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his paintings are often quirky and enigmatic and sometimes carry complex messages
the challenge to decode them though is precisely why they are so riveting …
The mysterious masterpieces of Lorenzo Lotto
Idiosyncratic Lorenzo Lotto can be counted as one of the most fascinating of all Renaissance painters
His paintings are puzzles, his life enigmatic, his reputation bizarrely neglected
a forbidding atmosphere
a chilly white light
a young man, pale-faced, slightly reptilian, bends over the books
in his study ...
rose petals,
a table that resembles a coffin ... allusions to the death of love ?
and
a lizard ... one cold-blooded creature looking at another ...
Lorenzo Lotto
Portrait of a Man with a Lizard
Portrait d'un homme avec un lézard
1530
Gallerie dell'Accademia, Venice
a little naked room
a gentleman dressed in black
melancholy or mourning
a meditation on death
flower petals and a miniature skull
two close but separate rings might suggest the end of love
Lorenzo Lotto
Portrait of a Gentleman (Mercurio Bua)
Portrait d’homme (Mercurio Bua)
1535
Galleria Borghese, Rome
a mystery ...
an elegantly dressed man:
Is he rising to address someone or is he pointing to something outside
the frame?
a piece of paper:
a letter or a design for one important architectural projects?
clover, a symbol of abundance, good fortune, and happy marriage
and jasmine, associated with purity and love:
there may have been a companion portrait of the sitter’s bride, to whom
he acknowledges his devotion?
Lorenzo Lotto
Portrait of a Man, possibly Girolamo Rosati
Portrait d'un homme, peut-être Girolamo Rosati
1525
Cleveland Museum of Art, Cleveland
a gentleman wearing a rich, fur-lined black coat
and
a golden paw
and
a problem:
the symbolic meaning of the lion's paw,
the meaning of the painting;
an allusion to the subject's name,
a masonic significance
an attribute referring to the sitter's profession or social role,
a sculptor or goldsmith
... a conclusive interpretation of this painting is not possible
Lorenzo Lotto
Portrait of a Gentleman with a Lion Paw
Portrait d’homme à la patte de lion
1527
Kunsthistorisches Museum, Vienna
a masterpiece
the Venetian collector Andrea Odoni holding an ancient statue ...
a magnificent image of obsession, wealth, pride
but also
a image gently troubling:
a stauette of Diana of Ephesus
and
a small crucifix …
What might we conclude from this curious detail? Perhaps that both
sitter and artist are subtly commenting on the lure of pagan art in a
Christian age?
Lorenzo Lotto
Portrait of Andrea Odoni
Portrait d’Andrea Odoni
1527
Royal Collection, Hampton Court
a Goldsmith in Three Positions,
a new enigma ...
we should see
three views of Bartolomeo Carpan, a jeweller and friend of Lotto
or
a portrait of Bartolomeo Carpan and his two brothers Antonio and Vettore
or
the "tre visi" or "three faces" of the portrait are a pun on Carpan's
hometown, Treviso
Lorenzo Lotto
Portrait of a Goldsmith in Three Positions
Triple portrait d'un orfèvre
1530
Kunsthistorisches Museum, Vienna
one of the most refined and disturbing Lotto's works ...
a copy of Petrarch’s Il Canzoniere, a volume of verse that throbs with
the ache of unrequited passion
and
a penetrating oblique glance of someone seeking consolation
for heartache
Lorenzo Lotto
Portrait of a Young Man with a Book
Portrait de jeune homme au livre
1525-1526
Castello Sforzesco, Milan
a young man
a curtain of white brocade
and
an element of disquiet ...
a small burning lamp on a shelf
a symbol which could allude to the man's personality or deeds,
an allegory of the human life's shortness
an allusion to the passage in St. John: "lux in tenebris", 'And the light
shineth in darkness', John 1,5 ...
Lorenzo Lotto
Portrait of a Young Man with an Oil-lamp
Portrait de jeune homme à la lampe
1506-1508
Kunsthistorisches Museum, Vienna
the mystery of this weird composition …
a carpet-covered table
a squirrel lying between a rich husband and wife
and
a scroll inscribed Homo Numquam -‘Man Never’
but never what?
that he would never behave like a squirrel and abandon his partner ?
