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2010
The Year of Web Typography

Jason Cranford Teague
jasonspeaking.com | @jasonspeaking
Web Directions USA
28 July 2010

@fluidwebtype
fluidwebtype.info/web-directions
Q:
What do these 3 Things
have in common?
Flying Cars
Trips to Jupiter
Webfonts
A:
2010
3 things I was supposed to have.
2008
2008
2009

2008
2009
2010
The Year of
Web Typography

What's New?
Webfont Support
Easy font conversion
Web font service bureaus

Web Typography
Use
Find
Choose
A A A A A A
 A A A A A A
  A A A A A
 A A A A    A
“Type design is an act of plagiarism
 in itself — you basically recreate
 the flesh of the same skeleton.”
                       Alejandro Saravia
                          pampatype.com

 What if everybody looked the same…




…and everybody was UGLY?
typography::type
voice::speech
If I say…
“I’m going to kill you”
“I’m going to kill you”
         Cooper Black


“I’m going to kill you”
           Synchro LET



“I’m going to kill you”
           Sybil Green


 “I’m going to kill you”
            UglyQua
and A Brand BBrand
d C Brand D Brand E
and FBrand X Brand
      Brand X
  G Brand H Brand I
rand J Brand K Bran
d S Brand R Brand T



yahoo.com
aol.com
msn.com
Web Typography =
HTML + CSS
Web Typography =
Limited Font Choices
Web Typography =
UGLY!!!!!
audio        video         columns

                                                                                     newsletter       about             subscribe




                                                                                   search

                        Why I Write
                      By DORIANNE LAUX on 2.08.10

I have recently begun to think of writing as what Susan Sontag calls “a
wisdom project” in her forward to Another Beauty, a collection of
autobiographical essays by the great Polish poet Adam Zagajewski.                                       Dorianne Laux is the author of four
                                                                                                        books of poetry and co-author of The
                                                                                                        Poet’s Companion: A Guide to the
      “…autobiography is an occasion to purge oneself of vanity,
                                                                                                        Pleasures of Writing Poetry. She has
      while advancing the project of self understanding—call it the
                                                                                                        been the recipient of the Oregon Book
      wisdom project—which is never completed, however long the                                         Award and was short-listed for the
      life.”                                                                                            Lenore Marshall Poetry Prize. She lives
                                                                                  in Raleigh, North Carolina where she teaches poetry at North
I am still hard at work on this project of the self. The solitary self, as well   Carolina State University. For more, go to DorianneLaux.com.
as the self in relation to the world and the unknown universe we swirl
around in, uncertain of our purpose or future. When I wrote the poems



                                             Poems Out Loud
that would become my first book, I didn’t think of it as a book, but rather
as a need to understand the basic questions that all human beings ask:
Who am I? Why am I here? Where am I going? What is beauty? Why is                                         Facts About the Moon
there suffering? Where is truth? These questions would arise in me in the
                                                                                                          Buy from POWELLS
form of poems, and in making the poems into a collection, I tried to
                                                                                                          Buy from INDIEBOUND
arrange them in a shape, find a path for them to travel to make clearer
those questions. I write to know the questions.                                                           In her powerful fourth collection,
                                                                                                          Dorianne Laux once again strikes fire
Poem after poem, book after book, the ante is upped. I think this could be                                from neighborhood moments: a quiet
autumn   summer




                                                                                 @sophiaw happy monday / month
                                                                                 to you too!

                                                                                 Mon, Mar 01, 2010 - 14:00:22, from
                                                                                 TweetDeck




   When life serves you lemons make lemonade goes the saying and these days              tsimitakis Watch this video: http://slide.com/t/5/5/iRdYgA7YzOlG
   life does taste like home made lemonade. Some times overly sour, sometimes            ΣκληρόβίντεογιατηΓάζα




                                                                Acid Smile
   overly sweet. On occasion sour but with the grains of sugar crunchy between           f r o m w e b , M o n , M a r 01, 2010 - 15: 03: 25
   your teeth. Some things are going extremely well, others very badly and in
   some cases I have no clue what is going on. Days merge into nights, weeks             tgeorgakopoulos http://twitpic.com/16178x - ΤζάστινΠλιάτσικας
   change and suddenly it’s the end of February and I’m wondering where two              (@The_Stranger_gr μεπρόλαβες) #pliatsikas
   months of my life have gone and what have I done with them. Existential               f r o m T w i t P i c , Mon, Mar 01, 2010 - 15:02:46
                                                                                                             c,
   questions aside, everything since the 6th of Jan when I went back to work
   seems like a blur. Very stressful, too much work, too many variables.                 djzinc that chat roulette thing is raw
   Normally I thrive…...                                                                 f r o m w e b , M o n , M a r 01, 2010 - 15: 02: 25


                     2010 - #p52 - loose thoughts - ramblings
24/Feb/2010
Voices                            $199
Voice morphing for your iPhone!   per piece




Convert                           99¢
                                  per piece
The unit converter & calculator



plasma


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                                  per piece
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reflexes!


Classics                          Free
Workflow and
collaboration.
Content management solutions that don't feel templated.
CONTENT MANAGEMENT SYSTEMS
DRUPAL CMS
ALFRESCO WCM




                                 Work At Play
TOOLBOX


The right tools for the job
Webfonts
or
Web fonts?

USING
Webfonts
How many fonts are there?
>100 Thousand
How many fonts are used on the
Web?
5 Fonts
Andale Mono
Arial
Arial Black

Comic Sans MS
Courier New
Georgia
Impact
Times New Roman
Trebuchet MS
Verdana

Verdana

                           Georgia
Trebuchet MS


                         Arial
      Times New Roman
Arial
Georgia
Times New Roman
Trebuchet MS
Verdana
(Pre)Installed
OS
Software
Web Safe Fonts
~190 Fonts
Web Safe Fonts
Windows & Mac = 59 Fonts
Websafe Fontsß 3                                                                 I


   Font Name             Weight and Style            OS Rank              Sample


1 Academy Engraved LET                                 3-Likely




2 Agency FB              bold                          4-Less Likely




3 Algerian                                             4-Less Likely




4 American Typewriter    bold                          2-Almost Certain




5 Andale Mono                                          1-Certain




6 Apple Chancery


                                 Web Safe Fonts
                                                       2-Almost Certain




7 Apple Symbols                                        2-Almost Certain



8 Arial                  bold, italic, bold/italic     1-Certain
!"#$%&'()')(*#+',-*./0.'1%#2'!"3'"*.'4%*.(1+'(50$"#%*6
                     +7+#08+9'!%3$(+()#':))%30'"*.';.(,0'<$0"#%=0'>-%#0
                                                                                        Office
                            Mac OS             Windows OS             Office Windows    Mac      Adobe Creative Suite
                            OS X     OS X      Windows      Windows   Office   Office   Office   Acrobat   Illustrator   InDesign   CS2      CS3       CS3
                            Tiger    Leopard   XP SP2       Vista     2003     2007     2004     7         CS2           CS2        extras   install   disk

