapes Braque painted at L’Estaque, in 1908, calling the geometric figures in the paintings “cubes.”
  • 3. Influences on Cubism ◦ Primitivism and Non-Western Sources ◦ Oceanic and Iberian Sculpture ◦ African Art in the case of Picasso’s Les Demoiselles d’Avignon ◦ Colonialism/Imperialism ◦ World War I ◦ Post-Impressionism: Cézanne ◦ Science-Bohr, Einstein
  • 4. Les Demoiselles d’Avigon (Picasso, 1907)
  • 5. Overall Characteristics ◦ Reject that art should copy nature ◦ Reject use of traditional techniques ◦ Emphasize two-dimensionality (geometricity) ◦ Reduce objects to geometric shapes and put these within a shallow space ◦ Multiple/contrasting vantage points ◦ Overlapping planes (passage) ◦ Exploration of the fourth dimension (simultaneity)
  • 6. Cubism consisted of two stages ◦ Analytical- Very abstract; mostly made up of overlapping planes and geometrical figures ◦ Synthetic- tended to use new mediums, such as clips from newspaper, on top of paint canvass; took away all three dimensional aspects left from Analytical
  • 7. Analytical Cubism (1907-1912)
  • 8. Style ◦ Mostly landscapes, few figures (simple subjects) ◦ Noticeable lack of color ◦ Earth tones ◦ Colors or tones with neutral associations
  • 9. Portrait of Ambrose Vollard (Picasso,1910)
  • 10. Portrait of Daniel-Henry Kahnweiler (Picasso,1910)
  • 12. The Portugese (man) (Braque,1911)
  • 13. Synthetic Cubism (1912-1914)
  • 14. Style ◦ Vibrant colors ◦ Collage created ◦ Different materials than just canvas ◦ Referred to as blunt and straightforward ◦ Considered “easy to read”
  • 17. Fruit and Jug on a Table (Metzinger, 1916) (Cubist version of Cezanne’s piece)
  • 22. Pablo Picasso ◦ Style  Brighter Colors  Less Abstracted  Many Paintings are Still-Lifes or Self-Portraits ◦ Famous Cubist Works  Self Portrait (1907)  Les Demoiselles d’Avignon (1907)  Dryad (1908)  Bread and Fruit Dish on a Table (1909)  Portrait of Ambroise Vollard (1910)  Guitar (1913)  Three Musicians (1921)
  • 24. Bread and Fruit Dish on a Table (1909)
  • 25. Georges Braque ◦ Style  Not Very Abstracted  Mostly Earthy Colors (Browns, Greens, Blacks)  Many Paintings are Landscapes ◦ Famous Cubist Works  El Viaducto de L’Estaque (1907)  Viaduct at L’Estaque (1908)  Paisaje de L’Estaque (1908)  Gran Desnudo (1908)  Castle at La Roche-Guyon (1909)  El Parque de Carrières Saint-Denis (1909)  Harbor in Normandy (1909)
  • 26. Braque (cont.) ◦ Famous Cubist Works (cont.)  Le Sacré-Couer (1910)  El Violín (1911)  The Portugese (Man) (1911-1912)  The Musician’s Table (1913)  Still-Life: Le Jour (1929)
  • 27. El Viaducto de L’Estaque (1907)
  • 28. Castle at La Roche-Guyon (1909)
  • 30. Jean Metzinger ◦ Style  Darker Colors (Darker Blues, Greens, and Browns)  Many paintings of scenes of life invovling humans  Not Very Abstracted ◦ Famous Cubist Works  At the Cycle-Race Track (1912)  Dancer in a Café (1912)  The Smoker (1914)  Fruit and Jug on a Table (1916)  Naturaleza Muerta (1919)  Still-Life: Playing Cards, Coffee Cup, and Apples
  • 31. At the Cycle-Race Track (1912)
  • 32. Dancer in the Café (1912)
  • 33. Still-Life: Playing Cards, Coffee Cup, and Apples
