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SUBMITTED BY: 
JITENDRA PATHAK(08) 
SHAMBHAVI MOHAN(20)
KHADI 
 KHADI is an Indian fabric. Khadi is also known by 
another name “Khaddar”. It is made by spinning the 
threads on an instrument known as “Charkha” 
 KHADI is a hand woven cloth using hand spun yarn 
containing natural fibers like cotton, silk and wool only, 
spun and woven in natural environment. 
 Mahatma Gandhi it as a symbol for political agendas 
during the fight for independence in India against the 
British rule. It was primarily a means to provide 
employment to the unemployed rural population of India 
at that time
KHADI AND VILLAGE INDUSTRIES 
COMMISSION (KVIC) 
 Khadi & Village Industries Commission (KVIC) 
established under the Khadi and Village Industries 
Commission Act, 1956 
 The functions of the Commission is to plan, 
promote, organize and assist in the establishment 
and development of khadi and village industries in 
the rural area in coordination with other agencies 
engaged in rural development wherever necessary.
MAIN OBJECTIVES OF KVIC 
oThe social objective of providing employment 
opportunities in the rural areas 
oThe economic objective of producing salable 
articles 
oThe wider objective of creating self- reliance 
amongst people and building up a strong rural 
community.
TYPE OF KHADI FABRICS 
Cotton khadi 
Poly khadi 
khadi wool 
Khadi muslin 
Khadi silk
GHANDHI JI AND KHADI 
 Promoted the spinning of khadi. 
 Rural employment. 
 Self reliance. 
 A weapon for defense against Britishers. 
 The first true Indian designers’ fabric. 
 He lead from the front and promoted this fabric 
of freedom.
PROCESS OF MAKING KHADI 
1.Hand picking of the cotton 
2.Ginning 
3.Opening and cleaning 
4.Carding 
5.Drawing and combing 
6.Roving 
7.Spinning 
8.Sizing 
9.Wraping 
10.Drawing and drafting 
11.Weaving 
12.Finishing
KHADI AND FASHION 
 These days Khadi has become a brand name and 
under the name of this brand many other products 
is being launched some of the products are: 
 Woolen Products 
 Hospital Linen 
 Leather Products 
 Organic Manure 
 Handmade Paper and products .
. 
 Khadi is the only fabric which is said to be “eco friendly” 
and hence increases its extent in fashion world. 
 Khadi today represents an exquisite, heritage product, 
which is ‘ethnic’ as well as ‘ethical’. 
 Khadi totally handcrafted and containing natural fibres, this 
natural flavour offers ample scope for fashion statement 
for the creative expression of fashion designers
GARMENTS MADE OF KHADI 
Madras checks on cotton fabric
FASHION DESIGNERS USING “KHADI” 
IN THEIR COLLECTION 
 DAVID ABRAHAM 
 BESS NIELSEN 
 CHRISTINA KIM 
 RITU KUMAR 
 SABYASACHI MUKHERJEE 
Ritu Kumar 
David Abraham 
Sabyasachi
Sabyasachi’s collection 
Ritu Kumar's 
show 
Bess Nielsen 
Kim's collection 
Bess Nielsen's 
collection 
David Abraham's 
collection 
Christina Kim
REVIVING KHADI IN INDIA (CORPORATE 
RESTRUCTURE) 
To display Khadi's potential, KVIC 
organized a fashion show in Mumbai 
in 1989. Nearly 85 dazzling garments 
created by Devika Bhojwani were 
presented at the show. This was the 
first step towards changing Khadi's 
earlier image of being unfashionable.
•In 1990, the Delhi based designer, Ritu Kumar 
presented her first Khadi collection, Tree of Life, 
which helped put Khadi in the fashion circuit. With 
increasing interest of the western world in use of 
handloom and Khadi, many Indian designers 
began to use Khadi for their designs. 