      Adobe Caslon Pro                                                                                         x            x                  x
    Adobe Garamond Pro                                                                                         x            x                  x
  Adobe Jenson Pro                                                                                                          x
           Agency FB                                                    x        x
    Agency FB Bold                                                      x        x
 American Typewriter          x         x
        Andale Mono           x         x         x           x                  x        x
         Apple Chancery       x         x
                    Arial     x         x         x           x                  x        x
          Arial Black         x         x         x           x                  x        x
             Arial Narrow     x         x                               x        x        x
Arial Rounded MT Bold         x         x                               x        x        x
                                        x                               x        x




                                                Matrix of Fonts
             Arno Pro                                                                                                                          x
              Baskerville     x         x
     Baskerville Old Face                                               x        x        x
            Bauhaus 93                                                  x        x        x
         Bell Gothic Std                                                                                                                       x
                Bell MT                                                 x        x        x
Webfonts
Any font?
web-safe
                 star       understudy
                             core web      generic
                                           understudy




font-­‐family:	
  verdana,	
  arial,	
  sans-­‐serif;
Diavlo
name you give it



@font-­‐face	
  { ...	
  }
                  font-­‐family:	
  'body	
  copy';
                  font-­‐family:	
  Diavlo;
                  src:	
  local(Diavlo)
                  src:	
  url('fonts/Diavlo_BOOK_II_37.otf');   local name
                  	
  	
  	
  	
  	
  url('fonts/Diavlo_BOOK_II_37.otf');
                  }
                  font-­‐style:	
  normal;
                                                               font properties
                  font-­‐weight:	
  normal;
                                      path to font file
                  font-­‐stretch:	
  normal;
                  font-­‐variant:	
  normal;
                  }
name you gave it



font-­‐family:	
  tahoma,	
  arial,	
  sans-­‐serif;
                'body	
  copy',	
  verdana,	
  arial,	
  sans-­‐serif;
                  diavlo,	
  verdana,	
  arial,	
  sans-­‐serif;
File Formats
True Type (.ttf)
Open Type (.otf)
File Formats
Embedded Open Type(.eot)
EOT Lite (.eot)
File Formats
Scalable Vector Graphics (.svg)
File Formats
Web Open Font Format (.woff)
Browser Font Support

EOT/EOT LITE      ✔
  TTF/OTF                     ✔   ✔      ✔              ✔
    SVG                           ✔      ✔              ✔
   WOFF        Coming Soon!   ✔   ?   Coming Soon!   Coming Soon!
SVG or WOFF
???
EOT for IE



 @font-­‐face	
  { font-­‐family:	
  'body	
  copy';
                   src:	
  url('fonts/Diavlo_BOOK.eot');
                   src:	
  url('fonts/Diavlo_BOOK.otf');
                   }
                   src:	
  local('☺'),                                   Local Name
  WOFF             	
  	
  	
  	
  	
  url('fonts/Diavlo_BOOK.woff')
                   	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  format('woff');
OTF/TTF            	
  	
  	
  	
  	
  url('fonts/Diavlo_BOOK.otf')
                   	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  format('opentype');
    SVG            	
  	
  	
  	
  	
  url('fonts/Diavlo_BOOK.svg#diavlo-­‐regular')
                   	
  	
  	
  	
  	
  	
  	
  	
  	
  	
  format('svg');
                   }

Sub-setting = Compression
EULA
End User License
Agreement
IP
Intellectual Property
Exljbris
Emigre
Chank
What about
sIFR & Cufón

FINDING
Webfonts
Webfonts Sources
Licensed Webfonts
Webfont Service Bureaus
Licensed Fonts
Under Your Control
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      Symbol Fonts               more ...                               more ...
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      pi fonts for
      any occasion

                                 Site Map       Contact        Imprint/Legal     Terms of Use        Monotype Imaging
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What to look for in License…
✓ Webfont linking in EULA
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✓ Formats
✓ Price Structure
Licensed Fonts
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   Webfonts             560+                  100+             1800+
                          fonts                families          families


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                                                                                                                                                        Fedra Sans Alt
                                                                                                                                                        Fedra Sans Condensed
                                                                                                                                                        Fedra Sans Condensed
                                                                                                                                                        Alt
                                                                                                                                                        Fedra Sans Display 1
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                                                                                                                                                        Fedra Serif A
                                                                                                                                                        Fedra Serif B
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                                                                                                                                                        Fedra Serif Phonetic
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                Typotheque now supports WOFF in             A contemporary typeface family              ‘A piece of text that looks good but            History
              Firefox 3.6 (25 Jan 2010)                     specifically designed for the demands of    doesn't say anything’, printed in typeface      Irma
                Selection of websites using Typotheque      newspaper printing; it consists of four     Irma, using its OpenType features mixing        Irma Slab
              Web Font Service (23 Jan 2010)                primary text weights (each in three         positive and negative spaces of letters.        Jigsaw

                Open Manifesto (18 Jan 2010)                grades) and is optimized for use at small   Printed on Organic Fine Jersey T-Shirts         Jigsaw Stencil

                Gore’s choice (07 Jan 2010)                 sizes.                                      from American Apparel.                          Klimax
                                                                                                                                                        Nara
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Bureau Advantages…
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What to look for in a bureau…
✓Available Fonts or Font Families
✓How Fonts are Added
✓Local Use
✓Bandwidth Usage
✓Price Structure
Webfont Service Bureaus
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   # Fonts      500+          600+            40+
                 families       fonts         families


  @font-face   <script>      <link>         <link>

  Local Use                                   ✔
  Bandwidth    5-500GB      Unlimited        500MB
                 /month                       /month


    Price      $25-250        $1-75         $100-900
                  /year     /font/year/WS     /family
Webfont Service Bureaus
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   # Fonts      250+           200+          300+
                 families        fonts        fonts


  @font-face    <link>       <link>         <link>

  Local Use                     ✔            ✔
  Bandwidth    Unlimited      1–18GB        1-18GB
                                month        /month


    Price      free-$12      free-$105      $10-105
                /year/font    /month/font   /font/year
Webfont Service Bureaus
               Google Font API    Fonts.com          WebInk

   # Fonts           18            7500+            2000+
                   families           fonts           fonts


  @font-face     <link>           <script>         @font-face

  Local Use        ✔                 ✔
  Bandwidth     Unlimited        12.5K–12.5G        1-80GB
                                 pageviews/month      /month


    Price          Free          free-$500         99¢-$19.99
                                     /month           /month

CHOOSING
Webfonts
webfont         web safe core web                generic



h1	
  {	
  
	
   font-­‐family	
  :	
  diavlo,	
  verdana,	
  arial,	
  sans-­‐serif;	
  }	
  




                     web safe         core web          generic



p	
  {
	
   font-­‐family	
  :	
  	
  cambria,	
  georgia,	
  serif;	
  }
Choose for consistency…
     Select understudy fonts with similar
     widths and kerning to the primary font.

