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Digital History
A (personal) introduction
Dr James Baker
Curator, Digital Research
@j_w_baker
www.bl.uk 2
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– Photograph, film, or broadcast
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– You distribute the resulting work only
under the same or similar license to
this one
Text attribution Greg Wilson, Two Solitudes, SPLASH 2013 (29 October 2013)
http://www.slideshare.net/gvwilson/splash-2013
This work is licensed under a
Creative Commons Attribution-
ShareAlike 3.0 Unported License
unless stated otherwise.
www.bl.uk 3
“The emergence of the new digital
humanities isn't an isolate
academic phenomenon. The
institutional and disciplinary
changes are part of a larger
cultural shift, a rapid
cycle of emergence and
convergence in
technology and culture”
Steven E Jones, Emergence of the
Digital Humanities (2014), 31.
www.bl.uk 4
www.bl.uk 5
www.bl.uk 6
discipline
camp and
camps sentence
www.bl.uk 7
„Digital history is an approach to examining and representing the past that
takes advantage of new communication technologies such
as computers and the Web. It draws on essential features of the
digital realm, such as databases, hypertextualization, and networks, to
create and share historical knowledge.
Digital history complements other forms of history – indeed
it draws its strength and methodological rigor from this age-old form of
human understanding while using the latest technology.‟
„What is Digital History?‟ Center for History and New Media, George Mason
University http://chnm.gmu.edu/ (accessed 25 March 2014)
www.bl.uk 8
www.bl.uk 9
Research
…in Digital History
www.bl.uk 10
www.bl.uk 11
„Literary scholars and historians have in the past been limited in their
analyses of print culture by the constraints of physical archives and human
capacity. A lone scholar cannot read, much less
make sense of, millions of newspaper pages. With
the aid of computational linguistics tools and digitized corpora, however, we
are working toward a large-scale, systemic understanding of how texts
were valued and transmitted during this period‟
David A. Smith, Ryan Cordell, and Elizabeth Maddock Dillon, „Infectious
Texts: Modeling Text Reuse in Nineteenth-Century Newspapers‟ (2013)
www.bl.uk 12
„Early users of medieval books of
hours and prayer books left signs of
their reading in the form of fingerprints
in the margins. The darkness of
their fingerprints correlates
to the intensity of their use
and handling. A densitometer -- a
machine that measures the darkness
of a reflecting surface -- can reveal
which texts a reader favored.‟
Kathryn M. Rudy, „Dirty Books:
Quantifying Patterns of Use in
Medieval Manuscripts Using a
Densitometer‟, Journal of Historians
of Nederlandish Art (2010)
www.bl.uk 13
„The Digital Harlem website presents
information, drawn from legal
records, newspapers and other
archival and published sources, about
everyday life in New York City's
Harlem neighborhood in the years
1915-1930 […] Unlike most studies of
Harlem in the early twentieth
century, this project focuses not on
black artists and the black middle
class, but on the lives of ordinary
African New Yorkers‟
Digital Harlem: Everyday Life
1915-1930
www.bl.uk 14
www.bl.uk 15
„[T]he very phrase ‘digital history’
suggests separateness from, or
the existence of, „non-digital‟ historical
practice. This seems highly
problematic though. Both the idea
that „digital history‟ constitutes a specific
sub-discipline, existing next to other
historical sub-disciplines such as
cultural, social, political or gender
history, as well as the idea that it should
essentially be seen as an auxiliary
science of history, feed into the myth
that historical practice in
general can be uncoupled from
technological, and thus
methodological, developments and that
going digital is a choice, which, I cannot
emphasise strongly enough, it is not.‟
Gerben Zaagsma, „On Digital
History‟, BMGN - Low Countries
Historical Review 128:4 (2013)
www.bl.uk 16
Approaches
…in Digital History
www.bl.uk 17
Newspaper Man photograph courtesy of
Flickr user Ed Stevenson / Creative
Commons Licensed
www.bl.uk 18
www.bl.uk 19
Topic Model (10 topics, using stemming and term frequency–inverse document frequency) using
publication dates over time for entries listed under „Articles‟ in my Zotero Library generated using Paper
Machines, 17 September 2013.
