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Staubs 1


     Savannah Staubs

     Ms. Samuels

     English 10

     5/17/2009



                                  Literary Criticism Paper

             It was terribly dangerous to let your thoughts wander when you were in

             any public place or within range of a telescreen. The smallest thing

             could give you away. A nervous tic, an unconscious look of anxiety, a

             habit of muttering to yourself—anything that carried with it the

             suggestion of abnormality, of having something to hide. In any case, to

             wear an improper expression on your face… was itself a punishable

             offense. There was even a word for it in Newspeak:

             facecrime… (Orwell, 62)

  The main character of 1984, Winston, had to constantly watch his back and make

sure that he didn’t step out of line with the government, or he would get into serious

trouble. The two novels chosen are No Exit by Jean-Paul Satre and 1984 by George

Orwell. The setting of 1984 is a futuristic society in which one has no control over

their own life or personal freedoms, because the government is constantly watching

him/her. If one disobeys, then that person most often gets tortured brutally and erased

from society. No Exit takes place in hell. The three characters, Ines, Estelle, and

Garcin, are each their own punishment. In 1984 it’s Winston who is trapped, and in
Staubs 2


No Exit it’s all three of the main characters. Both novels have he same theme, yet it’s

conveyed in different ways. In each novel the characters are trapped in some way.

     There are many examples of how No Exit displays the theme of being trapped.

“Estelle would constantly look at herself in the mirror and see herself as others see

her.” (Kern, Edith 457) This quote means that she cares about what other people think

about her and how others see her. She was trapped by other people’s perception of

her and could not be her true to herself because she constantly had to appear perfect

to the outside world with good looks and a good reputation.

     In No Exit the characters are in hell partially because of their guilt. “When the

doorbell out of hell opens, and the characters are given a chance to escape, it is their

inability to do so that makes them truly and with finality guilty in Sartres eyes.”

(Kern 456) The characters are weighed down by their guilt, too much to escape.

Because Garcin’s vision of himself was blurred by intellectual clichés, his life lacked

honesty and true freedom. He is unable to free himself from empty rationalization.

     Ines believes in destiny and fate. “Ines believes that everything in life is

predetermined.” (Kern 457) Even before death, Ines was trapped by her own destiny,

and the niche that society has assigned her.

     Another way the main characters of No Exit are trapped is literally. They cannot

escape from hell. “The setting of the novel is hell.” (Murphy, Bruce website)

Condemnation on the play’s melodramatic level is obvious and simple, as Edith Kern

says on page 456. Although they are not in the typical hell, with fire and lost souls,

they are still trapped eternally in a locked room with people they cannot stand. “Hell

is other people.” (Kern 458) On the very last page of the book, when Garcin says,
Staubs 3


“continuons”, it really gives readers the gist of how the characters are utterly and

perpetually trapped. “…seems to epitomize the hopeless, eternal condemnation of the

play’s three characters to a hell which they cannot escape.” (Kern 456)

     The characters in No Exit are, in addition to being physically trapped in hell, are

metaphorically trapped inside of themselves. This is because even though they are

physically with one another, they are alone in that they have nobody to relate to,

nobody who understands them for who they are and can help them with their

problems. Thus, they are trapped inside of themselves, left to ponder their own

thoughts.

     In No Exit the characters are very tortured. “Man turned into an object by the

eyes of his fellow man, the other, who also serves him as a mirror confirming his

existence; man robbed of his freedom, immobilized, congealed, and even tortured as

he is aware of the consciousness of the other.” (Kern 456) The man turned into an

object is probably Garcin, and he’s turned into this object by Estelle. Ines serves

Estelle as a mirror. Finally, Ines is tortured as she cannot become romantically

involved with Estelle.

     Literary criticism shows that 1984 supports the theme of being trapped, in a

variety of ways. “Winston is trapped in his society which is a political nightmare.”

(Seymour-Smith, Martin 1,978) This means that Winston cannot escape the terrible

conditions of his culture and surroundings. He can’t do things that people today take

for granted, like flirting with people, criticizing the government, or even dreaming

about disliking the government. He’s trapped in his society.
Staubs 4


      In 1984, Winston is restricted as to what he can say, do, or think. “Winston

cannot speak of his odium of the government or he will be arrested by the thought

police.” (Seymour-Smith 1,979) If he expresses his true feelings then he will be

imprisoned. Also, “He must struggle to free himself from an all-encompassing,

malevolent society.” (Seymour-Smith p. 1,980) Winston’s secret thoughts against the

government are trapped inside of his head, and any sign of these thoughts escaping

can get him killed or brutally tortured.

      When Winston is in the ministry of love he’s physically trapped within the

confines of his cell. (Seymour-Smith p. 1,979) This is similar to how in No Exit all of

the characters are trapped in hell. It is nearly impossible to escape either, so the

characters are prisoners.

      quot;Your worst enemy, he reflected, was your nervous system. At any moment the

tension inside you was liable to translate itself into some visible symptom.quot; (Orwell

67) This quote shows both the fear caused, and absolute power, put into effect by Big

Brother. Winston was truly trapped by this fear, and could not escape it. In No Exit

the characters are physically trapped in the setting which is hell. Both display the

theme of being trapped, whether physically, in the case of the ministry of love, or

emotionally, in the case of the cast of No Exit being held back by their guilt. In the

end, though each novel is different, the underlying theme is the same.