 Diavlo   Looking Glass
Verdana
          Looking Glass
Tahoma
          Looking Glass
Choose for style availability…
    Select fonts with bold, italic, and bold/
    italic versions.
Baskerville
Cambria       Lorem	
   ipsum	
   dolor	
   sit	
   amet,	
   consectetuer	
  
              Lorem ipsum dolor sit amet, consectetuer
Old Face      adipiscing elit.	
   Nunc	
   ed	
   ligula. ellentesque	
  
              adipiscing	
  elit. Nunc ssed ligula.	
   PPellentesque
              non felis	
   vel	
   lorem	
   tempor	
   ultricies.	
   Class	
  
              non	
   felis vel lorem tempor ultricies. Class
              aptent taciti	
   sociosqu	
   litora torquent per
              aptent	
  taciti sociosqu ad ad	
   litora	
   torquent	
  
              conubia nostra, per r a ,	
   p e i n c e p t o s	
  
              p e r	
   c o n u b i a	
   n o s t inceptosr	
   hymenaeos.
              Vestibulum ante ipsum primis ipsum	
   primis	
  
              hymenaeos.	
   Vestibulum	
   ante	
  in faucibus orci
              in	
   faucibus	
   orci	
   luctus	
   et	
   ultrices	
   posuere	
  
              luctus et ultrices posuere cubilia Curae; In hac
              habitasse platea In	
   hac	
   Aenean venenatis
              cubilia	
   Curae;	
   dictumst. habitasse	
   platea	
  
              dictumst.	
   Aenean	
  venenatis	
  hendrerit	
  tellus.	
  
              hendrerit tellus. Nunc posuere, nulla quis
              Nunc	
   posuere,	
   nulla	
   quis	
   sollicitudin	
  
              sollicitudin pretium, dui mi ultricies magna, id
              pretium,	
   dui	
  mi	
  ultricies	
  magna,	
  id	
  placerat	
  
              placerat lorem.
              lorem.
Choose for legibility…
  Select fonts with consistent weight and thickness
  with simple, low contrast strokes and serifs.




 Diavlo
          Looking Glass
                Weight & Thickness   Strokes & Serifs
Tahoma
          Looking Glass
Choose for readability…
Select fonts that are well balanced
between letter spacing, counter
width, letter width, & x-height.
         letter spacing                   letter width

Tahoma
         Looking Glass                                   x-height



                          counter width
Choose for optimization…
Select fonts that have been
specifically optimized for screen
viewing.
Choose for consistency
          style availability
          legibility
          readability
          optimization
          VOICE!!!
“Typographic gaffes will be readily
  visible; but that should make it even
  clearer when you're looking at a smart
  web page or a dumb one.”

                              Chank Diesel
                                 chank.com

2010
The Year of
Web Typography
2011
The NEW Web Typography…
Where the Sexy is!
Web Typography Resources
✓Fluid Web Type
✓Nice Web Type
✓Clagnut
✓I Love Typography

www.fluidwebtype.info

       QUESTIONS
fluidwebtype.info/web-directions


         jasonspeaking.com | @jasonspeaking

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2010: The Year of Web Typography - WebDirections