Lorenzo Lotto
Portrait of a Married Couple
Portrait d'un couple marié
1523-1524
The Hermitage, St. Petersburg
this splendid portrait again allows one to play a guessing game of
references and meanings ...
a woman in an expensive velvet dress
an emphatic note on a table
and
a drawing of Lucretia, legendary heroine of ancient Rome who committed
suicide following the dishonour she felt after she was raped ...
Lucretia had been depicted as an exemplar of chastity and moral integrity
… but why include a drawing of her in this context?
It may be a reference to the sitter’s name
Lorenzo Lotto
Portrait of a Woman inspired by Lucretia
Portrait d'une femme, inspiré de Lucrèce
1530-1532
National Gallery, London
Lotto, a master of the casual yet disturbing symbol ...
Lucina Brembati,
a large beaming woman in pearls, slightly coy, all her gold jewellery
on bosomy display
but ...
the complacency of the dame is undermined by a vicious weasel
draped around her arm that doesn’t look safely dead
Lorenzo Lotto
Portrait of Lucina Brembati
Portrait de Lucina Brembati
1521-1523
Fondazione Accademia Carrara, Bergamo
a Bergamo doctor, eyes red-rimmed, a greenish pallor (as if this physician
had failed to heal himself),
leaning even more awkwardly behind him is his son
there is ink spatter on the table
and
a beetle climbs ominously up the doctor’s spotless scarf
Lorenzo Lotto
Portrait of Giovanni Agostino della Torre and his son Niccolò
Giovanni Agostino della Torre et son fils, Niccolò
1515-1516
The National Gallery, London
the enigmas of Lorenzo Lotto ...
an astonishing originality
a weird clear shield with a gorgon’s head that indicates petrification and death
a drunk Silenus staring in to his possibly empty vessel of wine
a boat sinking in a lake
a putto playing with the compass, the protractor for geometry
a shield with the arms of the Rossi family – a white lion rampant
Lorenzo Lotto
Allegory of Virtue and Vice
Allégorie de la Vertu et du Vice
1505
National Gallery of Art, Washington
an odd and unusual Annunciation scene ...
Gabriel runs in from the door bearing a huge lily and drops suddenly
to one knee ...
Mary turns toward us and opens her hands in wonder ...
and
a cat scurries away in terror, casting a shadow on the floor
Lorenzo Lotto
Annunciation
Annonciation
1534-1535
Pinacoteca Civica, Recanati
the anachronism surprises ...
a crucifix in a scene of Nativity
the idea of concentrating in one image the initial -the Nativity,
and final -the Crucifixion- moment of the Redemption seems to derive
from Venetian ideas …
Lorenzo Lotto
The Nativity
La nativité
1523
National Gallery of Art, Washington
all Lotto’s humour as well as his realism ...
St. Thomas, the doubting apostle, the last to arrive, running to ask
Our Lady to leave behind her belt ...
and puts on his glasses to see if the Virgin Mary has really ascended
into heaven
Lorenzo Lotto
Assumption of the Virgin
Assomption de la Vierge
1512
Pinacoteca di Brera, Milan
considered the last work of Lotto
a true masterpiece ...
and
a quirky detail is that the altar table is supported by human feet …
Why the strangeness? ...
The painter's "facetious sense of humour"?
Human feet to allude to Christ's resurrection from the tomb?
Perhaps.
One would think more readily that allusions, a code, symbols explain
the transposition.
Which ones? We won’t know anything about it.
Lorenzo Lotto
Presentation in the Temple
La Présentation au Temple
1552-1556
Museo pinacoteca della Santa Casa, Loreto
olga_oes
The mysterious masterpieces of Lorenzo Lotto
Les mystérieux chefs-d'œuvre de Lorenzo Lotto
images and text credit www.
Music The Piano Guys Someone you loved (piano cello)
created olga.e.
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Decoding Lorenzo Lotto's Enigmatic Masterpieces

  • 1.
  • 2. his paintings are often quirky and enigmatic and sometimes carry complex messages the challenge to decode them though is precisely why they are so riveting …
  • 3. The mysterious masterpieces of Lorenzo Lotto
  • 4.
  • 5. Idiosyncratic Lorenzo Lotto can be counted as one of the most fascinating of all Renaissance painters His paintings are puzzles, his life enigmatic, his reputation bizarrely neglected
  • 6.
