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HE STARRY NIGH
1HIGHLIGHTSVincent Van Gogh
• When he first began paint
ing, he used peasants as
models. He would later
paint , landscapes and hi
mself because he was too
poor to pay the models.
• He made approximately 9
00 paintings in 10 years.
• Sold only one pai
nting during his l
ife time, it was
called The Red V
ineyard.
• He was a self-tau
ght artist.
• He only became f
amous when he d
ied.
• He suffered from tem
poral lobe epilepsy, sc
hizophrenia, bipolar d
isorder and other men
tal illnesses.
• One of his epilleptic e
pisodes caused him to
cut his own ear.
• Vincent shot himself d
ead at the age of 37 in
a wheat field in Franc
Theo, at his side wh
en he died, said tha
t Vincent’s last wor
ds were:
“La tristesse
durera toujours,
”
Which meant “sadnes
s
will last forever.”
• Type: Oil on canvas
• Dimensions: 73.7 cm
× 92.1 cm (29 in × 3
6 1⁄4 in)
• Location: Museum of
Modern Art, New Yo
rk City
• Art Movement: Post-
Impressionism
Bas
ics
Post-Impressionism (1886-1
905) can be characterized a
s:
• Using vivid colors
• Distorted forms for expres
sive effect
• Use of unnatural or arbitr
ary colors
• Abstract qualities
• Turbulent flow
in fluid dynami
cs (Turbulence
)
• Luminance
Post-Impressionism (1886-1
905) can be characterized a
s:
• Using vivid colors
• Distorted forms for expres
sive effect
• Use of unnatural or arbitr
ary colors
• Abstract qualities
Analysis
• Composition – fluidity and impressionism
• Use of Color – break the composition, convey e
motion, dominance of blue balanced by orange
• Lighting – contrasting life and death, light sou
rces are stars and the moon
• Tone or Mood – hope, represents man and natu
re
• Brush Stroke – turbulence, unique, consistenc
S
tars
• Curving contours creating
a dot-to-dot effect.
• These internal elements en
sure fluidity and such cont
ours were important for th
e artist though it is distinc
• “Look, I have dreamed another dream. A
nd this time, the sun, the moon and the e
leven stars bowed down to me.” - Genesis
37:9 (11 stars )
• The brightest star is actually Venus.
• The village has been variously identified as
either a recollection of Van Gogh's Dutch ho
meland or based on a sketch he made of the
town of Saint-Rémy.
• The village is painte
d with dark colors bu
t the brightly lit win
dows create a sense o
f comfort.
• The church painted
was actually from his
homeland, Netherlan
ds.
Cypresses
• Cypress trees have lon
g been associated with
death in European cul
ture.
• This tree serves to con
nect earth and sky and
this could reflect the a
rtist´s own thoughts a
bout death - that deat
Vincent S
By Don McLean
Starry, starry night
Paint your palette blue and gray
Look out on a summer's day
With eyes that know the darkness in my soul
Shadows on the hills
Sketch the trees and the daffodils
Catch the breeze and the winter chills
In colors on the snowy linen land
Now I understand
What you tried to say to me
And how you suffered for your sanity
And how you tried to set them free
They would not listen, they did not know how
Perhaps they'll listen now
Starry, starry night
Flaming flowers that brightly blaze
Swirling clouds in violet haze
Reflect in Vincent's eyes of china blue
Colors changing hue
Morning fields of amber grain
Weathered faces lined in pain
Are soothed beneath the artist's loving hand
For they could not love you
But still your love was true
And when no hope was left in sight
On that starry, starry night
You took your life, as lovers often do
But I could've told you Vincent
This world was never meant for
One as beautiful as you
Now I think I know
What you tried to say to me
And how you suffered for your sanity
And how you tried to set them free
They would not listen, they're not listening still
Perhaps they never will
{
SPOLIARIUM
BY: JUAN LUNA
 HIS ENTRY TO THE FIRST ART EXPOSITION IN
MADRID ENTITLED EXPOSICION
NACIONAL DE BELLAS
ARTES IN 1884.
 Won a gold medal which lead
him to have a reputation of a painter
of first order
 3RD of seven children
 Excelled in painting and
drawing
 Influenced by his brother
MANUEL LUNA
 A painter, sailor and
political activist
JUAN LUNA
 Took drawing lessons
under illustrious painting
teacher LEON
GUERRERO
 Went to the Academy of
Fine Arts in Manila
 Kicked out because the
teacher did not like his
brush strokes
 Travelled and met DON
ALEJO VERA who brought
him to Rome
 Inspired him to work on his
painting Spoliarium
 Juan Luna and Felix
Resurrecion Hidalgo winning
the Top 2 awards.
 Killed his wife, mother-in-law
and wounded his brother-in-
law because of jealousy
 Was acquitted of charges
due to temporary insanity
(unwritten law forgave
men for killing unfaithful
wives)
 Arrested for being with the
Katipunan Rebel Army
 Died of heart attack
_______THE BASICS_______
SPOLIARIUM - Latin word
referring to the basement where the
fallen and dying gladiators are
dumped and devoid of their
worldly possessions
STARRY NIGHT, VINCENT SONG AND SPOLARLIUM
STARRY NIGHT, VINCENT SONG AND SPOLARLIUM

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STARRY NIGHT, VINCENT SONG AND SPOLARLIUM