  • 1.  2010 The Year of Web Typography Jason Cranford Teague jasonspeaking.com | @jasonspeaking Web Directions USA 28 July 2010
  • 3. Q: What do these 3 Things have in common?
  • 7. A: 2010 3 things I was supposed to have.
  • 11.  What's New? Webfont Support Easy font conversion Web font service bureaus
  • 13.
  • 14. A A A A A A A A A A A A A A A A A A A A A A
  • 15. “Type design is an act of plagiarism in itself — you basically recreate the flesh of the same skeleton.” Alejandro Saravia pampatype.com
  • 16.  What if everybody looked the same… …and everybody was UGLY?
  • 18. If I say… “I’m going to kill you”
  • 19. “I’m going to kill you” Cooper Black “I’m going to kill you” Synchro LET “I’m going to kill you” Sybil Green “I’m going to kill you” UglyQua
  • 20. and A Brand BBrand d C Brand D Brand E and FBrand X Brand Brand X G Brand H Brand I rand J Brand K Bran d S Brand R Brand T
  • 21.
  • 22.
  • 23.
  • 28. Web Typography = Limited Font Choices
  • 30. audio video columns newsletter about subscribe search Why I Write By DORIANNE LAUX on 2.08.10 I have recently begun to think of writing as what Susan Sontag calls “a wisdom project” in her forward to Another Beauty, a collection of autobiographical essays by the great Polish poet Adam Zagajewski. Dorianne Laux is the author of four books of poetry and co-author of The Poet’s Companion: A Guide to the “…autobiography is an occasion to purge oneself of vanity, Pleasures of Writing Poetry. She has while advancing the project of self understanding—call it the been the recipient of the Oregon Book wisdom project—which is never completed, however long the Award and was short-listed for the life.” Lenore Marshall Poetry Prize. She lives in Raleigh, North Carolina where she teaches poetry at North I am still hard at work on this project of the self. The solitary self, as well Carolina State University. For more, go to DorianneLaux.com. as the self in relation to the world and the unknown universe we swirl around in, uncertain of our purpose or future. When I wrote the poems Poems Out Loud that would become my first book, I didn’t think of it as a book, but rather as a need to understand the basic questions that all human beings ask: Who am I? Why am I here? Where am I going? What is beauty? Why is Facts About the Moon there suffering? Where is truth? These questions would arise in me in the Buy from POWELLS form of poems, and in making the poems into a collection, I tried to Buy from INDIEBOUND arrange them in a shape, find a path for them to travel to make clearer those questions. I write to know the questions. In her powerful fourth collection, Dorianne Laux once again strikes fire Poem after poem, book after book, the ante is upped. I think this could be from neighborhood moments: a quiet
  • 31. autumn summer @sophiaw happy monday / month to you too! Mon, Mar 01, 2010 - 14:00:22, from TweetDeck When life serves you lemons make lemonade goes the saying and these days tsimitakis Watch this video: http://slide.com/t/5/5/iRdYgA7YzOlG life does taste like home made lemonade. Some times overly sour, sometimes ΣκληρόβίντεογιατηΓάζα Acid Smile overly sweet. On occasion sour but with the grains of sugar crunchy between f r o m w e b , M o n , M a r 01, 2010 - 15: 03: 25 your teeth. Some things are going extremely well, others very badly and in some cases I have no clue what is going on. Days merge into nights, weeks tgeorgakopoulos http://twitpic.com/16178x - ΤζάστινΠλιάτσικας change and suddenly it’s the end of February and I’m wondering where two (@The_Stranger_gr μεπρόλαβες) #pliatsikas months of my life have gone and what have I done with them. Existential f r o m T w i t P i c , Mon, Mar 01, 2010 - 15:02:46 c, questions aside, everything since the 6th of Jan when I went back to work seems like a blur. Very stressful, too much work, too many variables. djzinc that chat roulette thing is raw Normally I thrive…... f r o m w e b , M o n , M a r 01, 2010 - 15: 02: 25 2010 - #p52 - loose thoughts - ramblings 24/Feb/2010
  • 32. Voices $199 Voice morphing for your iPhone! per piece Convert 99¢ per piece The unit converter & calculator plasma TapTapTap Parablox 99¢ per piece Feed your brain and test your reflexes! Classics Free
  • 33. Workflow and collaboration. Content management solutions that don't feel templated. CONTENT MANAGEMENT SYSTEMS DRUPAL CMS ALFRESCO WCM Work At Play TOOLBOX The right tools for the job
  • 36. How many fonts are there? >100 Thousand
  • 37. How many fonts are used on the Web? 5 Fonts
  • 38. Andale Mono Arial Arial Black Comic Sans MS Courier New Georgia Impact Times New Roman Trebuchet MS Verdana 
  • 39. Verdana Georgia Trebuchet MS Arial Times New Roman
  • 43. Web Safe Fonts Windows & Mac = 59 Fonts
  • 44. Websafe Fontsß 3 I Font Name Weight and Style OS Rank Sample 1 Academy Engraved LET 3-Likely 2 Agency FB bold 4-Less Likely 3 Algerian 4-Less Likely 4 American Typewriter bold 2-Almost Certain 5 Andale Mono 1-Certain 6 Apple Chancery Web Safe Fonts 2-Almost Certain 7 Apple Symbols 2-Almost Certain 8 Arial bold, italic, bold/italic 1-Certain
  • 45. !"#$%&'()')(*#+',-*./0.'1%#2'!"3'"*.'4%*.(1+'(50$"#%*6 +7+#08+9'!%3$(+()#':))%30'"*.';.(,0'<$0"#%=0'>-%#0 Office Mac OS Windows OS Office Windows Mac Adobe Creative Suite OS X OS X Windows Windows Office Office Office Acrobat Illustrator InDesign CS2 CS3 CS3 Tiger Leopard XP SP2 Vista 2003 2007 2004 7 CS2 CS2 extras install disk Adobe Caslon Pro x x x Adobe Garamond Pro x x x Adobe Jenson Pro x Agency FB x x Agency FB Bold x x American Typewriter x x Andale Mono x x x x x x Apple Chancery x x Arial x x x x x x Arial Black x x x x x x Arial Narrow x x x x x Arial Rounded MT Bold x x x x x x x x Matrix of Fonts Arno Pro x Baskerville x x Baskerville Old Face x x x Bauhaus 93 x x x Bell Gothic Std x Bell MT x x x