www.bl.uk 20
Magnus Huber, 'The Old Bailey Corpus:
spoken English in the 18th and 19th
Centuries', Institute of Historical
Research (21 February 2012)
The Old Bailey Corpus Online
www.bl.uk 21
Asymmetrical Encounters
E-Humanity Approaches
to Reference Cultures in
Europe, 1815–1992
How did the large and cultural
powerful countries
Britain, France, and Germany
influence public debates in
smaller countries like the
Netherlands, Belgium and
Luxembourg?
www.bl.uk 22
“If each paragraph in the infinite archive, all
the trillions of words, is simply a
collection of data, it immediately becomes
something that can be tied to a series of
other things – to any other bit of data. A
name, a date, a selection of words, or a phrase
[…] defined as a polygon on the surface of the
earth. In other words, the texts that form the
basis for western history can now be geo-
referenced and tied directly to a historical /
geographical understanding of spatial
distribution, which can in turn be cross analysed
with any other series of measures of text –
textmining makes text available for
embedding within a geographical
frame.”
Tim Hitchcock, „Place and the Politics of the Past‟
(2012)
www.bl.uk 23
“In this instance we used the Spatial
Humanities: Place-name Proximity
Search tool (SHPPS) in combination with the
Edinburgh Geoparser and the Corpus Query
Processor to scan through all forty volumes
[of the Reports of the General Register Office
for England and Wales between 1840 and 1880]
and identify every instance in which a
place name in the corpus appeared
alongside (or, in other words, collocated with)
the words ‘Cholera’, ‘Diarrhoea’ or
‘Dysentery’ (hereafter, ChDiDy).* This
enabled us to create a geo-referenced
database, which we then used to study the
spatial patterns underlying the GRO‟s reporting
of these diseases.
Spatial Humanities, „Mapping Disease and
Mortality in Victorian England & Wales‟ (2013)
www.bl.uk 24
Virtual St Paul‟s
Cross Project
Notes from talk at Institute of
Historical Research, 18 February
2014.
www.bl.uk 25
Theory
…in Digital History
www.bl.uk 26
Bob Nicholson, „Counting Culture; or, How to
Read Victorian Newspapers from a
Distance‟, Journal of Victorian Culture 17:2
(2012)
“Faced with this mountain of print, we have two choices: to
continue subjecting tiny fragments of Victorian culture to close
reading, or to supplement this approach by exploring a much
larger proportion of the archive through „distant reading‟.”
www.bl.uk 27
„[...] en histoire, comme ailleurs, ce qui
compte, ce n‟est pas la machine, mais le
problème. La machine n‟a d‟intérêt que dans
la mesure où elle permet d‟aborder des
questions neuves, originales par les
méthodes, les contenus et surtout l‟ampleur‟
Emmanuel Le Roy
Ladurie, „L‟historien et
l‟ordinateur‟, Le territoire de
l‟historien (Paris 1973)
„In history, as elsewhere, what counts is
not the machine, but the problem. The
machine is only interesting insofar as it
allows to tackle new questions that are
original because of their
methods, content and especially scale‟
www.bl.uk 28
Prototype Project Task
–Groups of 5 or 6.
–Use the cards to come up with a potential
project idea:
• Combination of tool cards and collection card.
– note: you all have different card combinations.
• Draws on what has been talked about this morning
• Uses the best of the skills and backgrounds your group
can offer
–Feedback
• Keep it short!
www.bl.uk 29
www.bl.uk 30
It should not be assumed that, because DH emphasizes practice and
making use of computers, it's therefore naively instrumental or positivist in its
assumptions, or that its hands-on doing necessarily precludes
theory. Only an impoverished view of theory as pure verbal and written
discourse, separate from practice, would produce such an assumption.
Steven E Jones, Emergence of the Digital Humanities (2014), 179.
www.bl.uk 31
Statistics may serve to reveal or clarify a particular tendency; but
how we interpret that tendency - the significance we attach to it and
the causes we adduce for it - is a matter for seasoned historical
judgement, in which the historian trained exclusively in quantitative methods
would be woefully deficient.
John Tosh, The Pursuit of History (2nd editon, 1991), 197.
www.bl.uk 32
www.bl.uk 33
www.bl.uk 34
Thank you!