  • 34. Fernand Léger ◦ Style  Brighter Colors  More Rounded Geometric Shapes  Highly Abstracted  Most Paintings of People Doing Different Tasks ◦ Famous Cubist Works  Desnudos en el Bosque (1909)  Smoke (1912)  Woman in Blue (1912)  Contrast of Forms (1913)  El Despertador (1914)  Segundo Estado (1914)
  • 38. Juan Gris ◦ Style  More Earthy Colors (Greens, Browns, Blues)  Highly Abstracted  Mostly of Still-Life ◦ Famous Cubist Works  Beer Glass and Cards (1913)  Flowers (1914)  Breakfast (1914)  A Pot of Geraniums (1915)
  • 39. Beer Glass and Cards (1913)
  • 41. A Pot of Geraniums (1915)
  • 42. Roger de La Fresnaye ◦ Style  Brighter Colors (Yellows, Whites, Blues)  Not Very Abstracted  Most Paintings of Humans ◦ Famous Cubist Works  Village at the Water’s Edge (1910) (has definite similarites to Impressionism)  Artillery (1911)  The Conquest of the Air (1913)  Sitzendy Man (1914)  Smoking in the Shelter (1918)
  • 43. Village at the Water’s Edge (1910)
  • 45. The Conquest of the Air (1913)
  • 46. Marcel Duchamp ◦ Style  Earthy Colors (Browns, Blacks)  Highly Abstracted  Many Pieces Try to Capture Movement of Nudes ◦ Famous Cubist Works  Apropos of Little Sister (1911)  Nude, Sad Young Man on a Train (1911)  Nude descending a Staircase, No. 2 (1912)  The Passage From Virgin to Bride (1912)  The King and Queen Surrounded by Swift Nudes (1912)  Die Verheiratete Frau (1912)
  • 47. Nude, Sad Young Man on a Train (1911)
  • 48. Nude Descending a Staircase, No. 2 (1912)
  • 49. The Passage From Virgin to Bride (1912)
  • 50. Albert Gleizes ◦ Style  Mix of Earthy Colors and Vibrant Colors  Many Pieces are Landscapes  Highly Abstracted ◦ Famous Cubist Works  Catedral (1912)  Puerto Comercial (1912)  Cabeza Masculina (1913)  Paisaje (1914)  Nueva York (1916)
  • 55. Alexander Archipenko ◦ Style  Mostly dark colors (Blacks)  Not very abstracted  Mostly contorted or misshapen human bodies ◦ Famous Cubist Works  Seated Female Nude (1909)  The Draped Woman (1911)  Reclining Nude (1912)  Die Sitzende (1912)  Carrousel Pierrot (1913)  The Gondolier (1914)  The Boxers (1914)  Walking (1914)
  • 56. Archipenko (cont.) ◦ Famous Cubist Works (cont.)  Female Torso (1914)  Woman Combing Her Hair (1915)  Walking Soilders (1917)
  • 60. Raymond Duchamp-Villon ◦ Style  Mostly Darker Colors (Blacks)  Very Abstracted  Mostly of Parts of Humans or Animals ◦ Famous Cubist Works  Torso of a Young Man (1910)  The Lovers (1913)  The Horse (1914)  Portrait of Professor Gosset (1917)
  • 63. Portrait of Professor Gosset (1917)
  • 64. Jacques Lipchitz ◦ Style  Use Bland Colors (Whites, Metallics)  Highly Abstracted  Mostly of Humans ◦ Famous Cubist Works  Man With a Guitar (1915)  The Bather (1925)
  • 65. Man With a Guitar (1915)
  • 68. Kinetic Cubism/Cubo-Futurism ◦ Developed in Russia around 1910 ◦ Based off of Synthetic Cubism/ reinterpretation of French Cubism and Italian Futurism ◦ More emphasis on movement and action ◦ Bold colors and lines ◦ Fragmentation of objects on canvas surface ◦ Key artists:  Malevich  Popova  Goncharova
  • 69. Orphism/Orphic Cubism (1910) ◦ Roots in Analytical Cubism but uses bright circles ◦ Delaunays pioneered this technique (Prisma Electrico, Rythme Couleur, ect.)
  • 70. All pics from abcgallery.com and all- art.org