Slides from my Midwest UX 2012 presentation on new media art.
These aren't very useful without the talk - it's mostly pictures from the artists' websites. However, if you see the presentation in person some day this will be a good reference for remembering names and pieces.
There are a couple blank slides that are videos in the actual presentation.
8. Old Media
http://www.thinkkc.com/mediacenter/photolibrary/lib_arts.php
9. โAll new media objects, whether created from
scratch on computers or converted from
analog media sources, are composed of digital
code...โ
Lev Manovich, The Language of New Media (2001)
http://solidwork.tistory.com/entry/Rosso-Restaurant-SO-Architecture-%EB%86%8D%EC%8B%AC-%EC%8C%80%EB%AC%B8%ED%99%94%EA%B4%80-%EC%B0%B8%EC%A1%B0
10. โ... media becomes programmable.โ
Lev Manovich, The Language of New Media (2001)
http://bobbyrice.blogspot.ca/2009/11/in-game-scene-art-lotr-silent-hill-5.html
11. Five Principles:
1. Numerical Representation
2. Modularity
3. Automation
4. Variability
5. Cultural Transcoding
Lev Manovich, The Language of New Media (2001)
12. Five Principles:
1. Numerical Representation
2. Modularity
3. Automation
4. Variability
5. Cultural Transcoding
Lev Manovich, The Language of New Media (2001)
13. Five Principles:
1. Numerical Representation
2. Modularity
3. Automation
4. Variability
5. Cultural Transcoding
Lev Manovich, The Language of New Media (2001)
14. Five Principles:
1. Numerical Representation
2. Modularity
3. Automation
4. Variability
5. Cultural Transcoding
Lev Manovich, The Language of New Media (2001)
15. Five Principles:
1. Numerical Representation
2. Modularity
3. Automation
4. Variability
5. Cultural Transcoding
Lev Manovich, The Language of New Media (2001)
16. Five Principles:
1. Numerical Representation
2. Modularity
3. Automation
4. Variability
5. Cultural Transcoding
Lev Manovich, The Language of New Media (2001)
25. โthe work of art is often identi๏ฌed with the
building, book, painting, or statue in its
existence apart from human experience. ...
the actual work of art is what the product
does with and in experienceโ
John Dewey - Art as Experience, 1934
http://www.๏ฌickr.com/photos/was_guckst_du/5956728259/
26. โEven the most perfect reproduction of a work
of art is lacking in one element: its presence in
time and space, its unique existence at the
place where it happens to be.โ
Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction, 1936
40. โYour mind is downloaded out of your head
and somehow spread across a million
foglets. I get that. What I don't get is why. If
you're bored of your body, you could buy a
new one, or temp, or even go transient.
Why become dust?โ
Warren Ellis, Transmetropolitan Issue #7 (1997)
51. โIf culture, in the context of interactive media,
becomes something we โdo,โ itโs the interface
that de๏ฌnes how we do it and how the โdoingโ
feels.โ
David Rokeby, The Construction of Experience: Interface as Content (1998)
52. โToday digital art, โactually all artโ, has
awareness. โฆ Pieces listen to us, they see us,
they sense our presence and wait for us to
inspire them, and not the other way around.โ
Rafaelย Lozano-Hemmer, A conversation between
Josรจ Luis Barrios and Rafael Lozano-Hemmer (2005)
http://www.visitpreston.com
53. โIt is the vision of a computer, a cyborg, an
automatic missile. ... It is the vision of a digital
grid. Synthetic computer-generated imagery is
not an inferior representation of our reality, but
a realistic representation of a different reality.โ
Lev Manovich, The Language of New Media (2001)
59. โThe active ingredient of the work is its
interface. The interface is unusual because it is
invisible and very diffuse, occupying a large
volume of space, whereas most interfaces are
focussed and de๏ฌnite. Though diffuse, the
interface is vital and strongly textured through
time and space. The interface becomes a zone
of experience, of multi-dimensional encounter.
The language of encounter is initially unclear, but
evolves as one explores and experiences.โ
David Rokeby on Very Nervous System
77. Q&A
Thanks! Further Resources
mattnl@normative.com The Language of New Media (Lev Manovich)
@emenel New Media in Art (Michael Rush)
InterAccess
ThingTank
MIT Media Lab