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Advertising Theories
      By Emma Knowles
Uses and Gratification – Blumer
             and Katz

 Diversion - escape
 Personal Relationship - emotional interaction
 Personal Identity - finding yourself within the
  text
 Surveillance - information that is useful
Reception Theory – David Morley


 Dominant Reading - Audience shares the encoded
  meaning
 Negotiated Reading - Audience shares some of the
  meaning
 Oppositional Reading - Audience rejects the meaning,
  or takes something different
Moral Panic - Cohen
 "an intense feeling expressed in a population
  about an issue that appears to threaten the
  social order.”
 According to Stanley Cohen, a moral panic
  occurs when "a condition, episode, person or
  group of persons emerges to become defined
  as a threat to societal values and interests.”
 For a moral panic to be recognised these five things happen:

 Concern – There must be awareness that the behavior of the is
  likely to have a negative impact on society.

 Hostility –A clear division forms between "them" and "us".

 Consensus – Widespread acceptance that the group in question
  poses a very real threat to society.

 Disproportionality – The action taken is disproportionate to the
  actual threat posed by the accused group.

 Volatility – Moral panics are highly volatile and tend to
  disappear as quickly as they appeared due to a wane in public
  interest or news reports changing to another topic.
Hierarchy of Needs
Means-End theory

  This approach suggests that an advertisement
should contain a message that leads the consumer
             to a desired end state.
Leverage Points
   It is designed to move the consumer from
understanding a product's benefits to linking those
           benefits with personal values.
Marketing Mix
 Professor E. Jerome McCarthy in the 1960s and is considered to be
  the key concept to advertising.

 Four basic elements called the four P’s.

 P for representing the actual product.

 Price for the process of determining the value of a product.

 Place for the variables of getting the product to the consumer.

 Promotion which is the process of reaching the target market and
  convincing them to go out and buy the product
Hierarchy of Effects
It clarifies the objectives of an advertising campaign and for each individual
advertisement. The model suggests that there are six steps a consumer or a
            business buyer moves through when making a purchase
Semiotics
 Consumers and marketers have shared meanings.
 semiotics is the study of how these signs are
  interpreted.
 There can be hidden signs within brand names, logos,
  package designs, print advertisements, and television
  advertisements.
Two levels of interpretation
Surface level
 The surface level uses signs creatively to create an
  image or personality for their product. These signs
  can be images, words, fonts, colours, or slogan.
Underlying level
 The underlying level is made up of hidden meanings. The
  combination of images, words, colours, and slogan must
  be interpreted by the audience or consumer.
Signifier
 The signifier is the colour, brand
name, logo design, and technology.
Signified
 The signified has two meanings known as denotative
  and connotative.
 The denotative meaning is the meaning of the
  product.
 The connotative meaning is the product’s deep and
  hidden meaning. A connotative meaning of a
  television would be that it is top of the line
Semiotics of gender
 Certain characteristics of object may enhance or decrease the
  elaboration of the message such as, the product being perceived as
  feminine.

 Second, the characteristics of individuals can affect attention and
  elaboration of the message (traditional or non-traditional gender
  role orientation).

 Lastly, situational factors may be important to influence the
  elaboration of the message.
Marketing communication claims
 Objective

 The extent to which the claim associates the brand with a tangible product
  or service feature.

 Subjective

 Emotional, subjective and impressions of intangible aspects of a product
  or service. They are non-physical features of a product or service that
  cannot be directly perceived, as they have no physical reality.

 Males tend to respond better to objective marketing communications claims
  while females tend to respond better to subjective marketing
  communications claims.

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Advertising Theories

  • 1. Advertising Theories By Emma Knowles
  • 2. Uses and Gratification – Blumer and Katz  Diversion - escape  Personal Relationship - emotional interaction  Personal Identity - finding yourself within the text  Surveillance - information that is useful
  • 3. Reception Theory – David Morley  Dominant Reading - Audience shares the encoded meaning  Negotiated Reading - Audience shares some of the meaning  Oppositional Reading - Audience rejects the meaning, or takes something different
  • 4. Moral Panic - Cohen  "an intense feeling expressed in a population about an issue that appears to threaten the social order.”  According to Stanley Cohen, a moral panic occurs when "a condition, episode, person or group of persons emerges to become defined as a threat to societal values and interests.”
  • 5.  For a moral panic to be recognised these five things happen:  Concern – There must be awareness that the behavior of the is likely to have a negative impact on society.  Hostility –A clear division forms between "them" and "us".  Consensus – Widespread acceptance that the group in question poses a very real threat to society.  Disproportionality – The action taken is disproportionate to the actual threat posed by the accused group.  Volatility – Moral panics are highly volatile and tend to disappear as quickly as they appeared due to a wane in public interest or news reports changing to another topic.
  • 7. Means-End theory This approach suggests that an advertisement should contain a message that leads the consumer to a desired end state.
  • 8. Leverage Points It is designed to move the consumer from understanding a product's benefits to linking those benefits with personal values.
  • 9. Marketing Mix  Professor E. Jerome McCarthy in the 1960s and is considered to be the key concept to advertising.  Four basic elements called the four P’s.  P for representing the actual product.  Price for the process of determining the value of a product.  Place for the variables of getting the product to the consumer.  Promotion which is the process of reaching the target market and convincing them to go out and buy the product
  • 10. Hierarchy of Effects It clarifies the objectives of an advertising campaign and for each individual advertisement. The model suggests that there are six steps a consumer or a business buyer moves through when making a purchase
  • 11. Semiotics  Consumers and marketers have shared meanings.  semiotics is the study of how these signs are interpreted.  There can be hidden signs within brand names, logos, package designs, print advertisements, and television advertisements.
  • 12. Two levels of interpretation Surface level  The surface level uses signs creatively to create an image or personality for their product. These signs can be images, words, fonts, colours, or slogan. Underlying level  The underlying level is made up of hidden meanings. The combination of images, words, colours, and slogan must be interpreted by the audience or consumer.
  • 13. Signifier The signifier is the colour, brand name, logo design, and technology.
  • 14. Signified  The signified has two meanings known as denotative and connotative.  The denotative meaning is the meaning of the product.  The connotative meaning is the product’s deep and hidden meaning. A connotative meaning of a television would be that it is top of the line
  • 15. Semiotics of gender  Certain characteristics of object may enhance or decrease the elaboration of the message such as, the product being perceived as feminine.  Second, the characteristics of individuals can affect attention and elaboration of the message (traditional or non-traditional gender role orientation).  Lastly, situational factors may be important to influence the elaboration of the message.
  • 16. Marketing communication claims  Objective  The extent to which the claim associates the brand with a tangible product or service feature.  Subjective  Emotional, subjective and impressions of intangible aspects of a product or service. They are non-physical features of a product or service that cannot be directly perceived, as they have no physical reality.  Males tend to respond better to objective marketing communications claims while females tend to respond better to subjective marketing communications claims.