  • 47. web-safe star understudy core web generic understudy font-­‐family:  verdana,  arial,  sans-­‐serif;
  • 49. name you give it @font-­‐face  { ...  } font-­‐family:  'body  copy'; font-­‐family:  Diavlo; src:  local(Diavlo) src:  url('fonts/Diavlo_BOOK_II_37.otf'); local name          url('fonts/Diavlo_BOOK_II_37.otf'); } font-­‐style:  normal; font properties font-­‐weight:  normal; path to font file font-­‐stretch:  normal; font-­‐variant:  normal; }
  • 50. name you gave it font-­‐family:  tahoma,  arial,  sans-­‐serif; 'body  copy',  verdana,  arial,  sans-­‐serif; diavlo,  verdana,  arial,  sans-­‐serif;
  • 51. File Formats True Type (.ttf) Open Type (.otf)
  • 52. File Formats Embedded Open Type(.eot) EOT Lite (.eot)
  • 53. File Formats Scalable Vector Graphics (.svg)
  • 54. File Formats Web Open Font Format (.woff)
  • 55. Browser Font Support EOT/EOT LITE ✔ TTF/OTF ✔ ✔ ✔ ✔ SVG ✔ ✔ ✔ WOFF Coming Soon! ✔ ? Coming Soon! Coming Soon!
  • 57. EOT for IE @font-­‐face  { font-­‐family:  'body  copy'; src:  url('fonts/Diavlo_BOOK.eot'); src:  url('fonts/Diavlo_BOOK.otf'); } src:  local('☺'), Local Name WOFF          url('fonts/Diavlo_BOOK.woff')                    format('woff'); OTF/TTF          url('fonts/Diavlo_BOOK.otf')                    format('opentype'); SVG          url('fonts/Diavlo_BOOK.svg#diavlo-­‐regular')                    format('svg'); }
  • 63. Chank
  • 68. Celebrating 20 years! English Log In Fonts Blog Help HISTORY FAVORITES (0) CART (0) Browse Fonts Search for fonts... Category Foundry Designer Get Started Browse & buy fonts ▶ Random Browse by Category, Gallery Foundry, or Designer. Or Top Fonts let our research team do the work for you. New Fonts Bestsellers Discover new type ▶ Staff Picks Our blog is updated frequently with fresh fonts Your Fonts and recommendations, the History Newsletter brings the latest to your email inbox, Favorites or discover type in print with FontBook. Get smart ▶ Expert advice on formats, installation, or licensing is just a click or Call away. We welcome four new foundries to FontFont FontShop.com: Hubert Jocham, Castle Type, HvD Fonts, and ReType. See them all. Voice Embryo Goudy Trajan A font to benefit victims of the The FontFeed is a daily dispatch of recommended
  • 69. Find Fonts ONLY THE BEST Twitter | RSS Feed FILTER COMMERCIAL- All Formats @font-face USE FREE FONTS STYLE Blackletter 17 Calligraphic 17 Comic 26 Dingbat 27 Free fonts have met their match. We know how hard it is to find Display 91 Grunge 39 quality freeware that is licensed for commercial work. We've done Handdrawn 42 Initials 3 the hard work, hand-selecting these typefaces and presenting them Monospaced 24 Novelty 26 in an easy-to-use format. Here are some of our favorites: Pixel 4 Retro 35 Font Squirrel Sans Serif 118 Script 47 Serif 62 Slab Serif 19 PT Sans | 8 Styles | TrueType | Paratype | View | Download TTF Stencil 21 Typewriter 11 Total Families: 629 Font Foundries List Museo Slab | 2 Styles | OpenType | Exljbris | View | Download OTF (offsite) ABOUT Font Squirrel is your
  • 70. My account / Login My shopping cart presented in: Linotype Authentic™ Sans Bold My favorites Font Finder Font Products Font Services Font Lounge News Support Company Search for Fonts We serve all your Font and Type needs at Linotype.com Advanced search ... Linotype Top Sellers Try, purchase and download complete font families, value packs and single font weights from US$ 26.00. We offer you more than 12,000 original, high-quality fonts from classic to cool in OpenType, TrueType and 1. Neue Helvetica® Text Fonts PostScript. – Try them out! 2. Helvetica® for books and magazines Font Finder (Shop) Foundries and Libraries Font of the Week 3. Avenir® Script Fonts 4. Optima® calligraphy, 5. Rotis® Sans Serif handwriting fonts Complete Font Charts … Handwriting/Grunge fonts with a personal touch BA Graphics Looking for a special font? A literal labor of love, created by Type News Corporate Fonts Explore the various ways to find Browse through our comprehensive Daniel Pelavin – Save 20%! fonts for New Font Releases the font that fit your needs. product catalog. more ... corporate design more ... more ... Font News Celebration Fonts Platinum Collections events from birthday Fonts in Focus to Halloween News Award Font Services Blackletter Fonts gothic, celtic fonts Subscribe to our newsletter or view Comic Fonts the current issue. kids and fun fonts Western Fonts Make the most out inspired by of your website – Linotype the Wild West become an Affiliate! Cool Fonts modern, technical look Linotype offers all Screen Fonts The new FontExplorer X product Malabar received the 2010 German Take a look at our comprehensive kinds of web optimized for small line – high-level professional font Design Prize. Award ceremony on services, tailored to your needs. shopping and sizes management for you. 12th February 2010. more ... licensing Symbol Fonts more ... more ... advantages. pi fonts for any occasion Site Map Contact Imprint/Legal Terms of Use Monotype Imaging
  • 71. Purchase Advantages… ➡ One Time Purchase ➡ Desktop Use ➡ Unlimited Domains ➡ Unlimited Page Views
  • 72. What to look for in License… ✓ Webfont linking in EULA ✓Compression ✓ Formats ✓ Price Structure
  • 73. Licensed Fonts FontSquirrel FontFont FontSpring Webfonts 560+ 100+ 1800+ fonts families families Compression ✔ Formats EOT, OTF, TTF, SVG, & WOFF EOT & WOFF EOT, TTF, SVG, & WOFF Price Free $80–860 Free–$100 family/WS font
