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THE GRAMMARS OF SOCIAL MEDIA:
Universidade	NOVA	de	Lisboa	
NOVA	FCSH	˚	iNOVA	Media	Lab		
@jannajoceli	˚	thesocialpla?orms.wordpress.com	

Janna Joceli C. de Omena
	
		
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	
	˚	29	January	-	2	February	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
Thinking platform data under the modes of technicity
THE GRAMMARS OF SOCIAL MEDIA following SHARING watching TAGGING linking COMMENTING
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SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
All trackable and collectable forms of activity
imposed by social media platforms
TECHNICITY following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
A mode of existence* of web platforms,
and a form of knowledge 	
*The use of “mode of existence” is inspired by the work of Gilbert Simondon, On the Mode of Existence of Technical Objects (1980),
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
1. Grammars
2. Technicity
4. Interpretation
3. Knowledge
5. Case
à HASHTAG ENGAGEMENT RESEARCH
Grammars of action are schemas of representation (and also reorganisers)
of human activity that originate from computational system’s capture model:
“discourse-made-machinery” or “a linguistic metaphor for human activity”
[Phil Agre 1994]
1. Grammars
Users + Developers + Advertisers + Brands + Researchers +
Activists + Government Authorities + Non-profit organizations
Application Programming Interface	
Front-End Interface Back-End Interface
[What we can do in the front-end interface is stored,
organised, and partially made available in the back-end]
Social Media Grammars:
Omena,	J.J.	2018	The	Grammars	of	Social	Media
Posts ˚˚ URLs˚˚ Tweets ˚˚ Comments ˚˚ Replies ˚˚ Hashtags ˚˚Location ˚˚ Memes ˚˚ Links ˚˚ Channels ˚˚ Reactions ˚˚ Shares ˚˚ Likes
Front-end Grammatisation
Public or Private Account ˚˚ Stories [photos, videos,
live, boomerang] ˚˚ Mute Stories ˚˚ Direct Messages ˚˚
Upload one or more photos and one minute video ˚˚ Like
˚˚ Comment ˚˚ Save Post ˚˚ Like a comment ˚˚ Reply a
comment ˚˚ Post Notifications ˚˚ Tag people ˚˚ Block
Users ˚˚ Search [people, tags, places]
Back-end Grammatisation
GET/users/user-id ˚˚ GET/users/self/media/recent ˚˚
GET/users/user-id/media/recent ˚˚ GET/users/self/
media/liked ˚˚ GET/users/self/follows ˚˚ GET/users/
self/followed-by ˚˚ GET/users/user-id/relationship ˚˚
GET/media/media-id ˚˚ GET/media/shortcode/shortcode ˚˚
GET/media/search ˚˚ GET/media-id/comments ˚˚ GET/˚˚
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
[Instagram	Pla?orm	API]
Platform Data ---à “the outcome of capture systems which allow to collapse action
and its capture into pre-structured in form, and flexible in meaning”
[Gerlitz 2016]
Grammars: mechanisms, production and meaning
Posts ˚˚ URLs˚˚ Tweets ˚˚ Comments ˚˚ Replies ˚˚ Hashtags ˚˚Location ˚˚ Memes ˚˚ Links ˚˚ Channels ˚˚ Reactions ˚˚ Shares ˚˚ Likes
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
2. Actors [humans or automated beings]:
---à have different reasons to produce social media grammars
[‘the interpretative flexibility’ van Dijck 2012]
---à assign different meanings to social media grammars
[a call for accounting the thickness of the data and its
variety of meanings Dalton and Thatcher 2014]
3. Social media grammars should not be treated equally across platforms
[Rogers 2017]
1.  Likes, shares, tweets, comments work under particular mechanisms
(and an inherent technicity) that belong to social media platforms