  • 7. a forbidding atmosphere a chilly white light a young man, pale-faced, slightly reptilian, bends over the books in his study ... rose petals, a table that resembles a coffin ... allusions to the death of love ? and a lizard ... one cold-blooded creature looking at another ... Lorenzo Lotto Portrait of a Man with a Lizard Portrait d'un homme avec un lézard 1530 Gallerie dell'Accademia, Venice
  • 8.
  • 9.
  • 10. a little naked room a gentleman dressed in black melancholy or mourning a meditation on death flower petals and a miniature skull two close but separate rings might suggest the end of love Lorenzo Lotto Portrait of a Gentleman (Mercurio Bua) Portrait d’homme (Mercurio Bua) 1535 Galleria Borghese, Rome
  • 11.
  • 12.
  • 13.
  • 14.
  • 15. a mystery ... an elegantly dressed man: Is he rising to address someone or is he pointing to something outside the frame? a piece of paper: a letter or a design for one important architectural projects? clover, a symbol of abundance, good fortune, and happy marriage and jasmine, associated with purity and love: there may have been a companion portrait of the sitter’s bride, to whom he acknowledges his devotion? Lorenzo Lotto Portrait of a Man, possibly Girolamo Rosati Portrait d'un homme, peut-être Girolamo Rosati 1525 Cleveland Museum of Art, Cleveland
  • 16.
  • 17.
  • 18.
  • 19.
  • 20. a gentleman wearing a rich, fur-lined black coat and a golden paw and a problem: the symbolic meaning of the lion's paw, the meaning of the painting; an allusion to the subject's name, a masonic significance an attribute referring to the sitter's profession or social role, a sculptor or goldsmith ... a conclusive interpretation of this painting is not possible Lorenzo Lotto Portrait of a Gentleman with a Lion Paw Portrait d’homme à la patte de lion 1527 Kunsthistorisches Museum, Vienna
  • 21.
  • 22.
  • 23.
  • 24.
  • 25. a masterpiece the Venetian collector Andrea Odoni holding an ancient statue ... a magnificent image of obsession, wealth, pride but also a image gently troubling: a stauette of Diana of Ephesus and a small crucifix … What might we conclude from this curious detail? Perhaps that both sitter and artist are subtly commenting on the lure of pagan art in a Christian age? Lorenzo Lotto Portrait of Andrea Odoni Portrait d’Andrea Odoni 1527 Royal Collection, Hampton Court
  • 26.
  • 27.
  • 28.
  • 29.
  • 30. a Goldsmith in Three Positions, a new enigma ... we should see three views of Bartolomeo Carpan, a jeweller and friend of Lotto or a portrait of Bartolomeo Carpan and his two brothers Antonio and Vettore or the "tre visi" or "three faces" of the portrait are a pun on Carpan's hometown, Treviso Lorenzo Lotto Portrait of a Goldsmith in Three Positions Triple portrait d'un orfèvre 1530 Kunsthistorisches Museum, Vienna
  • 31.
  • 32.
  • 33.
  • 34. one of the most refined and disturbing Lotto's works ... a copy of Petrarch’s Il Canzoniere, a volume of verse that throbs with the ache of unrequited passion and a penetrating oblique glance of someone seeking consolation for heartache Lorenzo Lotto Portrait of a Young Man with a Book Portrait de jeune homme au livre 1525-1526 Castello Sforzesco, Milan
  • 35.
  • 36.
  • 37.
  • 38. a young man a curtain of white brocade and an element of disquiet ... a small burning lamp on a shelf a symbol which could allude to the man's personality or deeds, an allegory of the human life's shortness an allusion to the passage in St. John: "lux in tenebris", 'And the light shineth in darkness', John 1,5 ... Lorenzo Lotto Portrait of a Young Man with an Oil-lamp Portrait de jeune homme à la lampe 1506-1508 Kunsthistorisches Museum, Vienna
  • 39.
  • 40.
  • 41.
  • 42. the mystery of this weird composition … a carpet-covered table a squirrel lying between a rich husband and wife and a scroll inscribed Homo Numquam -‘Man Never’ but never what? that he would never behave like a squirrel and abandon his partner ? Lorenzo Lotto Portrait of a Married Couple Portrait d'un couple marié 1523-1524 The Hermitage, St. Petersburg
  • 43.