  • 74. Webfont Service Bureaus Easy License & Deployment
  • 76. Search © 1999-2010 Featured Font collection Brioni Brioni Text Fedra Arabic Fedra Hindi Fedra Mono Fedra Sans Fedra Sans Alt Fedra Sans Condensed Fedra Sans Condensed Alt Fedra Sans Display 1 Fedra Sans Display 2 Fedra Serif A Fedra Serif B Fedra Serif Display Fedra Serif Phonetic Greta Display Greta Display Narrow Greta Grande Greta Grande Narrow Greta Text News Fonts T-shirts Greta Text Narrow Typotheque now supports WOFF in A contemporary typeface family ‘A piece of text that looks good but History Firefox 3.6 (25 Jan 2010) specifically designed for the demands of doesn't say anything’, printed in typeface Irma Selection of websites using Typotheque newspaper printing; it consists of four Irma, using its OpenType features mixing Irma Slab Web Font Service (23 Jan 2010) primary text weights (each in three positive and negative spaces of letters. Jigsaw Open Manifesto (18 Jan 2010) grades) and is optimized for use at small Printed on Organic Fine Jersey T-Shirts Jigsaw Stencil Gore’s choice (07 Jan 2010) sizes. from American Apparel. Klimax Nara Typotheque Web Font System now Typotheque supports Chrome (23 Dec 2009) New articles: Methods of distribution (21 Fonts in use Dec 2009) View all news Subscribe Mailing list Articles Books Add yourself to our news email list. We The articles section is our attempt to We Want You To Love Type by Johanna use the list to help keep you informed of collect relevant published and previously Biľak / Alan Záruba the new fonts, special limited offers, and unpublished texts, not directed This publication presents work of 44 major updates. We never sell your email. exclusively to academic peers and Czech and Slovak designers, and focuses Read about our privacy policy. Would you students, but to a broader audience of on the process of creating innovative
  • 77. Bureau Advantages… ➡ No license worries ➡ No cross browser worries ➡ Reduces server strain ➡ Quality Fonts
  • 78. What to look for in a bureau… ✓Available Fonts or Font Families ✓How Fonts are Added ✓Local Use ✓Bandwidth Usage ✓Price Structure
  • 79. Webfont Service Bureaus Typekit Kernest Typotheque # Fonts 500+ 600+ 40+ families fonts families @font-face <script> <link> <link> Local Use ✔ Bandwidth 5-500GB Unlimited 500MB /month /month Price $25-250 $1-75 $100-900 /year /font/year/WS /family
  • 80. Webfont Service Bureaus Fontdeck WebType FontsLive # Fonts 250+ 200+ 300+ families fonts fonts @font-face <link> <link> <link> Local Use ✔ ✔ Bandwidth Unlimited 1–18GB 1-18GB month /month Price free-$12 free-$105 $10-105 /year/font /month/font /font/year
  • 81. Webfont Service Bureaus Google Font API Fonts.com WebInk # Fonts 18 7500+ 2000+ families fonts fonts @font-face <link> <script> @font-face Local Use ✔ ✔ Bandwidth Unlimited 12.5K–12.5G 1-80GB pageviews/month /month Price Free free-$500 99¢-$19.99 /month /month
  • 83. webfont web safe core web generic h1  {     font-­‐family  :  diavlo,  verdana,  arial,  sans-­‐serif;  }   web safe core web generic p  {   font-­‐family  :    cambria,  georgia,  serif;  }
  • 84. Choose for consistency… Select understudy fonts with similar widths and kerning to the primary font. Diavlo Looking Glass Verdana Looking Glass Tahoma Looking Glass
  • 85. Choose for style availability… Select fonts with bold, italic, and bold/ italic versions. Baskerville Cambria Lorem   ipsum   dolor   sit   amet,   consectetuer   Lorem ipsum dolor sit amet, consectetuer Old Face adipiscing elit.   Nunc   ed   ligula. ellentesque   adipiscing  elit. Nunc ssed ligula.   PPellentesque non felis   vel   lorem   tempor   ultricies.   Class   non   felis vel lorem tempor ultricies. Class aptent taciti   sociosqu   litora torquent per aptent  taciti sociosqu ad ad   litora   torquent   conubia nostra, per r a ,   p e i n c e p t o s   p e r   c o n u b i a   n o s t inceptosr   hymenaeos. Vestibulum ante ipsum primis ipsum   primis   hymenaeos.   Vestibulum   ante  in faucibus orci in   faucibus   orci   luctus   et   ultrices   posuere   luctus et ultrices posuere cubilia Curae; In hac habitasse platea In   hac   Aenean venenatis cubilia   Curae;   dictumst. habitasse   platea   dictumst.   Aenean  venenatis  hendrerit  tellus.   hendrerit tellus. Nunc posuere, nulla quis Nunc   posuere,   nulla   quis   sollicitudin   sollicitudin pretium, dui mi ultricies magna, id pretium,   dui  mi  ultricies  magna,  id  placerat   placerat lorem. lorem.
  • 86. Choose for legibility… Select fonts with consistent weight and thickness with simple, low contrast strokes and serifs. Diavlo Looking Glass Weight & Thickness Strokes & Serifs Tahoma Looking Glass
  • 87. Choose for readability… Select fonts that are well balanced between letter spacing, counter width, letter width, & x-height. letter spacing letter width Tahoma Looking Glass x-height counter width
  • 88. Choose for optimization… Select fonts that have been specifically optimized for screen viewing.
  • 89. Choose for consistency style availability legibility readability optimization VOICE!!!
  • 90. “Typographic gaffes will be readily visible; but that should make it even clearer when you're looking at a smart web page or a dumb one.” Chank Diesel chank.com
  • 92. 2011 The NEW Web Typography… Where the Sexy is!
  • 93. Web Typography Resources ✓Fluid Web Type ✓Nice Web Type ✓Clagnut ✓I Love Typography
  • 95.
  • 96. QUESTIONS fluidwebtype.info/web-directions jasonspeaking.com | @jasonspeaking