---à The politics of platforms (Gillespie 2010] and cultures of use
---à Datafication, Commodification, Selection [van Dijck 2016]
---à Algorithmic configurations [Rieder 2014]
Bots comments --à InstagramMy friends comments --à Facebook
Sponsored post --à Facebook My Mix suggested by YouTubeTrends --à Twitter
MODE OF EXISTENCE LIKING WAY OF BEING watching THE OPERACIONAL FUNCTIONING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
Hashtagging A FORM OF KNOWLEDGE following SHARING FUNCTIONAL NOTIONS OF KNOWLEDGE
A degree of technicity is required
to grasp social media grammars
2.Technicity Omena,	J.J.	2018	The	Grammars	of	Social	Media
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
“If one wants to understand a being
completely, one must study it by
considering it in its entelechy,
and not it in its inactivity
or its static states”
[Simondon 2009, 19]
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
Omena,	J.J.	2018	The	Grammars	of	Social	Media
3) Applied research
with digital
methods
2) Method
Social Media Technicity
Mode of existence
Way of being
Schema of concretization
Gilbert Simondon (1980, 2009)
Algorithmic Techniques
APIs
Research Strategies
1) Technical
Knowledge
--—> THICK DESCRIPTION:
APIS + ALGORITHMS
WHAT TO LOOK FOR IN
SOCIAL MEDIA APIS?
--—>
◊ politics ◊ technical
features ◊ values and
assumptions that define them
Three connected kinds of problems:
--—>
--—>
--—>
ALGORITHIMIC MECHANISMS--—>
◊ shifting concerns from “what is being said” to “how
it is being processed and rendered” (Langlois and Elmer 2013)
◊lack of consciousness of what it means to “mechanise
methodology” Rieder and Rohle (2012)
REFINE THE COMPREHENSION OF
SOCIAL MEDIA GRAMMARS’ OF ACTION
ALGORITHIMIC API RESULTS
EXPLORE WAYS OF DOING RESEARCH
--—>
--—>
--—>
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
Omena,	J.J.	2018	The	Grammars	of	Social	Media
3) Applied research
with digital
methods
2) Method
Social Media Technicity
Mode of existence
Way of being
Schema of concretization
Gilbert Simondon (1980, 2009)
Algorithmic Techniques
APIs
Research Strategies
1) Technical
Knowledge
--—> THICK DESCRIPTION:
APIS + ALGORITHMS
WHAT TO LOOK FOR IN
SOCIAL MEDIA APIS?
--—>
◊ politics ◊ technical
features ◊ values and
assumptions that define them
Three connected kinds of problems:
--—>
--—>
--—>
ALGORITHIMIC MECHANISMS--—>
◊ shifting concerns from “what is being said” to “how
it is being processed and rendered” (Langlois and Elmer 2013)
◊lack of consciousness of what it means to “mechanise
methodology” Rieder and Rohle (2012)
REFINE THE COMPREHENSION OF
SOCIAL MEDIA GRAMMARS’ OF ACTION
ALGORITHIMIC API RESULTS
EXPLORE WAYS OF DOING RESEARCH
--—>
--—>
--—>
A CALL FOR FUNCTIONAL NOTIONS OF KNOWLEGDE TAGGING linking COMMENTING replying
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watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
1
2
3
4 5
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
3. Knowledge Omena,	J.J.	2018	The	Grammars	of	Social	Media
1. What are the entry points used to collect social media grammars?
2. What entry points cannot be captured anymore?
3. What grammars (digital objects) can be part of my study?
4. How far back in time can data be retrieved?
5. What are the standard output files?
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
Omena,	J.J.	2018	The	Grammars	of	Social	Media
User	ID	
Page	id	
Public	Group	id	
Closed	Group	ids	
Key	word	
URL	
Users	
Key	words	
Hashtag	
LocaGon	
Entry	points	for	Data	ExtracGon*	
Video	ID	
Channel	ID	
User	Name	
Hashtag	
LocaGon	
	