@j_w_baker
james.baker@bl.uk
http://britishlibrary.typepad.co.uk/digital-scholarship/
Slides: http://www.slideshare.net/drjwbaker/2014-0425-bernslides
Notes: https://gist.github.com/drjwbaker/11291918

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Digital History: a (personal) introduction

  • 1. Digital History A (personal) introduction Dr James Baker Curator, Digital Research @j_w_baker
  • 2. www.bl.uk 2 Some admin… You are free to: – Copy, share, adapt, or re-mix – Photograph, film, or broadcast – Blog, live-blog, or post video of; this presentation provided that: – You attribute the work to its author and respect the rights and licences associated with its components – You distribute the resulting work only under the same or similar license to this one Text attribution Greg Wilson, Two Solitudes, SPLASH 2013 (29 October 2013) http://www.slideshare.net/gvwilson/splash-2013 This work is licensed under a Creative Commons Attribution- ShareAlike 3.0 Unported License unless stated otherwise.
  • 3. www.bl.uk 3 “The emergence of the new digital humanities isn't an isolate academic phenomenon. The institutional and disciplinary changes are part of a larger cultural shift, a rapid cycle of emergence and convergence in technology and culture” Steven E Jones, Emergence of the Digital Humanities (2014), 31.
  • 7. www.bl.uk 7 „Digital history is an approach to examining and representing the past that takes advantage of new communication technologies such as computers and the Web. It draws on essential features of the digital realm, such as databases, hypertextualization, and networks, to create and share historical knowledge. Digital history complements other forms of history – indeed it draws its strength and methodological rigor from this age-old form of human understanding while using the latest technology.‟ „What is Digital History?‟ Center for History and New Media, George Mason University http://chnm.gmu.edu/ (accessed 25 March 2014)
  • 11. www.bl.uk 11 „Literary scholars and historians have in the past been limited in their analyses of print culture by the constraints of physical archives and human capacity. A lone scholar cannot read, much less make sense of, millions of newspaper pages. With the aid of computational linguistics tools and digitized corpora, however, we are working toward a large-scale, systemic understanding of how texts were valued and transmitted during this period‟ David A. Smith, Ryan Cordell, and Elizabeth Maddock Dillon, „Infectious Texts: Modeling Text Reuse in Nineteenth-Century Newspapers‟ (2013)
  • 12. www.bl.uk 12 „Early users of medieval books of hours and prayer books left signs of their reading in the form of fingerprints in the margins. The darkness of their fingerprints correlates to the intensity of their use and handling. A densitometer -- a machine that measures the darkness of a reflecting surface -- can reveal which texts a reader favored.‟ Kathryn M. Rudy, „Dirty Books: Quantifying Patterns of Use in Medieval Manuscripts Using a Densitometer‟, Journal of Historians of Nederlandish Art (2010)
  • 13. www.bl.uk 13 „The Digital Harlem website presents information, drawn from legal records, newspapers and other archival and published sources, about everyday life in New York City's Harlem neighborhood in the years 1915-1930 […] Unlike most studies of Harlem in the early twentieth century, this project focuses not on black artists and the black middle class, but on the lives of ordinary African New Yorkers‟ Digital Harlem: Everyday Life 1915-1930
  • 15. www.bl.uk 15 „[T]he very phrase ‘digital history’ suggests separateness from, or the existence of, „non-digital‟ historical practice. This seems highly problematic though. Both the idea that „digital history‟ constitutes a specific sub-discipline, existing next to other historical sub-disciplines such as cultural, social, political or gender history, as well as the idea that it should essentially be seen as an auxiliary science of history, feed into the myth that historical practice in general can be uncoupled from technological, and thus methodological, developments and that going digital is a choice, which, I cannot emphasise strongly enough, it is not.‟ Gerben Zaagsma, „On Digital History‟, BMGN - Low Countries Historical Review 128:4 (2013)
  • 17. www.bl.uk 17 Newspaper Man photograph courtesy of Flickr user Ed Stevenson / Creative Commons Licensed
  • 19. www.bl.uk 19 Topic Model (10 topics, using stemming and term frequency–inverse document frequency) using publication dates over time for entries listed under „Articles‟ in my Zotero Library generated using Paper Machines, 17 September 2013.