Editor's Notes

  1. Welcome! Much has happened in the last year that will profoundly affect typography
  2. To send question during this session, please Tweet to
  3. To send question during this session, please Tweet to
  4. What do these three things have in common?
  5. What do these three things have in common?
  6. 15 Years ago: &amp;#x2022; Flying cars &amp;#x2022; Going to Jupiter &amp;#x2022; Decent Web Typography
  7. 15 Years ago: &amp;#x2022; Flying cars &amp;#x2022; Going to Jupiter &amp;#x2022; Decent Web Typography
  8. &amp;#x2022; Flying cars to easy to crash into buildings &amp;#x2022; Space program not even ready to go to the Moon &amp;#x2022; But things changed drastically last year for Web Typography&amp;#x2026;
  9. &amp;#x2022; Flying cars to easy to crash into buildings &amp;#x2022; Space program not even ready to go to the Moon &amp;#x2022; But things changed drastically last year for Web Typography&amp;#x2026;
  10. All major browsers now support some form of downloadable fonts
  11. All major browsers now support some form of downloadable fonts
  12. All major browsers now support some form of downloadable fonts
  13. All major browsers now support some form of downloadable fonts
  14. All major browsers now support some form of downloadable fonts
  15. Which is why 2010 will be remembered as the &quot;Year of Web Typography&quot;
  16. Which is why 2010 will be remembered as the &quot;Year of Web Typography&quot;
  17. Use Find Choose
  18. Use Find Choose
  19. the skeleton of the letter A - Two diagonal strokes with one crossing horizontal.
  20. the skeleton of the letter A - Two diagonal strokes with one crossing horizontal.
  21. the skeleton of the letter A - Two diagonal strokes with one crossing horizontal.
  22. Just like people, there are an infinite number of ways to skin that skeleton
  23. Just like people, there are an infinite number of ways to skin that skeleton
  24. Just like people, there are an infinite number of ways to skin that skeleton
  25. Just like people, there are an infinite number of ways to skin that skeleton
  26. Just like people, there are an infinite number of ways to skin that skeleton
  27. Just like people, there are an infinite number of ways to skin that skeleton
  28. Just like people, there are an infinite number of ways to skin that skeleton
  29. Just like people, there are an infinite number of ways to skin that skeleton
  30. Just like people, there are an infinite number of ways to skin that skeleton
  31. Just like people, there are an infinite number of ways to skin that skeleton
  32. Just like people, there are an infinite number of ways to skin that skeleton
  33. Just like people, there are an infinite number of ways to skin that skeleton
  34. Just like people, there are an infinite number of ways to skin that skeleton
  35. Just like people, there are an infinite number of ways to skin that skeleton
  36. Just like people, there are an infinite number of ways to skin that skeleton
  37. Just like people, there are an infinite number of ways to skin that skeleton
  38. Just like people, there are an infinite number of ways to skin that skeleton
  39. Just like people, there are an infinite number of ways to skin that skeleton
  40. Just like people, there are an infinite number of ways to skin that skeleton
  41. Just like people, there are an infinite number of ways to skin that skeleton
  42. Just like people, there are an infinite number of ways to skin that skeleton
  43. Just like people, there are an infinite number of ways to skin that skeleton
  44. Just like people, there are an infinite number of ways to skin that skeleton
  45. Just like people, there are an infinite number of ways to skin that skeleton
  46. Just like people, there are an infinite number of ways to skin that skeleton
  47. Just like people, there are an infinite number of ways to skin that skeleton
  48. Just like people, there are an infinite number of ways to skin that skeleton
  49. Just like people, there are an infinite number of ways to skin that skeleton
  50. Just like people, there are an infinite number of ways to skin that skeleton
  51. Step Inside Design May/June 2008 When you choose your font, you do not change the meaning of the letter.. a A is still a A, but by changing it&apos;s skin, you change what it is saying, adding another level of communication.
  52. But what is like in that episode of the Twilight Zone - Eye of the Beholder Everybody is surgically altered to look the same. That&apos;s where Web typography is today with only a handful of faces.
  53. But what is like in that episode of the Twilight Zone - Eye of the Beholder Everybody is surgically altered to look the same. That&apos;s where Web typography is today with only a handful of faces.
  54. Typography is to type as voice is to speech &amp;#x2022; Adds meaning beyond the words themselves &amp;#x2022; Voice can even change meaning &amp;#x2022; The fonts are a key part of typography
  55. Typography is to type as voice is to speech &amp;#x2022; Adds meaning beyond the words themselves &amp;#x2022; Voice can even change meaning &amp;#x2022; The fonts are a key part of typography
  56. Happy Voice Angry Voice
  57. Happy Voice Angry Voice
  58. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  59. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  60. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  61. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  62. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  63. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  64. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  65. Fonts can add their own tone of voice: &amp;#x2022; Friendly &amp;#x2022; Robotic &amp;#x2022; Crazy &amp;#x2022; Talk like Pirate
  66. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  67. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  68. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  69. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  70. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  71. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  72. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  73. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  74. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  75. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  76. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  77. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  78. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  79. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  80. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  81. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  82. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  83. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  84. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  85. Brands spend millions creating visual Identities Typography is a quick inexpensive way to stand out in a crowd.
  86. Fonts can help brand everything from burgers
  87. to politicians
  88. But when it&amp;#x2019;s all you have
  89. But when it&amp;#x2019;s all you have
  90. Everybody
  91. Everybody
  92. Looks the same
  93. Looks the same
  94. Web typography is created with System text in HTML, styled using Cascading Style sheets.
  95. Limited styles, limited controls, and most importantly limited font-family choices.
  96. So most designers just think that Web typography is UGLY!!!
  97. Limits That&apos;s what design is about Design is about overcoming the limits of the medium. I am here today with no less of a task than to change the way you view the limitation of Typography using CSS in regards to the limited font-family choices we seem to have.
  98. Limits That&apos;s what design is about Design is about overcoming the limits of the medium. I am here today with no less of a task than to change the way you view the limitation of Typography using CSS in regards to the limited font-family choices we seem to have.
  99. POL Uses &amp;#x2022; Facebuster 400 &amp;#x2022; Helvetica Neue Thin Condensed &amp;#x2022; Baskerville
  100. POL Uses &amp;#x2022; Facebuster 400 &amp;#x2022; Helvetica Neue Thin Condensed &amp;#x2022; Baskerville
  101. Acid Smile by Maria T. &amp;#x2022; Daniel
  102. Acid Smile by Maria T. &amp;#x2022; Daniel
  103. Taptaptap (Webfont): &amp;#x2022; Fertigo Pro
  104. Taptaptap (Webfont): &amp;#x2022; Fertigo Pro
  105. Work [at] Play &amp;#x2022; Netto
  106. Work [at] Play &amp;#x2022; Netto
  107. Any type used in a Web design Webfonts applied specifically to fonts being downloaded using @font-face
  108. Any type used in a Web design Webfonts applied specifically to fonts being downloaded using @font-face
  109. Any type used in a Web design Webfonts applied specifically to fonts being downloaded using @font-face
  110. Estimated that there are over 100,000 fonts available
  111. Estimated that there are over 100,000 fonts available
  112. but only 5 are commonly used on the Web, pulled from the 10 core Web fonts
  113. but only 5 are commonly used on the Web, pulled from the 10 core Web fonts
  114. but only 5 are commonly used on the Web, pulled from the 10 core Web fonts
  115. but only 5 are commonly used on the Web, pulled from the 10 core Web fonts
  116. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  117. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  118. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  119. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  120. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  121. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  122. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  123. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  124. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  125. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  126. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  127. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  128. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  129. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  130. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  131. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  132. Although there were 10 fonts in the original list Andale Mono no longer installed with Windows, Webdings does not work in many browsers Impact and Arial black - primarily display fonts for headlines Courier New - Monospace Comic Sans- &apos;Nuff said
  133. Leaves us with 5 fonts commonly used in almost all Web sites.
  134. Between Windows OS, Mac OS, MS Office (Mac &amp; Windows) and Apple iLife
  135. Between Windows OS, Mac OS, MS Office (Mac &amp; Windows) and Apple iLife
  136. Overlap of almost 60 fonts that have a strong chance of being on both Mac and Windows
  137. Websafe fonts BETA 3 Font Name Weights &amp; Styles OS - Windows, Mac, or cross (Web safe) Likelihood of availability Sample Graphic
  138. Websafe fonts BETA 3 Font Name Weights &amp; Styles OS - Windows, Mac, or cross (Web safe) Likelihood of availability Sample Graphic
  139. Fonts Matrix - Richard Rutter Font Name OS Installing Application, Installed Adobe CS
  140. Fonts Matrix - Richard Rutter Font Name OS Installing Application, Installed Adobe CS
  141. In theory, you can download any font as a Webfont
  142. In theory, you can download any font as a Webfont
  143. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  144. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  145. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  146. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  147. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  148. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  149. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  150. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  151. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  152. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  153. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  154. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  155. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  156. add font name to the font-family list, including understudies for webfont, web safe font, core web font, and generic (in that order)
  157. and some great fonts, like diavlo, are even free!
  158. and some great fonts, like diavlo, are even free!
  159. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  160. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  161. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  162. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  163. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  164. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  165. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  166. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  167. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  168. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  169. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  170. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  171. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  172. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  173. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  174. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  175. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  176. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it
  177. add font name to the font-family list.
  178. add font name to the font-family list.
  179. add font name to the font-family list.
  180. add font name to the font-family list.
  181. add font name to the font-family list.
  182. add font name to the font-family list.
  183. add font name to the font-family list.
  184. add font name to the font-family list.