Hashtag	
Tweets	meta-info	
Networks		
Geotags	
URLs	
	
Video	Info	
Video	List	and	Network	
Channel	Info	and	Network	
	
	
	
*Tools:	Netvizz,	Twitonomy,	DMI-TCAT,	YouTube	Data	Tools,		Visual	Tagnet	Explorer,	Tumblr	Tool	
Media	and	users	Info	
Co-Tag	Network	
Follow	and	
	follower	Networks	
	
	
Posts	
Co-Tag	Network	
	
Output	Files:	CSV.,	TAB.	GDF.,	XML.,	interacGve	chart	
	
--—>
Social	media	grammars	that	can	be	part	of	my	research	
Personal	Networks	
[friendship	connecGons		
and	like	networks]	
Pages	and	Public	Groups	data	
Page	Like	Network	
Page	Gmeline	images	
Pages	and	Groups	Network		
Closed	Group	Data	
	Friendship	connecGon	in	Groups	
List	of	events	
List	of	shared	URLs
Unavailable entry point for data collection on Instagram:
[Instagram User Name to retrieve the Follow or Follower Network]
Instagram	Pla?orm,	2016.	The	Follower	Network	of	Dilma	Rousseff	and	Michel	Temer.		
ExtracGon	tool:	Instagram	Network,	developer:	Erik	Borra.	VisualizaGon	sohware:	Gephi	(Omena,	31	May	2016)
Facebook	Pla?orm,	2013.	My	Friendship	Like	Network	in	December	2013.	ExtracGon	tool:	Netvizz.		
VisualizaGon	sohware:	Gephi.(Omena,	2015)	
Unavailable entry points for data collection on Facebook
[Users ID to retrieve Personal Networks – Friendship connections and Like Network]
Unavailable entry points for data collection on Facebook
[Groups ID to retrieve Close Group Data, and Friendship Like Network]
Facebook	Pla?orm,	2014.	Five	Facebook	Groups	-	the	fans	of	The	Big	Bang	Theory.	Undirected	graph	of	the	friendship	connecGon	
according	to	gender	and	locale.	13.762	acGve	users.	ExtracGon	tool:	Netvizz,	developer:	Bernhard	Rieder.	
	VisualizaGon	sohware:	Gephi.	(Omena,	2015)
[The		search	for	websummit	tags		
was	made	on	28	sep	2017]	
	
961	posts	retrieved	in	November	2014	
2.256	posts	retrieved	in	November	2015	
7.216	posts	retrieved	in	November	2016	
ParGcular	event:	#websummit	
Data	extracGon:	28	September	2017	
How far back in time can data be retrieved? Omena,	J.J.	2018	The	Grammars	of	Social	Media
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
media items are ordered according to when they were tagged ˚˚	
Instagram is a good source for historical data when it comes to the study
of non-popular tags or event-based tags.
Popular	tag:	#ForaTemer	
Data	extracGon:	8	August	2017	
#foratemer		
10898	media	items	that	were	posted	
between	2014.08.19	and	2017.08.08	
»»	total	per	year:	
	2014:	13	posts		
	2015:	1	post	
	2016:	17	posts	
	2017:	10.865	posts	
	 	jul_836	
	 	aug_9.986	
	 	[only	8	days]	
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
How far back in time can data be retrieved?
media items are ordered according to when they were tagged ˚˚	
Omena,	J.J.	2018	The	Grammars	of	Social	Media
Omena,	J.J.	2018	The	Grammars	of	Social	Media
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
the decisions we make and the metrics we opt for in order to first
select and then give meaning to social media grammars
the need to go beyond high-engagement parameters
4.Interpretation Omena,	J.J.	2018	The	Grammars	of	Social	Media
Engagement
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
Omena,	J.J.	2018	The	Grammars	of	Social	Media
The	dual	logic	of	
Engagement	
1.	the	sums	of	acGons	
media	items	receive	
	
2.	the	recurrent	use	of	
na-vely	digital	objects	(1)	or	
grammars	of	ac-on	(2)	from	
many	actors	about	a	topic		
+	
(1) Rogers, 2013; (2) Agre, 1994
Omena,	J.J.	2018	The	Grammars	of	Social	Media
the	most	engaged	list		
[or	popular	or	famous]	
	
the	ordinary	list		
[or	marginal	or	less	popular]		
1.	the	sums	of	acGons	
media	items	receive	
	
2.	the	ordinary	use	of	na-vely	digital	
objects	(1)	or	grammars	of	ac-on	(2)	
from	many	actors	about	a	topic		
+	
The	dual	logic	of	Engagement	
(1) Rogers, 2013; (2) Agre, 1994
?
dominant	voice		
	