  • 2.
  • 3. 1HIGHLIGHTSVincent Van Gogh • When he first began paint ing, he used peasants as models. He would later paint , landscapes and hi mself because he was too poor to pay the models. • He made approximately 9 00 paintings in 10 years.
  • 4. • Sold only one pai nting during his l ife time, it was called The Red V ineyard. • He was a self-tau ght artist. • He only became f amous when he d ied.
  • 5. • He suffered from tem poral lobe epilepsy, sc hizophrenia, bipolar d isorder and other men tal illnesses. • One of his epilleptic e pisodes caused him to cut his own ear. • Vincent shot himself d ead at the age of 37 in a wheat field in Franc
  • 6. Theo, at his side wh en he died, said tha t Vincent’s last wor ds were: “La tristesse durera toujours, ” Which meant “sadnes s will last forever.”
  • 7.
  • 8. • Type: Oil on canvas • Dimensions: 73.7 cm × 92.1 cm (29 in × 3 6 1⁄4 in) • Location: Museum of Modern Art, New Yo rk City • Art Movement: Post- Impressionism Bas ics
  • 9. Post-Impressionism (1886-1 905) can be characterized a s: • Using vivid colors • Distorted forms for expres sive effect • Use of unnatural or arbitr ary colors • Abstract qualities
  • 10. • Turbulent flow in fluid dynami cs (Turbulence ) • Luminance
  • 11. Post-Impressionism (1886-1 905) can be characterized a s: • Using vivid colors • Distorted forms for expres sive effect • Use of unnatural or arbitr ary colors • Abstract qualities
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  • 14. Analysis • Composition – fluidity and impressionism • Use of Color – break the composition, convey e motion, dominance of blue balanced by orange • Lighting – contrasting life and death, light sou rces are stars and the moon • Tone or Mood – hope, represents man and natu re • Brush Stroke – turbulence, unique, consistenc
  • 15. S tars • Curving contours creating a dot-to-dot effect. • These internal elements en sure fluidity and such cont ours were important for th e artist though it is distinc
  • 16. • “Look, I have dreamed another dream. A nd this time, the sun, the moon and the e leven stars bowed down to me.” - Genesis 37:9 (11 stars ) • The brightest star is actually Venus.
  • 17. • The village has been variously identified as either a recollection of Van Gogh's Dutch ho meland or based on a sketch he made of the town of Saint-Rémy.
  • 18. • The village is painte d with dark colors bu t the brightly lit win dows create a sense o f comfort. • The church painted was actually from his homeland, Netherlan ds.
  • 19. Cypresses • Cypress trees have lon g been associated with death in European cul ture. • This tree serves to con nect earth and sky and this could reflect the a rtist´s own thoughts a bout death - that deat
  • 21. Starry, starry night Paint your palette blue and gray Look out on a summer's day With eyes that know the darkness in my soul Shadows on the hills Sketch the trees and the daffodils Catch the breeze and the winter chills In colors on the snowy linen land
  • 22. Now I understand What you tried to say to me And how you suffered for your sanity And how you tried to set them free They would not listen, they did not know how Perhaps they'll listen now
  • 23. Starry, starry night Flaming flowers that brightly blaze Swirling clouds in violet haze Reflect in Vincent's eyes of china blue Colors changing hue Morning fields of amber grain Weathered faces lined in pain Are soothed beneath the artist's loving hand
  • 24. For they could not love you But still your love was true And when no hope was left in sight On that starry, starry night You took your life, as lovers often do But I could've told you Vincent This world was never meant for One as beautiful as you
  • 25. Now I think I know What you tried to say to me And how you suffered for your sanity And how you tried to set them free They would not listen, they're not listening still Perhaps they never will
  • 27.  HIS ENTRY TO THE FIRST ART EXPOSITION IN MADRID ENTITLED EXPOSICION NACIONAL DE BELLAS ARTES IN 1884.  Won a gold medal which lead him to have a reputation of a painter of first order
  • 28.  3RD of seven children  Excelled in painting and drawing  Influenced by his brother MANUEL LUNA  A painter, sailor and political activist JUAN LUNA
  • 29.  Took drawing lessons under illustrious painting teacher LEON GUERRERO  Went to the Academy of Fine Arts in Manila  Kicked out because the teacher did not like his brush strokes
  • 30.  Travelled and met DON ALEJO VERA who brought him to Rome  Inspired him to work on his painting Spoliarium  Juan Luna and Felix Resurrecion Hidalgo winning the Top 2 awards.  Killed his wife, mother-in-law and wounded his brother-in- law because of jealousy
  • 31.  Was acquitted of charges due to temporary insanity (unwritten law forgave men for killing unfaithful wives)  Arrested for being with the Katipunan Rebel Army  Died of heart attack
  • 33. SPOLIARIUM - Latin word referring to the basement where the fallen and dying gladiators are dumped and devoid of their worldly possessions

Editor's Notes

  1. Why did Van Gogh paint exactly 11 stars? By painting exactly eleven stars in theStarry Night painting, Vincent Van Gogh might have been directly referencing Genesis 37:9, a key verse in the biblical account of Joseph, a "dreamer" and an outcast in the company of his eleven older brothers. It isn't hard to see why Van Gogh might have identified with Joseph in the Bible. In the Bible, Joseph was thrown into a pit, sold into slavery, and underwent years of imprisonment, much like Van Gogh did the last years of his life in the Arles asylum. No matter what Joseph did he could not receive the acceptance or respect of his 11 older brothers. Likewise, despite his best efforts, as an artist Van Gogh failed to receive the recognition of art critics of his day.