  • 20. www.bl.uk 20 Magnus Huber, 'The Old Bailey Corpus: spoken English in the 18th and 19th Centuries', Institute of Historical Research (21 February 2012) The Old Bailey Corpus Online
  • 21. www.bl.uk 21 Asymmetrical Encounters E-Humanity Approaches to Reference Cultures in Europe, 1815–1992 How did the large and cultural powerful countries Britain, France, and Germany influence public debates in smaller countries like the Netherlands, Belgium and Luxembourg?
  • 22. www.bl.uk 22 “If each paragraph in the infinite archive, all the trillions of words, is simply a collection of data, it immediately becomes something that can be tied to a series of other things – to any other bit of data. A name, a date, a selection of words, or a phrase […] defined as a polygon on the surface of the earth. In other words, the texts that form the basis for western history can now be geo- referenced and tied directly to a historical / geographical understanding of spatial distribution, which can in turn be cross analysed with any other series of measures of text – textmining makes text available for embedding within a geographical frame.” Tim Hitchcock, „Place and the Politics of the Past‟ (2012)
  • 23. www.bl.uk 23 “In this instance we used the Spatial Humanities: Place-name Proximity Search tool (SHPPS) in combination with the Edinburgh Geoparser and the Corpus Query Processor to scan through all forty volumes [of the Reports of the General Register Office for England and Wales between 1840 and 1880] and identify every instance in which a place name in the corpus appeared alongside (or, in other words, collocated with) the words ‘Cholera’, ‘Diarrhoea’ or ‘Dysentery’ (hereafter, ChDiDy).* This enabled us to create a geo-referenced database, which we then used to study the spatial patterns underlying the GRO‟s reporting of these diseases. Spatial Humanities, „Mapping Disease and Mortality in Victorian England & Wales‟ (2013)
  • 24. www.bl.uk 24 Virtual St Paul‟s Cross Project Notes from talk at Institute of Historical Research, 18 February 2014.
  • 26. www.bl.uk 26 Bob Nicholson, „Counting Culture; or, How to Read Victorian Newspapers from a Distance‟, Journal of Victorian Culture 17:2 (2012) “Faced with this mountain of print, we have two choices: to continue subjecting tiny fragments of Victorian culture to close reading, or to supplement this approach by exploring a much larger proportion of the archive through „distant reading‟.”
  • 27. www.bl.uk 27 „[...] en histoire, comme ailleurs, ce qui compte, ce n‟est pas la machine, mais le problème. La machine n‟a d‟intérêt que dans la mesure où elle permet d‟aborder des questions neuves, originales par les méthodes, les contenus et surtout l‟ampleur‟ Emmanuel Le Roy Ladurie, „L‟historien et l‟ordinateur‟, Le territoire de l‟historien (Paris 1973) „In history, as elsewhere, what counts is not the machine, but the problem. The machine is only interesting insofar as it allows to tackle new questions that are original because of their methods, content and especially scale‟
  • 28. www.bl.uk 28 Prototype Project Task –Groups of 5 or 6. –Use the cards to come up with a potential project idea: • Combination of tool cards and collection card. – note: you all have different card combinations. • Draws on what has been talked about this morning • Uses the best of the skills and backgrounds your group can offer –Feedback • Keep it short!
  • 30. www.bl.uk 30 It should not be assumed that, because DH emphasizes practice and making use of computers, it's therefore naively instrumental or positivist in its assumptions, or that its hands-on doing necessarily precludes theory. Only an impoverished view of theory as pure verbal and written discourse, separate from practice, would produce such an assumption. Steven E Jones, Emergence of the Digital Humanities (2014), 179.
  • 31. www.bl.uk 31 Statistics may serve to reveal or clarify a particular tendency; but how we interpret that tendency - the significance we attach to it and the causes we adduce for it - is a matter for seasoned historical judgement, in which the historian trained exclusively in quantitative methods would be woefully deficient. John Tosh, The Pursuit of History (2nd editon, 1991), 197.
  • 34. www.bl.uk 34 Thank you! @j_w_baker james.baker@bl.uk http://britishlibrary.typepad.co.uk/digital-scholarship/ Slides: http://www.slideshare.net/drjwbaker/2014-0425-bernslides Notes: https://gist.github.com/drjwbaker/11291918