ordinary	voice	
	
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
Omena,	J.J.	2018	The	Grammars	of	Social	Media
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
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reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
1. Grammars
2. Technicity
4. Interpretation
3. Knowledge
5. Case study: Hashtag Engagement Research
*Project	conducted	in	the	context	of	Digital	Methods	Summer	School	at	the	University	of	
Amsterdam	in	2017,	lead	together	with	Elaine	Rabello,	Andre	Mintz,	and	others.		
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
The	four	perspecGves	to	visualise	hashtag	engagement	is	an	alternaGve	approach	to	research	based	
on	high-engagement	parameters.	It	proposes	the	split	of	dominant	and	ordinary	voices	for	reaching	a	
broader	narraGve	of	the	not	as	popular	publicaGons;	providing	both	different	ouqakes	of	the	the	
same	phenomenon	and	findings	the	span	across	the	perspecGves.	
[Omena,	J.J.,	Mintz,	&	A	Rabello,	E.	(forthcoming).	Visualising	hashtag	engagement]
Media Item Perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Four perspectives to visualise Hashtag Engagement˚˚
Metrics of audience engagement per media item combined with user activity ˚˚
1.  It is a form of delimiting the dominant and
ordinary voices
2.  It allows to detect the composition and
structure of the dominant/ordinary voices
3.  It benefits both the visual and textual content
analysis of these groups of actors
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
[Designed	by	Beatrice	Gobbo]
Workers’ Protests: General Strike
[15 March 2017]
midianinja
uneoficial
jeanwyllys_real
br4sileirissimos
samanthaschmutz
dilmabolada
jornalistaslivres
cutbrasil
Tuliparuiz
ofalanteblog
foratemer
sergio_moro_heroi_do_brasil
umaoutraopiniao
artesdepressao
revistaforum
portalg1
foracorruptosoficial
trlacerda
radioguerrilha
filhasdefrida
Conservative Protests: Anti-corruption
[26 March 2017]
direitadaopressao
chegadecorruptos
sergio_moro_heroi_do_brasil
rachelsherazade
vaza.di_u_ma_vez
foracorruptosoficial
sergiomoroironico
vejanoinsta
ronaldocaiado
quadrinsta
radiojovempan
jornal_opopular
vitoriotrevisanneto
fora.corruptos
brtrends
opovoonline
promonarquia
portalne10
acordabrasil__
foi_golpe
The dominant voice along the day of protests, March 2017, Brazil.
Media Item perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Four perspectives to visualise Hashtag Engagement˚˚
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
User perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Four perspectives to visualise Hashtag Engagement˚˚
Metrics of caption or hashtag adoption per user ˚˚
1.  It is a way to visualise the textual content
(captions) by clustering tags, terms or positioning
2. It allows to relate hashtag content with caption
or visual content
3. It benefits the identification of actors who try
to create a buzz around the hashtag
4. It helps to detect botted accounts
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
User perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Four perspectives to visualise Hashtag Engagement˚˚
Methodological	experiment	conducted	in	the	context	of	Digital	Methods	Summer	School	at	the	University	of	Amsterdam	in	2017.		
	Analysis	by		Janna	Joceli,	Elaine	Rabello,	Andre	Mintz,	Suay	Ozkula,	Gabriela	Sued,	Ece	Elbeyi,	and	Alessandra	Cicali.		
(see	hqps://wiki.digitalmethods.net/Dmi/InstagramLivenessVisualisingengagement).
User perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Four perspectives to visualise Hashtag Engagement˚˚
26 March 2017 – Instagram’s most active users by hashtag mention
A chronological perspective from 2016 to March 2017
Total of mentions: 33.856 ˚˚ Data extraction: 27 March 2017
Tools: Visual Tagnet Explorer and RankFlow
User perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Four perspectives to visualise Hashtag Engagement˚˚
Visual perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Four perspectives to visualise Hashtag Engagement˚˚
Visual characteristics of images associated with hashtags˚˚
It promotes automated analysis of visual content or the
option of plotting images to detect visual patterns
FOOD	
TEXT	
BANNERS	
FACES	
SELFIES	
CROWDS	
URBAN	LANDSCAPE	
SKY	
Image-Label	Network	of	the	anG-coup	protests	in	Brazil,	18	March	2016.	
		