• In September 2000, Vasundhara Raje, Minister 
for Small Scale Industries, initiated a movement to 
revive all the 7,000 KVIC shops in India and make 
Khadi more fashionable and affordable. The KVIC 
Board hired the services of leading fashion 
designers to help create a new range and brand of 
Khadi wear
State-wise annual sale of khadi 
(Rs crore) 
Srl.no state 2008-09 2009-10 2010-11 2011-12 
1 Jammu& Kashmir 
16.5 14.52 11.17 11.82 
2 Himachal Pradesh 
8.47 8.75 9.61 10.02 
3 Punjab 12.85 10.18 8.15 8.55 
4 UT Chandigarh 
1.32 1.34 1.34 1.95 
5 Uttarakhand 24.79 26.85 30.13 31.64 
6 Haryana 39.99 76.28 84.81 89.69 
7 Delhi 23.57 25.08 25.72 26.87
8 Rajasthan 51.57 57.41 59.08 62.16 
9 
Uttar 
Pradesh 
278.41 283.41 274.61 288.69 
10 Bihar 13.23 16.37 17.16 17.85 
11 Sikkim 0.01 0.1 0.1 0.11 
12 
Arunachal 
Pradesh 
0.17 0.26 0.24 0.25 
13 Nagaland 0.83 0.96 0.96 1.01 
14 Manipur 0.73 0.76 0.78 0.81
15 Mizoram 0.04 0.07 0.07 0.07 
16 Tripura 0.58 0.59 0.59 0.62 
17 Meghalaya 0.06 0.08 0.09 0.09 
18 Assam 7.4 7.94 8.39 8.86 
19 West Bengal 28.18 35.31 47.92 50.56 
20 Jharkhand 9.17 9.21 29.11 30.86 
21 Odisha 2.9 2.92 4.16 4.35 
22 Chhattisgarh 7.88 9.69 10.22 10.74
23 
Madhya 
Pradesh 
19.04 12.7 13.29 14.06 
24 Gujarat* 47.5 48.82 50.6 53.18 
25 Maharashtra ** 14.04 14.08 13.26 13.91 
26 Andhra Pradesh 11.45 12.96 14.21 14.97 
27 Karnataka 42.64 44.5 32.59 34.48 
28 Goa 0.53 0 0 0 
29 Lakshadweep 0 0 0 0 
30 Kerala 46.47 48 66.39 70.44 
31 Tamilnadu 88.44 97.4 102.04 108.77 
32 Puducherry 0.84 0.47 0.47 0.49 
33 
Andaman & 
Nicobar Islands 
0 0 0 0 
Total 799.6 867.01 917.26 967.87 
* including Daman & Diu 
** including Dadra & Nagar Haveli 
Note: The figures for 2012-13 are under compilation by KVIC.
MALKHA 
"Malkha fabrics are woven by skilled 
weaver families on handlooms in 
Indian villages from cotton grown by 
smallholder farmer families. 
Malkha combines thousands of years 
of Indian experience of cotton with 
modern Indian engineering skills
The MALKHA process puts the intermediate 
stage of cotton spinning back in the village, 
making the entire textile chain from cotton to 
cloth village-based. They handle the delicate 
cotton fibers gently, avoiding the force and 
violence of conventional processing, keeping the 
springiness of the live fibers all the way into the 
cloth. That’s what gives malkha fabric its swing & 
drape. Malkha fabric is soft, it breathes, absorbs, 
holds color, reflects its handmade heritage in its 
texture.
SPECIALTIES OF MALKHA 
 Malkha is pure cotton cloth made directly from raw 
cotton in the village close to cotton fields 
 Combines traditional Indian principles of cloth 
making with modern small-scale technology. 
 Energy efficient - avoids baling and unbaling of 
cotton by heavy machinery and unnecessary 
transport. 
 Malkha has a beautiful texture, is soft, and keeps its 
shape for ages. 
 The DCY* technology-decentralised cotton yarn 
technology 
which exploits the natural buoyancy of cotton
AMBAR CHARKHA-E CHARKHA 
 The e-charkha developed by KVIC in association 
with Flexitron, Bangalore enables a spinner, living 
in the hinterland of the country, to spin yarn and 
also generate enough power to light up her home 
and listen to transistor. Such e-charkha is available 
in all spindle-age i.e. single, 2 spindle and 8 spindle
AMBAR CHARKHA-E CHARKHA 
Features of e – charkha 
 The e-charkha is provided with a generator. 
 Spinning on the 2 spindle e-charkha just for 2 hours 
would give yarn of length 2.4 km (2.4 hanks) and a 
light output / back up for 7.5 hours, which is 
sufficient for one day use. 
 The generator can easily be connected to / 
disconnected from charging simply by 
flipping a switch to on / off mode.
. 
 Components of e – charkha 
 Spinning unit contain one / two / eight spindle 
charkha. 
 The lighting unit has the LED of 1 watt. 
 The transistor radio – normal AM/FM tuner. 
 Battery. 
