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SCHOOL OF ATHENS, LAST SUPPER, ECSTACY OF ST. TERESA

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SCHOOL OF ATHENS, LAST SUPPER, ECSTACY OF ST. TERESA by Group 4 ACA (go groupmates! HAHA)

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SCHOOL OF ATHENS, LAST SUPPER, ECSTACY OF ST. TERESA

  1. 1. GROUP 4 ACA -Last Supper by Tintoretto -School of Athens by Raphael -Ecstasy of Saint Teresa by Bernini
  2. 2. MANNERISM PERIOD A Renaissance Masterpiece
  3. 3. MANNERISM • An artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590. • Some of the famous mannerists includes Tintoretto, El Greco, and Parmigianino.
  4. 4. MANNERISM Mannerist typically painted figures using contorted or twisting poses and foreshortening, a technique for achieving the illusion of forms projecting into space.
  5. 5. THE LAST SUPPER by Tintoretto
  6. 6. JACOPO TINTORETTO (1518-1594) was an Italian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso. His work is characterized by its muscular figures, dramatic gestures, and bold use of perspective in the Mannerist style, while maintaining color and light typical of the Venetian School.
  7. 7. BASIC INFORMATION Year/Period it was made or completed: 1592 – 1594 Dimensions (in meter or feet): 3.65m x 5.68m Medium used: Oil in canvas Present location: Basilica di San Giorgio Maggorie, Venice
  8. 8. ANALYSIS +The Setting +Light Source +Disciples +People
  9. 9. COMPARISON Tintoretto da Vinci
  10. 10. INTERPRETATION +Biblical +Scholars
  11. 11. RENAISSANCE PERIOD [High Renaissance Period]
  12. 12. RENAISSANCE • It is the time of great excitement and new discoveries in art, architecture, literature, explanation and the sciences. • Renaissance art was driven by the new notion of "Humanism“, a philosophy which had been the foundation for many of the achievements of pagan ancient Greece.
  13. 13. SCHOOL OF ATHENS by Raphael
  14. 14. RAFFAELLO SANZIO DA URBINO (1483-1520) known as Raphael or Divine Raphael was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.[4]
  15. 15. BASIC INFORMATION Year / Period it was made or completed: 1509-1511 Dimensions (in meter or feet): ca. 6m x 9m Medium used: Fresco Present location: Stanza della Segnatura, Vatican Palace, Rome
  16. 16. A N A L Y S I S
  17. 17. I N T E R P R E T A T I O N
  18. 18. PERSONAGES IN SCHOOL OF ATHENS
  19. 19. BAROQUE PERIOD
  20. 20. BAROQUE • Baroque Art emerged in Europe around 1600, as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance. • Baroque Art is less complex, more realistic and more emotionally affecting than Mannerism. • Used exaggerated motion and clear, easily interpreted detail to produce drama, tension , exuberance, and grandeur from sculpture, painting, literature, and music.
  21. 21. ECSTASY OF SAINT TERESA by Bernini
  22. 22. GIAN LORENZO BERNINI (1598-1680) • was an Italian sculptor and architect. A major figure in the world of architecture, he was the leading sculptor of his age, credited with creating the Baroque style of sculpture. • In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), also designing stage sets and theatrical machinery, as well as a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches.
  23. 23. BASIC INFORMATION Year/Period it was made or completed: 1647–1652 Dimension (in meter or feet): 11 ft. 6 in. (3.5 m.) Medium used: Sculpture Present Location: Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy
  24. 24. ANALYSIS
  25. 25. ANALYSIS
  26. 26. I N T E R P R E T A T I O N
  27. 27. WHY IS T BAROQUE? A good example of Bernini's Baroque work is his St. Theresa in Ecstasy (1645– 52), created for the Cornaro Chapel of the church of Santa Maria della Vittoria, Rome. In Baroque architecture, new emphasis was placed on bold massing, colonnades, domes, light-and-shade (chiaroscuro), 'painterly' color effects, and the bold play of volume and void.
  28. 28. THE END
  29. 29. GROUP 4 ACA Ausmolo, Mia Grace De Vera, Henrich Itaas, Irish Ann Gopez, Arvi Mabao, Michelle Ann Poblete, Danna May Price, Lairyll Lue Soriano, Charliez Jane

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