Methodological	experiment	conducted	in	the	context	of	Digital	Methods	Summer	School	at	the	University	of	Amsterdam	in	2017.		
	Analysis	by		Janna	Joceli,	Elaine	Rabello,	Andre	Mintz,	Suay	Ozkula,	Gabriela	Sued,	Ece	Elbeyi,	and	Alessandra	Cicali.		
(see	hqps://wiki.digitalmethods.net/Dmi/InstagramLivenessVisualisingengagement).
15 March 2017, Brazil – Exploring the visual patterns of the Workers Protests
[Available images: 5.688 ˚˚ Tools: DownThemAll and ImageSorter]
Omena,	J.J.	2018	The	Grammars	of	Social	Media
Everybody in the streets against The Terminator:
Michel Temer
NAMASTEMER: The ‘Fora Temer’ that
lives in me, salutes the ‘Fora
Temer’ that lives in you.
I Want to retire!
[plotting images to detect memes]
Grammars of hashtag perspective Omena,	J.J.	2018	The	Grammars	of	Social	Media
Forms of hashtag use: positioning, double sense hashtags,
hijacked hashtags, hate hashtags
Four perspectives to visualise Hashtag Engagement˚˚
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
Omena,	J.J.	2018	The	Grammars	of	Social	Media
Digital	Media	Winter	InsGtute	2018	˚	SMART	Data	Sprint:	Interpreters	of	Pla?orm	of	Data	˚	29	January	˚	Universidade	NOVA	de	Lisboa˚	NOVA	FCSH
The	stories	pla?orm	grammars	can	tell	will	depend	on	what	you	have	collected	and	how,	
what	you	have	selected	and		the	opGons	you	have	made	to	filter	and	visualise	social	media	
grammars.	Before	analysing	or	restarGng	this	same	process,	you	describe	what	you	see,	you	
describe	your	impressions	-	accounGng	the	whole	process.	The	descripGon	is	as	important	
as	the	findings.	Finally,	all	intellectual	effort	you	have	put	on	that	dataset	will	define	what	or	
how	you	interpret	a	parGcular	issue	according	to	one	or	more	grammars.
TWEETING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching
TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING
retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying
DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING
watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting
TWEETING retweeting LIKING following SHARING watching OBRIGADA J linking COMMENTING
replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following
SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING
reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking
COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting
LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING
hashtagging POSTING reposting retweeting LIKING following SHARING

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The Grammars of Social Media: Thinking platform data under the modes of technicity