 Spinning of e-charkha for only two hours a day 
would render the following benefits 
 Lighting of LED lamp and listening transistor 
continuously for 7 ½ hours. 
 Spinning on 2 spindle e-charkha for 25 days in a 
month will produce yarn sufficient for 
a single bed-sheet, a bath towel and a shirt.
S.W.O.T ANALYSIS OF "KHADI" 
 STRENGTH 
 Khadi has a very good drape and contains a great 
potential 
 Ecofriendy 
 Connects to freedom movement 
 Statement about your lifestyle and values/austere 
 WEAKNESS 
 Less awareness and preference to foreign brands 
 Lack of artisans 
 Lack of promotional activities 
 Lack of funds 
 Low wages for artisans
. 
 OPPORTUNITY 
 Only 4% of khadi is contributed in India’s annual 
fabric production so it can be increased with few 
efforts. 
 New technologies –like DCY technology and 
ambar charkha(e-charkha) 
 New markets 
 New products 
 THREAT 
 Preparation of Khadi is an expensive procedure 
which kills the scope of its popularity. 
 Online market 
 Intense competition
CONCLUSION 
What really works for Khadi is its texture. 
 Khadi works better generally in tunics and 
simpler shapes because of its fall and 
drape. 
 Khadi has breathability which works in its 
favour. 
 Khadi’s unique thermal effect lends warmth 
in winter and makes it a cool summer fabric. 
 Khadi is ecologically viable as it does not 
use harmful chemicals
REFERENCES . 
 http://www.realbuzz.com/articles/the-importance-of-khadi-to-runners-in-en/ 
 http://www.active.com/gear/Articles/The_Science_Behind_khadi 
 http://www.bigskyfishing.com/snow-boots/winter-sock.shtm 
 http://journal.stylealphabet.com/the-importance-of-socks-for-men/ 
 http://www.youtube.com/watch?v=Z5Z9NB3Q2EM 
 http://www.youtube.com/watch?v=8uvL_KUq7Pg 
 http://www.renfroindia.com/ 
 http://www.booruguindia.com/ 
 http://www.gainup.in/ 
 http://www.shuishan.com/en/z.asp 
 http://sansilou.gmc.globalmarket.com/products/details/sock-knitting-machine- 
265850.html 
 http://www.fibre2fashion.com/eurowell/ 
 http://www.malkha.in/index.html 
 BOOKS REFERRED 
 “KHADI-Fabric of freedom “ By AMR VASTRA KOSH 
 MATERIAL SCIENCE BY HAZRA CHAUDHARY 
 JOURNALS REFERRED 
 THE INDIAN TEXTILE JOURNAL 
 THE KVIC JOURNAL
KHADI

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KHADI

  • 1. SUBMITTED BY: JITENDRA PATHAK(08) SHAMBHAVI MOHAN(20)
  • 2. KHADI  KHADI is an Indian fabric. Khadi is also known by another name “Khaddar”. It is made by spinning the threads on an instrument known as “Charkha”  KHADI is a hand woven cloth using hand spun yarn containing natural fibers like cotton, silk and wool only, spun and woven in natural environment.  Mahatma Gandhi it as a symbol for political agendas during the fight for independence in India against the British rule. It was primarily a means to provide employment to the unemployed rural population of India at that time
  • 3. KHADI AND VILLAGE INDUSTRIES COMMISSION (KVIC)  Khadi & Village Industries Commission (KVIC) established under the Khadi and Village Industries Commission Act, 1956  The functions of the Commission is to plan, promote, organize and assist in the establishment and development of khadi and village industries in the rural area in coordination with other agencies engaged in rural development wherever necessary.
  • 4. MAIN OBJECTIVES OF KVIC oThe social objective of providing employment opportunities in the rural areas oThe economic objective of producing salable articles oThe wider objective of creating self- reliance amongst people and building up a strong rural community.
  • 5. TYPE OF KHADI FABRICS Cotton khadi Poly khadi khadi wool Khadi muslin Khadi silk
  • 6. GHANDHI JI AND KHADI  Promoted the spinning of khadi.  Rural employment.  Self reliance.  A weapon for defense against Britishers.  The first true Indian designers’ fabric.  He lead from the front and promoted this fabric of freedom.