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  • 1. Staubs 1 Savannah Staubs Ms. Samuels English 10 5/17/2009 Literary Criticism Paper It was terribly dangerous to let your thoughts wander when you were in any public place or within range of a telescreen. The smallest thing could give you away. A nervous tic, an unconscious look of anxiety, a habit of muttering to yourself—anything that carried with it the suggestion of abnormality, of having something to hide. In any case, to wear an improper expression on your face… was itself a punishable offense. There was even a word for it in Newspeak: facecrime… (Orwell, 62) The main character of 1984, Winston, had to constantly watch his back and make sure that he didn’t step out of line with the government, or he would get into serious trouble. The two novels chosen are No Exit by Jean-Paul Satre and 1984 by George Orwell. The setting of 1984 is a futuristic society in which one has no control over their own life or personal freedoms, because the government is constantly watching him/her. If one disobeys, then that person most often gets tortured brutally and erased from society. No Exit takes place in hell. The three characters, Ines, Estelle, and Garcin, are each their own punishment. In 1984 it’s Winston who is trapped, and in
  • 2. Staubs 2 No Exit it’s all three of the main characters. Both novels have he same theme, yet it’s conveyed in different ways. In each novel the characters are trapped in some way. There are many examples of how No Exit displays the theme of being trapped. “Estelle would constantly look at herself in the mirror and see herself as others see her.” (Kern, Edith 457) This quote means that she cares about what other people think about her and how others see her. She was trapped by other people’s perception of her and could not be her true to herself because she constantly had to appear perfect to the outside world with good looks and a good reputation. In No Exit the characters are in hell partially because of their guilt. “When the doorbell out of hell opens, and the characters are given a chance to escape, it is their inability to do so that makes them truly and with finality guilty in Sartres eyes.” (Kern 456) The characters are weighed down by their guilt, too much to escape. Because Garcin’s vision of himself was blurred by intellectual clichés, his life lacked honesty and true freedom. He is unable to free himself from empty rationalization. Ines believes in destiny and fate. “Ines believes that everything in life is predetermined.” (Kern 457) Even before death, Ines was trapped by her own destiny, and the niche that society has assigned her. Another way the main characters of No Exit are trapped is literally. They cannot escape from hell. “The setting of the novel is hell.” (Murphy, Bruce website) Condemnation on the play’s melodramatic level is obvious and simple, as Edith Kern says on page 456. Although they are not in the typical hell, with fire and lost souls, they are still trapped eternally in a locked room with people they cannot stand. “Hell is other people.” (Kern 458) On the very last page of the book, when Garcin says,
  • 3. Staubs 3 “continuons”, it really gives readers the gist of how the characters are utterly and perpetually trapped. “…seems to epitomize the hopeless, eternal condemnation of the play’s three characters to a hell which they cannot escape.” (Kern 456) The characters in No Exit are, in addition to being physically trapped in hell, are metaphorically trapped inside of themselves. This is because even though they are physically with one another, they are alone in that they have nobody to relate to, nobody who understands them for who they are and can help them with their problems. Thus, they are trapped inside of themselves, left to ponder their own thoughts. In No Exit the characters are very tortured. “Man turned into an object by the eyes of his fellow man, the other, who also serves him as a mirror confirming his existence; man robbed of his freedom, immobilized, congealed, and even tortured as he is aware of the consciousness of the other.” (Kern 456) The man turned into an object is probably Garcin, and he’s turned into this object by Estelle. Ines serves Estelle as a mirror. Finally, Ines is tortured as she cannot become romantically involved with Estelle. Literary criticism shows that 1984 supports the theme of being trapped, in a variety of ways. “Winston is trapped in his society which is a political nightmare.” (Seymour-Smith, Martin 1,978) This means that Winston cannot escape the terrible conditions of his culture and surroundings. He can’t do things that people today take for granted, like flirting with people, criticizing the government, or even dreaming about disliking the government. He’s trapped in his society.
  • 4. Staubs 4 In 1984, Winston is restricted as to what he can say, do, or think. “Winston cannot speak of his odium of the government or he will be arrested by the thought police.” (Seymour-Smith 1,979) If he expresses his true feelings then he will be imprisoned. Also, “He must struggle to free himself from an all-encompassing, malevolent society.” (Seymour-Smith p. 1,980) Winston’s secret thoughts against the government are trapped inside of his head, and any sign of these thoughts escaping can get him killed or brutally tortured. When Winston is in the ministry of love he’s physically trapped within the confines of his cell. (Seymour-Smith p. 1,979) This is similar to how in No Exit all of the characters are trapped in hell. It is nearly impossible to escape either, so the characters are prisoners. quot;Your worst enemy, he reflected, was your nervous system. At any moment the tension inside you was liable to translate itself into some visible symptom.quot; (Orwell 67) This quote shows both the fear caused, and absolute power, put into effect by Big Brother. Winston was truly trapped by this fear, and could not escape it. In No Exit the characters are physically trapped in the setting which is hell. Both display the theme of being trapped, whether physically, in the case of the ministry of love, or emotionally, in the case of the cast of No Exit being held back by their guilt. In the end, though each novel is different, the underlying theme is the same.