  • 1. THE GRAMMARS OF SOCIAL MEDIA: Universidade NOVA de Lisboa NOVA FCSH ˚ iNOVA Media Lab @jannajoceli ˚ thesocialpla?orms.wordpress.com Janna Joceli C. de Omena Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January - 2 February ˚ Universidade NOVA de Lisboa˚ NOVA FCSH Thinking platform data under the modes of technicity
  • 2. THE GRAMMARS OF SOCIAL MEDIA following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following All trackable and collectable forms of activity imposed by social media platforms
  • 3. TECHNICITY following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING A mode of existence* of web platforms, and a form of knowledge *The use of “mode of existence” is inspired by the work of Gilbert Simondon, On the Mode of Existence of Technical Objects (1980),
  • 4. LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING 1. Grammars 2. Technicity 4. Interpretation 3. Knowledge 5. Case à HASHTAG ENGAGEMENT RESEARCH
  • 5. Grammars of action are schemas of representation (and also reorganisers) of human activity that originate from computational system’s capture model: “discourse-made-machinery” or “a linguistic metaphor for human activity” [Phil Agre 1994] 1. Grammars Users + Developers + Advertisers + Brands + Researchers + Activists + Government Authorities + Non-profit organizations Application Programming Interface Front-End Interface Back-End Interface [What we can do in the front-end interface is stored, organised, and partially made available in the back-end] Social Media Grammars: Omena, J.J. 2018 The Grammars of Social Media Posts ˚˚ URLs˚˚ Tweets ˚˚ Comments ˚˚ Replies ˚˚ Hashtags ˚˚Location ˚˚ Memes ˚˚ Links ˚˚ Channels ˚˚ Reactions ˚˚ Shares ˚˚ Likes
  • 6. Front-end Grammatisation Public or Private Account ˚˚ Stories [photos, videos, live, boomerang] ˚˚ Mute Stories ˚˚ Direct Messages ˚˚ Upload one or more photos and one minute video ˚˚ Like ˚˚ Comment ˚˚ Save Post ˚˚ Like a comment ˚˚ Reply a comment ˚˚ Post Notifications ˚˚ Tag people ˚˚ Block Users ˚˚ Search [people, tags, places] Back-end Grammatisation GET/users/user-id ˚˚ GET/users/self/media/recent ˚˚ GET/users/user-id/media/recent ˚˚ GET/users/self/ media/liked ˚˚ GET/users/self/follows ˚˚ GET/users/ self/followed-by ˚˚ GET/users/user-id/relationship ˚˚ GET/media/media-id ˚˚ GET/media/shortcode/shortcode ˚˚ GET/media/search ˚˚ GET/media-id/comments ˚˚ GET/˚˚ Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH [Instagram Pla?orm API]
  • 7. Platform Data ---à “the outcome of capture systems which allow to collapse action and its capture into pre-structured in form, and flexible in meaning” [Gerlitz 2016]
  • 8. Grammars: mechanisms, production and meaning Posts ˚˚ URLs˚˚ Tweets ˚˚ Comments ˚˚ Replies ˚˚ Hashtags ˚˚Location ˚˚ Memes ˚˚ Links ˚˚ Channels ˚˚ Reactions ˚˚ Shares ˚˚ Likes Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH 2. Actors [humans or automated beings]: ---à have different reasons to produce social media grammars [‘the interpretative flexibility’ van Dijck 2012] ---à assign different meanings to social media grammars [a call for accounting the thickness of the data and its variety of meanings Dalton and Thatcher 2014] 3. Social media grammars should not be treated equally across platforms [Rogers 2017] 1.  Likes, shares, tweets, comments work under particular mechanisms (and an inherent technicity) that belong to social media platforms ---à The politics of platforms (Gillespie 2010] and cultures of use ---à Datafication, Commodification, Selection [van Dijck 2016] ---à Algorithmic configurations [Rieder 2014]
  • 9. Bots comments --à InstagramMy friends comments --à Facebook Sponsored post --à Facebook My Mix suggested by YouTubeTrends --à Twitter
  • 10. MODE OF EXISTENCE LIKING WAY OF BEING watching THE OPERACIONAL FUNCTIONING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying Hashtagging A FORM OF KNOWLEDGE following SHARING FUNCTIONAL NOTIONS OF KNOWLEDGE A degree of technicity is required to grasp social media grammars
  • 11. 2.Technicity Omena, J.J. 2018 The Grammars of Social Media Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH “If one wants to understand a being completely, one must study it by considering it in its entelechy, and not it in its inactivity or its static states” [Simondon 2009, 19]
  • 12. Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH Omena, J.J. 2018 The Grammars of Social Media 3) Applied research with digital methods 2) Method Social Media Technicity Mode of existence Way of being Schema of concretization Gilbert Simondon (1980, 2009) Algorithmic Techniques APIs Research Strategies 1) Technical Knowledge --—> THICK DESCRIPTION: APIS + ALGORITHMS WHAT TO LOOK FOR IN SOCIAL MEDIA APIS? --—> ◊ politics ◊ technical features ◊ values and assumptions that define them Three connected kinds of problems: --—> --—> --—> ALGORITHIMIC MECHANISMS--—> ◊ shifting concerns from “what is being said” to “how it is being processed and rendered” (Langlois and Elmer 2013) ◊lack of consciousness of what it means to “mechanise methodology” Rieder and Rohle (2012) REFINE THE COMPREHENSION OF SOCIAL MEDIA GRAMMARS’ OF ACTION ALGORITHIMIC API RESULTS EXPLORE WAYS OF DOING RESEARCH --—> --—> --—>