  • 7. PROCESS OF MAKING KHADI 1.Hand picking of the cotton 2.Ginning 3.Opening and cleaning 4.Carding 5.Drawing and combing 6.Roving 7.Spinning 8.Sizing 9.Wraping 10.Drawing and drafting 11.Weaving 12.Finishing
  • 8. KHADI AND FASHION  These days Khadi has become a brand name and under the name of this brand many other products is being launched some of the products are:  Woolen Products  Hospital Linen  Leather Products  Organic Manure  Handmade Paper and products .
  • 9. .  Khadi is the only fabric which is said to be “eco friendly” and hence increases its extent in fashion world.  Khadi today represents an exquisite, heritage product, which is ‘ethnic’ as well as ‘ethical’.  Khadi totally handcrafted and containing natural fibres, this natural flavour offers ample scope for fashion statement for the creative expression of fashion designers
  • 10. GARMENTS MADE OF KHADI Madras checks on cotton fabric
  • 11. FASHION DESIGNERS USING “KHADI” IN THEIR COLLECTION  DAVID ABRAHAM  BESS NIELSEN  CHRISTINA KIM  RITU KUMAR  SABYASACHI MUKHERJEE Ritu Kumar David Abraham Sabyasachi
  • 12. Sabyasachi’s collection Ritu Kumar's show Bess Nielsen Kim's collection Bess Nielsen's collection David Abraham's collection Christina Kim
  • 13. REVIVING KHADI IN INDIA (CORPORATE RESTRUCTURE) To display Khadi's potential, KVIC organized a fashion show in Mumbai in 1989. Nearly 85 dazzling garments created by Devika Bhojwani were presented at the show. This was the first step towards changing Khadi's earlier image of being unfashionable.
  • 14. •In 1990, the Delhi based designer, Ritu Kumar presented her first Khadi collection, Tree of Life, which helped put Khadi in the fashion circuit. With increasing interest of the western world in use of handloom and Khadi, many Indian designers began to use Khadi for their designs. • In September 2000, Vasundhara Raje, Minister for Small Scale Industries, initiated a movement to revive all the 7,000 KVIC shops in India and make Khadi more fashionable and affordable. The KVIC Board hired the services of leading fashion designers to help create a new range and brand of Khadi wear
  • 15. State-wise annual sale of khadi (Rs crore) Srl.no state 2008-09 2009-10 2010-11 2011-12 1 Jammu& Kashmir 16.5 14.52 11.17 11.82 2 Himachal Pradesh 8.47 8.75 9.61 10.02 3 Punjab 12.85 10.18 8.15 8.55 4 UT Chandigarh 1.32 1.34 1.34 1.95 5 Uttarakhand 24.79 26.85 30.13 31.64 6 Haryana 39.99 76.28 84.81 89.69 7 Delhi 23.57 25.08 25.72 26.87
  • 16. 8 Rajasthan 51.57 57.41 59.08 62.16 9 Uttar Pradesh 278.41 283.41 274.61 288.69 10 Bihar 13.23 16.37 17.16 17.85 11 Sikkim 0.01 0.1 0.1 0.11 12 Arunachal Pradesh 0.17 0.26 0.24 0.25 13 Nagaland 0.83 0.96 0.96 1.01 14 Manipur 0.73 0.76 0.78 0.81
  • 17. 15 Mizoram 0.04 0.07 0.07 0.07 16 Tripura 0.58 0.59 0.59 0.62 17 Meghalaya 0.06 0.08 0.09 0.09 18 Assam 7.4 7.94 8.39 8.86 19 West Bengal 28.18 35.31 47.92 50.56 20 Jharkhand 9.17 9.21 29.11 30.86 21 Odisha 2.9 2.92 4.16 4.35 22 Chhattisgarh 7.88 9.69 10.22 10.74
  • 18. 23 Madhya Pradesh 19.04 12.7 13.29 14.06 24 Gujarat* 47.5 48.82 50.6 53.18 25 Maharashtra ** 14.04 14.08 13.26 13.91 26 Andhra Pradesh 11.45 12.96 14.21 14.97 27 Karnataka 42.64 44.5 32.59 34.48 28 Goa 0.53 0 0 0 29 Lakshadweep 0 0 0 0 30 Kerala 46.47 48 66.39 70.44 31 Tamilnadu 88.44 97.4 102.04 108.77 32 Puducherry 0.84 0.47 0.47 0.49 33 Andaman & Nicobar Islands 0 0 0 0 Total 799.6 867.01 917.26 967.87 * including Daman & Diu ** including Dadra & Nagar Haveli Note: The figures for 2012-13 are under compilation by KVIC.
