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Ms. Aixa Rodriguez Unit 1 ESL/Visual Arts High School of World Cultures Bronx, NY
Art  ,[object Object]
Artist ,[object Object]
What is  fine art ? ,[object Object]
What is  applied art ? ,[object Object]
Visual Culture ,[object Object],[object Object],[object Object]
Perceive ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
A mark with length and direction. A continuous mark made on a surface by a moving point. Ansel Adams Gustave Caillebotte
Line ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Self Portrait  of  Pablo Picasso
Kinds of lines ,[object Object],[object Object],[object Object],[object Object],[object Object]
Pablo Picasso
C O L O R ,[object Object],[object Object],[object Object],[object Object],Henri Matisse Venice Twilight  by  Claude Monet
Color Theory ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Color ,[object Object],[object Object],[object Object]
The Color Wheel ,[object Object],[object Object],[object Object]
The lightness or darkness of a color. MC Escher Pablo Picasso
An area clearly set off by one or more of the other six visual elements of art. They have height and width but not depth. Shapes are flat, 2 dimensional. Joan Miro
Shape ,[object Object],[object Object],[object Object],Balancement by Wassily Kandinsky
FORM ,[object Object],[object Object],Jean Arp
Gustave Caillebotte
The distance or area between, around, above, below, or within things.  ,[object Object],[object Object],[object Object],[object Object],[object Object],La Rue de la Bavolle in Honfleur  by  Claude Monet.   Space
Space ,[object Object],[object Object],[object Object],[object Object]
TEXTURE ,[object Object],[object Object]
Cecil Buller Texture-  the element of art that refers to how things feel, or look as though they might feel , if touched.  Visual texture-  is texture you experience with your eyes as you remember them from experience.  Ex. Paintings of velvet, leather, silk or concrete.
What we use to organize the Elements of Art, or  the tools to make art.
Principle of art concerned with arranging the elements so that no one part of the work overpowers, ore seems heaver than, any other part.  Alexander Calder
Balance ,[object Object],[object Object],The Last Supper  by  Leonardo Da Vinci
Symmetrical Balance The parts of an image are organized so that one side mirrors the other.  Leonardo DaVinci
Asymmetrical  Balance When one side of a composition does not reflect the design of the other. James Whistler
Radial Balance ,[object Object]
The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt
Emphasis ,[object Object],[object Object],The Herring Net  by  Winslow Homer
CONTRAST A large difference between two things to create interest and tension. Ansel Adams Salvador Dali
The principle of art that indicates movement through the repetition of elements and objects. Marcel Duchamp
Movement ,[object Object],[object Object],[object Object],Napoleon Crossing the Alps  by  Jacques-Louis David
Vincent VanGogh
Gustav Klimt PATTERN -Two dimensional, decorative visual repetition. - Motif - unit of repetition in a visual pattern.
Repetition ,[object Object],[object Object],[object Object],[object Object]
Unity ,[object Object],Irises  by  Vincent van Gogh
Harmony A principle of design where elements of art are combined to accent their similarities and bind the picture parts into a whole. Sandy Skoglund
Variety The use of differences and change to increase the visual interest of the work.  Marc Chagall
Variety ,[object Object],[object Object],The Persistence of Memory  by  Salvador Dali
[object Object],Gustave Caillebotte
Proportion ,[object Object],[object Object],Mona Lisa  by  Leonardo Da Vinci

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Arod elements of art

  • 1. Ms. Aixa Rodriguez Unit 1 ESL/Visual Arts High School of World Cultures Bronx, NY
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9. A mark with length and direction. A continuous mark made on a surface by a moving point. Ansel Adams Gustave Caillebotte
  • 10.
  • 11.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17. The lightness or darkness of a color. MC Escher Pablo Picasso
  • 18. An area clearly set off by one or more of the other six visual elements of art. They have height and width but not depth. Shapes are flat, 2 dimensional. Joan Miro
  • 19.
  • 20.
  • 22.
  • 23.
  • 24.
  • 25. Cecil Buller Texture- the element of art that refers to how things feel, or look as though they might feel , if touched. Visual texture- is texture you experience with your eyes as you remember them from experience. Ex. Paintings of velvet, leather, silk or concrete.
  • 26. What we use to organize the Elements of Art, or the tools to make art.
  • 27. Principle of art concerned with arranging the elements so that no one part of the work overpowers, ore seems heaver than, any other part. Alexander Calder
  • 28.
  • 29. Symmetrical Balance The parts of an image are organized so that one side mirrors the other. Leonardo DaVinci
  • 30. Asymmetrical Balance When one side of a composition does not reflect the design of the other. James Whistler
  • 31.
  • 32. The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt
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  • 34. CONTRAST A large difference between two things to create interest and tension. Ansel Adams Salvador Dali
  • 35. The principle of art that indicates movement through the repetition of elements and objects. Marcel Duchamp
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  • 38. Gustav Klimt PATTERN -Two dimensional, decorative visual repetition. - Motif - unit of repetition in a visual pattern.
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  • 41. Harmony A principle of design where elements of art are combined to accent their similarities and bind the picture parts into a whole. Sandy Skoglund
  • 42. Variety The use of differences and change to increase the visual interest of the work. Marc Chagall
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