  • 13. Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH Omena, J.J. 2018 The Grammars of Social Media 3) Applied research with digital methods 2) Method Social Media Technicity Mode of existence Way of being Schema of concretization Gilbert Simondon (1980, 2009) Algorithmic Techniques APIs Research Strategies 1) Technical Knowledge --—> THICK DESCRIPTION: APIS + ALGORITHMS WHAT TO LOOK FOR IN SOCIAL MEDIA APIS? --—> ◊ politics ◊ technical features ◊ values and assumptions that define them Three connected kinds of problems: --—> --—> --—> ALGORITHIMIC MECHANISMS--—> ◊ shifting concerns from “what is being said” to “how it is being processed and rendered” (Langlois and Elmer 2013) ◊lack of consciousness of what it means to “mechanise methodology” Rieder and Rohle (2012) REFINE THE COMPREHENSION OF SOCIAL MEDIA GRAMMARS’ OF ACTION ALGORITHIMIC API RESULTS EXPLORE WAYS OF DOING RESEARCH --—> --—> --—>
  • 14. A CALL FOR FUNCTIONAL NOTIONS OF KNOWLEGDE TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING 1 2 3 4 5
  • 15. Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH 3. Knowledge Omena, J.J. 2018 The Grammars of Social Media 1. What are the entry points used to collect social media grammars? 2. What entry points cannot be captured anymore? 3. What grammars (digital objects) can be part of my study? 4. How far back in time can data be retrieved? 5. What are the standard output files?
  • 16. Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH Omena, J.J. 2018 The Grammars of Social Media User ID Page id Public Group id Closed Group ids Key word URL Users Key words Hashtag LocaGon Entry points for Data ExtracGon* Video ID Channel ID User Name Hashtag LocaGon Hashtag Tweets meta-info Networks Geotags URLs Video Info Video List and Network Channel Info and Network *Tools: Netvizz, Twitonomy, DMI-TCAT, YouTube Data Tools, Visual Tagnet Explorer, Tumblr Tool Media and users Info Co-Tag Network Follow and follower Networks Posts Co-Tag Network Output Files: CSV., TAB. GDF., XML., interacGve chart --—> Social media grammars that can be part of my research Personal Networks [friendship connecGons and like networks] Pages and Public Groups data Page Like Network Page Gmeline images Pages and Groups Network Closed Group Data Friendship connecGon in Groups List of events List of shared URLs
  • 17. Unavailable entry point for data collection on Instagram: [Instagram User Name to retrieve the Follow or Follower Network] Instagram Pla?orm, 2016. The Follower Network of Dilma Rousseff and Michel Temer. ExtracGon tool: Instagram Network, developer: Erik Borra. VisualizaGon sohware: Gephi (Omena, 31 May 2016)
  • 18. Facebook Pla?orm, 2013. My Friendship Like Network in December 2013. ExtracGon tool: Netvizz. VisualizaGon sohware: Gephi.(Omena, 2015) Unavailable entry points for data collection on Facebook [Users ID to retrieve Personal Networks – Friendship connections and Like Network]
  • 19. Unavailable entry points for data collection on Facebook [Groups ID to retrieve Close Group Data, and Friendship Like Network] Facebook Pla?orm, 2014. Five Facebook Groups - the fans of The Big Bang Theory. Undirected graph of the friendship connecGon according to gender and locale. 13.762 acGve users. ExtracGon tool: Netvizz, developer: Bernhard Rieder. VisualizaGon sohware: Gephi. (Omena, 2015)
  • 20. [The search for websummit tags was made on 28 sep 2017] 961 posts retrieved in November 2014 2.256 posts retrieved in November 2015 7.216 posts retrieved in November 2016 ParGcular event: #websummit Data extracGon: 28 September 2017 How far back in time can data be retrieved? Omena, J.J. 2018 The Grammars of Social Media Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH media items are ordered according to when they were tagged ˚˚ Instagram is a good source for historical data when it comes to the study of non-popular tags or event-based tags.
  • 21. Popular tag: #ForaTemer Data extracGon: 8 August 2017 #foratemer 10898 media items that were posted between 2014.08.19 and 2017.08.08 »» total per year: 2014: 13 posts 2015: 1 post 2016: 17 posts 2017: 10.865 posts jul_836 aug_9.986 [only 8 days] Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH How far back in time can data be retrieved? media items are ordered according to when they were tagged ˚˚ Omena, J.J. 2018 The Grammars of Social Media
  • 22. Omena, J.J. 2018 The Grammars of Social Media Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH the decisions we make and the metrics we opt for in order to first select and then give meaning to social media grammars the need to go beyond high-engagement parameters 4.Interpretation Omena, J.J. 2018 The Grammars of Social Media
  • 25. the most engaged list [or popular or famous] the ordinary list [or marginal or less popular] 1. the sums of acGons media items receive 2. the ordinary use of na-vely digital objects (1) or grammars of ac-on (2) from many actors about a topic + The dual logic of Engagement (1) Rogers, 2013; (2) Agre, 1994 ? dominant voice ordinary voice Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH Omena, J.J. 2018 The Grammars of Social Media