  185. TrueType is an outline font standard originally developed by Apple Computer in the late 1980s as a competitor to Adobe&apos;s Type 1 fonts used in PostScript. OpenType is a scalable format for computer fonts (also sometimes known interchangeably as &quot;typefaces&quot;), initially developed by Microsoft, later joined by Adobe Systems. BUT THEY LACK Digital Rights Management. so anyone can use and take them even if they didn&apos;t purchase them.
  186. Embedded Open Type over 11 years old, supported in Internet Explorer since version 4 Provides some copy protection difficult to convert from standard font formats
  187. Scalable Vector Graphics is a vector drawing system designed for the Web. --&gt;
  188. Web Open Font Format recently developed as an answer to foundries concerns about font protection --&gt;
  189. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  190. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  191. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  192. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  193. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  194. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  195. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  196. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  197. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  198. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  199. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  200. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  201. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  202. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  203. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  204. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  205. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  206. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  207. The syntax for downloading fonts for use by CSS has been around for years. I can place this file on my server, and use @font-face in my CSS to download it &quot;Bulletproof&quot; by Paul Irish Modified Bulletproof Avoids local() problem
  208. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  209. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  210. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  211. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  212. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  213. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  214. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  215. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  216. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  217. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  218. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  219. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  220. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  221. Fontsquirrel Font face generator can take True Type and Open type Converts to EOT Lite, SVG, and WOFF Also allows screen optimization and Subsetting
  222. All foundries have different EULAs protecting their
  223. Intellectual property from misappropriation.
  224. some great fonts, like diavlo, are even free!
  225. some great fonts, like diavlo, are even free!
  226. Emigre plans to change their EULA, but hasn&apos;t yet.
  227. Emigre plans to change their EULA, but hasn&apos;t yet.
  228. but some foundries like Chank, are using new Webfont service bureaus To take care of licensing
  229. but some foundries like Chank, are using new Webfont service bureaus To take care of licensing
  230. Better technologies being developed sIFR - Flash Cuf&amp;#xF3;n - JavaScript - can slow down overall JavaScript performance FontSquirrel now includes Cuf&amp;#xF3;n support
  231. Better technologies being developed sIFR - Flash Cuf&amp;#xF3;n - JavaScript - can slow down overall JavaScript performance FontSquirrel now includes Cuf&amp;#xF3;n support
  232. So how do you know where to find legally usable fonts? The landscape is constantly changing, but I want to share with you what you should be looking for in three places many of us will find webfonts: &amp;#x2022; Font foundries &amp;#x2022; Free fonts sources &amp;#x2022; New Webfont service Bureaus
  233. So how do you know where to find legally usable fonts? The landscape is constantly changing, but I want to share with you what you should be looking for in three places many of us will find webfonts: &amp;#x2022; Font foundries &amp;#x2022; Free fonts sources &amp;#x2022; New Webfont service Bureaus
  234. Generally the highest quality fonts, but the slowest to change their EULAs
  235. Generally the highest quality fonts, but the slowest to change their EULAs
  236. Font-shop Introduced Web FontFonts
  237. Font-shop Introduced Web FontFonts
  238. FontSquirrel is the clear winner for Free Webfont sites
  239. FontSquirrel is the clear winner for Free Webfont sites
  240. Linotype - Supports EOT in EULA
  241. Linotype - Supports EOT in EULA
  242. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  243. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  244. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  245. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  246. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  247. Here&apos;s what to look for when considering fonts from Font Foundries
  248. Here&apos;s what to look for when considering fonts from Font Foundries
  249. Here&apos;s what to look for when considering fonts from Font Foundries
  250. Here&apos;s what to look for when considering fonts from Font Foundries
  251. Here&apos;s what to look for when considering fonts from Font Foundries
  252. A new concept, allowing designers to license and deploy fonts with minimal fuss
  253. A new concept, allowing designers to license and deploy fonts with minimal fuss
  254. Easy to use control panel for designers ... Makes a speed guarantee
  255. Easy to use control panel for designers ... Makes a speed guarantee
  256. A font foundry that will be deploying it&apos;s own fonts Good deal, but limited choices.
  257. A font foundry that will be deploying it&apos;s own fonts Good deal, but limited choices.
  258. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  259. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  260. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  261. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  262. Some of the inherent limitations of Webfont Service Bureaus include&amp;#x2026;
  263. What to look for in Webfont Service Bureaus
  264. What to look for in Webfont Service Bureaus
  265. What to look for in Webfont Service Bureaus
  266. What to look for in Webfont Service Bureaus
  267. What to look for in Webfont Service Bureaus
  268. What to look for in Webfont Service Bureaus
  269. Once you know how to use and find webfonts, choosing the right ones should be a snap, right? Here are a few best practices I&apos;ve developed for choosing the best fonts for your designs
  270. Once you know how to use and find webfonts, choosing the right ones should be a snap, right? Here are a few best practices I&apos;ve developed for choosing the best fonts for your designs
  271. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  272. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  273. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  274. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  275. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  276. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  277. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  278. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  279. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  280. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  281. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  282. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  283. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  284. Now that you know where to find Webfonts, How do you choose the best ones? Start with webfonts and work your way down.
  285. choose for CONSISTANCY - Especially display copy (Headlines)
  286. choose for CONSISTANCY - Especially display copy (Headlines)
  287. choose for CONSISTANCY - Especially display copy (Headlines)
  288. choose for CONSISTANCY - Especially display copy (Headlines)
  289. choose for CONSISTANCY - Especially display copy (Headlines)
  290. choose for CONSISTANCY - Especially display copy (Headlines)
  291. choose for CONSISTANCY - Especially display copy (Headlines)
  292. choose for CONSISTANCY - Especially display copy (Headlines)
  293. choose for CONSISTANCY - Especially display copy (Headlines)
  294. choose for CONSISTANCY - Especially display copy (Headlines)
  295. choose for CONSISTANCY - Especially display copy (Headlines)
  296. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  297. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  298. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  299. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  300. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  301. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  302. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  303. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  304. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  305. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  306. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  307. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  308. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  309. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  310. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  311. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  312. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  313. choose for STYLE - Especially body copy A font without bold and italic will either appear normal or, worse, the styles will be synthesized by the browser.
  314. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  315. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  316. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  317. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  318. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  319. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  320. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  321. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  322. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  323. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  324. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  325. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  326. choose for LEGIBILITY - fonts that are easy to make out, Especially body copy finer weights, strokes and serifs become blurry at smaller sizes.
  327. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  328. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  329. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  330. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  331. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  332. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  333. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  334. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  335. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  336. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  337. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  338. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  339. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  340. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  341. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  342. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  343. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  344. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  345. choose for OPTIMIZATION - Make sure the font has been tweaked for screen viewing.
  346. choose for OPTIMIZATION - Make sure the font has been tweaked for screen viewing.
  347. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  348. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  349. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  350. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  351. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  352. choose for READABILITY - Fonts that will not strain the eye over the long haul, Especially body copy More space, wider counters and widths, and taller x-height generally make copy easier to read however, look for a good balance to make sure the font is also engaging to read
  353. Step Inside Design May/June 2008 When you choose your font, you do not change the meaning of the letter.. a A is still a A, but by changing it&apos;s skin, you change what it is saying, adding another level of communication.
  354. Which is why 2010 will be remembered as the &quot;Year of Web Typography&quot;
  355. Which is why 2010 will be remembered as the &quot;Year of Web Typography&quot;
  356. Which is why 2010 will be remembered as the &quot;Year of Web Typography&quot;
  357. What to look for in Webfont Service Bureaus
  358. What to look for in Webfont Service Bureaus
  359. What to look for in Webfont Service Bureaus
  360. What to look for in Webfont Service Bureaus
  361. What to look for in Webfont Service Bureaus
  362. Twitter Contest To enter to win a free copy of my book, visit fluidwebtype.com
  363. Support Web site: &amp;#x2022; Links from lecture &amp;#x2022; Hand out notes &amp;#x2022; Handout of Websafe fonts Questions?
  364. Support Web site: &amp;#x2022; Links from lecture &amp;#x2022; Hand out notes &amp;#x2022; Handout of Websafe fonts Questions?
  365. Support Web site: &amp;#x2022; Links from lecture &amp;#x2022; Hand out notes &amp;#x2022; Handout of Websafe fonts Questions?
  366. Support Web site: &amp;#x2022; Links from lecture &amp;#x2022; Hand out notes &amp;#x2022; Handout of Websafe fonts Questions?
  367. Support Web site: &amp;#x2022; Links from lecture &amp;#x2022; Hand out notes &amp;#x2022; Handout of Websafe fonts Questions?