  • 44.
  • 45.
  • 46. this splendid portrait again allows one to play a guessing game of references and meanings ... a woman in an expensive velvet dress an emphatic note on a table and a drawing of Lucretia, legendary heroine of ancient Rome who committed suicide following the dishonour she felt after she was raped ... Lucretia had been depicted as an exemplar of chastity and moral integrity … but why include a drawing of her in this context? It may be a reference to the sitter’s name Lorenzo Lotto Portrait of a Woman inspired by Lucretia Portrait d'une femme, inspiré de Lucrèce 1530-1532 National Gallery, London
  • 47.
  • 48.
  • 49.
  • 50.
  • 51. Lotto, a master of the casual yet disturbing symbol ... Lucina Brembati, a large beaming woman in pearls, slightly coy, all her gold jewellery on bosomy display but ... the complacency of the dame is undermined by a vicious weasel draped around her arm that doesn’t look safely dead Lorenzo Lotto Portrait of Lucina Brembati Portrait de Lucina Brembati 1521-1523 Fondazione Accademia Carrara, Bergamo
  • 52.
  • 53.
  • 54.
  • 55.
  • 56. a Bergamo doctor, eyes red-rimmed, a greenish pallor (as if this physician had failed to heal himself), leaning even more awkwardly behind him is his son there is ink spatter on the table and a beetle climbs ominously up the doctor’s spotless scarf Lorenzo Lotto Portrait of Giovanni Agostino della Torre and his son Niccolò Giovanni Agostino della Torre et son fils, Niccolò 1515-1516 The National Gallery, London
  • 57.
  • 58.
  • 59.
  • 60.
  • 61.
  • 62. the enigmas of Lorenzo Lotto ... an astonishing originality a weird clear shield with a gorgon’s head that indicates petrification and death a drunk Silenus staring in to his possibly empty vessel of wine a boat sinking in a lake a putto playing with the compass, the protractor for geometry a shield with the arms of the Rossi family – a white lion rampant Lorenzo Lotto Allegory of Virtue and Vice Allégorie de la Vertu et du Vice 1505 National Gallery of Art, Washington
  • 63.
  • 64.
  • 65.
  • 66.
  • 67.
  • 68.
  • 69. an odd and unusual Annunciation scene ... Gabriel runs in from the door bearing a huge lily and drops suddenly to one knee ... Mary turns toward us and opens her hands in wonder ... and a cat scurries away in terror, casting a shadow on the floor Lorenzo Lotto Annunciation Annonciation 1534-1535 Pinacoteca Civica, Recanati
  • 70.
  • 71.
  • 72.
  • 73.
  • 74. the anachronism surprises ... a crucifix in a scene of Nativity the idea of concentrating in one image the initial -the Nativity, and final -the Crucifixion- moment of the Redemption seems to derive from Venetian ideas … Lorenzo Lotto The Nativity La nativité 1523 National Gallery of Art, Washington
  • 75.
  • 76.
  • 77.
  • 78. all Lotto’s humour as well as his realism ... St. Thomas, the doubting apostle, the last to arrive, running to ask Our Lady to leave behind her belt ... and puts on his glasses to see if the Virgin Mary has really ascended into heaven Lorenzo Lotto Assumption of the Virgin Assomption de la Vierge 1512 Pinacoteca di Brera, Milan
  • 79.
  • 80.
  • 81.
  • 82. considered the last work of Lotto a true masterpiece ... and a quirky detail is that the altar table is supported by human feet … Why the strangeness? ... The painter's "facetious sense of humour"? Human feet to allude to Christ's resurrection from the tomb? Perhaps. One would think more readily that allusions, a code, symbols explain the transposition. Which ones? We won’t know anything about it. Lorenzo Lotto Presentation in the Temple La Présentation au Temple 1552-1556 Museo pinacoteca della Santa Casa, Loreto
  • 83.
  • 84.
  • 85.
  • 86.
  • 87. olga_oes The mysterious masterpieces of Lorenzo Lotto Les mystérieux chefs-d'œuvre de Lorenzo Lotto images and text credit www. Music The Piano Guys Someone you loved (piano cello) created olga.e. thanks for watching