  • 26. LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING 1. Grammars 2. Technicity 4. Interpretation 3. Knowledge 5. Case study: Hashtag Engagement Research
  • 28. Media Item Perspective Omena, J.J. 2018 The Grammars of Social Media Four perspectives to visualise Hashtag Engagement˚˚ Metrics of audience engagement per media item combined with user activity ˚˚ 1.  It is a form of delimiting the dominant and ordinary voices 2.  It allows to detect the composition and structure of the dominant/ordinary voices 3.  It benefits both the visual and textual content analysis of these groups of actors Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH
  • 30. Workers’ Protests: General Strike [15 March 2017] midianinja uneoficial jeanwyllys_real br4sileirissimos samanthaschmutz dilmabolada jornalistaslivres cutbrasil Tuliparuiz ofalanteblog foratemer sergio_moro_heroi_do_brasil umaoutraopiniao artesdepressao revistaforum portalg1 foracorruptosoficial trlacerda radioguerrilha filhasdefrida Conservative Protests: Anti-corruption [26 March 2017] direitadaopressao chegadecorruptos sergio_moro_heroi_do_brasil rachelsherazade vaza.di_u_ma_vez foracorruptosoficial sergiomoroironico vejanoinsta ronaldocaiado quadrinsta radiojovempan jornal_opopular vitoriotrevisanneto fora.corruptos brtrends opovoonline promonarquia portalne10 acordabrasil__ foi_golpe The dominant voice along the day of protests, March 2017, Brazil. Media Item perspective Omena, J.J. 2018 The Grammars of Social Media Four perspectives to visualise Hashtag Engagement˚˚ Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH
  • 31. User perspective Omena, J.J. 2018 The Grammars of Social Media Four perspectives to visualise Hashtag Engagement˚˚ Metrics of caption or hashtag adoption per user ˚˚ 1.  It is a way to visualise the textual content (captions) by clustering tags, terms or positioning 2. It allows to relate hashtag content with caption or visual content 3. It benefits the identification of actors who try to create a buzz around the hashtag 4. It helps to detect botted accounts Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH
  • 32. User perspective Omena, J.J. 2018 The Grammars of Social Media Four perspectives to visualise Hashtag Engagement˚˚ Methodological experiment conducted in the context of Digital Methods Summer School at the University of Amsterdam in 2017. Analysis by Janna Joceli, Elaine Rabello, Andre Mintz, Suay Ozkula, Gabriela Sued, Ece Elbeyi, and Alessandra Cicali. (see hqps://wiki.digitalmethods.net/Dmi/InstagramLivenessVisualisingengagement).
  • 33. User perspective Omena, J.J. 2018 The Grammars of Social Media Four perspectives to visualise Hashtag Engagement˚˚
  • 34. 26 March 2017 – Instagram’s most active users by hashtag mention A chronological perspective from 2016 to March 2017 Total of mentions: 33.856 ˚˚ Data extraction: 27 March 2017 Tools: Visual Tagnet Explorer and RankFlow User perspective Omena, J.J. 2018 The Grammars of Social Media Four perspectives to visualise Hashtag Engagement˚˚
  • 35. Visual perspective Omena, J.J. 2018 The Grammars of Social Media Four perspectives to visualise Hashtag Engagement˚˚ Visual characteristics of images associated with hashtags˚˚ It promotes automated analysis of visual content or the option of plotting images to detect visual patterns FOOD TEXT BANNERS FACES SELFIES CROWDS URBAN LANDSCAPE SKY Image-Label Network of the anG-coup protests in Brazil, 18 March 2016. Methodological experiment conducted in the context of Digital Methods Summer School at the University of Amsterdam in 2017. Analysis by Janna Joceli, Elaine Rabello, Andre Mintz, Suay Ozkula, Gabriela Sued, Ece Elbeyi, and Alessandra Cicali. (see hqps://wiki.digitalmethods.net/Dmi/InstagramLivenessVisualisingengagement).
  • 36. 15 March 2017, Brazil – Exploring the visual patterns of the Workers Protests [Available images: 5.688 ˚˚ Tools: DownThemAll and ImageSorter] Omena, J.J. 2018 The Grammars of Social Media
  • 37. Everybody in the streets against The Terminator: Michel Temer NAMASTEMER: The ‘Fora Temer’ that lives in me, salutes the ‘Fora Temer’ that lives in you. I Want to retire! [plotting images to detect memes]
  • 38. Grammars of hashtag perspective Omena, J.J. 2018 The Grammars of Social Media Forms of hashtag use: positioning, double sense hashtags, hijacked hashtags, hate hashtags Four perspectives to visualise Hashtag Engagement˚˚ Digital Media Winter InsGtute 2018 ˚ SMART Data Sprint: Interpreters of Pla?orm of Data ˚ 29 January ˚ Universidade NOVA de Lisboa˚ NOVA FCSH
  • 40. TWEETING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching OBRIGADA J linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting TWEETING retweeting LIKING following SHARING watching TAGGING linking COMMENTING replying DELETING hashtagging POSTING reposting retweeting LIKING following SHARING