  • 19. MALKHA "Malkha fabrics are woven by skilled weaver families on handlooms in Indian villages from cotton grown by smallholder farmer families. Malkha combines thousands of years of Indian experience of cotton with modern Indian engineering skills
  • 20. The MALKHA process puts the intermediate stage of cotton spinning back in the village, making the entire textile chain from cotton to cloth village-based. They handle the delicate cotton fibers gently, avoiding the force and violence of conventional processing, keeping the springiness of the live fibers all the way into the cloth. That’s what gives malkha fabric its swing & drape. Malkha fabric is soft, it breathes, absorbs, holds color, reflects its handmade heritage in its texture.
  • 21. SPECIALTIES OF MALKHA  Malkha is pure cotton cloth made directly from raw cotton in the village close to cotton fields  Combines traditional Indian principles of cloth making with modern small-scale technology.  Energy efficient - avoids baling and unbaling of cotton by heavy machinery and unnecessary transport.  Malkha has a beautiful texture, is soft, and keeps its shape for ages.  The DCY* technology-decentralised cotton yarn technology which exploits the natural buoyancy of cotton
  • 22.
  • 23. AMBAR CHARKHA-E CHARKHA  The e-charkha developed by KVIC in association with Flexitron, Bangalore enables a spinner, living in the hinterland of the country, to spin yarn and also generate enough power to light up her home and listen to transistor. Such e-charkha is available in all spindle-age i.e. single, 2 spindle and 8 spindle
  • 24. AMBAR CHARKHA-E CHARKHA Features of e – charkha  The e-charkha is provided with a generator.  Spinning on the 2 spindle e-charkha just for 2 hours would give yarn of length 2.4 km (2.4 hanks) and a light output / back up for 7.5 hours, which is sufficient for one day use.  The generator can easily be connected to / disconnected from charging simply by flipping a switch to on / off mode.
  • 25. .  Components of e – charkha  Spinning unit contain one / two / eight spindle charkha.  The lighting unit has the LED of 1 watt.  The transistor radio – normal AM/FM tuner.  Battery.  Spinning of e-charkha for only two hours a day would render the following benefits  Lighting of LED lamp and listening transistor continuously for 7 ½ hours.  Spinning on 2 spindle e-charkha for 25 days in a month will produce yarn sufficient for a single bed-sheet, a bath towel and a shirt.
  • 26. S.W.O.T ANALYSIS OF "KHADI"  STRENGTH  Khadi has a very good drape and contains a great potential  Ecofriendy  Connects to freedom movement  Statement about your lifestyle and values/austere  WEAKNESS  Less awareness and preference to foreign brands  Lack of artisans  Lack of promotional activities  Lack of funds  Low wages for artisans
  • 27. .  OPPORTUNITY  Only 4% of khadi is contributed in India’s annual fabric production so it can be increased with few efforts.  New technologies –like DCY technology and ambar charkha(e-charkha)  New markets  New products  THREAT  Preparation of Khadi is an expensive procedure which kills the scope of its popularity.  Online market  Intense competition
  • 28. CONCLUSION What really works for Khadi is its texture.  Khadi works better generally in tunics and simpler shapes because of its fall and drape.  Khadi has breathability which works in its favour.  Khadi’s unique thermal effect lends warmth in winter and makes it a cool summer fabric.  Khadi is ecologically viable as it does not use harmful chemicals
  • 29. REFERENCES .  http://www.realbuzz.com/articles/the-importance-of-khadi-to-runners-in-en/  http://www.active.com/gear/Articles/The_Science_Behind_khadi  http://www.bigskyfishing.com/snow-boots/winter-sock.shtm  http://journal.stylealphabet.com/the-importance-of-socks-for-men/  http://www.youtube.com/watch?v=Z5Z9NB3Q2EM  http://www.youtube.com/watch?v=8uvL_KUq7Pg  http://www.renfroindia.com/  http://www.booruguindia.com/  http://www.gainup.in/  http://www.shuishan.com/en/z.asp  http://sansilou.gmc.globalmarket.com/products/details/sock-knitting-machine- 265850.html  http://www.fibre2fashion.com/eurowell/  http://www.malkha.in/index.html  BOOKS REFERRED  “KHADI-Fabric of freedom “ By AMR VASTRA KOSH  MATERIAL SCIENCE BY HAZRA CHAUDHARY  JOURNALS REFERRED  THE INDIAN TEXTILE JOURNAL  THE KVIC JOURNAL