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INDONESIAN
THEATER
MR. CARLO JUSTINO J. LUNA
Malabanias Integrated School
Angeles City
MUSIC
Unit 4 – Musical Theater and Festivals of Asia
Indonesian
Theater
Shadow Puppet Theater is a
well-known Indonesian theater
popular not only in their own
country but spread in several
countries around the world
• (in Central Java) is one of the oldest
continuous traditions of storytelling in
the world which includes the use of
puppet materials and background
musical accompaniment to make it
interesting to the audience
WAYANG
KULIT
Indonesian
Theater
Wayang is an Indonesian
and Malay word for
“theater”.
When the term is used to refer
to kinds of Puppet Theater,
sometimes the puppet itself is
referred to as wayang.
Kulit means skin and refers to
the leather construction of the
puppets that are carefully-cut
into a very fine tools and
supported with carefully-
shaped buffalo horn handles
and control rods.
The
PERFORMANCE
• The audience is the most important person
in a Wayang Kulit performance.
• The dalang prepares all the materials used
like the cloth and the light for the shadow.
• The puppet on the right side signifies the
good character, on the left hand side, the
bad.
• The open space between them, about 2
meters wide, represents the stage.
The PERFORMANCE
Wayang
Kulit
The
DALANG
• is the puppeteer
• is characterized by his being
creative, humorous, and flexible
• manipulates the puppets, sings,
and taps out signals to the
orchestra
• speaks the parts of all the
characters
DALANG
Wayang
Kulit
The use of voice interchangeably
is the main ability of a dalang to
give more life to a different
character.
The dalang is the chief performer
who told a story to the
accompaniment of gamelan
ensemble.
Wayang Kulit was
performed in royal court
and widely performed in
public on religious
occasions
The Music:
GAMELAN
• is comprised mainly by bronze
percussion instruments augmented by
other percussion instruments, strings,
and a flute.
GAMELAN Ensemble
Wayang
Kulit
1. Saron – xylophone of heavy
bronze bars
GAMELAN Ensemble
Wayang
Kulit
2. Gender – bronze
xylophone with
resonance
chambers
beneath
GAMELAN Ensemble
Wayang
Kulit
3. Bonang – set of bronze bowls
GAMELAN Ensemble
Wayang
Kulit
4. Gong and Kempul – hanging gongs
GAMELAN Ensemble
Wayang
Kulit
5. Kenong and Ketuk – single
inverted bronze bowl
GAMELAN Ensemble
Wayang
Kulit
6. Gambang – wooden xylophone
GAMELAN Ensemble
Wayang
Kulit
7. Rebab – two-stringed fiddle
GAMELAN Ensemble
Wayang
Kulit
8. Suling – flute
GAMELAN Ensemble
Wayang
Kulit
9. Kendang – horizontal drum beat
with the fingers on both ends
GAMELAN Ensemble
Wayang
Kulit
10.Tjelempung – a zither of thirteen
double strings
GAMELAN Ensemble
Wayang
Kulit
SULUK
• The dalang sings the mood songs
(suluk) at regular intervals during
performance.
• Suluk are never accompanied by
the full gamelan ensemble.
• Often a single instrument
accompanies the singer, never
more than three or four.
SULUK
Wayang
Kulit
How to make
Wayang Kulit?
Wayang
Kulit
THANKS!MR. CARLO JUSTINO J. LUNA
Malabanias Integrated School
Angeles City
MUSIC
Unit 4 – Musical Theater and Festivals of Asia

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Indonesian Theater - MAPEH 8 (Music 4th Quarter)

  • 1. INDONESIAN THEATER MR. CARLO JUSTINO J. LUNA Malabanias Integrated School Angeles City MUSIC Unit 4 – Musical Theater and Festivals of Asia
  • 3. Shadow Puppet Theater is a well-known Indonesian theater popular not only in their own country but spread in several countries around the world
  • 4. • (in Central Java) is one of the oldest continuous traditions of storytelling in the world which includes the use of puppet materials and background musical accompaniment to make it interesting to the audience WAYANG KULIT Indonesian Theater
  • 5. Wayang is an Indonesian and Malay word for “theater”.
  • 6. When the term is used to refer to kinds of Puppet Theater, sometimes the puppet itself is referred to as wayang.
  • 7. Kulit means skin and refers to the leather construction of the puppets that are carefully-cut into a very fine tools and supported with carefully- shaped buffalo horn handles and control rods.
  • 9. • The audience is the most important person in a Wayang Kulit performance. • The dalang prepares all the materials used like the cloth and the light for the shadow. • The puppet on the right side signifies the good character, on the left hand side, the bad. • The open space between them, about 2 meters wide, represents the stage. The PERFORMANCE Wayang Kulit
  • 11. • is the puppeteer • is characterized by his being creative, humorous, and flexible • manipulates the puppets, sings, and taps out signals to the orchestra • speaks the parts of all the characters DALANG Wayang Kulit
  • 12. The use of voice interchangeably is the main ability of a dalang to give more life to a different character.
  • 13. The dalang is the chief performer who told a story to the accompaniment of gamelan ensemble.
  • 14. Wayang Kulit was performed in royal court and widely performed in public on religious occasions
  • 16. • is comprised mainly by bronze percussion instruments augmented by other percussion instruments, strings, and a flute. GAMELAN Ensemble Wayang Kulit
  • 17. 1. Saron – xylophone of heavy bronze bars GAMELAN Ensemble Wayang Kulit
  • 18. 2. Gender – bronze xylophone with resonance chambers beneath GAMELAN Ensemble Wayang Kulit
  • 19. 3. Bonang – set of bronze bowls GAMELAN Ensemble Wayang Kulit
  • 20. 4. Gong and Kempul – hanging gongs GAMELAN Ensemble Wayang Kulit
  • 21. 5. Kenong and Ketuk – single inverted bronze bowl GAMELAN Ensemble Wayang Kulit
  • 22. 6. Gambang – wooden xylophone GAMELAN Ensemble Wayang Kulit
  • 23. 7. Rebab – two-stringed fiddle GAMELAN Ensemble Wayang Kulit
  • 24. 8. Suling – flute GAMELAN Ensemble Wayang Kulit
  • 25. 9. Kendang – horizontal drum beat with the fingers on both ends GAMELAN Ensemble Wayang Kulit
  • 26. 10.Tjelempung – a zither of thirteen double strings GAMELAN Ensemble Wayang Kulit
  • 27. SULUK
  • 28. • The dalang sings the mood songs (suluk) at regular intervals during performance. • Suluk are never accompanied by the full gamelan ensemble. • Often a single instrument accompanies the singer, never more than three or four. SULUK Wayang Kulit
  • 31. THANKS!MR. CARLO JUSTINO J. LUNA Malabanias Integrated School Angeles City MUSIC Unit 4 – Musical Theater and Festivals of Asia

Editor's Notes

  1. so that knowledge of wayang became widespread among all classes in Java.