Week 1 Copyright

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Gihan Lahoud

Education

COPYRIGHT & ROYALTIES Certificate 3 Lucas Hendriks - copyright & royalties 2009

COPYRIGHT ,[object Object],[object Object],[object Object],Lucas Hendriks - copyright & royalties 2009

COPYRIGHT ,[object Object],[object Object],[object Object],[object Object],Lucas Hendriks - copyright & royalties 2009

COPYRIGHT ,[object Object],[object Object],[object Object],[object Object],[object Object],Lucas Hendriks - copyright & royalties 2009

COPYRIGHT ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Lucas Hendriks - copyright & royalties 2009

ROYALTIES ,[object Object],[object Object],[object Object],Lucas Hendriks - copyright & royalties 2009

COPYRIGHT & ROYALTIES ,[object Object],[object Object],[object Object],Lucas Hendriks - copyright & royalties 2009

[object Object],[object Object],[object Object],[object Object],Lucas Hendriks - copyright & royalties 2009

Lucas Hendriks - copyright & royalties 2009

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The first owner of copyright in general is author (exceptions: works for hire,[3] Government works; s. 17). The owner of copyright may assign the copyright (s. 18) or grant any interest in the copyright by license (s. 48). Licenses may also be granted by the Copyright Board (ss. 50–54). Registration of copyright with the Copyright Office is not obligatory, but if registration has taken place the Register of Copyrights gives prima facie evidence of the particulars entered therein (s. 60).

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The following presentation is from my lecture, "Music Publishing & Copyright Administration In The Internet Age" at the Independent Music Conference on October 25th, 2014 at SAE Institute in Los Angeles. Conference Description: This workshop will cover basic music publishing and copyright administration from the perspective of a DIY independent artist. You will learn about self-publishing in the Internet age and takeaway resources for music placement, music licensing, and royalty collection around the world. Attendees should leave with an understanding of synchronization rights, mechanical rights, and performance rights in the United States.

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Question_1/Essay_2_Question.jpeg Question_1/Proper Summary Procedure -.docx Proper Summary Procedure Once you’ve identified the passage (thesis, argument) to be summarized, do the following: 1. Know the Passage Read it, re-read it and re-read it again; Take notes; Do a Who / What analysis: Briefly answer the questions “Who” “What” “Where” “When” “Why” and “How” as part of your notetaking process; Before you begin drafting your summary you should know the passage so well, you could tell someone in your own words what it says without having to look at the passage. 2. Set the original aside Looking at the original while you draft will greatly increase the chances of unintentional plagiarism. 3. Get something down Using your notes, your Who/What analysis and your memory, make an attempt to summarize the passage. Understand that it won’t be perfect. 4. Go back to the original and check your summary for the following (in order): A. Precision of the Language: Make sure you haven’t butchered the language! Revise for clarity and precision. You might have to revise several times to get the language right. B. Accuracy: Make sure your summary accurately captures the intent of the original passage. C. Violations of the Four Word Rule: Get in there and count! Make sure you have not unintentionally plagiarized the original passage. Question_1/Sample Summary Paper -.docx Sample Summary Paper: Thesis Lessig claims that we need to find a means of protecting artist’s financial interests while also continuing to encourage technological innovation through certain forms of piracy or theft. First argument He tells us all of our major media had its origins in theft. For example, filmmakers travelled to Hollywood, California in an attempt to avoid the patent protections Thomas Edison held on filmmaking technology. They thought California was far enough away that federal law enforcement couldn’t reach. By the time federal law enforcement caught up to these filmmakers, the patents had already expired. Rest of Summary [include one more example – i.e. cable tv]. Lessig argues that some forms of piracy are clearly beneficial because they promote innovation in technology. For this reason, he’d like to see person to person file sharing encouraged, so long as we can find a way to protect the artists from those who would make a profit from selling their work. **** When writing your actual summary paper, DO NOT INCLUDE THE RED HEADERS ABOVE. I have inserted these to help clarify the process. Your actual summary paper (on “The Closing of the American Book”) should be in traditional paragraph form. Question_1/Some Like It Hot --.docx Some Like It Hot OK, P2P is "piracy." But so was the birth of Hollywood, radio, cable TV, and (yes) the music industry. If piracy means using the creative property of others without their permission, then the history of the content industry is a history of piracy. Every important sector of big media today - film, music, ...

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9 Beet Stretch, by Scandinavian sound artist Leif Inge, is a soundscape made of Beethoven's 9th Symphony, first composed in 1824. The source recording, a Naxos recording conducted by Bela Drahos with the Nicolaus Esterhazy Sinfonia and Chorus in 1992, was stretched digitally to a duration of 24 hours with no distortion or pitch shifting. The work is presented as a 24-hour-long sound installation/electroacoustic concert. 1. Describe the public domain and the rights of all parties. Is there copyright infringement? Are there defenses? When a song is played on the radio royalties are paid to the writer of the words and musical composition, but the performer receives nothing. It is considered free advertising for their skills as a performer. This is why many performers make very little money from radio airplay but need to perform to make real money. Think of artists whose hit single isn't even their own song. That being said, Lil Nas X of the famed Old Town Road purchased off the website Beatstars (See their ToS here) the beat used in his now famous song from a producer named YoungKio. Beatstars is a service for selling music from independent producers. Unbeknownst to Lil Nas X, the beat he purchased was remixed with a sample of Trent Reznor's 34 Ghosts IV, which was not cleared with Mr. Reznor prior to the song's release. Mr. Reznor is a legend in the music industry for a variety of reasons but for our purposes he has been a leader in copyright reform. His most recent work has been released under what we call a Creative Commons license, specifically the CC-BY-NC-SA 3.0 License. Long story short, Trent Reznor whose musical genre typically falls within industrial rock, now has a Country Music Award. 2. This is a huge fact pattern with licensing, infringement, Creative Commons, ToS issues, vicarious liability, moral rights, and more involved. I would like for you to explore the legal and ethical creative space with this..

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Week 1 Copyright

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